Rirkrit Tiravanija



Born: Buenos Aires, Argentina 1961
Lives and works in New York, Berlin, and Bangkok


Education

The Whitney Independent Studies Program, New York
The School of the Art Institute of Chicago
The Banff Center School of Fine Arts, Banff, Canada
The Ontario College of Art, Toronto, Canada



Solo Exhibitions

2013
"Untitled 2012 (passport to the middleworld)," Gavin Brown’s enterprise, Harlem, New York
"Oktophonie," Park Avenue Armory, New York

2012
“Untitled 2001/2012,” Gallery Side 2, Tokyo, Japan
neugerriemschneider, Berlin, Germany

2011   
“UNTITLED 2008-2011(the map of the land of feeling),” Carolina Nitsch, New York
“Untitled 2011(police police potato grease),” Bonnierskonsthall, Stockholm, Sweden
"Fear Eats the Soul," Gavin Brown’s enterprise
"Murder and Mayhem," 1301 PE Gallery, Los Angeles

2010 
  
"Rirkrit Tiravanija," Pilar Corrias, London
"Who's Afraid of Red, Yellow and Green," 100 Tonson Gallery, Bangkok, Thailand
"Rirkrit Tiravanija + Kunsthalle Bielefeld Collection: New Acquisitions." Kunsthalle Bielefeld, Bielefeld, Germany
Helga Maria Klosterfelde, Berlin, Germany
Galerie Chantal Crousel, Paris, France
“ne travaillez jamais,” Tang Contemporary, Beijing

2009 
  
“Chew the Fat,” Neugerriemschneider, Berlin
“Rirkrit Tiravanija: Chew the Fat,” Mildred Lane Kemper Art Museum, St. Louis, Missouri
“The House the Cat Built,” Galeria Salvador Diaz, Madrid, Spain
“A Long March,” Centro de Arte Contemporaneo de Malaga, Spain
“Reflection,” Nyehaus, New York
“Less Oil More Courage,” Kunsthalle Fridericianum, Kassel, Germany

2008   
“JG Reads,” Gavin Brown’s enterprise, New York
“Palm Pavillon,” kurimanzutto, Mexico City
“demonstration drawings,” Drawing Center, New York
magazine station no. 5, Artspace, Auckland, New Zealand
“Foster, You’re Dead,” Galleria Emi Fontana, Milan, Italy, with Neil Logan

2007 
  
Rirkrit Tiravanija: Editions and Multiples, Helga Maria Klosterfelde, Berlin
Untitled 1992 (Free), David Zwirner Gallery, New York, with Gordon Matta-Clark
“Stories Are Propaganda,” Friedrich Petzel Gallery, New York, with Philippe Parreno
Brychcy Bar, Ontario College of Art and Design, Ontario, Canada

2006
   
Brychcy Bar, Gavin Brown’s enterprise, New York
Demonstration Drawings, 1301PE, Los Angeles, US
Philippe Parreno & Rirkrit Tiravanija, Friedrich Petzel Gallery, New York
Galerie Chantal Crousel, Paris

2005
   
Untitled 2005 (magazine station no. 4), Neugerriemschneider, Berlin
Retrospective, Serpentine Gallery, London (cat.)
Retrospective, ARC, Musee d’Art Moderne de la Ville de Paris, Paris (cat.)
Hugo Boss 2004, Guggenheim Museum, New York

2004   
Retrospective, Museum Bojmans Van Beuningen, Rotterdam, Netherlands (cat.)
Gordon Matta-Clark-In the Belly of Anachitect (with Pierre Huyghe & Pamela M. Lee), Portikus, Frankfurt am Main, Germany (brochure)
Nothing, CMU Art Museum, Chiang Mai, Thailand
Social Pudding, Rirkrit Tiravanija and Superflex, 1301PE, Los Angeles, CA

2003   
Demo Station No. 4, Ikon Gallery, Birmingham, UK
In the Future Everything Will Be Chrome, Gavin Brown’s enterprise, New York, NY
Social Pudding, Galerie fur Zeitgenossische Kunst, Leipzig, Germany

2002   
Untitled 2002 (He Promised), Secession, Vienna, Austria (cat.)
untitled, (Demo Station no. 3), Sumida River Project, Asahi Beer Co, Tokyo, JAP
Untitled 2002 (The Raw & The Cooked), City Opera Gallery, Tokyo, Japan
Demonstration, Sumida River Project, Asahi Beer, Tokyo
Solo Exhibitions (cont.)
oVer station no 2,  Astrup Fearnley Museum of Modern Art, Oslo

2001        
The Land, Galerie Chantal Crousel, Paris, France
Rirkrit Tiravanija – Over Magazine, Oslo Kunsthall, Oslo, Norway
GAM, Turin Italy
Untitled 2001 (the two sons of Monchengladbach), Stadtisches Museum Abteiberg,
Monchengladbach, Germany
Untitled 2001 (No Fire No Ashes), Neugerriemschneider, Berlin, Germany
Untitled 2001 (Demo Station No. 3), Portikus, Frankfurt, Germany
Kunstverein, Wolfsburg, Germany

2000   
Passage Cosmo, Project Gallery, CCA Kitakyushu
Untitled 2000 (oVer  Station No.2), Galleria Emi Fontana, Milan, Italy
Untitled 2000 (oVer Station No.1), Gallery Side 2, Tokyo, Japan
Untitled 2000 (demonstrate), Galeria Salvador Diaz, Madrid, Spain

1999   
Untitled 1999 (Community Cinema for a Quiet Intersection (After Oldenburg)), The Modern Institute,Glasgow, UK
A Trailer for a Film  (in progress for the past several years), 1301 PE, Los Angeles. CA
Helga Maria Klosterfelde, Hamburg, Germany
Dom-Ino Effect, zus. mit Lincoln Tobier Los Angeles County Museum of Art, Los Angeles, CA
Untitled, 1999 (mobile home), Fundacio, “la Caixa”, Barcelona, Spain
Untitled 1999 (tomorrow can shut up and go away), Gavin Brown's enterprise,
New York, NY
dAPERTutto, 48. Esposizione Internazionale d'Arte, La Biennale di Venezia, Venice, Italy (cat.)
Untitled 1999 (reading from right to left), Wexner Center for the Arts, Columbus, OH
Dom-Ino (une demonstration d’automne), Galerie Chantal Crousel, Paris, France
Galerie Micheline Szwajcer, Antwerp, Belgium

1998   
Untitled 1998 (Das Soziale Kapital), <migros museum> Museum fur Gegenwartskunst, Zurich, Switzerland
Untitled 1998 (On the Road with Jiew, Jeaw, Jieb, Sri and Moo) Philadelphia Museum of Art, Philadelphia, PA

1997   
Untitled 1997 (Playtime), Projects 58, MoMA, New York, NY; Williams College Museum of Art, Williamstown, MA
Untitled 1997 (A Demonstration by Faust as a Sausage and Franz Biberkopf as a Potato), neugerriemschneider, Berlin, Germany
Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg (cat.)
Untitled 1997 (Schupfnudeln), Jan Winkelmann, Munich, Germany
Helga Maria Klosterfelde, Hamburg, Germany   

1996 
  
Untitled 1996 (Loup, es-tu-la?),  Galleria Emi Fontana, Milano, Italy   
Untitled 1996 (traffic), Navin Gallery Bangkok, Thailand
Untitled 1996 (rehearsal Studio No. 6), Kunsthalle St. Gallen, Switzerland            Untitled 1996 (Tomorow's Another Day), Kolnischer Kunstverien, Koln, Germany   (cat.)
Untitled 1996 (one revolution per minute), Le Consortium, Centre d'Art Contemporain, Dijon, France
Douglas Gordon/Rirkrit Tiravanija, FRAC Languedoc-Rousillion, Montpellier, France
the pool room, Kunstverein in Hamburg, Hamburg, Germany
In / Out, (a collaborative project with U of I and The Resource Center, Gallery 400 U of I, Circle Campus, Chicago, IL
Untitled 1996 (rehearsal studio no. 6, Silent version), Spiral Garden, Tokyo, Japan
Stitching DeAppel, zus. mit Renee Green, Amsterdam, Netherlands   (cat.)
Stormer, Hamburg; Helga Maria Klosterfelde Editionen, Hamburg, Germany

1995  
Untitled 1995 (Still), 303 Gallery, New York, NY
Untitled 1995 (Tent), Architektenbüro Alsop & Störmer, Hamburg; Helga Maria         Klosterfelde Editionen,  Hamburg, Germany

1994   
Untitled, 1994 (From Baragas...to Reina Sofia), Reina Sofia, Madrid, Spain
Andy Warhol  Rirkrit Tiravanija, Gavin Brown's enterprise, New York, NY
Untitled 1994 (meet tim & burkhard), neugerriemschneider, Berlin, Germany
Untitled 1994 (angst essen seele a uf), Friesenwall 116, Cologne, Germany
Untitled 1994 (Beauty), Jack Hanley Gallery, San Francisco, CA

1993   
Untitled 1993 (Live and Eat, Eat and Die), Randolph Street Gallery, Chicago, IL. 
Untitled 1993 (Rucksack), 2.9.1994 Architektenbüro Alsop & Störmer, Hamburg,     Germany
Helga Maria Klosterfelde Editionen, Hamburg, Germany

1992   
Untitled 1992 (Free), 303 Gallery, New York, NY

1990
   
Untitled 1990 (Blind), Randy Alexander Gallery, New York, NY
Untitled 1990 (Pad Thai), Project Room, Paula Allen Gallery, New York, NY


Group Exhibitions

2013
"Island," Dairy Art Centre, London, UK
"News/Prints: Printmaking & the Newspaper," International Print Center New York, New York (curated by Anders Bergstrom & Anne LaFond)
"Revealed," Stonescape, Calistoga, California
"The Red Queen," Museum of Old and New Art, Tanzania, Australia
"NYC 1993: Experimental Jet Set, Trash and No Star," 
New Museum of Contemporary Art, 
New York
"untitled 2012 (who if not we should at least try to imagine the future, again) (remember Julius Koller)," Gavin Brown’s enterprise, New York
"Day After Day: The Diaristic Impulse," University Art Museum, University at Albany, Albany

2012
“Sammlung Boros #2,” Boros Collection, Berlin, Germany
338 Oida Gallery, Bangkok, Thailand
"Thai Transience," Singapore Art Museum, Singapore
“We The People,” The Rauschenberg Foundation, New York (curated by Jonathan Horowitz & Alison Gingeras)
"Roundtable," 9th Gwangju Biennale Gwangju, South Korea
“Ruptures: Forms of Public Address,” Cooper Gallery, The Cooper Union, New York
“John Baldessari / Rirkrit Tiravanija,” 1301PE Gallery, Los Angeles, CA
"Soup/No Soup," La Triennale, Palais de Tokyo, Paris, France
“On Air,” Centre Pompidou, Paris, France
“Fuori Uso in Opera,” Cantiere Caldora, Pescara, Italy
“Ecstatic Alphabets/Heaps of Language,” MoMA, New York
"ARTandPRESS," Martin-Gropius-Bau, Berlin, Germany
"Feast: Radical Hospitality in Contemporary Art", Smart Museum of Art, Chicago

2011
“Between Utopia and Dystopia,” MUSEO UNIVERSITARIO ARTE CONTEMPORÁNEO (MUAC), Mexico D.F., Mexico
“Spiral and the Square,” Curated by Jochen Volz, Bonniers Konsthall, Stockholm
“Art Unlimited,” Art Basel, Basel, Switzerland
“Commercial Break,” Garage Projects, 54th Venice Biennale, Venice, Italy
“Politics is Personal,” Stonescape, Calistoga, CA
“Art and Press,” Martin Gropius Bau, Berlin

2010   
“The Last Newspaper,” The New Museum, New York
"Neue Heimat-zwischen den Welten," Zeppelin Museum Friedrichshafen, Friedrichshafen, Germany 
"erasing 22'09" (unfinished)," Gallery VER, Bangkok
"Living with Art: Collecting Contemporary in Metro New York," Neuberger Museum, New     York
 "Jorge Pardo Scultpure Ink," Friedrich Petzel Gallery, New York
"At Home/Not at Home," Hessel Museum of Art, New York
“The Page,” Kimmerich, New York, curated by John Stezaker and Matthew Higgs
“Pilot Light,” Espace le Carre, Lille, France
“And So On, And So On, And So On,” Harris Lieberman, New York, organized by Matt
Sheridan Smith

2009   
“The Spirit of the Haus,” Haus der Kulturen der Welt, Berlin, Germany
“It’s fine as long as you draw but don’t film” (Waltz with Bashir, 2008): An exhibition of drawings, Pilar Corrias Gallery, London 2009
“Brodno Sculpture Park,” Museum of Modern Art in Warsaw, Poland
“Tempo del postino II,” Basel 09, Switzerland
“Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary     Drawings Collection,” Museum of Modern Art, New York
“1992009,” D’Amelio Terras, New York

2008   
“The Greenroom: Reconsidering the Documentary and Contemporary Art,” CCS Bard
Hessel Museum, New York, curated by Maria Lind
“Out Now!” E-Flux, New York, organized by Anton Vidokle
“theanyspacewhatever,” Solomon R. Guggenheim Museum, New York, curated by Nancy
Spector
Yokohama Triennial, Japan
“The New York Conversations,” a project by Nico Dockx, Anton Vidokle, and Rirkrit
Tiravanija, E-flux, New York
“Who’s Afraid of Jasper Johns?” Tony Shafrazi Gallery, New York, conceived by Urs
Fischer and Gavin Brown
“The Puppet Show,” Santa Monica Museum of Art, CA
“Installations: Selection from the Guggenheim Collections,” Guggenheim Museum Bilbao,
Bilbao, Spain
“Vertrautes Terrain – Aktuelle Kunst in und uber Deutschland,” ZKM Center for Art and
Media, Karlsruhe, Germany (cat.)
  
2008
   
“From Gerhard Richter to Rebecca Horn: Works from the Contemporary Art Collection of
the Federal Republic of Germany,” Art and Exhibition Hall of the Federal Republic of
Germany, Bonn
“Experiment Marathon Reykjavik,” Reykjavik Art Museum, Iceland
Glasgow International, Glasgow, Scotland
“Re-Imagining Asia,” Haus der Kulturen der Welt, Berlin, Germany
"Pivot Points: Defining MOCA’s Collection,” MOCA Miami, Florida
“Art and Capital: Spiritual Odyssey,” Gallery Loop, Korea
“Servitude & Simulacre,” Ce Soir, curated by Jordi Vidal, Paris, France

2007
      
Art Beijing Tang Gallery, Beijing, China
“Show Me Thai” Museum of Contemporary Art, Tokyo, Japan
Sharjah Biennial, Sharjah
“Tomorrow” Artsonje Center, Seoul, Korea
Anyang Public Art Project, Anyang, Korea
“Copenhagen Bar Project” Karrier contemporary art &social life, Denmark
 “The Place and The Plate” The Jim Thompson Art Center, Bangkok, Thailand
“The Lath Picture Show” Petzel Gallery, New York
"Sympathy for the Devil: Art and Rock and Roll Since 1967,” MCA Chicago, IL
“Just use it” Nordjyllands Kunst museum, Aalborg, Denmark
“Scotiabank Nuit Blanche,” Ontario College of Art and Design, Ontario, Canada
 Art Public Contemporain, Luxembourg
“Lucelia Artist Award 2001 – 2006,” Smithsonian American Art Museum, Washington DC     
Lyon Biennale, Lyon, France
“Words Fail Me,” Museum of Contemporary Art, Detroit, curated by Matthew Higgs
ShContemporary, Shanghai, China
“Il Tempo del Postino,” Manchester International Festival, Manchester, UK
 “The Freak Show,” Musée d’Art Contemporain de Lyon, France
“Get Lost: Artists Map Downtown New York,” New Museum Project, New York
“New Economy,” Artists Space, New York
“Someone Else With My Fingerprints,” Galerie Chantal Crousel, Paris, France
“Generation 1.5,” Queens Museum of Art, New York
“The Shapes of Space,” Guggenheim Museum, New York

2006   
25 x 25, Cereal Art Gallery, Philadelphia, PA
Open Ended (the art of engagement), Walker Art Center, Minneapolis, MN
All Hawaii Entrées / Lunar Reggae, Irish Museum of Modern Art
The Exotic Journey Ends, Foksal Gallery Foundation, Warsaw; kurimanzutto, Mexico City
Emergency Biennale in Chechnya,, atklasanas forums, Riga, Lettland   
Sao Paulo Biennial, Sao Paulo, Brazil
Surprise, Surprise, Institute of Contemporary Art, London
Sculptures in the Park, Villa Manin Centro d’Arte Contemporanea, Codroipo, Udine, Italy
“Yes Bruce Nauman,” Zwirner & Wirth, New York
Satellite of Love, Witte de With, Rotterdam, NL
Anstoss Berlin: Kunst macht Welt, Haus am Waldsee, Berlin, Germany
Not All Is Visible…, Astrup Fearnley Museum, Oslo, Norway
Into Me/ Out of Me, PS1 Contemporary Art Center, New York
The Large Piece of Turf – Contemporary Art in the Public Domain, curated by Raimer     Stange and Florian Waldvogel for the City of Nuremberg and the German Football Assoc.

2006   
Again for Tomorrow, Royal College of Art Galleries, London
Infinite Painting, Villa Manin Centre for Contemporary Art, Codroipo. Italy
Whitney Biennial, Whitney Museum of American Art, New York

2005   
Thank You For the Music, Sprüth Magers Projekte, Munich, Germany
Looking at Words, Andrea Rosen Gallery, New York
36 x 27 x 10, White Cube Berlin im ehemaligen Palast der Republik, Berlin
FUSION. Aspects of Asian Culture in the MUSAC Collection, MUSAC, Leon, SP
Early Work, White Columns, New York
Lichtkunst aus Kunstlicht, ZKM, Museum für Neue Kunst, Karlsruhe, D
Fantasia, The Second Guangzhou Triennial, Guangdong Museum of Art, Er-sha Island, Guangzhou, China
Nach Rokytnik, The EVN Collection, MUMOK Museum Moderner Kunst Stiftung Ludwig
Wien, Wien, Austria
In the Middle of the Night, Die Neuewerbungen seit 1996, Kunsthalle Bielefeld, D
Räume und Schatten, Haus der Kulturen der Welt, Berlin
Post No Bills, White Columns, New York
universal experience. art, life and the tourist’s eye, Hayward Gallery, London
Nur hier? (3), Hochschule für Grafik und Buchkunst, Leipzig, Germany
Luna Park. Arte Fantastica, Villa Manin, Codroipo, Italy (cat.)
Universal Experience, MCA, Chicago (cat.)   

2004
   
Small: The Object in Film, Video and Slide Installation. Whitney Museum of American Art, New York, NY
70/90 Engagierte Kunst, neues museum, Staatliches Museum für Kunst und Design in Nürnberg, Nürnberg, D
The Encounters in the 21st Century: Polyphony - Emerging Resonances, 21st
Century Museum of Modern Art, Kanazawa, JAP
Klütterkammer, ICA, London, GB
International 04, Liverpool Biennial, Liverpool, GB
e-flux video rental, e-flux, New York, US
Dakar Biennial 2004, Dakar, SN
Qualsiasi (TV), base, Florenz, I
Artists’ Favourites, ICA Galleries, London, GB

2003 
  
Big Nothing, Institute of Contemporary Art, Philadelphia, PA
Social Capital, Whitney Museum Of American Art Independent Study Program Exhibition, New York (cat.)
The Fifth System: Public Art In The Age Of  “Post-Planning”, The 5th Shenzhen International Public Art Exhibition, Shenzhen, China
Installation art 1969-2002; Museum for Contemporary Art MOCA, Los Angeles, USA
Utopia Station - Poster Project, Haus der Kunst, München, D
Hands up, baby, hands up, Oldenburger Kunstverein, Oldenburg, D
Everyday, Kunstforeningen, Kopenhagen, DK (Kat.)
Identität schreiben. Autobiographie in der Kunst, Galerie für zeitgenössische Kunst,     Leipzig, D
Utopia Station, co-curator mit Molly Nesbit und Hans-Ulrich Obrist, 50 Biennale di     Venezia, Venedig, I
actionbutton, Hamburger Bahnhof, Berlin, Germany
Werke aus der Sammlung Boros, Museum für neue Kunst, ZKM, Karlsruhe, D
Elephant Juice (sexo entro amigos), Kurimanzutto, Mexico City, Mexico

2003   
Inaugural Group Exhibition, Gavin Brown’s enterprise, New York, NY
Perfect Timeless Repetition, Alte Gerhardsen, Berlin, Germany
El aire es azul, Casa Museo Luis Barragan, Mexico City, Mexico
Imperfect Marriages, Emi Fontana, Milano, Italy
Love Planet, Benesse, Okayama, Japan

2002
   
En Route, Serpentine Gallery, London
40 Jahre Fluxus nd die Folgen, Nassauischer Kunstverein und Projektburo des Stadtmuseums Wiesbaden
No Ghost Just a Shell, Kunsthalle Zurich, Zurich
To Eat or Not to Eat, Centro de Arte de Salamanca, Spain (cat.)
Public Affairs, Kunsthaus Zurich, Zurich, Switzerland (cat.)
Liverpool Biennial, Liverpool, UK
The Object Sculpture, Henry Moore Institute, Leeds, UK (cat)
void, Rice Gallery G2, Tokyo, JAP.
Comfort Zone, Fabric Work Shop, Philadelphia, PA

2001   
4Free, Buro Friedrich, Berlin, D.
Points of Departure, SF MoMA, San Francisco, CA
Fig-1, 50 projects in 50 weeks, conceived and developed by Mark Francis and Jay Jopling, London (cat.)
Watou Poeziezomer, Watou, B
Yokohama Triennale, Yokohama, Jap.200
orientale 1 ; ACC Galerie Weimar, D.
Kleine Paradiese, Gutspark Bockel, Ostwestfalen, Lippe, D. (kat.)
GAM, Turin, I.
Heimaten, Galerie fur Zeitgenossische Kunst, Leipzig, D.
cushy job, Swiss Institute--- Contemporary Art, New York, USA
Public Offerings, MOCA, Los Angeles, CA, curated by Paul Schimmel (cat.)
Beautiful Productions Parkett, Whitechapel Art Gallery, London
Il Dono, offerta ospitalita insidia, Palazzo Delle Papesse,  Centro Arte Contempoanea, Sienna, Italy
plug in--- Einheit and Mobilitat, Westfalisches Landesmuseum, Munster, D.
Germania, Palazzo delle Papesse, Centro Arte Contemporanea, Sienna, Italy
The Beauty of Intimacy, Gemeentemuseum, Den Haag, Netherlands/Staatliche Kunsthalle, Baden-Baden, D.
The Beauty of Intimacy, Kunstraum Innsbruck, A
Freestyle, Werke aus der Sammlung Boros, Museum Morsbroich, Leverkusen, Germany
Egofugal, 7th International Istanbul Biennial, Istanbul, Turkey (cat.)

2000
   
Finale di Partita, Chiostro di Ognissanti, Firenze, Italy
More Works about Buildings and Food, Fundiçao de Oeiras, Hangar K7, Oeiras, Portugal
“Editions and Multiples 1990-2000”, Helga Maria Klosterfelde, Hamburg, Germany
AutoWerke, Deichhtorhallen Hamburg, Hamburg, Germany   
Vicinato 2, Friedrich Petzel, New York
Taxa, Navin Gallery Bankok, and Onepercent Copenhagen, Copenhagen, Danemark
Re_public, Grazer Kunstverein, Graz, Austria
Loneliness in the City, Migros Museum, Zurich, Switzerland (with Franz Ackermann)
1301 PE, Los Angeles, CA
M Art in (n), M Art in (n) c/o Martin Schibli, Helsingborg, Sweden
LKW, Lebenskunstwerke, Kunst in der Stadt 4, Kunsthaus Bregenz, Austria (cat.)

2000   
Ein/raumen-Arbeiten im Museum, Hamburger Kunsthalle, Hamburg, Germany
Beruhmte Künstler Helfen Koch und Kesslau, Koch und Kesslau, Berlin, Germany
M(odel)4∞, BüroFriedrich, Berlin, Germany
Das Unheimliche Heim, Kunstverein, Wolfsburg, Germany
Continental Shift, Ludwig Forum Aachen, Germany; Bonnefantenmuseum, Maastricht;
Stadsgalerij Heerlen, Netherlands; Musee d’Art Moderne, Liege, Belgium (cat.)

1999   
Artworkers, curated by Melissa Feldman, Oriel Mostyn Gallery, Llandudno, Wales
Project Row Houses: Street Life (Round 11), curated by Jerôme Sans, Houston, TX
Embedded Metaphor, curated by Nina Felshin, organized by ICI, New York, traveling         exhibition (1996-99)   
Une histoire parmi d' autres, FRAC Nord-Pas de Calais, Dunkerque, France (cat.)
Peace, <migros museum>, Museum fur Gegenwartskunst, Zurich, Switzerland (cat.)
Moving Images-Film Reflexion in der kunst, Galerie fur Zeitgenossische Kunst Leipzig, Germany (cat.)
Locally Interested, ICA, Nationl Gallery for Foreign Art, Sofia, Bulgaria
dAPERTutto, 48. Esposizione Internazionale d’Arte, La Biennale di Venezia, Venedig, I (Kat.)
go away: artists and travel, Royal College of Art, London, UK (cat.)
A Piece of Furniture..., Galerie Anselm Dreher, Berlin, Germany
1st Fukuoka Triennale, Fukuoka Asian Art Musem, Fukuoka, Japan
Talk.Show. Die Kunst der Kommunikation in den 90er Jahen, Von der Heydt-Museum     Wuppertal, Wuppertal, Germany (cat.)
Photography Salon, Elizabeth Cherry Contemporary Art, Tucson, AZ
FROM/TO, Internatinal Film festival Rotterdam/Witte de With, Rotterdam,NL
Cities on the move, Artspace 1%. Louisiana Museum of Madern Art, Copenhagen,         Denmark
Konstruktionszeichnungen, Kunst- Werke, Berlin, Germany
Places to stay #5 M(usic), Buro Friedrich, Berlin, Germany
Kunst-Welten im Dialog, Museum Ludwig Koln, D (Kat.)
Blown Away, 6th International Caribbean Biennal, St. Kitts, Caribbean Islands

1998
   
Berlin Biennale
Sydney Biennale
Leisure and Travel, Paula Cooper Gallery, New York, NY
Crossings, National Gallery of Canada, Ottawa, Ontario
Not Today, Gavin Brown's enterprise, New York, NY
Wounds: between democracy and redemption in contemporary art, Moderna Museet, Stockholm, Sweden
Dad's Art, neugerriemschnungen, kunst-Werke, Berlin, Germany
"__, 1994untitled, 1994 (meettim&burkhard)brancsi, 1997", Grazer
Kunstverein, Austria
Le proces de pol pot, Magasin Centre National d'Art Contemporain de Grenoble,         Grenoble, France
Sydney Biennale, Sydney, Australia (cat.)
Cities on the Move, Wiener Secession, Wien, A. (Kat.)
BerlinBiennale, Berlin, Germany (cat.)
Mostrato. Fuori Uso '98, Mercati Ortofrutticoli, Pescari, I (cat.)
National Gallery of Canada, Ottawa, Ontario, Canada
Inside..Outside, Stadtisches Museum Leverkusen. SchloB Morsbroich, Germany

1998   
ONTOMtm, Galerie fur Zeitgenossische Kunst, Leipzig, Germany (cat,)
Kunstlerlnnen, 40 positionen zeitgenossischer internationaler Kunst in Videoportaits,         museurm in progress in Zusammenarbeit mit dern Kundthaus Bregenz/             Kunstlerhaus Bethanien, Berlin, Germany
Kunst und papier auf dem Laufsteg, Deutsche Guggenheirm Berlin, Germany
Deserted & Embraced, Goethe-Institue Bankok, Thailand (cat.)

1997
   
Cities on the Move, CAPC Bordeaux, France (cat.)
enterprise, ICA, The Institute of Comtemporary Art, Boston, MA
Kunst...Arbeit, Sudwest LB, Stuttgart, Germany (cat.)
Deserted & Embraced, Chiang Mai, Thailland (cat.)
Helga Maria Klosterfelde, Hamburg, Germany
Truce: Echoes of Art in an Age of Endless Conclusions, Site Santa Fe, NM
Medium of Exchange, Congress Centrum Hamburg, Confinea 1997, Hamburg, Germany
Letter and Event, Apex Art C.P. New York, NY
Performance Anxiety, MCA Chicago, IL, MCA San Diego, CA, USA
skulptur.projekte, Munster 97, Munster, Germany
A Summer Group Show, Neugerriemschneider, Berlin, Germany
Wandstucke IV, Gallerie Bob Van Orsouw, Zurich, CH
Thinking Print, Museum of Modern Art, New York
Campo 6, the Spiral Village, Bonnefantenmuseum, Maastricht, NL

1996
   
Fiat, Stuttgart/Umbauraum, Germany
Supastore De Luxe, Up & Co, New York, NY
a/drift, curated by Joshua Decter, Center for Curatorial Studies, Bard College, Annandale-    on-Hudson, NY, USA
Campo 6, Fondazione Sandretto Rebaudengo per L'Arte, Galleria Civica d'Arte Moderna di Torino, Turin, Italy
almost invisible/fast nichts, Umspannwerk Singen, Singen/Hohnentwiel, curated by         Jan Winkelmann, Alle Neue, ACC Galerie, Weimar, Germany
Manifesta 1, Rotterdam, Holland
Oporto Festival, Oporto, Portugal
Gary Hume, Udomsak Krisanamis, Rirkrit Tiravanija, Gavin Brown's enterprise,
New York, NY
Vicinato, Air de Paris, Paris, France
Vicinato, Schipper & Krome, Koln, Germany
In/Out, (a collaborative project with U of I and the Resource Center), Gallery 400,         U of I, Circle Campus, Chicago, IL
Kunst in der neuen Messe Leipzig, Leipzig, Germany
TRAFFIC, CAPC Musee d'Art Contemporain, Bordeaux, France
Fiat, Stuttgart/Umbauraum, Stuttgart, Germany
Thinking Print, Henry Art Gallery, Seattle,WA
Campo 6, The spiral Village, Bonnefantenmuseum, Maastricht, Holland
Supastore De Luxe, Up & Co, New York, NY
Thinking Print, MoMA, New York, NY
Kofferkunst, Lagerraum, Frankfurt am Main, Germany
Modema di Torino, Turin, Italy (cat.)
almost invisable / fast nichts, Umspannwerk Singen, Curated by Jan  Winkelmann,         Singen/Hohentwiel, Germany
Alle Neune, ACC Galerie, Weimar, Germany

1995
   
Kwangju Biennale, Kwangju, Republic of Korea (cat.)
Biennale D'Art Contemporain De Lyon, Lyon, France (cat.)
The Carnegie International, The Carnegie Museum of Art, Pittsburgh, PA  (cat.)
Carsten Holler, Philippe Parreno, Rirkrit Tiravanija, Studio Guenzani, Milano, Italy
Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung  Schürmann, Kunsthalle     der Hypo - Kulturstiftung, Munich, Germany
The Moral Maze, Le Consorsium, Dijon, France (cat.)
Configura II: Dialog der Kulturen, Erfurt, Germany (cat.)
Nutopi, Rooseum, Malmö, Denmark (cat.)
Shift, De Appel, Amsterdam, Holland (cat.)
House in Time, Moderna Galerija Ljublijana, Slovenia, (cat.)
The Whitney Biennial, Whitney Museum, NY (cat.)
Economies, Walker Art Center, Minneapolis, MN (with Hans Accola)
Africus, Johannesburg Biennale, Johannesburg, South Africa
Carsten Holler, Phillppe Parreno, Rirkrit Tiravanija, Studio Guenzani, Milan, Italy
Rewind, City Racing, London, UK (Curated by Eric Troncy)
Moral Maze, Le Consortium, Centre d’Art Contemporain, Dijon, F.
Kunsthalle der Hypo-Kulturstiftung, Munchen, Germany (cat.)

1994  
 
Untitled 1994 (Fear Eats the Soul), Galerie Esther Schipper, Koln
Cocido y Crudo, (curated by D. Cameron) Reina Sofia, Madrid, Spain (cat.)
Der Stand der Dinge, Kölnischer Kunstverein, Köln, Germany (cat.)
Lost Paradise, kuratiert von Barbara Steiner, Kunstraum, Wien, Austria (cat.)
Esprit d ‘Amusement, Kunstverein Graz, Austria
new reality mix, Högbergsgatan 18, Stockholm, Sweden
Multiple, Deichtorhallen Hamburg, Germany (cat.)
Out Side the Frame,  Contemporary Art Center, Cleveland, OH (cat.)
SPNY, Galerie Camargo Vilaca, Sao Paulo BRA.(cat.)
Drawing on Sculpture, Cohen Gallery, New York, NY
Residence Secondaire, Paris, France
Untitled Group Show, organized by Friedrich Petzel, Metro Pictures, New York, NY
Surface de Reparations, organized by Eric Troncy, Le Consortium, Centre d'Art
Contemporain, Dijon, France (cat.)
Camping, Galerie Jennifer Flay, Paris, France
Don't Look Now, organized by Joshua Decter, Threadwaxing  Space, New York, NY (cat.)
art after collecting, kuratiert von Rainer Ganahl, Philomene Magers, Koln, D.
L'Hiver de l'Amour, Musée d'Art Moderne de la Ville de Paris, Paris, France; and P.S.1, Long Island City, New York (cat.)

1993   
Viennese Stories, curated by Jerome Sans, Wiener Secession, Wien, Austria (cat.)
Real, Real, Wiener Secession, Wien, Austria (cat.)   
Holly Solomon Gallery, New York, NY
Backstage, Hamburger Kunstverein, Hamburg; and Kunstmuseum, Luzern, Switzerland, (1994) (cat.)
Migrateurs, Musée d'Art Moderne de la Ville de Paris, Paris, France (cat.), curated by Hans-Ulrich Obrist
Real Time, curated by Gavin Brown, Institute of Contemporary Art, London, UK, (cat)
Jorge Pardo, Sarah Seager, Rirkrit Tiravanija, Lincoln Tobier, 1301, Santa Monica, CA
Künstlerhaus Bethanien, organized by Tim Neuger, Berlin, Germany

1993   
Spielhölle, organized by Kaspar König and Robert Fleck, Grazer Kunstverein, Graz,         Austria; and Galerie Sylvana Lorenz, Paris, France (cat.)
Aperto, Biennale Venedig, Venice, Italy, (curator: M. Slotover) (cat.)
Sleepless Nights, curated by Zdenka Gabalova, PS1 Museum, Queens, NY
Galerie Max Hetzler, organized by Tim Neuger, Köln, Germany   
Simply Made in America, Aldrich Museum of Contemporary Art, CT (cat.)
Fever, Exit Art, New York, NY
Kunstmuseum, Luzern, Switzerland
Sleepless Nights, curated by Zdenka Gabalova, PS1 Museum, Queens, New York

1992 
  
Transgressions in the White Cube: Territorial Mapping, organized by Joshua Decter,         Usdan Gallery, Bennington College, Bennington, VT (cat.)
Writings on the Wall, 303 Gallery, New York, NY
Home Improvements, 209 W 97th St, Apt. 7B, New York, NY, curated by Gavin Brown Consumed, Goethe Haus, New York, NY
Insignificant, 10 E 39th St., Suite 525, New York, NY, curated by Gavin Brown

1991 
  
One Leading to Another, 303 Gallery, New York, NY
The Big Nothing or Le Presque Rien, The New Museum of Contemporary Art, New York, NY (cat.)
Brooklyn, Jack Tilton Gallery, New York, NY
Wealth of Nations, Center for Contemporary Arts, Ujazdowski Castle, Warsaw, Poland Dis Mantling Invisibility: Asian & Pacific Islander Artists Response to the AIDS Crisis, Art in General, New York, NY
Shooters Hill, AC Project Room, New York, NY
Arriving, Leonor Datil Perez Gallery, New York, NY
Home?, Home for Contemporary Theater & Art, New York, NY
True to Life, curated by Gavin Brown, 303 Gallery, New York, NY
Fluxattitude, Hallwalls, Buffalo, NY; and The New Museum for Contemporary Art,         New York, NY, (1992) (cat.)
Marginal Majority, (Artists Against Racial Prejudice), Arron Davis Hall,
New York, NY (cat.)
The New Museum for Contemporary Art, New York, USA

1990 
  
Post-Consumerism, The Storefront for Art & Architecture, New York, NY
Work on Paper, Paula Allen Gallery, New York, NY
4th Annual Invitational, Cold City Gallery, Toronto, Canada

1989   
Caught in a Revolving Door, The Alumni Association of the School of the Art Institute     of Chicago, Chicago, IL (cat.)
Outside the Clock: Beyond Good & Elvis, Scott Hanson Gallery, New York, NY
Lotto as Metaphor, Hallwalls, Buffalo, New York, NY (cat.)


Film work

2012
"Lung Neaw Visits His Neighbours," MoMA, New York

2011
“Lung Neaw Visits His Neighbours,” Venice Film Festival, Venice, Italy
'”Commercial Break,” Organized by Neville Wakefield in conjuction with the Garage Center for Contemporary Culture and London-based media platform Post, Venice, Italy

2001
   
Set: Racconto e Artificio, Cinema Massimo, Torino, Italy

2000 
  
Vicinato 2, with Philippe Parreno, Douglas Gordon, Liam Gillick, Carsten Holler, Pierre         Huyghe, Friedrich Petzel Gallery, New York; neugerriemschneider, Berlin, Germany

1999   
A Trailer for a Film, 1301 PE, Los Angeles, CA

1996   
Rirkrit Tiravanija im Gesprach mit Ami Barak, Kunstlerportrat, museum in progress

1995   
Untitled, 1994 (from Barajas to Paracuellos de Jarama to Torrejon de Ardoz, to Coscada   
and to Reina Sofia), attitudes/espace faits divers, Genf, Switzerland
Film work (cont’d)

1991   
Video Event, Tom Cugliani Gallery, New York, NY

1985   
New Film Maker, The Collective for Living Cinema, New York, NY
Super super 8, The Museum of Moving Image, LIC , New York, NY
Super 8 NY, San Francisco Cinemateque, San Francisco, CA


Projects

2011
“BMW Guggenheim Lab,” Advisory Board
“Regress,” Rirkrit Tiravanija to curate Simon Leung's 'Warren Series', Centre for Contemporary Art Zamek Ujadowski, Warsaw, Poland

2010   
Charlotte Posenenske Square Tubes Series D, 1967 Reconfigured by Rirkrit Tiravanija,     Artist's Space, NY

2009   
untitled 2009 (bookshop), Venice Biennale 2009, Venice, Italy

2007   
untitled 2007 (orchestral score for luis buñuel), with Basler Sinfonietta, Theater Basel,
Basel, Switzerland

1998   
The Land, Chiang Mai, Thailand

1990   
The Arrival, Message to the Public, Spectracolor Board at Times Square, New York, NY


Bibliography

2013
Tiravanija, Rirkrit, and Sze, Sarah, "Thing Theories," Artforum, June
Rees, Simon, "U.F.O.-Naut (Július Koller) orchestrated by Rirkrit Tiravanija," Art Agenda, May
Simonini, Ross, "Rirkrit Tiravanija Lights Stockhausen at the Armory," Art in America, April 
Santanachote, Perry, "Karlheinz Stockhausen's Oktophonie...," Huffington Post Blog, March
"New York Artists Now," GalleristNY, February

2012
“Best of 2012: The Artist’s Artists,” Artforum, December
Birnbaum, Daniel, "Rirkrit Tiravanija's Astronaut," Artforum, December
Burris, Jennifer, "Fear Eats the Soul: The Paris Triennale 2012," Afterall, November
Joselit, David, "After Art," published by Princeton University Press, October
Holden, Stephen, "Rural Life Seen Through a Man Who Has Lived Many Seasons," The New York Times, July 16
Henely, Kalvin, Review, Slant, July 16
Atkinson, Michael, Review, The Village Voice, July 11
Jovanovic, Rozalia, "Let's Make a Deal," The New York Observer, May 28
Cashdan, Marina, “Frieze New York 2012,” Wallpaper*, May 8th
Miller, Michael H., “Is That a Sausage at Your Art Fair, or Are You Just Happy to See Me?,” GalleristNY, May 7
“Saltz: Why the Frieze Art Fair Could Solve the New York Art Fair Problem,” New York Magazine, May 5
“‘Hulk’ takes Frieze island,” New York Post, May 5
Kim, I., “AO On Site With Photoset – New York: Frieze Art Fair on Randall’s Island, May 4- 7, 2012,” Art Observed, May 4
Schlageter, Abby, "Sustainable Culture: In The Land of Rirkrit Tiravanija," AnOther, April
Stange, Raimar, "I am not interested in leaving things behind, but ideas," Spike, April
Wyma, Chloe, "22 Questions for New Socrates Sculpture Park Director John Hartfield," Blouin Artinfo, January 10
Andress, Sarah, "Rirkrit Tiravanija," Art in Print, January/ February

2011
Vogel, Carol, "Meals as Art at MoMA; David Altmejd at Peter Brant's Gallery," The New York Times, October 27
Pollack Maika, "Occupy Morgan Library: ' Delacroix, and Revolutionary France - Drawings from the Louvre'," New York Observer, October 18
Tiravanija, Rirkrit, "Ghosts in the Projector," Apichatpong Weerawthakul, New Museum, edit. Gary Carrion-Murayari and Massimiliano Gioni
Hirsh, Faye, “Passport, Please,” Art in America, June/July 2011
Decter, Joshua, “Rirkrit Tiravanija,” ArtForum, May 2011
Gopnik, Blake, “Cooking Up a Whole New Form of Art,” Newsweek, March 14
Russeth, Andrew, review, 16 miles of String (16miles.com), March 14
Critic’s Pick, “Rirkrit Tiravanija, “Fear Eats the Soul,’” Time Out New York, March 2011
Gopnik, Blake, “Cooking Up a Whole New Form of Art,” Newsweek, March 6, 2011
Hirsch, Faye, “Rirkrit’s Fare,” Art in America.com, March 14
Tiravanija, Rirkrit, “Pierre Huyghe,” Interview, January
Schlaegel, Andreas, “Absolute = Obsolete?,” Flash Art, January-February
Alison Knowles and Rirkrit Tiravanija, “Men and Women commonly Dress Alike,” Published Winter March 2011, Three Star Books

2010   
Jones, Kristin M., “Chronicles of a Medium in Crisis,” The Wall Street Journal, December     16
Gopnik, Blake, “The Last Newspaper,” The Washington Post, October 21
Cotter, Holland, “Intersecting in the Digital Age,” The New York Times, October 8
Spalding, David, Interview with Rirkrit Tiravanija, Artinfo, January 13

2009   
Ono, Yoko and Rirkrit Tiravanija, “In Another Country,” Artforum, Summer 2009, p. 280-3
Lebowitz, Cathy, Review, Art in America, January, p. 108

2008 
  
Porrero, Ricardo, “Activista del Intercambio,” Codigo, Dec – Jan.
Smith, Roberta, Review, The New York Times, December 12
Madoff, Steven Henry, “Friends With Benefits,” Artforum.com, October 30
Cotter, Holland, Review, The New York Times, September 18
Cohen, David, “The Conceptual Provocateur: Rirkrit Tiravanija,” New York Sun, Sept. 18
Noe, Paola, Critics’ Picks, Artforum.com, May 2008
Browne, Alix, “Asian Fusion,” T Magazine, March 2008
Sherwin, Skye, “Encounters of the Third Kind,” ArtReview, March 2008, p. 40
Coulson, Amanda, “Consulting the Atlas,” Art on Paper, Jan/Feb. 2008, p. 33-34
Frank, Peter, “Our Fair City,” LA Weekly, January 9, 2008

2007   
Drobnick, Jim, “Sometimes It’s Good to Put Up a Couple of Walls,” OCAD Sketch, Spring 2007, p. 8-11
Baumann, Daniel, “Press Release by,” Used Future 20, Basel, Switzerland
Saltz, Jerry, “Conspicuous Consumption,” New York Magazine, May 14, 2007 p. 88
“Gordon Matta-Clark and Rirkrit Tiravanija,” New Yorker, May 7, 2007 p. 14
Kerr, Merrily, “Matta-Clark/Tiravanija,” Time Out New York, April 26 – May 2, 2007, p 106
Smith, Roberta, “Space Redefined in Chelsea,” The New York Times, April 13, 2007
Orden, Abraham, “The Minute,” Artnet.com, April 6, 2007
Lee, Carol, “Rirkrit Tiravanija and Gordon Matta-Clark United – And it Tastes So Good!” Papermag.com, March 23, 3007
Neil, Jonathan T.D., “Tales From the City: New York,” Artreview, March, p. 48
Lütticken, Sven “Black Bloc, White Penguin: Reconsidering Representation Critique,” Artforum, March, pp.298-303, 331
Tiravanija, Rirkrit, “Influence Today and Tomorrow,” Art Asia Pacific, Almanac 2007,
p. 225
Rattemeyer, Christian, “27th São Paulo Bienial,” Artforum, February, p. 287-88

2006   
Moulène, Claire, “Imaginaire: Mode d’Emploi, ‘Art contemporain et lien social’” published by Editions Cercle d’Art, Paris
Andrews, Max, editor, “Land Art: A Cultural Ecology Handbook,” published by RSA, London
Mertens, Brian, “Rirkrit Tiravanija Launches New Bangkok Venture,” Art Asia Pacific, Winter 2007, p. 55
“Spirituality,” Art Asia Pacific, Winter 2007, pp. 82-91
Thomas, Rachel; Philippe Pareno, et. Al “All Hawaii  Entrées / Lunar Reggae,” published by Irish Museum of Modern Art, Dublin and Charta, Milan
“All the Best: The Deutsche Bank Collection and Zaha Hadid,” published by Deutsche Bank, Frankfurt, a.M.
Goncharov, Kathleen, “Review: Whitney Biennial,” Tema Celeste, No. 116, pp. 86-87
Blind Date, Published by Deutsche Bank, Frankfurt, 2006
Mooney, Christopher, Review, Modern Painters, April, p. 117
Hoptman, Laura, “Give Peace Another Chance,” ArtReview, March, pp.28-29
“The Artists Talk: A Cross Section of the Art Life in Berlin,” Flash Art, March-April,
pp. 82-87
Iles, Chrissie and Philippe Vergne, Whitney Biennial: Day For Night, exhibition catalog,     published by The Whitney Museum of American Art
Tiravanija, Rirkrit, “Work in Progress,” V magazine, Spring, 2006 p. 122
Petlin, Irving; Mark di Suvero; Rirkrit Tiravanija, “Peace Tower,” Artforum, March
pp. 252-57
Griffin, Tim, Review: Lyon Biennale, Artforum, Feb. pp. 205, 230
Morton, Tom; Nancy Spector, “Retrospectives,” Frieze, Jan./Feb. pp. 115-16
Griffin, Tim, Chrissie Iles, Philippe Vergne, “Cabaret License,” Artforum, January, pp. 94-96

2005    
Grosenick, Uta, Art Now: Vol. 2, published by Taschen, Cologne, London, L.A., Paris, Madrid, Tokyo
Birnbaum, Daniel, “Best of 2005,” Artforum December pp.260-61
Iles, Chrissie, “Film, Best of 2005,” Artforum December, p.58
McCormack, Christopher, “Previews,” Contemporary, No. 75, p. 51
Dorment, Richard, “The Exhibition That Says, Make Yourself at Home,”
Darwent, Charles, “Make Yourself Comfy: The Artist Is at Home,” The Independent,
July 17
Cooper, Emmanuel, “Make Yourself at Home…” Tribune, August 5/19
Martin, Francesca, “Checklist,” British Vogue, August p. 53
Lewis, Ben, “Private View,” Prospect, August, p. 55
O’Connell, Alex, “Art Notebook,”  The Times, July 28
Januszczak, Waldemar, “Home Is Where the Art Isn’t,” The Sunday Times, July 24, p. 10
Jennings, Rose, “There’s Plenty of Room for Manoeuvre,” The Observer, July 24
Hanks, Robert, “The Week in Radio,” The Independent
Kent, Sarah, “Food for Thought,” Time Out London, July 20
Croft, Catherine, “Plywood Homes from Home,” Building Design, July 15
Review, London Evening Standard, July 15
Searle, Adrian, “Make Yourself at Home,” Guardian, July 12
Güner, Fisun, Review, Metro London, July 6
Leitch, Luke, “Home Is Where the Art Is,” London Evening Standard, July 5
Dannatt, Adrian, “Interview,” The Art Newspaper, p. 36
Baal, Iphigenia, “Home Base: Rirkrit Tiravanija,” Dazed & Confused, July, p. 154
Cripp, Charlotte, “Everyone Back to My Pad,” The Independent, June 29
Buck, Louisa, “Preview,” RA, Summer

2005   
Cripps, Charlotte, “Everyone Back to My Pad,” The Independent, June 2
Griffin, Tim (moderated by) “Remote Possibilities: A Roundtable Discussion on Land Art’s Changing Terrain,” Artforum, Summer 2005 pp.288-295, 366
Joselit, David, “Navigating the New Territory,” Artforum, Summer 2005, pp.276-79
Birnbaum, Daniel, “The Lay of the Land,” Artforum, Summer 2005, pp.270-74, 346
Bishop, Claire, “Installation Art,” published by Tate Publishing: London
Laubard, Charlotte, Review Flash Art, May-June, pp.152-53
“An Interview with Rirkrit Tiravanija,”  Asian Art Newspaper, April pp. 6-7
Wilcox, T.J., “Personal Affects,” Artforum, April, p. 165
Fox, Dan, “Welcome to the Real World,” Frieze, April, pp. 72-76 + cover
Waltener, Shane, Review, Modern Painters, April, p. 113   
Cotter, Holland, “Work Whose Medium Is Indeed Its Message,” The New York Times,
Weekend Arts, Friday March 18th, p. E44
Moisdon, Stéphanie, “Rirkrit Tiravanija: Artiste Relationnel?” Beaux-Arts, March 2005
Ardenne, Paul, Review, Artpress, March 2005
Bishop, Claire, “But is it –Installation Art?” Tate, Etc., Issue 3, Spring, pp. 26-35
Lutticken, Sven, Review, Artforum, XLIII, No. 6, February, pp. 164-165
Sheets, Hilarie M., “Underrated Overrated (Paul Ha)”, ARTnews. January, p. 108
“News: Prizes”, ARTnews. January, p.54
“News: Prizes and Competitions”, Flash Art, January-February, p. 45
Wecker, Frédéric and Benjamin Thorel, “Quand les usages deviennent forme de vie,” Art     21, No.1, Jan.-Feb. pp.14-21

2004   
Parreno, Philippe; Sterling, Bruce; Tiravanija, Rirkrit; “A Retrospective (Tomorrow is another fine day)”, published by Museum Boijmans Van Beuningen: Rotterdam
Bajo, Delia and Carey, Brainard, “In Conversation,” The Brooklyn Rail, February, pp. 21-22
“Social Capital, Forms of Interaction,” published by Whitney Museum of American Art     Independent Study Program Exhibition, New York

2003   
Review, The New Yorker, November 10, p. 27
Bollen, Christopher, “Critics Picks,” Artforum.com, October
Cavallucci, Fabio, Work, Art in Progress, April-June, p. 10
Floriani, Giorgia, Work, Art in Progress, April-June, p. 9
Culpan, Laura Jane, Work, Art in Progress, April-June, p. 22
Tetsuya, Ozaki, Invitation, June, p. 59
Quote, ArtReview, July/August, p. 49
Gopnik, Blake. “Rirkrit Tiravanija Wins Smithsonian’s Lucelia Artist Award” Washington
Post-Style, Wed April 9
Secession, Vienna, Austria (cat.)
Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins, p. 119   
“The 80’s”, Artforum, March, p. 214

2002   
Dusini, Mathias, Review Secession, Vienna, Frieze, November, p. 110
Boers, Waling, Interview pp. 96-97, in Public Affairs, published by Kunsthaus Zurich, Zurich, Switzerland
Curtis, Penelope, “The Object Sculpture,” published by The Henry Moore Institute, Leeds, UK
Kempkes, Anke, “Art Now,” published by Taschen, Koln
Fallon, Roberta, “Spiritual Comfort,” Artnet.com
Canvas, Art News, May 2002
Volk, Gregory, “Back to the Bosphorus,” Art in America, March, pp. 43-47 (illus.)

2001   
Dziewior, Yilmaz, “Art Now”, Taschen, Kol
Baldon, Diana, “Ein/raümen in Hamburg”, Tema Celeste, January-February, p.116
Herbstreuth, Peter: Held der Arbeit; Der Tagesspiegel, 28. July,/Nr. 17480
Chapuis, Yvone; “L’Espace d’action Inconditionnelle”,
Press Release, “Kunstverein Wolfsburg” March 9, 2001
Erickson, Karl; “The Free Spot”, In These Times, 20. August.
Frangenberg, Frank; Frentzens welke Kranze, Suddeustche Zeitung, 26. June, Nr. 144., p. 17

2000   
Stange, Raimar; “ein/raumen” in der Hamburg Kunsthalle; Das Kunstbulletin; Nr. 12/2000, p.36
`Winter, Peter; Katzen, Kassen, Karl V; Frankfurter Allgemeine Zeitung; 20. November, Nr. 270, p. 54
Vergez, Juan; Review ARCO 2000: Elective Affinities; ARCO  Noticias; September Nr. 18     p. 14
Franz Ackerman/ Rirkrit Tiravanija; Ausst. Kat. RE public; Grazer Kunstverein Oct, p. 63-    65
Wolfs, Rein; The Sociale Capital Today; Art Land; Vol. 6, Nr.1, p. 5
Boers, Waling; Reality is a friend of mine, Interview with mit Rirkrit Tiravanija; material;     Fruhling/Sommer 2000, Nr. 3, pp. 44-46.
Continental Shift; Ausst. Kat. Ludwig Forum Aachen, D/ Bonnefantenmuseum Maastricht,     NL/Stadsgalerij Heerlen NL/Musee d’Art modern Liege, B, 2000.
Wittneven, Kathrin; Zeichne dich selbst; Der Tagesspiegel; 15. Juli 2000, Nr. 17111, S.32
Citytripping.com; ”Free Rent: Rirkrit Tiravanija’s Experiment in Living”, Aug. 1
Berwick, Carly; “While Some Live for Art, Others Live In It”, The New York Times, Aug 1
Lintzel, Aram; Liebst du much wirklich?; Frankfurter Allegemeine Zeitung; 14 July, Nr. 161,     p. BS 6
Gardner, Belinda Grace; Verfuhrung des Blicks. Das Haus der Kunst, Munchen, Hamburg, p. 175.
Memba, Javier; Okupas “yvagabundos acuden a cenar a una galeria de arte” El Mundo, 14 February.
Murria, Alicia; Rirkrit Tiravanija; Revista Lapiz, Nr. 161, March
Llorca, Pablo; Modelo de artista; El Periodico del Arte, Februar 2000, Nr. 30
Ririkrit Tiravanija. Arte publico. Antiquaria
Stange, Raimar; Rirkrit Tiravanija; Artist Kunstmagazin, Heft Nr. 42, January, pp. 22-26
“The Art of Eating Curry”, Composite, Tokyo, No. 16, June
Figaro Japon, No. 181, May
Spa, Tokyo, May
Brutus, Tokyo, April
Stange, Raimar, “Ein/raümen”, in der Hamburgen Kunsthalle; Das Kunstbulletin; No. 12,

1999   
Lonehood, Lex, "Free Rent: Rirkrit Tiravanija's Experiment in Living", City Tripping.com, Berwick, Carly, "While Some Live for Art, Others Live in It", The New York Times, August1, Sunday, August, 8.
Boggs, Sheri; “Sitting Down to Art” The Inland Way,  April 14
Knight, Christopher, "L.A. Map Makes the Invisible Plain", Los Angeles Times, July, 23, Art Reviews.
Hunt, David, "Faraway and Nearby, The Province of Telepresence", Camerawork,         Spring/Summer, pp.26-29
Scott, Andrea K., "Mi casa, su casa", Time Out New York, June 10-17, in Art Reviews.
Wong, Gloria M.," Quick Takes", Bazaar, June, pg.88.

1999   
"Living with Art at Gavin Brown's Enterprise", The Art Newspaper, June.
Saltz, Jerry, "Rising Tide", The Village Voice, June 29, pg.157
Saltz, Jerry, "Resident Alien", The Village Voice, July 7, pg.157
Gilson, Nancy, "Eye of the beholder", The Columbus Dispatch, January 27, p.8E
Pettus, Jason, " Extended Stay", Cake walk, Fall 1999,p. 58-59
Joyce,Julie, "Rirkrit Tiravanija and Licoln Tobier" , Art/Text ,#67, p.90.
Gilson, Nancy; “Eye of the beholder”, The Columbus Dispatch, Jan. 27
Gellatly, Andrew," Cities on the Move", Frieze
Siegel, Katy," Rirkrit Tiravanija", ArtForum, October, p. 146
Kazakov, Rafaelo, " Rirkrit Tiravanija", The New York Art World, September, p. M 14
Elms, Anthony, “Rirkrit Tiravanija”, The New Art Examiner, October 1999, p.47-48
Pinchbeck, Daniel, " NY artist Q & A, Rirkrit Tiravanija" The Art Newspaper, July-August
Boggs, Sheri, " Sitting down to art", The Inlander, April 14, 1999
Sachs, Brita; Bei Anruf Kunst, Frankfurter Allgemeine Zeitung, 16 Dec., p. 53
Sanders, Joel; Frames of mind; Artforum, November 1999, S. 126-131
Nomblot, Javier Rubio; Rirkrit Tiravanija :diez propuestas para Madrid, El punto de las     Artes, 10-20. December
Szeeman. Harald; Rirkrit Tiravanija, Katalog zur Ausstellung dAPERTutto, 48.
Esposizone Internazionale d’Arte, La Biennale di Venezia, p. 162-165
N.N., Museum Het Domein presenteert Ex-tension, Trompetter, 30 Juni.
Fischer, Tine/Eskjaer, Mikkel; Spis en film, Kun stmagasinet 1%, #5 February
Tiravanija, Rirkrit; Dreams, hrsg. v. Francesco  Bonami u. Hans Ulrich Obrist
Lind, Maria; Raumnachbildungen und Erfahrungsraume, Parkett Nr. 54, pp. 186-190
Wuffen, Thomas u.a., Berlin Biennale, Kunstforum International, Jan./Feb., Bd. 143, S.
290-310
Artist Comment, BT, Feb., p. 41
Berg, Ronald; Jeder Mensch ein Pop-Star, Zitty, Nr. 2, p. 50
Wolfs, Rein; Ein bisschen Wirklichkeit und bisschen Kunst, fon 33, S. 2-4
Phillips, Christopher ; Art for an Unfinished City, Art in America, Jan.,S. 62-69

1998   
Ammann Rene, Review, Artforum, p. 110, November
Kraynak, Janet, "Rirkrit Tiravanija's Liability*", Documents, Fall, pp. 26-40
Koh, Cermaine; “Crossings” 1998
Seidel, Miriam, "On the Road", Philadelphia Weekly, April, 29
Sozanski, Edward J., "It's a cross-country trip-- but is it art?, The Philadelphia Inquirer,     April, 19, F12    
New York Time newsaper clipping, May 1, 1998
Hou Hanru, Hans Ulrich-Obrist; Cities on the Move, Secession, Capc Musee d'Art         Contemporain de Bordeaux, France
Kunstlerhaus Bregenz, KunstlerInnen. 50 Gesprache, pp.229-231
Koh, Germaine, " Crossings" (Catalogue), p.168
m.b., Schnee und Nudeln, Salzburg Nachrichten, 5. December.
Greenleaf, Ken; “Bowdoin has a sleeper in ‘Embedded Metaphor’” Art Review, 1998, Feb. 22
Art Review of Embedded Metaphor, Virginia Beach Sun, 1998 April 17
Nigelhell, Franz, Symbolische Architektur, Neue Zeit, 4. December.
Hofmann-Sewera, Kathi, Kommunikative Kunstverkaufer, Kleine Zeitung, 29. Nov.
Stefani, Guido, Der Kunstler R.T. zu seiner Ausstellung, Interview
Stefani, Gudio, Der Kurator Rein Wolfs zur Ausstellung “Das soziale Kapital”, Interview
Strauss, Dorthea, Basic Needs, Kunst-Bulletin, Sept.. 22-29
Descombes, Mireille, Achetez vos spaghetti au musee, L’Hebdo, 27. Aug.
Haag, Vera; Jammen inmitten von Thaiduften, Toaster, Juli/Aug.
Cruvell (kcd.); Galeriesprengend, Frankfurter Allgemeine Zeitung, 28. Nov., S.41
Saltz, Jerry (hrsg.); An Ideal Syllabus, London.
Phataranawik, Phatarawadee; Rirkrit Tiravanija, in :cream. contemporary art culture, London (Phaidon), S.400-403
Gorris, Lothar u. Wiensowski, Ingeborg, Kunst-oder was?, Spiegel Kultur Extra, Oktober, S. 12-17
Beil, Ralf; Rirkrit Tiravanija, Kunstforum International, Okt.-Nov., Bd. 142, S. 452-3
Imdahl, Georg; Leben im Supermarkt, Frankfurter Allgemein Zeitung, 6 Okt., S.46

1997
   
Rirkrit Tiravanija, Flash Art, Vol. XXXI, Summer, S.85
Rooseum, Center for Contemporary Art, Katalog zum 10-jahrigen Bestehen, S. 36 Hrsg.     Kunsthaus Bregenz; KunstlerInnen. 50 Gesprache, S. 229-231
Lind, Maria; Copies. Reflections. Models, Index, Nr. 21, 1, S. 68-75
Nemeczek, Alfred; Kunst als Dienstleistung, Art Nr. 5, Mai, S. 26-35
Herbstreuth, Peter; Rirkrit Tiravanija, Kunstforum, Bd. 140 April-Juni, S.349-350
Hrsg. Hou Hanru, Hans-Ulrich Obrist; Cities on the Move, Secession u. capc Musee d’Art     Contemporain de Bordeaux
Drobnick, Jim, “Reveries, Assaults and Evaporating Presences: Olfactory Dimensions in     Contemporary Art,” Parachute, Jan/Feb/March, pp. 10-19 (ill.)
Smith, Roberta, "Finding Art in the Artifacts of the Masses", The New York Times,         Dec.1, pp.43
Rimanelli, David, "A/Drift", Artforum, February, pp. 83
Ekeberg, Jonas, "Rirkrit Tiravanija", Hyperfoto, no.3-4, p.25
Lufty, Carol and Lynn Gumpert , "A lot to Digest", Art News, May, pp. 150-3
Review. Time Out New York, April 24-May 1, pp. 47
"Performance Anxiety", Catalog, MCA Chicago, IL
"Thinking Print", catalog, MOMA New York, NY
Berger, Laurel, ARTnews, March, p. 94
Dziewior, Yilmaz, "Gastfreundlich", neue bilbende kunst, Feb./Mar., p. 8
Decter, Joshua, "a/drift", catalogue, Oct.96- Jan. 97, p.10
Schaechterle, Beatrice, "Die Kunst Des Handelns", Noema, Dec/Jan 96/97, p. 48
Tiravanija, Rirkrit, "Rirkrit Tiravanija Talks with Peter Fischli and David Weiss",     Artforum, Oct., pp 78
Kawai, Sumi; Rirkrit Tiravanija, BT, June, pp. 41-44
Smith, Roberta, "Savoring a Medium Whose Bite Has Grown With Age", The New York Times, June, 21
Kittelmann, Udo, "Rirkrit Tiravanija  Untitled, 1996 ( tommorrow is another day)” (Catalogue)
Detterer, Gabriele (ed.); Art Recollection. Artist’s Interviews and Statements in the Nineties, hierin: Rirkrit Tiravanija in einem Interview mit Rochelle Steiner (1995), p. 217-222
N.N. (ze), Kommunikatives Maltaschen-Mahl statt einer steifen Vernissage, Ludwigsburger Kreiszeitung, 28. April.
N.N., Rirkrit Tiravanija in der Villa Franck, Ludwigsburger Wochenblatt, 30. April Winkelmann, Jan,...und noch ein Essen, Blitz Review
N.N., Spezifische Situationen, Lift, 6
Fechner-Smarsly, thomas, Einbaukunst, Frankfurter Rundschau, 7. July
Hoffmann, Gabriele, Kochkunst, Kultur, Juni
Schaecher, Marko, Radieschen fur die Statisten. Stuttgarter Nachrichten. 26. Juni.
Schroter, Lorenz, Maultasche goes Art. Alles ist Kunst, Cosmosguide, Mai Review, Time Out New York, 24. April-1.Mai, S.47
Stellwaag, Karin,Kunsttest-die interessantesten Ausstellungen in April, Prinz, Kunst..Arbeit Katalog, Sudwest LB. Stuttgart, S. 60/61, 146-149
Steiner, Barbara, Kunstverein Ludwigsburg (Hrsg); Rirkrit Tiravanija-Kochbuch, Ludwigsburger
Institut fur moderne Kunst Nurnberg (Hrsg); Waling through society, Jahrbuch, Nurnberg
Marcori, Roxana; Murphy, Diana; Sinaiko, eve (Hrsg.); New Art. New York von Hantelmann, Dorothea; Faust und Biberkopf, zitty Nr. 23, S. 86
Dobrynski, Judith; A Popular Couple Charge into the Futureof Art, but in Opposite Directions, Kisters, Jurgen; rirkrit Tiravanija , Kunstforum Bd. 136 “Asthetik des Reisens” Febr-Mai, S.412-414
S.W. “A Cue from Kids” Art and uhhipues, 1997 Dec.
Kisters, Jurgen, Zum Feiern und Schlafen in den Kolner Kunstverein,Kolner Stadtanzeiger, Nr. 2,3. Januar S.1
Herbstreuth, Peter; Wie im Bild, so im Leben, Der Tagesspiegel, 8 Marz, S.21
Hainley, Bruce. “Where Are We Going? And What are we Doing? Rirkrit Tiravanija’s Art of Living, “ Artforum February, p. 54.

1996   
Tiravanija, Rirkrit, Rirkrit Tiravanija Talks with Peter Fischli and David Weiss, Artforum, Okt., S.78
VN-kapi; Kunsthalle als interaktives Studio, Voralberger Nachrichten, 24 Dez. Blase, Christoph; Die Beobachtung einer Teestube, FAZ, Nr. 296, 19. Dezember, S.34
Steiner, Juri; “Rehearsal Studio No. 6”. Neue Zuricher Zeitung, 13. dez.
Hedinger, Johannes M., Rirkrit Tiravanija, Saiten, Dez.
Aukeman, Anastasia;  Small Budgets, Large Ambitions, ART News special, S.48-54
Thiele, Carmela; Des Kunstlers New Yorker Studio fur Koln kopiert, Art Nr. 11, November, p. 148
Badrutt, Schoch, Ursula; Mobel schleppen und reden, St. Galler Tagblatt, 28 Nov.
Mettler, Louis; Ver-rucktes, Raume, Begegnungen, Appenzeller Zeitung, 23. Nov., p.17
Maurer, Simon; Jam un Minestrone, buddhistisch, Tagesanzeiger, 27. Nov., p.81
N.N. (vt); Von Krusi bis Techno, Anzeiger, 26. Nov.
Mettler, Louis; Tiravanijas und Altenburgera “Sozialskulpturen” in der Kunsthalle: Dinge ver-rucken, Raume schafen, begegnen, Die Ostschweiz, 23. Nov.,
Dziewor, Yilmaz; Rirkrit Tiravanija, Artforum International Sept. 1996, p. 14
Marger, Mary Ann; “Not-so-sweet dreams”, The New York Times, 11. October
N.N., Art, Nr. 11, November, S.14
Real Time, (cat.), essays by Gavin Brown & Emma Dexter, Institute of Contemporary Art, London, GroBbritannien
Aperto, (cat.), Biennale Venedig, Venedig, Italien, (Kurator: Matthew Slotover)
Volkart, Yvonne; Kommunikation, annabelle, Nr. 22, p. 15
Strauss, Dorothea; Let’s play together, fon, Nr. 2
Wiensowski, Ingeborg; Rirkrit Tiravanijas, Spiegels Extra, 11, p. 22
Rohr-Bongard, Linde; Kunstkompass, Capital, Nov., S. 282-283
Weh, Vitus, Fast nichts/almost invisible, Kunstforum International, Okt. ‘96- Jan. 97
Stellwaag, Karin, Beinahe unsichtbar. Stuttgarter Zeitung, 7. Aug.
Pesch, Martin, Kleine winzige und unauffallige Kunst, Die Tageszeitung, 20. Aug.
Schwitzler, Joachim, Viel mehr als nichts, Thurgauer Volksfreund, 16. Juli Kawai , Sumi; Rirkrit Tiravanija, BT, Juni, p. 41-44
Biehler, Matthias, “Fast nichts” im Umspannwerk, Sudkurier, 27. June
Saltz, Jerry; A Short History of Rirkrit Tiravanija, Art in America, February, p. 82-85
Bloomberg, Katja; Hauptsache, es schmeckt, FAZ, 21. Feb.

1995   
Cubarrubia, Eydie; “’Embedded exhibit foes under the covers’” Herald Features, Sept. 20
Press release from Navin Gallery Bangkok, “Untitled 1996 (traffic)”
Karcher, Eva; Die Stadt lockt..., ART, December, p.130
Martinson, Suzanne, "Edible Art", Pittsburgh Post Gazette, November, 26, p.H6-7
Lind, Maria; Letter and Event, Parallel and Palindrome, Paletten, April  #223 Jr.56 p46
Cameron, Dan, "Cocido y crudo", from the Reina Sofia catalogue
Lind, Maria; Letter and Event, Parallel and Palindrome, Paletten, 4, Nr. 223, Jhg. S. 40
Harcher, Eva; Die Stadt lockt...,ART, December, p. 130
“Rate mal, wer zum Essen kommt,” Parkett No. 44, p. 96-131
N.N., Whitney Biennial, frieze, 23, Sommer
Richard Flood/Rochelle Steiner; En Route, Parkett Nr. 44, p. 114-123
Steiner, Barbara; Spiegel, Andreas, Rirkrit...,Paletten, 4, p. 4
Rohr-Bongard, Linde; KunstkompaB 95, Capital, 11, p. 362   
Jones, Ronald; Rirkrit Tiravanija and Andy Warhol, frieze, January-February, p. 6
Herbstreuth, Peter; “Meet Tim & Burkhard,” Der Tagesspiegel, 29. Oktober, S. 21, Sommer, S. 102
Melo, Alexandre; “Guess Who's Coming to Dinner”, Parkett, #44 pp.96-129
Gillick, Liam; “Forget about the Ball and Get on with the Game”, Parkett, #44 pp.96-129
Flood, Richard & Steiner, Rochelle; “En Route”, Parkett, #44 pp.96-129
Bertilsson, Sofia, and Host-Ekstrom, Mans, "The Small World", Paletten, August, p56-58
Smith, Roberta, "Art in Review", The New York Times, June, 23
Saltz, Jerry, "Live through this", The New Art Examiner, May, pp. 19-22,
Jones, Ronald; “Rirkrit Tiravanija and Andy Warhol”, Frieze, Jan.-Feb. 1995, p. 60
NBK, Neue Bildende Kunst, January, p. 18
Hainley, Bruce, "Rirkrit Tiravanija", Artforum, January
Cotter, Holand, "A critic's Dozen to catch at the Biennial", The New York Times, March12
Weinstein, Jeff, "Eating Around", The Village Voice, July 18

1994   
Relyea, Lane, "Fear and loathing at the Whitney"', Frieze, summer, pp. 39-41.
Herbstreuth, Peter; "Meet Tim & Burkhard", Der Tagesspiegel, 29. October, p. 21
Föll, Heike; interview, “Ich brauche kein Atelier”, zitty, Nr. 22/1994, p.40
Foster, Hal; interview, Feed, work, #1, p. 22-27
Brown, Gavin; “Other Things Elsewhere”, Flash Art, summer, p. 102
Schumacher, Rainald; Köln Kritik, Flash Art, summer, p. 51
Troncy‚ Eric; “It’ Alive!”‚ Flash Art, summer, p. 105
Cameron, Dan; “Food for Thought”, Frieze, issue 17, p. 50
Metzger, Rainer; Der Angriff der Kunst auf das ubrige Leben,Der Standard, 22./23. October, p. 32
Levin, Kim; Rirkrit Tiravanija, Kunstforum, Jan./Feb. ,pp. 170-173
Besson, Christian; “Surface de Reparation”, Flash Art, Mai/June, p. 122
Surface de Reparations, (cat.), organized by Eric Troncy,
Le Consortium, Centre d'Art Contemporain, Dijon, Frankreich
Don't Look Now, (cat.), essay by Joshua Decter, Threadwaxing Space, New York, NY
L'Hiver de L'Amour, (cat.), Musée d'Art de la Ville de Paris, Paris, France

1993   
Rirkrit Tiravanija, interview, documents, February, no. 5, p. 33
Bonami, Francesco, The Real Stuff (Dion, Grey, joo, Pippin, Tiravanija). Flash Art, May/June, p. 80, 82-93, p. 11-14
Weitzer, Ludo; “The Accidental Tourist”, Flash Art, October, p. 44-45
Hixon, Kathrin; “Trouble in Paradise”, New Art Examiner, October, p. 31
Schiff, Hajo, "Kunst und Schutt", Kultur, September, 10
Myoda, Paul; “Amateure der Genealogie”, Neue Bildende Kunst, 2-93, p. 11-14
Backstage, (cat.), Hamburg Kunstverein, Hamburg
Fleck, Robert; Spielhölle- Ästhetik und Gewalt, Rogue, #17, p. 17-37   
Holmquist, Karl; “Hole in the Wall” siksi, The Nordic Art Review, issue 4
Real Time, (cat.), essays by Gavin Brown & Emma Dexter, Institute of Contemporary         Art, Aperto, (cat.), Biennale Venedig, Venedig, Italy, (Kurator: Matthew Slotover)
“When the Music’s Over” New Art Examiner Jan. 1993
Eating with Publicsfear, project for Publicsfear, volume 1, #2, p. 38
Myers, Terry; Review, Tema Celeste, winter, p. 83
Sleepless Nights, exhibition pamphlet, PS1 Museum, Queens, NY
Weil, Benjamin; Ouverture, Flash Art, January/February, p. 79
Simply Made in America, (cat.), Aldrich Museum of Contemporary Art
Wealth of Nations, (cat.), Center for Contemporary Arts, Ujazdowski Castle,             Warsaw, Poland
Sans, Jerome, " Viennese Story”  (cat.)

1992   
Transgression in the White Cube: Territorial Mapping, (cat.), organized by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT
Nesbitt, Lois; Review, Artforum, December, p. 95
“Rirkrit Tiravanija” The New Yorker, 5. Oct.
Smith, Roberta; The Gallery is the Message, The New York Times, 4 October, p. 35
1991    Hess, Elizabeth; The White Rabbit, (Among Other Alternatives), The Village Voice,    17. December
Heartney, Eleanor; Review, Art in America, June
Faust, Gretchen; Review, Arts, April

1990   
Joseph, Regina; Being in Nothingness, The West Side Spirit, 4. Feb.
Nesbitt, Lois E., "New York", Art Issues, Sept./Oct.
Kelly, Deidre; Works Strange but True, The Globe & Mail, 17. August
Hume, Christopher; Freeze Out, Toronto Star, 10. August
Faust, Gretchen; Review, Arts, May
Phora, Pia; Review, Contemporanea, Vol. 3 No. 2, February
Hodgkin, Carter; Review, Nike Magazine, January

1989   
Hodgkin, Carter, "Review", Nike, vol. 30, Oct./Nov., p. 53
Kramer, Hilton; Soho Show; Prestigious, maybe, but just more shopworn farce,
The New York Observer, 31. July
Smith, Roberta; Review, The New York Times, 21. July
Wallach, Amei; The Young Turks' Old Master, New York Newsday, 16. July

Teaching
Columbia University, Associate Professor of Professional Practice, Faculty of the Arts, 2001/present.
IUAV University of Venice, Associate Professor, Graduate Course in Visual Arts, Faculty of Arts and Design, 2003-2004
Columbia University, Adjunct Assistant Professor, Faculty of the Arts, 1999-2000
Royal Danish Art Academy, Guest Professor, Dept. Walls and Space, 2001-2002
Stadelschule Staalich Hochschule of Bildende Kunst, Frankfurt, Guest Professor, 2001
National Academy of Fine Arts, Oslo, Norway, Guest Professor/Visiting Artist, 2001

Residencies
Ontario College of Art and Design, Nomadic Residents: International Artist Residency Project, April 2-5, 2007

Society Memberships and Appointments
President, The Land Foundation
Advisory Board Member, New Media Institute, University of Chiang Mai, Thailand, 2003
Advisory Board Member, CCA, Kytakyshu, Japan, 2003
Advisory Board Member, Tokyo Wondersite Cultural Arts Center Tokyo, 2003
Advisory Board Member, Carnegie International, 2002-2004

Grants and Awards
Silpathorn Award 2007
Hugo Boss Prize
Benesse, Naoshima Contemporary Art Museum, Japan
Smithsonian American Art Museum's Lucelia Artist Award
Gordon Matta Clark Grant
Louis Comfort Tiffany Award
NEA
Central Kunst Prize

Public Collections
Astrup Fearnley Museum of Modern Art, Oslo, Norway
Bangkok Museum of Contemporary Art, Bangkok, Thailand
Carnegie Museum of Arts, Pittsburgh, USA
Fond National d’Art Contemporain, France
Fond Regional d’Art COntemporain Languedoc-Roussillon, Montpellier, France
Fondazione Sandretto Re Rebaudengo, Turin, Italy
Fundacîon Tantica, Buenos Aires, Argentina
Guggenheim Museum, New York
Le Consortium, Dijon, France
Louisiana Museum for Moderne Kunst, Humlebæk, Denmark
Migros Museum, Zurich, Switzerland
Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain
Museum of Contemporary Art, Los Angeles, USA
Museum of Modern Art, New York, USA
Saint Louis Art Museum, Saint Louis, USA
Sammlung der BRD, Berlin, Germany
The Walker Art Center, Minneapolis, USA
West LB, Stuttgart, Germany