Born New York
Lives and works in New York
B.A. Philosophy, Wesleyan University, Connecticut
Mrs. Carter and the Diet Cola for Men War, Galerie Barbara Weiss, Berlin, Germany
Group Self-portrait in “Mirror #1 (Six Panels),” Gavin Brown’s enterprise, New York
Your Land/My Land: Election ‘12, Contemporary Art Museum St. Louis, St. Louis; Contemporary Art Museum Raleigh, Raleigh; Arm and Hammer Museum of Art and Culture Center, Los Angeles; Contemporary Art Museum Houston, Houston; Utah Museum of Contemporary Art, Salt Lake City; New Museum of Contemporary Art, New York; Telfair Museums, Savannah
Secret Life, Sadie Coles HQ, London, UK (with Elizabeth Peyton)
Self-portraits in “Mirror #1,” Gavin Brown’s enterprise, New York (cat.)
Art, History, Sadie Coles HQ, London, UK
Minimalist Works from the Holocaust Museum, Dundee Contemporary Arts, Dundee, UK
Go Vegan!, LaFrieda Meats/Gavin Brown's enterprise, New York
And/Or, MoMA PS1, New York (curated by Klaus Biesenbach) (cat.)
Apocalypto Now, Museum Ludwig, Cologne, Germany
Free Store, Sadie Coles HQ, London, UK
Obama ‘08, Gavin Brown’s enterprise, New York
People Like War Movies, Galerie Barbara Weiss, Berlin, Germany
Rome, Sadie Coles HQ, London, UK
The New Communism, Gavin Brown’s enterprise, New York
Silent Movie, Yvon Lambert Gallery, New York
Galerie Barbara Weiss, Berlin, Germany
Silent Movie, Martix 151, Wadsworth Atheneum Museum of Art, Hartford
Surreal Estate, Gavin Brown's enterprise, New York (with Rob Pruitt)
Buero Friedrich, Berlin, Germany
Galerie Yvon Lambert, Paris, France
Go Vegan!, Greene Naftali Gallery, New York
Pillow Talk, Sadie Coles HQ, London, UK
Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen, Kunsthalle St. Gallen, Switzerland
Galerie Yvon Lambert, Paris, France
We the People, China Art Objects Galleries, Los Angeles
In Person, Bard College Center for Curatorial Studies, Annandale-on- Hudson (curated by Kim Simon)
The Jonathan Horowitz Show, Greene Naftali Gallery, New York
The Universal Calendar/talking without thinking, Van Laere
Contemporary Art, Antwerp, Belgium
Bach Two Part Invention #9, Kenny Schachter/Rove, New York
Maxell, Greene Naftali Gallery, New York
Selected Group Exhibitions
Paparazzi! Photographers, Stars, and Artists, Centre Pompidou-Metz, Metz, France traveling to Schirn Kunstalle, Frankfurt
In the Heart of the Country, The collection of the Museum of Modern Art in Warsaw, Poland
Beg, Borrow, and Steal, Palm Springs Art Museum, Palm Desert
The Cat Show, White Columns, New York (curated by Rhonda Lieberman)
Your Content Will Return Shortly, Franklin Street Works, Stamford
For President, Fondazione Sandretto Re Rebaudengo, Turin, Italy
Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Chicago
Video Killed the Radio Star, Warsaw Museum of Contemporary Art, Warsaw, Poland Escape: Video Art, Guild Hall, East Hampton
Miracles, Art, Science and Religion, Kunsthalle Krems, Krems an der Donau, Austria Ministry of Truth, Boers-Li Gallery, Beijing, China
Synchrony, Hunter Museum of American Art, Chattanooga, TN
Miracles, Deichtorhallen Hamburg, Hamburg, Germany (curated by the Praxis für Ausstellung und Theorie- Hürlimann/Lepp/Tyradellis)
Flags for Venice, Istituto Svizzero di Roma and Swiss Institute, Venice, Italy Commercial Break, presented by the Garage Center for Contemporary Culture, 54th Venice Biennale, Venice, Italy (curated by Neville Wakefield)
Replay: Out of Storage III, Musée d'Art Moderne Grand-Duc Jean, Luxembourg City, Luxembourg (curated by Clément Minighetti)
Day of the Locust, White Flags Projects, St. Louis
Wit, Paddle8, www.paddle8.com, New York (curated by Glenn O’Brien)
Wunder, Deichtorhallen, Hamburg, Germany. Traveling to Kunsthalle Krems (2012 Secret Societies, Schirn Kunsthalle, Frankfurt, Germany; Museé d’art Contemporain de Bordeaux, Bordeaux, France (curated by Christina Ricupero and Alexis Vaillant) (cat.) Sammlung auf Reisen- Time to Act, Kunsthalle Krems, Krems an der Donau, Austria Evolution Revolution, Arena 1 Gallery, Santa Monica
l.o.l.: A Decade of Antic Art, Contemporary Museum, Baltimore (curated by Sue Spaid)
Trailer Park, Teatro Margherita, Bari, Italy (curated by Jörg Heiser) Hello World, Embassy Gallery, Edinburgh, UK
Viaggio in Italia, Palazzo Fabbroni, Pistoia, Italy (curated by Ludovico Pratesi and Benedetta Carpi De Resmini)
Christmas in July, Yvon Lambert Gallery, New York (curated by Simon Castets) Moving Images: Artists & Video/Film, Museum Ludwig, CologneThe woods that see and hear, Dertien Hectare, The Netherlands
Che cosa sono le nuvole? Artworks from the Enea Righi Collection, Museion – Museo d’arte Moderna e Contemporanea, Bolzano, Italy
SIR Cinema, Sculpture International Rotterdam, Rotterdam, Netherlands
Beg Borrow and Steal, Rubell Family Collection, Miami
Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA
An Unruly History of the Readymade, La Colección Jumex, Mexico City, Mexico, (curated by Jessica Morgan)
Sudden White (After London), Royal Academy of Arts, London, UK
Moral Imagination – Contemporary Art and Climate Change, Kunstmuseum Thurgau, Warth, Switzerland; Ittinger Museum, Warth, Switzerland; and Museum Morsbroich Leverkusen, Leverkusen, Germany
Italia Italie Italien Italy Wlochy, ARCOS Museo d'Arte Contemporanea Sannio, Benevento, Italy (curated by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Viliani) (cat.)
Good News for People Who Love Bad News, Swiss Institute, New York (curated by Gianni Jetzer)
Other Than Yourself - An Investigation Between Inner and Outer Space, Thyssen - Bornemisza Art Contemporary, Vienna, Austria (cat.)
RAW, Museum of Modern Art, New York
In The Poem About Love You Don't Write The Word Love, Overgarden Institut for Samtidskunst, Copenhagen, Denmark (curated by Tanya Leighton)
Playback, ARC/Musee d’Art moderne de la Ville de Paris, Paris, France (cat.)
The Future of Futurism, GAMeC/Museum of Modern and Contemporary Art, Bergamo, Italy
MARTa is silent. Garde le silence, le silence te gardera, MARTa Herford Museum, Herford, Germany
New York: State of Mind, House of World Cultures, Berlin, Germany; Queens Museum, New York (curated by Shaheen Merali) (cat.)
Lines, Grids, Stains, Words, Museum of Modern Art, New York, organized by Christian Rattemeyer; Traveling to Museu de Arte Contemporanea de Serralves, Portugal, and Museum Wiesbaden, Germany (cat.)
Love Addiction: Practices in Video Art from ’61 to the Present, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy (curated by Andrea Bruciati)
Das Kapital - Blue Chips and Masterpieces, Museum fur Moderne Kunst, Frankfurt, Germany
Art in America: 300 Years of Innovation, National Art Museum of China, Beijing; Shanghai Museum and the Museum of Contemporary Art Shanghai (organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art) (cat.)
Raw. Among the Ruins, Marres Center for Contemporary Art, Maastricht, The Netherlands (curated by Lisette Smits and Alexis Vaillant) (cat.)
Defamation of Character, MoMA PS1, New York (curated by Neville Wakefield)
Repeat Redux, Screening and Performance Series, Whitney Museum of American Art at Altria, New York
Into Me/ Out of Me, MoMA PS1, New York; KW Institute for Contemporary Art, Berlin, Germany; MACRO Museum of Contemporary Art at Mattatoio, Rome, Italy (curated by Klaus Biesenbach) (cat.)
Down by Law, Whitney Museum of American Art, New York (curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick) (cat.)
The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960, Museum Ludwig, Cologne, Germany (curated by Kasper Konig and Frank Wagner) (cat.)
The Kate Show, Foam Fotografiemuseum Amsterdam, Amsterdam, Netherlands (curated by Rita Ackermann and Olivier Zahm)
Figures de l‘acteur: Le Paradoxe du comedien, Collection Lambert, Avignon, France (cat.)
Modern Times, Museo d'Arte Provincia di Nuoro, Nuoro, Italy, (curated by Maria Rosa Sossai) (cat.)
The Name of the Show Is Not ‘Gay Art Now’, Paul Kasmin Gallery, New York (curated
by Jack Pierson)
Survivor, Bortolami Dayan Gallery, New York (curated by David Rimanelli) (cat.)
Take One, Glassell School of Art, Museum of Fine Arts, Houston (curated by Domenick Ammirati)
The Fact, Abstract, Dorsky Gallery Curatorial Programs, New York (curated by Claire Barliant)
Superstars, The Celebrity Factor. From Warhol to Madonna, Kunstahlle Wien, Vienna, Austria (cat.)
Log Cabin, Artists Space, New York (curated by Jeffrey Uslip)
Realit;-)t. 30 Video Works from the Goetz Collection in Munich. From Olaf Breuning to
Sam Taylor-Wood, Seedamm Kulturzentrum, Pfaffikon, Switzerland
Jump Cut Nights, SK Stiftung Kultur, Cologne, Germany
Museumsnacht, SK Stiftung Kultur, Cologne, Germany
What’s New Pussycat?, Museum für Moderne Kunst, Frankfurt, Germany (cat.)
5 ans, Collection Lambert en Avignon, Avignon, France
Theorema. Une Collection Privee en Italie la Collection d'Enea Righi, Collection Lambert, Avignon, France
The Wonderful Fund Collection, La Musée de Marrakech, Marakech, Morocco (cat.)
The Future Has a Silver Lining. Geneologies of Glamour, Migros Museum für Gegenwartskunst, Zürich, Switzerland (cat.)
The Ten Commandments, The Deutsches Hygiene-Museum, Dresden, Germany, (curated by Klaus Biesenbach) (cat.)
100 Artists See God, The Jewish Museum San Francisco, San Francisco; Laguana Art Museum, Laguana Beach; Contemporary Art Center of Virginia, Virginia Beach (2005); Institute of Contemporary Arts London, London, UK (2005) (curated by John Baldessari and Meg Cranston) (cat.)
A Fripon, Frion et Demi. Pour une Ecole Buissonniere, Collection Lambert, Avignon, France
Drunk vs. Stoned, Gavin Brown's enterprise at Passerby, New York, (organized by The General Store)
Marilyn: from Anastasi to Weegee, Sean Kelly Gallery, New York
Aus acktuellem Anlass, Johann König, Berlin
Let the Bullshit Run a Marathon, Nicole Klagsbrun, New York, curated by Nate Lowman
Love, Bregenzer Art Association and Magazin4, Berlin, Germany (cat.)
Dust Memories, Swiss Institute, New York
First Person, Mercer Union, Toronto, Canada, (curated by Kim Simon)
Homeland, The Whitney Independent Study Program, New York
20th Anniversary Exhibition, Gavin Brown's enterprise, New York
Nation, Kunstverein Frankfurt, Frankfurt, Germany (curated by Rene Zechlin) (cat.)
La Nuit Americaine, Yvon Lambert New York, New York
Parle a Mes Peres, Collection Lambert at PhotoEspana, Madrid, Spain
Just Love Me: Post/Feminist Positions of the 1990s from the Goetz Collection, Bergen
Kunstmuseum, Bergen, Norway; Staatlich Kunsthalle, Baden-Baden, Germany; Sammlung Goetz, Munich, Germany (2002-3) (cat.)
The Object Sculpture, The Henry Moore Institute, Leeds, UK (selected by
Tobias Rehberger, Joelle Tuerlinckx and Keith Wilson, curated by Penelope Curtis) (cat.)
Tableaux Vivants, Kunsthalle Wien, Austria, curated by Sabine Folie and Michael Glasmeier (cat.)
Non-Places, Kunstverein Frankfurt, Frankfurt, Germany (cat.)
Dark Spring, Ursual Blickle Stiftung, Kraichtal-Unterowisheim, Germany, (curated by Liam Gillick) (cat.)
Zusammenhaenge Herstellen, Kunstverein in Hamburg, Hamburg, Germany (cat.)
Mensaje De Texto, Galeria Helga De Alvear, Madrid, Spain
The Americans. New Art, Barbican Art Gallery, London, UK (cat.)
Casino 2001, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, (curated by Jeanne Greenberg) (cat.)
Tele(visions), Kunsthalle Wein, Austria, curated by Joshua Decter (cat.)
4FREE, Burofriedrich, Berlin, Germany (cat.)
Video Mania, Migros Museum fur Gegenwartskunst, Zürich, Switzerland
Annonyme, Rencontres Internationales de La Photographie, Arles, France (cat.)
Fresh: The Altoids Curiously Strong Collection, 1998-2000, The New Museum of Contemporary Art, New York
Desins, Ecole Regionale Des Beaux-Artes, Dunkerque, France Pause, Marc Foxx Gallery, Los Angeles
Metropolis Now, Brusan Kültür Sanat, Istanbul, Turkey (cat.)
Over the Edges, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (curated by Jan Hoet and Giacinto di Pietrantonio) (cat.)
Greater New York: New Art in New York Now, MoMA PS1, New York (cat.)
Making Time: Considering Time as a Material in Contemporary Film & Video, Palm Beach Institute for Contemporary Art, Palm Beach, Florida; University of California Los Angeles Arm and Hammer Museum, Los Angeles (curated by Amy Cappellazzo) (cat.)
New York Projects, Delfina Project Space, London, UK (curated by Luke Dowd)
Achieving Failure: Gym Culture 2000, Thread Waxing Space, New York, (curated by Bill Arning)
New Work from New York, Cheekwood Museum of Art, Nashville
Pop Unlimited, Special Program, International Short Film Festival
Oberhausen, Germany (cat.)
Zeitwenden -The Outlook, Kunstmuseum Bonn, Bonn, Germany; Museum Moderner Kunst Stiftung Ludwig Wein, Austria, Germany (cat.)
Regarding Beauty in Performance and Media Arts, 1967-1998; Program III- Icons of Beauty, Hirschorn Museum and Sculpture Garden, Washington DC; Haus der Kunst, Munich, Germany (cat.)
The Opening. the Collection in the New Museum of Contemporary Art of Contemporary Art, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (cat.)
Exit, Chisenhale, London, UK (curated by Allison Gingeras)
Persuasion: Tales of Commerce and the Avant-garde, University at Buffalo Art Gallery/Research Center in Art + Culture, Buffalo (cat.)
interplay, The Contemporary Museum of Art, Tucson, Arizona, (curated by Caitlin Masley)
New York Neither/Nor, Grand Arts, Kansas City (curated by Bill Arning)
Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York (curated by Warren Neidich)
A Place Called Lovely, Greene Naftali Gallery, New York (curated by Sima Familant)
Invited Exhibition of Visual Art 1998, Limerick City Gallery of Art, Limerick, Ireland (cat.) Cambio, Museo Universitario del Chopo, Mexico City, Mexico (cat.)
Oriental Nights, Gavin Brown's enterprise, New York
Group Show, The Fifth International, curated by Jennifer Bornstein and Chivas Clem, New York
Biovoid, Museum of Natural History, Lisbon, Portugal (cat.)
Tune In, Lawing Gallery, Houston
Superfreaks: Post Pop & the New Generation; Part I, Trash, Greene Naftali Gallery, New York
Bring Your Own Walkman, Achterzaal, Amsterdam, Holland (curated by Jack Jaeger)
Thriller, 303 Gallery, New York (curated by Tom Borgese Group Show); Andrew Kreps Gallery, New York
Hotel 17 performance series, 192 Third Avenue, New York
Password: Ferdydurke, Postmasters Gallery, New York
The Strange Power of Cheap Sentiment, White Columns, New York (curated by Bill Arning)
Facing the Millennium, The Arlington Museum of Art, Arlington (curated by Kenny Schacter)
Gang Warfare, Independent Art Space, London, UK; McKinney Avenue Contemporary, Dallas; The Consortium, Dijon, France (curated by Michael Corris) (cat.)
Looky Loo, Sculpture Center, New York (curated by Kenny Schachter) (cat.) 1994 Played, Printed Matter, New York (curated by Kenny Schachter)
Arts Festival of Atlanta, Atlanta (cat.)
Morality Cafe, Postmasters Gallery, New York
Unlearning, 142 Greene Street, New York (curated by Kenny Schachter)
Document and Dream, Artists Space, New York (curated by Dan Walworth) (cat.)
Light Industry, Brooklyn
L'Entrepot, Paris, France (presented by Ann Bonnin) 2000 "Personal Cinema Program," Millennium, New York
We the People, Robert Rauschenberg Foundation, New York (curated by Jonathan Horowitz & Allison Gingeras)
Two Friends and So On, Andrew Kreps Gallery, New York (curated by Jonathan Horowitz & Rob Pruitt)
Two Friends and So On, Marc Foxx Gallery, Los Angeles (curated by Jonathan Horowitz & Rob Pruitt)
Two Friends and So On, Andrew Kreps Gallery, New York (curated by Jonathan Horowitz & Rob Pruitt)
Howard the Duck, zing magazine, Autumn-Winter Publications by Artist
Horowitz, Jonathan, This is This, Mousse Magazine Peephole #4, Spring 2001 Horowitz, Jonathan, Help Name My Cat, Kunsthalle St. Gallen
Horowitz, Jonathan, The Universal Calendar, Kunstmuseum Bonn
Horowitz, Jonathan, Bach Two Part Invention #9, Audio CD, self-published 1997 Horowitz, Jonathan, Stairmaster Anthology, self-published
Moshakis, Alex, "5 Highlights from Art Basel 2013," W Magazine, June
Douglas, Sarah, "Pack Heavy for Your European Art Trip, Get Free Stuff," Gallerist NY, May
Horowitz, Jonathan, "500 Words," Artforum, June
Lesser, Casey, “Jonathan Horowitz Brings 'Free Store' to Art Basel”, Art in America, May Frieze New York: Part 2, ArtReview, April
Velasco, David, “Collins Calling”, Artforum.com, December 8
Binlot, Ann, “Richard Phillips and Cecilia Dean Give and Get at Jonathan Horowitz’s ‘Free Store”, Artinfo.com, December 7
Kennedy, Randy, “Voting Against Ruffled Feathers”, The New York Times, November 1 Kennedy, Randy, “Leaving Polarization At the Door”, The New York Times, September 27
Bonami, Francesco, “La cultura e il potere”, La Stampa, September 18
Toroian Keaggy, Diane, “Director wants Contemporary to be community living room”, St.
Louis Today, September 8
“Jonathan Horowitz's Mirror Self Portraits At Gavin Brown Enterprise”, The HuffingtonPost, March 15
Plagens, Peter, “The Looking-Glass Selves”, Wall Street Journal, March 31
Cooper, Ivy, “Review: White Flag examines art's meaning”, St. Louis Beacon, November 24
Wilson, Calvin, “White Flag's 'Day of the Locust' deals with failed idealism”, stltoday.com, November 11
Barone, Laura Elizabeth, “Day of the Locust at White Flag Projects”, Temporary, November 10
Sekhri, Rajiv, Freemasonry, “Al-Qaeda Secrets Exposed in Frankfurt for Puzzlers”, Bloomberg, July 19
Doubai, Rosalie, Review, Time Out London, March 22
Cosgrove, Jessica, “An Artist’s Impression”, The Courier, December 15 Black, Catriona, “Maximising Impact”, The Herald Scotland, November 26 Cairns, Steve, I”n Conversation: Jonathan Horowitz”, MAP, Autumn Issue Harris, Jane, “Dinner Conversation”, Art in America, June 16
Bodin, Claudia, “Alle Macht Den Veganern!”, Art Germany Online, May 20 http://www.art-magazin.de/kunst/29766/gavin_brown_new_york Yablonsky, Linda, A Vegan Meat Locker with a Heartbeat, T Magazine, May 13
Jackson, Candace, “Downtown Art Show Sends Meat Packing”, The Wall Street Journal, May 8
Siegel, Miranda, “Going the Way of All Flesh”, New York Magazine, May 7
“Fashion People Are People Too”, Project. V Magazine 63, Spring Preview: 52-3
Bell, Kirsty, “State of the Nation”, Frieze November/December:112-117
McGinley, Ryan, “My Top 10 Art Films”, Vice Magazine Sept.: 40-1
Tollmann, Vera, “Jonathan Horowitz, Apocolypto Now”, goethe.de/climate. Online. September
Rabottini, Alessandro, “As Tim Gunn Would Say”, Interview. Mousse Summer: 23-5
Was ihr wolt, Monopol July: 45
Lack, Jessica, Artist of the Week: “Jonathan Horowitz”, Guardian UK Online 20 May “Rebranding America”, Project. Paper Magazine May: 62
Ochalla, Bryan, “Acting Up”, Interview. A&U: America's AIDS Magazine April: 18-21 Schreiber, Daniel, “Der diskrete Democrat”, Monopol April: 74-81
Pulimood, Steve, “Jonathan Horowitz: And/Or”, Art in America April
Hawgood, Alex, “The Insider: Jonathan Horowitz”, Interview. T Magazine Blog. Online. 13 March
<< http://tmagazine.blogs.nytimes.com/2009/03/13/the-insider-jonathan-horowitz/ >> Cordeiro, Will, “NYC’s P.S.1 Offers The Good and The Ugly”,The Cornell Daily Sun 24 March
Halle, Howard. Review of “And/Or”, Time Out New York March: 19-25
“Pillow Talk at Calvin Klein Collection Flagship”, WWD.com. Online. 13 March
Beasley, Mark, “What to see this month by Mark Beasley”, Art Review March
Cotter, Holland, “When a Can of Worms Is Opened, An Artist Does Some Fishing”, Review of And/Or at P.S. 1. New York Times 25 Feb.: C1, 7
Decter, Joshua. Review of “Obama '08”, Artforum Jan.: 207-8
Bollen, Christopher, “15 for ’09”, Interview. Interview Dec/Jan.:
della Porta Raffo, Mauro. “Obama Story”, Vanity Fair Italia 11 Dec.: 1, 46-48
Kley, Elisabeth, “Gotham Art & Theater”, Artnet Magazine, 2 Dec.
Hintz, Katie, “Celebrating Art, Commerce, Oh And History, At Gavin Brown”, style.com. Online. 5 Nov.
Pearse, Emma, “Artist Jonathan Horowitz Is Just As Excited As You Are”, New York
Magazine Vulture Blog. Online. 5 Nov.
Alexsander, Irina, “Art Meets Life! If Obama Loses, Gavin Brown Will Have a Lot of Extra Balloons”, The New York Observer. Online. 4 Nov
Johnson, Ken. "Never Mind the Map: Sometimes New York is More of an Idea." New York Times 21 Dec.
Baier, Simon. Jonathan Horowitz at Galerie Barbara Weiss, Berllin. Text Zur Kunst 68, Dec.
Uovo Magazine, Collaboration with Rob Pruitt, Issue 15, Oct – Dec., p. 286-89, 312-13 Lyall, Sarah, “In London, Art and Commerce Scratch Backs”,New York Times 13 Oct. Searle, Adrian, “Frieze Art Fair: Tenner For Your Thoughts, Dinos?’, The Guardian 11 Oct
Williames, Eliza, “Collecting Overview: Vanessa Branson”, Flash Art Oct.
Heiser, Jörg, “Jonathan Horowitz, Galerie Barbara Weiss, Berlin, Germany”, Frieze.com, September
Reichensperger, Petra, “Krieg und Kultur”, Zitty, das Hauptstadsmagazin 19 Sept. Brigitte Werneburg, “Kunstrundgang, Jonathan Horowitz, People Like War Movies”, die Tageszeitung 5 Sept.
Stange, Raimar, “Jonathan Horowitz, People Like War Movies”, Spike Art Quarterly 13: 110-111.
Stange, Raimar, “Reviews: Jonathan Horowitz, Galerie Barbara Weiss”, Modern Painters Nov.: 99
Smith, Roberta, “Menace, Glitter and Rock in Visions of Dystopia”, New York Times 29 Dec.
Smith, Roberta, “Critic's Notebook; Chelsea Is a Battlefield: Galleries Muster Groups”, New York Times 28 July
Biesenbach, Klaus, “Into Me / Out of Me”, Flash Art, May/June 06: (ill. p 104) Coomer, Martin. Rev. of “Rome” Time Out London 26 Sept.
Saltz, Jerry, “Our Crowds: a two headed butterfly flapping its wings”, Village Voice, July 6 The Wrong Gallery, “Tarzan and Jane: America – Kara Wallker and Jonathan Horowitz”, Interview/project, Domus 891, April
Wang, Michael, “Scene and Herd: Fair Game”, Artforum.com, 15 March
Saltz, Jerry, “Biennial in Babylon”, Village Voice 8 March: 86. 2005 Higgs, Mathew, “Best of 2005”, Artforum Dec.: 258-9.
Belaief, Margherita. Rev. of “The New Communism” Exibart Nov.: 56.
Rimanelli, David, “Scene and Herd: The More the Scarier”, Artforum.com, 21 Oct Maekawa, Akane, Ryuko Tsushin, vol. 505, July
Ammirati, Dominick, “Profile: Jonathan Horowitz”, Contemporary 71: 62-5.
Horowitz, Jonathan and Pruitt, Rob, “A Peacock Hill Family Album”, Photo portfolio. Zing Magazine 20, Winter: 216-31.
Cotter, Holland. Rev. of “Log Cabin”, New York Times 28 Jan.
Gray, Zoe. Rev. of “Genealogies of Glamour”, Contemporary 70.
“The Wonderful Fund Collection”, published by The Wonderful Fund, Great Britain Gingeras, Alison, “Purple News”, Purple Fashion No. 3, Spring/Summer: 38.
Gingeras, Alison, “Best of 2004”, Artforum Dec.: 151-2, cover. DeBellevue, Lucky, “The Artists' Artists”, Artforum Dec.: 76.
Bollen, Christopher, “Art Lives: Jonathan Horowitz”, Interview. Vman Fall-Winter: 71. Horowitz, Jonathan, as told to Dominick Ammirati, “My Pop”,Artforum Oct.: 48. “Electoral Collage: A Portfolio”, Commissioned artwork. Artforum Sept.: 237.
Baker, Christopher, “About Face”, Martha Stewart Holiday Halloween: 44- 51, cover.
Huster, Wiebke, “Was die Filme verschweigen”, Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Frankfurter Allgemeine Zeitung 21 Aug.: 47
Scharrer, Eva, Critics Picks, Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Artforum.com,19 Aug
Herbstreuth, Peter, “Mischbrot mit Peitsche”, Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Tagesspiegel 24 July: 24.
Muller, Katrin Bettina, “Irrlichternde Einzelbilder”, Rev. of Jonathan Horowitz at Galerie Barbara Weiss, Tageszeitung 5 July: 23.
Jana, Reena. Rev. of “La Nuit Americaine”, ARTnews May
Verdier, Evence, Rev. of Jonathan Horowitz at Galerie Yvon Lambert, Artpress, Feb
Rosenberg, Karen. Rev. of “Dust Memories”, Frieze Oct.: 126-7.
Yablonsky, Linda. Rev. of “Dust Memories”, Time Out New York, 19 June
“Focus Video and Film, Contemporary Video Art (Part II): Jonathan Horowitz”,
Flash Art Mar.-Apr.: 94.
Exley, Roy. Rev. of “Pillow Talk”, Flash Art Feb.: 114.
Hammonds, Chris. Rev. of “Pillow Talk”, Tema Celeste 95, Feb.: 96.
Johnson, Ken. Rev. of “Surreal Estate”, New York Times 6 June.
Lafreniere, Steve. “Rob Pruitt and Jonathan Horowitz with Steve Lafreniere”, Interview. Index Sept.-Oct.: 62-68.
Levin, Kim, “Short List: Jonathan Horowitz and Rob Pruitt”, Village Voice
“NYC: Overrated and Underrated”, Time Out New York 20 Feb.: 11.
Mulvihill, Keith, “American Gothic”, Time Out New York 29 May: 28-9.
Schwendener, Maria. Rev of “Surreal Estate”, Artforum.com. Online. 4 June.
Clem, Chivas, Rev. of “Go Vegan!”, Time Out New York 5 Dec.: 65. Herbert, Martin. Rev. of “Pillow Talk”, Time Out London. 30 Oct.
Johnson, Ken. Rev. of “Go Vegan!”, New York Times 13 Dec.: E44.
Colman, David, “House of 8 Gables, Back in Black”, New York Times, Oct
Keil, Frank, “Schwimmtofu an Schweineportrat”, Rev. of Zusammenhaenge Herstellen, Frankfurter Rundschau 7 Aug.
Schone, Veronika, “Diat im Kontext”, Rev. of Zusammenhaenge Herstellen, Szene Hamburg, Aug
Dezeuze, Anna, Rev. of “The Object Sulpture”, Art Monthly July-Aug
Schellen, Petra, “Nach dem Mull-clash”, Rev. of Zusammenhaenge Herstellen, Tageszeitung 2 July.
Lubbock, Tom. “Colourvision”, Rev. of The Object Sculpture, Independent Review June Fricke, Harald. Rev. of “4FREE”, Artforum March
Farquharson, Alex, Rev. of “The Americans: New Art”, Artforum, March
Mac Giolla Leith, Caoimhin. Rev. of “The Americans: New Art”, Modern Painters Winter. Rose, Matthew, “The Unexplained Explained ... Sort Of...”, Interview, art-the magazine, May
Boyer, Charles-Arthur, Rev. of “Jonathan Horowitz and Slater Bradley” at Galerie Yvon Lambert, Art Press
Von Schlegell, Mark. Luis Gispert, Jonathan Horowitz, John Williams, Rev. of "Pause." Artext May-July: 76-7.
Reproduced artwork. Issue 5 1.5: 143.
Arning, Bill. "Defeating the Universal Spectator." NU: The Nordic Art Review vol. lll, no. 1: 68-71.
Moffatt, Laura. Rev. of "New York Projects." Art Monthly Sept.: 48-9.
Coomer, Martin. Rev. of "New York Projects." TimeOut London 23 Aug.: 52.
Eagly, Ursula. Rev. of "The Jonathan Horowitz Show." Art News Summer: 210.
Haye, Christian. "Not Afraid of Love." Reproduced artwork. Dutch May-June: 26-7. Schmerler, Sarah. Rev. of "The Jonathan Horowitz Show."TimeOut New York 27 Apr.: 70.
Anton, Saul. "Openings: Jonathan Horowitz." Artforum Nov.: 142-3. Hainley, Bruce. "Blow Up." Reproduced artwork. Frieze May: 72.
Hunt, David. "Pumping Iron." Rev. of "Achieving Failure: Gym Culture 2000." TimeOut NY 13 Apr.: 69.
Levin, Kim. Rev. of "The Jonathan Horowitz Show." Village Voice 25 Apr.
Anton, Saul. Rev. of "The Jonathan Horowitz Show." Citysearch.com. Online. Apr. Mendelsohn, Meredith. "Weekend Update." Artnet.com. Online. 4 Apr. <<www.artnet.com/magazine/reviews/mmendelsohn/mendelsohn4-4-00.asp>>
Skelton, Carl. "Bewitched." Rev. of "A Place Called Lovely." dART International 3.1: 36+. 1999 Ellegood, Anne. Rev. of “A Place Called Lovely, NY Arts”, Oct
Van-Huy, Bernadette and Kelsey, John. “Tea No. 2: Rob Pruitt and Jonathan Horowitz”, Interview. Made in U.S.A. Fall-Winter: 58-62.
Thornson, Alice. "But Seriously-Or Not." Rev. of New York Neither/Nor, Kansas City Star 4 July.
van der Hamsvoord, Jos, “American Contemporary Artists: Jonathan Horowitz”, Artnet Academy Mar.: 37.
Smith, Roberta. Rev. of “Free Coke”, New York Times Feb. 6.
Arning, Bill. Rev. of “Maxell”, Art in America Jan.: 98-9
Fahl, David. Rev. of “Tune In”, Artlies 19.
Schmerler, Sarah. Rev. of “Superfreaks-Post Pop & the New Generation”, TimeOut New York 12 Mar.
Schachter, Kenny, et. Al, “Cambio”, published by The Mexican Cultural Institute of New York, New York, NY
Schulz, J. Rev. of “Password: Ferdydurke”, World Art 12: 91
Mitchell, Charles Dee, “Eastern Seaboard”, Rev. of "Facing the Millenium." Dallas Morning Star, 28 Nov.
Levin, Kim. Rev. of “Password: Ferdydurke”, Village Voice 12 Nov.
Barrett, David, Rev. of “Sex and Drugs and Explosives”, Art Monthly May.
Bovier, Lionel, and Taylor, Kelly, eds, And/Or: Jonathan Horowitz, JRP Ringier, Zürich, Switzerland
Rattemeyer, Volker, ed, Lines, Grids, Stains, Words, Spangeberg: Werbedruck GmbH, Germany
Goetz, Ingvild, and Urbaschek, Stephan, eds, Fast Forward. Media Art Sammlung Goetz, Ingvild Goetz
Grosenick, Uta, Art Now, Taschen, New York
Muller, Markus, and Groos, Ulrike, eds, Make it funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst, Oktagon, Cologne, Germany
Museum Ludwig, Cologne, Germany
Centre Georges Pompidou, Paris, France
Museum of Modern Art, New York
Museum für Moderne Kunst Frankfurt am Main, Frankfurt am Main, Germany Tate Modern, London, UK
Metropolitan Museum of Art, New York
Stedelijk Museum voor Actuele Kunst, Ghent, Belgium
Museum of Contemporary Art, San Diego
Migros Museum Museum fur Gegenwartskunst, Zürich, Switzerland Collection Lambert, Avignon, France
New Museum of Contemporary Art of Contemporary Art, New York Sammlung Goetz, Munich, Germany
Le Musée d’Art Moderne Gand-Duc Jean, Luxembourg City, Luxembourg