Gavin Brown's enterprise

Born 1965, Danbury, CT
Lives and works in New York


Education

School of Visual Arts, New York, BFA 1984 - 1987


Solo Exhibitions

2013
Gavin Brown’s enterprise, New York
“Elizabeth Peyton: Here She Comes Now,” Kunsthalle Baden Baden, Baden Baden, Germany

2012
“Secret Life,” Sadie Coles, London, UK (with Jonathan Horowitz)
Regen Projects, Los Angeles

2011
Gagosian, Paris, France (cat.)
“Wagner,” Gallery Met, The Metropolitan Opera, New York
“Ghost,” Opelvillen Rüsselsheim Zentrum Für Kunst, Rüsselsheim, Germany travels to Mildred Lane Kemper Art Museum, Washington University in St. Louis (cat.)

2010
Neugerriemschneider, Berlin, Germany (cat.)

2009
“Elizabeth Peyton: New Drawings,” Gladstone Gallery, Brussels, Belgium (cat.)
“Blood of Two: Matthew Barney and Elizabeth Peyton,” Slaughterhouse, DESTE Foundation Project Space, Hydra, Greece (cat.)
Sadie Coles HQ, London, UK
“Elizabeth Peyton: Reading & Writing,” Irish Museum of Modern Art, Dublin, Ireland (cat.)

2008
“Live Forever: Elizabeth Peyton,” New Museum of Contemporary Art, New York;
travels to Walker Art Center, Minneapolis, MN; Whitechapel, London, UK; and Bonnefanten Museum, Maastricht, Netherlands
"Elizabeth Peyton: Portrait of an Artist,” Aldrich Contemporary Art Museum, Ridgefield (cat.)
Gavin Brown’s enterprise, New York

2007
Regen Projects, Los Angeles

2006
“Elizabeth Peyton: Paintings 1994-2002,” Gavin Brown’s enterprise, Sadie Coles HQ,
Barbara Gladstone, at Jane Holzer’s apartment, New York (cat.)
Neugerriemschneider, Berlin, Germany
“Elizabeth Peyton: Prints 1998-2006,” Guild Hall, Easthampton (cat.)

2005
Glenn Horowitz Bookseller, East Hampton
Sadie Coles HQ, London, UK

2004
Gavin Brown’s enterprise, New York

2003
Neugerriemschneider, Berlin, Germany
The Wrong Gallery, New York
“Elizabeth Peyton: New Paintings,” Regen Projects, Los Angeles
“Elizabeth Peyton and Tony Just: New Works on Paper,” Orient Historical Society, Orient
“Elizabeth Peyton: Works on Paper,” Roma Roma Roma, Rome, Italy (cat.)

2002
Sadie Coles at the Royal Academy, London, UK
Neugerriemschneider, Berlin, Germany
“Elizabeth Peyton: 16 Artists,” Salzburger Kunstverein, Salzburg, Austria (cat.)

2001
Gavin Brown’s enterprise, New York
Deichtorhallen, Hamburg, Germany (cat.)

2000
“Elizabeth Peyton: Tony Sleeping,” Westfälischer Kunstverein, Münster, Germany (cat.)
“New Work1: Elizabeth Peyton,” Aspen Art Museum, Aspen (cat.)
Sadie Coles HQ, London, UK
Gavin Brown's enterprise, New York

1999
Regen Projects, Los Angeles
Castello di Rivoli, Turin, Italy
Neugerriemschneider, Berlin, Germany
Gavin Brown's enterprise, New York

1998
Galerie Georg Kargl, Vienna, Austria
Galleria Il Capricorno, Venice, Italy
Museum für Gegenwartskunst, Basel, Switzerland; traveled to Kunstmuseum Wolfsburg, Wolfsburg, Germany (cat.)
Seattle Art Museum, Seattle
Sadie Coles HQ, London, UK

1997
Gallery Side 2, Tokyo, Japan
Galerie Daniel Buchholz, Cologne, Germany
“Currents 71: Elizabeth Peyton,” St. Louis Art Museum, St. Louis (cat.)
Gavin Brown's enterprise, New York
Regen Projects, Los Angeles

1996
Gavin Brown's enterprise, New York
Galleria Il Capricorno, Venice, Italy
Neugerriemschneider, Berlin, Germany

1995
Cabinet Gallery at The Prince Albert, London, UK
Neugerriemschneider, Cologne, Germany
Gavin Brown's enterprise, New York

1993
Gavin Brown’s enterprise at Hotel Chelsea, Room 828, New York


Group Exhibitions

2013
"Moby Dick-Whale Language," Tel Aviv Museum of Art, Tel Aviv, Israel (forthcoming)
“NYC 1993: Experimental Jet Set, Trash and No Star,” New Museum of Contemporary Art, New York (forthcoming)
“The Human Touch,” Scottsdale Museum of Contemporary Art, Scottsdale

2012
“Inaugural Exhibition by Gallery Artists,” Regen Projects, Los Angeles
“We The People,” Rauschenberg Foundation, New York (curated by Jonathon Horowitz & Allison Gingeras
“Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern, Bortolami, New York
“Regarding Warhol; Fifty Artists, Fifty Years,” Metropolitan Museum of Art, New York; Warhol Museum, Pittsburgh (2013)
“Biennial of Painting: The Image of Man,” Museum Dhondt-Dhaenens, Flanders, Belgium
“Contemporary painting, 1960 to the Present: Selections from the Collection,” San Francisco Museum of Modern Art, San Francisco
“Invitational Exhibition of Visual Arts,” American Academy of Arts and Letters, New York

2011
“Sentimental Education,” Gavlak Gallery, Palm Beach
“Nothing in the World but Youth,” Turner Contemporary, Margate, UK
“American Exuberance,” Rubell Family Collection/Contemporary Arts Foundation, Miami
“American Portraits: Treasure from the Parrish Art Museum,” South Hampton
“About Painting,” Art Berlin Contemporary, Berlin, Germany
“Faces,” Hiram Butler Gallery, Houston
“Jack Smith: ‘Thanks for Explaining Me’,” Barbara Gladstone Gallery, New York (curated by Neville Wakefield)
“Kompass – Zeichnungern aus dem MoMA,” New York, Gropius Bau, Berlin, Germany
"L’Insoutenable Légèreté de l’Être," Yvon Lambert Gallery, New York
“Invitation to the Voyage,” Algus Greenspon, New York

2010
"From NY with Love,” Don’t Projects, Paris, France (curated by Glorimarta Linares)
“On Publications, Portraits, Public Art and Performance,” The Modern Institute/Toby
Webster Ltd, Glasgow, UK (curated by Daniel Baumann)
"At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg," Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson
“In The Company of Alice,” Victoria Miro Gallery, London, UK
“Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection,” Valencia Institute of Modern Art, Valencia, Spain
“Kurt,” Seattle Art Museum, Seattle
“UltraMegaLore,” Modemuseum Hasselt, Belgium
“Fine Line,” Georg Kargl Fine Arts, Vienna, Austria
“Size Does Matter,” FLAG Art Foundation, New York (curated by Shaquille O’Neal)
“THE EPHEMERAL,” Galerie van Gelder, Amsterdam, Netherlands
“SUR LE DANDYSME AUJOURD’HUI: From Shop Window Mannequin to Media Star,” Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain

2009
“Undeniably Me,” Kunstmuseum Wolfsburg, Wolfsburg, Germany
“Don’t Panic! I’m Selling My Collection,” Rental Gallery, New York
“Landscape,” Armory, New York
“Something about Mary,” Gallery Met, The Metropolitan Opera, New York
“The Living and the Dead,” Gavin Brown’s enterprise, New York
“Blood of Two: Matthew Barney and Elizabeth Peyton,” Slaughterhouse, Deste Foundation Project Space, Hydra, Greece (cat.)
“15 Years of Collecting Against the Grain,” Kunstmuseum Wolfsburg, Wolfsburg, Germany
“Modern Modern,” Chelsea Art Museum, New York (curated by Pati Hertling)
“Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection,” Museum of Modern Art, New York

2008
“System Mensh; Works from the Collection of the MdM SALZBURG,” Museum der Moderne Salzburg, Austria
“Group Show,” Galerie Leu, Munich, Germany
“Permanent Presentation,” white8 Galerie Dagmar Aichholzer, Villach, Austria
“Pretty Ugly,” Gavin Brown’s enterprise, New York
“The OLYMP—Works on Paper, Burkhard Eikelmann Com, Dusseldorf, Germany
“Attention to Detail,” FLAG Art Foundation, New York
“The Painting of Modern Life,” Museum d’arte contemporanea Castello di Rivoli, Turin, Italy
“Mixed Emotions. Apuntes para una colección del siglo XXI, Domus Artium 2002, Salamanca, Spain
"New Acquisition-[Sanbi Shosha] Ueda Collection,” Museum of Contemporary Art
Tokyo, Japan
“Deception and Devastation,” Gavin Brown’s enterprise at Passerby, New York (curated by Darren Bader, Gavin Brown and Tony Just)

2007
“True Romance: Allegories of Love from the Renaissance to the Present,” Kunsthalle Wien, Vienna, Austria
“The Painting of Modern Life: 1960’s to Now,” Hayward Gallery, London, UK
(curated by Ralph Rugoff) (cat.)
“Makers and Modelers,” Gladstone Gallery, New York
“Old School,” Hauser & Wirth Colnaghi, London, Zwirner & Wirth, New York
“Contemporary and Modern Masters,” Richard Gray Gallery, Boston
“People Take Pictures of Each Other,” LaMontagne Gallery, Boston (curated by Bob
Nickas)
“Still Life and Kicking,” A Project with Vogue, Paula Cooper Gallery, New York (curated by Dodie Kazanjian)
“News on Paper,” Burkhard Eikelmann Com, Dusseldorf, Germany
“Rocker’s Island,” Museum Folkwang, Essen, Germany
“Paper Trail: A Decade of Acquisitions,” Walker Art Center, Minneapolis
“Very Abstract and Hyper Figurative,” Thomas Dane Gallery, London, UK (curated by Jens Hoffmann)
“Like color in pictures,” Aspen Art Museum, Aspen
“Overdrive,” Barbara Davis Gallery, Houston

2006
“SURreal,” Museum der Moderne, Salzburg, Austria
“Essential Painting,” The National Museum of Art, Osaka, Japan
“Faster! Bigger! Better!,” Zentrum fur Kunst und Medientechnologie, Karlruhe, Germany
“Lifestyle,” Kunstmuseum St. Gallen, St. Gallen, Switzerland
“Good Vibrations,” Papesse Centro Arte Contemporanea, Siena, Italy
“Surprise, Surprise,” Institute of Contemporary Art, London, UK
“Summer Show 2006,” Sadie Coles HQ, London, UK
“Figures of the Player: the Paradox of the Actor,” Collection Lambert, Avignon, France
Craig Robins Collection, Miami
“Contemporary Masterworks: Saint Louis Collects,” Contemporary Art Museum of
St. Louis, St. Louis (curated by Paul Ha)
“Garden Paradise,” The Arsenal Gallery in Central Park, New York
“The Name of the Show Is Not ‘Gay Art Now,” Paul Kasmin Gallery, New York
(curated by Jack Pierson)
“Painting Codes: I Codici della Pintura,” Galleria Comunale d’Arte Contemporanea di Monfalcone, Monfalcone, Italy
“zuruck zur figure malerie der gegenwart,” Kunsthalle der Hypo-Kulturstiftung, Munich, Germany

2005
“Vogue Nudes,” Mitchell-Innes & Nash, New York
“Superstars: from Warhol to Madonna”, Vienna Kunstforum/ Vienna Kusthalle, Vienna, Austria
“always crashing in the same car,” Galleri Susanne Ottesen, Copenhagen
“Looking at Words,” Andrea Rosen Gallery, New York
“The Early Show,” White Columns, New York
“GREATER THAN THE SUM: Selections from the Craig Robins Collection of Contemporary Art,” Florida State University Museum of Fine Arts, Tallahassee
“Discovery and Ownership: Insights into Private Austrian Collections,” Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria
“Drunk vs. Stoned 2,” Gavin Brown’s enterprise, New York
“Generation X,” Kunstmuseum Wolfsburg, Wolfsburg, Germany
“girls on film”, Zwirner & Wirth, New York (curated by Kristine Bell)
“Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo,” Turin, Italy (curated by Franceso Bonami)
“Getting Emotional”, ICA, Boston, Boston
“Mother and Child”, Ferragamo, New York (curated by Andrea Salerno & Carmen Zita)
“25 Deutsche Bank Collection,” Deutsche Guggenheim, Berlin, Germany

2004
“15 year anniversary of Regen Projects,” Regen Projects, Los Angeles
“Likeness: Portraits of Artists By Other Artists” (traveling exhibition), California College of Arts, Wattis Institute for Contemporary Arts, San Francisco; McColl Center for Visual Art, Charlotte; ICA, Boston; Dalhousie University Art Gallery, Halifax, Canada; University Art Museum; State University at Long Beach; Illingworth Kerr Gallery, Alberta College of Art & Design Calgary, Alberta, Canada
“Beginning Here: 101 Ways,” Visual Arts Gallery, New York (curated by Jerry Saltz)
“De leur temps: Collections privées Francaises, MUba Eugène Leroy, Tourcoing, France
“Contemporary Painting,” Colby College Museum of Art, Waterville ME (curated by Alex
Katz)
“Arbeiten auf papier/Grafiken (Part 1),” Galerie Fahnemann, Berlin
“Sammlung Plum,” Museum Kurhaus Kleve, Kleve, Germany
“per amore,” Galleria Civica d’Arte Contemporanea Montevergini, Syracuse, Italy
“Works from the Boros collection (Werke aus der Sammlung Boros,” Museum für Neue Kunst, Karlsruhe, Germany
Whitney Biennial, Whitney Museum of American Art, New York (cat.)
“Was Malerei heute ist,” Opelvillen, Rüsselsheim, Germany
“Treasure Islan: 10 Years Collection Kunstmuseum,” Kunstmuseum Wolfsburg, Wolfsburg, Germany
“North Fork/South Fork: East End Art Now,” Parrish Art Museum, Southampton
“Now Is a Good Time,” Andrea Rosen Gallery, New York
“THE MUSE,” Leslie Tonkonow Artworks + Projects, New York

2003
“Inaugural Exhibition,” Gavin Brown’s enterprise, New York
“The Fourth Sex: Adolescent Extremes,” Pitti Imagine Discovery, Milan, Italy (curated by Francesco Bonami and Raf Simons) (cat.)
“Faces and Figures,” Art Museum at Florida International University, Miami
“Il Quarto Sesso,” Stazione Leopolda, Florence, Italy
“Under Pressure: Prints from Two Palm Press,” The Cooper Union School of Art,
New York
“Inaugural Exhibition,” Regen Projects, Los Angeles

2002
“The Galleries Show: Contemporary Art in London,” The Royal Academy of Arts, London (cat.)
“DEAR PAINTER,…Paint Me,” Centre Georges Pompidou, Paris, France (cat.)
“Remix: Contemporary Art & Pop,” Tate Liverpool, Liverpool, UK (cat.)
Carpenter Center for the Visual Arts, Harvard University, Cambridge (curated by Klaus Kertess) (booklet)
“Painting on the Move,” Kunstmuseum Basel; Museum für Gegenwartskunst Basel; Kunsthalle Basel, Basel, Switzerland (cat.)
“Drawing Now: Eight Propositions,” Museum of Modern Art, New York (cat.)
“Just Love Me: Post/Feminist Positions of the 1990s from the Goetz Collection,” Baden-Baden, Germany; Munich, Germany; Bergen, Norway; Leeuwarden, Netherlands

2001
“New to the Modern; Recent Acquisition from the Department of Drawing,” Museum
of Modern Art, New York
“ABBILD recent portraiture and depiction,” Landesmuseum, Zürich, Switzerland; FH Joanneum, Graz, Austria (curated by Peter Pakesh) (cat.)
“Azerty,” Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France
“Beautiful Productions: Art to Play, Art to Wear, Art to Own,” White Chapel
Gallery, London, UK
“Collaborations with Parkett; 184 to now,” Museum of Modern Art, New York, (cat.)
“About Face: Selections from the Prints and Illustrated Books Department,” Museum of Modern Art, New York
Galerie Jennifer Flay, Paris, France
“Longing and Memory,” Los Angeles County Museum of Art, Los Angeles
“Lens and Paper: The Beauty of Intimacy,” Gemeentemuseum, The Hague, Netherlands; Staatliche Kunsthalle, Baden-Baden, Germany; Museum Haus am Waldsee, Berlin (cat.)

2000
"American Academy Invitational Exhibition of Painting and Sculpture," American Academy of Arts and Letters, New York
"Interventions," Milwaukee Art Museum, Milwaukee (cat.)
"Greater New York", MoMA PS1, Long Island City (cat.)
“Présumés Innocents,” CAPC Musée d’Art Contemporain de Bordeaux, Bordeaux, France

1999
“ef1ny999,” Tomio Koyama Gallery, Japan
“Malerei,” INIT Kunsthalle, Berlin, Germany
“Zeitgenossische Kunst seit 1968”, Kunstmuseum Wolfsburg, Wolfsburg, Germany
Museum of Contemporary Art Chicago, Chicago
“anAzonas Kunstlerbücher, Villa Minimo, Hannover, Germany
“Free Coke,” Greene Naftali, New York
"Village Disco," Cabinet, London, UK
"Examining Pictures," Whitechapel Gallery, London, UK; Museum of Contemporary Art Chicago, Chicago; University of Calfornia Los Angeles at the Hammer Museum, Los Angeles (cat.)
"Parallel Lines: Mix and Match," Karen McCready Fine Art, New York (curated by Barbara Toll)

1998
"Sisi, Sisimus, Sisismen," Galerie Menotti, Baden, Austria (cat.)
"Hanging," Galeria Camargo Vilaca, Sao Paulo, Brazil (cat.)
"Young Americans II," Saatchi Gallery, London, UK (cat.)
"Tell me a Story," Magasin, Grenoble, France (cat.)
"People II," Monica de Cardenas, Milan, Italy
"Exterminating Angel," Ghislaine Hussenot Gallery, Paris, France (curated by Joshua Decter)
“Auf der Spur,” Kunsthalle Zurich, Zurich, Switzerland
Galerie Daniel Buchholz, Köln, Germany

1997
"Coming Home Again", Visual Arts Gallery, New York
“Kunst...Arbeit,” Südwest LB, Stuttgart, Germany (cat.)
“Truce: Echoes of Art in an Age of Endless Conclusions,” SITE Santa Fe, Santa Fe
The Saint Louis Art Museum, Saint Louis (cat.)
Center for Curatorial Studies, Annandale-on-Hudson (cat.)
"Projects 60," Museum of Modern Art, New York (with Luc Tuymans and John
Currin)
"Antlitz," Max-Gandolph-Bibliothek, Salzburg, Austria
"New Work: Drawings Today," San Francisco Museum of Modern Art, San Francisco
"Kunst...Arbeit," Südwest LB, Stuttgart, Germany (cat.)
"Heaven," MoMA PS1, New York (cat.)
"Hirsch Farm Project," Hirsch Foundation, Northbrook

1996
"Longing and Memory," Los Angeles County Museum, Los Angeles
"Ein Stück von Himmel," Kunsthalle Nürnberg, Germany; South London Gallery, London, UK; Southampton Art Gallery, Southampton, UK; Cornerhouse, Manchester, UK (cat.)
"a-drift," Bard College, New York (curated by Joshua Dector) (cat.)
“Universalis,” Sao Paulo Bienal, Sao Paulo, Brazil (cat.)
"Wunderbar," Kunstverien Hamburg, Hamburg, Germany (cat.); Kunstraum, Viienna, Austria (cat.)
Victoria Miro Gallery, London, UK
Stefano Basilico Fine Art, New York
"Screen," Fredrich Petzel Gallery, New York (curated by Joshua Decter)

1995
"Campo," Venice Biennale, Italy (curated by Francesco Bonami) (cat.)
"Space Odyssey," Koreneou Gallery, Athens, Greece
"The Enthusiast," Gavin Brown's enterprise, New York

1994
"Swan," Tom Cugliani Gallery, New York
"Don't Postpone Joy of Collecting Can Be Fun," Austrian Cultural Institute,
New York

1993
"Okay Behavior," 303 Gallery, New York (curated by Gavin Brown and Gareth Jones)
"Little Thing," Randolph St. Gallery, Chicago; Delta Arts Axis, Memphis; Art in General, New York (curated by Laura Hoptman)


Bibliography

2013
Schjeldahl, Peter, "Critic's Notebook: Song Lines," The New Yorker, April
Smith, Shannah Elinor, "Elizabeth Peyton at Gavin Brown's enterprise," Opening Ceremony, April
Kaprielian, Nelly, "Un Ange Au Pays Du Glitter," Vogue Paris, March
"New York Artists Now," GalleristNY, February

2012
Macchi, Catherine, "Elizabeth Peyton ou la Réevalation de l'art Portrait," Roven, April

2011
Duray, Dan, "No Sleep Till Bovina," New York Observer, September 8
H.K., “Elizabeth Peyton, Star Chez Gagosian,” Art Actuel, July/August
Bloch-Champfort, Guy, "Derniers Jours: Elizabeth Peyton / Gagosian," artnet.fr, July
Lafontaine, M., "Go See - Paris: Elizabeth Peyton at Gagosian Gallery," Art Observed, July 16
L.M., "C'est Qui?" Madame Figaro, July
A. C.-C., "ISA (2010), D'Elizabeth Peyton," L’Express Styles, July 6
“An Exhibition of New Paintings and Drawings by Elizabeth Peyton at Gagosian Gallery Paris,” artdaily.org, July
"La palette apaisée d’Elizabeth Peyton," O.di.C, July 
B., Ch., "Elizabeth Peyton," Technikart, July 
“Peyton’s Faces,” Vogue Paris, June/July 
Moroz, Sarah, “Gagosian Hosts Peyton’s First Solo Show in Paris,” The New York Times, May 29
“Art Show,” Glamour
Zhong, Fan, “Preview: Elizabeth Peyton, Á Paris,” W Magazine, May 27
Willa Davis, Rebecca, “Elizabeth Peyton Takes on Paris,” Elle Magazine, May 26
Porret, Karine, “Elizabeth Peyton,” Stiletto, May 12
Vogel, Carol, “Art and Arias,” New York Times, February 17
R., J., “Elizabeth Peyton,” Trios Couleurs, #3

2009
Tully, Judd, “Nobody Does It Better,” ARTINFO, June 19
Castets, Simon, “Smooth Criminals,” VMagazine.com, June 18
Idem, Item, “Now Viewing | ‘Blood of Two’,” New York Times: The Moment, June 17
Senior, Jennifer, “Mother Earth: Michelle Your Belle,” Sunday Tribune Dublin,
March 29 (cover)
Tscherny, Nadia, “Elizabeth Peyton: Beautiful People,” Art in America, February p. 98-107 (cover)
Wehr, Anne, Review, Frieze, January – February, p. 145
Wrede, Andreas, “A Question of Preference,” Lufthansa Magazin, p. 58-61

2008
Smee, Sebastian, “Daring Strokes Go Pop,” Boston Globe, November 23
Illustration for “Obamaism,” New York Magazine, November 17, p. 30
Gentile, Francesca, “Alta Societa su Tela,” La Republica, October 18
Cocker, Jarvis, “Interview with Elizabeth Peyton,” Interview, October, p. 150-155
Smith, Roberta, “The Personal and the Painterly,” New York Times, October 10
Tomkins, Calvin, “The Artist of the Portrait,” The New Yorker, October 6, p. 42-47
Rosenberg, Karen, “A Painter’s Social Network, Traced in Her Photographs,”
New York Times, July 11
Saltz, Jerry, “Elizabeth II,” New York Magazine, May 19
Rosenberg, Karen, Review, New York Times, May 16
Carlin, T.J., Review, Time Out New York, May 14
The New Yorker, May 12
Saltz, Jerry, “The New York Canon,” Artnet Magazine, April 23
Finch, Charlie, “Running, Jumping, Standing Still,” Artnet Magazine, April 21
Robinson, Walter, Interview, Whitewall Magazine, Spring, p. 114-125
Moisdon, Stephanie, “Quand les artistes s’emparent des people,” Beaux Arts Magazine, February, p.46

2007
Dillon, Brian, “The Painting of Modern Life,” ArtReview, October, p. 92-95
Muñoz, Jose, “The Sense of Watching Tony Sleep,” South Atlantic Quarterly,
Summer
Bookforum, April-May 2007, cover illustration

2006
Bookforum, February-March, cover illustration
Gasparina, Jill, “Imaginaire: Mode d’Emploi, ‘L’Art Contemporain et la Mode’”
published by Editions Cercle d’Art, Paris
Bald Ego, No. 3, pp. 156-59
Getlein, Mark “Living With Art (8th Edition) “ published by McGraw Hill, New York, p.
179
Bookforum, December-January 2007, cover illustration
Lee, Carol. “Peyton Place,” Paper, Vol. 23, No. 3, September, pp. 74-76
Johnson, Ken, “Beautiful People Caught in Passivity,” New York Times, August 18, pp. E25-26
Herbert, Martin, Book Review: Monographs, Modern Painters, May, pp. 124-25
Saltz, Jerry, “Portrait of the Artist as a Young Artist,” The Village Voice, January 18, p. 72
Kazanjian, Dodie, “Art Goes Naked,” Vogue Nippon, March, p. 109

2005
Higgs, Matthew; Lafreniere, Steve: “Elizabeth Peyton,” published by Rizzoli, New York
Kazanjian, Dodie, “Body Language,” Vogue, December pp. 320-31
Brugger, Ingried, Gerald Matt, Superstars: von Warhol bis Madonna, exhibition catalog, published by Hatje Cantz
Holland, Charles, Review, Modern Painters, June , pp.117-18
Garrett, Craig, Review, Flash Art, May-June, p. 150
Taguchi, Masami, “Creator’s Voice”, MyLohas, May, pp. 104-105
Wilcox, T.J., “Personal Affects,” Artforum, April, p. 167
Saltz, Jerry, “The Richter Resolution,” Modern Painters, April pp. 28-29 (ill.)
Fisun, Guner, “Flattery Gets you Nowhere”, MetroLife, 14 March
Joe, Ambrose, “Elizabeth Peyton”, Outside Left, 12 March
William, Packer, “Art with a Tantalising Freshness” Financial Times, 9 March
Jessica, Lack, “Preview: Elizabeth Peyton”, The Guardian Guide, 5 March
“Crazy in Love”, Paper, February, p. 49 (ill.)
Wei. Lilly, “The Saced Precinct of Modernism”, ARTnews, January, pp. 110-111

2003
Nickas, Bob, “People Take Pictures of Each Other,” Influence, Issue 2, pp. 90-109
“The Year in Prints: The First Annual. New Prints Review. Technical Porn,” Art on Paper, November/December, Vol. 9, No. 2, p. 58
Kazanjian, Dodie, “Peyton’s Place,” Vogue, October, pp. 358 – 363; 391
Sternberg, Adam, “Why Is Nicole Kidman So Hard To Love?” New York Magazine,
p. 69 (ill.)
LaFreniere, Steve, “My Bohemia,” The New York Times Magazine, October 3,
Section 6, pp. 70 – 75
Smith, Roberta, “Caution: Artists at Work,” The New York Times, Fine art Leisure,
Friday, August 27, pp. E23; E 25
“American Pie,” Frieze, May, issue No. 83, p. 66 (ill.)
“Electoral Collage, a portfolio,” Artforum, September, Vol XLIII, No. 1, p. 237
photo. Northfork/SouthFork,New Yorker, July 5, p.21
Irael, Nico, “People are Talking About,” Vogue, June p. 142
Hayes, Erin, Hampton Jitney Magazine, June, pp.12-13
Diez, Renato, “Alla Biennale del Whitney,” Arte, April, cover and pp. 104-111
Bankowsky, Jack, “This is Today,” Artforum, May, pp. 170-171; 233
Review, The New Yorker, May 10th, p. 24
Kaplan, Cheryl, Interview with Elizabeth Peyton, deutsche-bank-kunst.com
Finch, Charlie, “Return to Peyton Place,” artnet.com
Kimmelman, Michael, “Touching all Bases at the Biennial, “The New York Times, Friday March 12, p. 1
Saltz, Jerry, “The OK Corral,” The Village Voice, March 15
Schjeldahl Peter, “What’s New,” The New Yorker, March 22, pp. 100-101
McKenzie, Lucy, ‘”Top Ten,” Artforum, Summer pp. 96
Heartney, Eleanor, “The Well-Tempered Biennial,” Art in America, June/July,
p.70-77
International Curators International, ICI in 2004, p.11 (ill.)
Neuenschwander, Simone and Raimar Stange, “Elizabeth Peyton,” NeueReview, December, pp. 24-27
Sugatsuke, Masanobu, Invitation, June, p.62
Morton, Tom, Review, Frieze, May, p. 87
Magazin 7, Salzburger Kunstverein. pp. 56-61 (catalogue)
Stange, Raimar, “Zuruck in die Kunst,” Rogner & Bernhard bei Zweitasendeins, p. 5
“The Fourth Sex: Adolescent Extremes,” edited by Francesco Bonami and Raf
Simons, published by Pitti Imagine Discovery and Charta, Milan, Italy
“Faces and Figures,” Art Museum at Florida International University, January 17
March 9, p.20 (cat)
Drolet, Owen, “Drawing Now: Eight Propositions,” Flash Art, January/February, p. 56

2002
Grzonka, Patricia, “Kunstlerkosmos,” Kunstbulletin, October, pp. 40-43
Gingeras, Alison M., Vitamin P, Phaidon Press, London, pp. 244-247
Saltz, Jerry, “Good on Paper,” The Village Voice, October 30 – November 5
Halle, Howard, “Papering the House,” Time Out NY, November 7-14, p. 81
Smith Roberta, “Retreat from the Wild Shores of Abstraction,” The New York Times, Fine Arts Leisure, Friday, October 18, pp. 31, 33
Schjeldahl, Peter, “The Drawing Board,’” The New Yorker, November 2, pp. 102-103
Another Magazine, Autumn/Winter, p. 361
“Artist Project,” Tate International Arts and Culture, September/October,
pp. 64-72
Rimanelli, David, “Peyton Palace,” Vogue Paris, June July, pp. 164-169
Steiner, Rochelle, “Art Now,” published by Taschen, Köln
Smith, Roberta, “Europe Shows the Staying Power of Paint,” The New York Times, July 21
The New Yorker, June 17 & 24, p. 29
“Remix,” published by Tate Liverpool, Liverpool, UK
Leffingwell, Edward, Review, Art in America, March, pp. 128-129
Kennicott, Philip, “Art City,” The Washington Post, February 3
Verzotti, Giorgio, Review, Artforum, February, pp. 139-140
Amy, Michael, Review, Tema Celeste, January/February, p. 75

2001
Johnson, Ken, review, The New York Times, Friday November 23
Schjeldahl, Peter, “At the museum staightforward paint,” The New Yorker, December 17, p. 38
Srange, Raimar, “Women Artists,” Taschen, edited Uta Grosenick
Review, The New Yorker, November 5, p. 18
Roshani, Anuschka, “Schonheit ist das Synonym fur Liebe,” Brigitte, September, pp. 86-91
Todd, Stephen, “Peyton’s Place,” Jalouse, September, pp. 140-145
Miles Christopher, Review, ArtForum, January
Dziewior, Yilmaz, “Art Now,” Published by Taschen, Köln
Peyton, Elizabeth, “Real Life,” Index, February
“Kunst Museum Wolfsburg,” Tema Celeste, February
Czopp, Teddy, “Sweepstakes,” Dutch, January/February

2000
Honigman, Ana, “Pretty Boys: Elizabeth Peyton,” Zing Magazine, No. 13, pp. 229-230
Gingeras, Alison, “Subversion du Kitsch,” Art Press, December, pp. 28-36
Soonthornsawad, Jay-Noppanat, “Elizabeth Peyton,” How-To Magazine, September, pp. 48-49
Lettmann, Achim, “Wetferne Aura,” Westfalischer Anzeiger, July
Harvey, Doug, “Elizabeth Peyton,” Art Issues, January/February, p. 51
Kohler, Michael, “Narziss am Morgen,” Frankfurter Rundschau, July
Luz, Kathrin, “Lächeln Verboten,” Die Zeit, August
Lutkemeyer, Marcus, ”Tckischer Starschnitt,” 616, No. 171, August
Rasch, Uwe, “Psychosomatik und Marktwert,” WN, July
Halle Howard, “State of the Art,” Time Out New York, p. 80
Gewahr, Keine, “Ausstellungen,” WN, August 8th
Johnson, Ken, Review, The New York Times, March 31st
Danek, Sabine, “Die Aura der Entruckten,” Kultur-Spiegel Online, July 25th
Jennen, Manuel, “Auf Rosaroten Kissen,” MZ, July
“Fine and Dandy,” Blue Print, No. 29
“Elizabeth Peyton,” Brutus, Tokyo, April
“Sub-Culture in Super Culture,” Hanatsbaki, no. 597, Tokyo, March
“Elizabeth Peyton,” Inter Vista, Vol. IV, Summer
“Public Art Fund’annual Spring Benefit,” In Process, Vol. 8,Spring
Kunitz, Daniel, “Pop Portraitist,” Art & Antiques, Summer, pp. 116-119
Moreno, Gean, “High Noon in Desire Country,” Art Papers Magazine, March/April, pp. 30-36
Pruitt, Rob and Lafreniere, Steve, “Elizabeth Peyton,” Index, July, pp. 54-61
Avenue, Special Tribute Issue
Miles, Christopher, Review, Artforum, January

1999
Philippi, Anne, "Elizabeth Peyton," Park & Ride, July/August, pp.8-9
Wong, Gloria M., "from the desk of..." Bazaar, June, p. 52
Lewis, Jim, "Pop Culture's Mirror," Interview, June, p.52
Saltz, Jerry, "Getting Real," The Village Voice, April 20
Scott, Whitney, "Elizabeth Peyton's Place," Detour, April, p. 138
Arning, Bill, "Elizabeth Peyton," Poliester, p.16-21
"Elizabeth Peyton's Top Ten," Artforum, March, p. 38
“Elizabeth Peyton,” Olive, Tokyo, February
Kunitz, Daniel, "Changing Faces," ARTnews, March, p. 106-111
Beil, Ralf, “Elizabeth Peyton,” Band 142, Oct. – Dec. 1998, pp.454-55
Darwent, Charles, "American Gothic," New statement, September 4, 1998
Pagel, David, "Elizabeth Peyton," Los Angeles Times, November 5, 1999, p.F26
Sobel, Dean, “Interventions,” Milwaukee Art Museum (cat.)

1998
Collings, Mattew, "It Hurts: New York Art From Warhol to Now," 1998 p. 125
Hubbad, Sue, "Elizabeth Peyton," Time Out, March 25-April 1998
Dorment, Richard, "A Brush with Young America," The Daily Telegraph, Aug. 26th, p.19
Renton, Andrew, "A Continuous Displacement," Flash Art, XXXI, p. 94
Vettese, di Angela, "Come dare un contorno agli affetti," Il Sole-24 Ore, July 5th, p.37
Christorfori, Ralf, "Harry und Prinzessin Di beim Fernsehen," Frankfurter Allgemeine Zeitung, June 29, p.47
Pesch, Martin, "Im Schatten junger Mannerblüte," Die Tageszeitung, 03, June, p.117
Muir, Robin, "Star Gazer," Independent Sunday Magazine, Feb 21, p.24-25
Wakefield, Neville, "Elizabeth Peyton," Elle Decor, March, p. 72
Concepcion, Teresa, "Elizabeth Peyton Portrait of an Artist," Heartbeat, March, p.6
Lin, Jeremy, "Elizabeth Peyton Innocent Mission," Surface, issue 13, p.97
Fairbrother, Trevor, "Prime of Life," brochure, Seattle Art Museum
"Paint Pops," J17, Nov., p. 107
Negrotti, Rosanna, "States of Mind," What's on, Oct. 7, pp.8-9
Januszczak, Waldemar, "Young Turk no More," Sunday Times, Sept. 27
Packer, William, "The pointlessness of irony," Financial Times, Sept. 15
Gayford, Martin, "The Art Game," The Spectator, Sept. 12, p. 48
Karcher, Eva, "Im Auge Des Hurrikans," Elle, Sept. 12, pp. 83-84
Searle, Adrian, "The infants Liam and Noel on the sofa...Is this what passes for the new American Dream?" The Guardian, Sept. 7, p. 19
Burton, Jane, "Mad in the USA," The Daily Express, Sept. 5
Coomer, Martin, "Young at Art," Time Out, Sept.
Italian Vogue, July, pp. 194-195
Viegas, Camila, "Mostra aponta rumos da pintura moderna," Coderno 2, May 4Swenson, Ingrid, "Not Just a Pretty Face," Make 79, March - May
Hubbard, Sue, Review, Time Out, Mar. 25- April 1
Maloney, Martin, "The Art of Elizabeth Peyton," Frank, March
Price, Dick, "Exhibition of the Month," I-D, The Ego Issue, March, p. 56
Fredericksen, Eric, "Fan's Eye View," The Stranger, Jan 22
Makrogiannis, Eugenie,"Painter Explores Dreamy Worlds," Downtown Source, p.5, Jan 5-11
"UK Artist Q & A, Elizabeth Peyton," The Art Newspaper, March
Borschke, Margie, "Unabashed Celeb Worship," Jane, April
Parkett # 53, pp.58-92. Includes the essays “An Interview with a Painter,” by __; ”__,“ by Linda Pilgrim; “In Praise of Hands. Elizabeth Peyton’s Painting,” by Philip Ursprung”; “A Tender Trap”, Lisa Liebmann.
Stange, Raimar, Artist Kunstmag #37, pp. 46-50
Evening Standard, September 1998

1997
Updike, Robin, "SAM's smaller gems," The Seattle Times, E8, Dec 30
Hickey, Dave, "Top Ten of 1997," Artforum, December, p. 89
Mitchell, Charles Dee, "New Narratives," Art in America, Nov., p. 43-47
Van der Walle, Mark, "Contact with a Coldhearted Muse," Parkett #50/51, p. 240-245
"Kunst...Arbeit," Sudwest LB, Stuttgart, p.210-213
Marcori, Roxana and Murphy, Diana, New Art, New York
Muller, Silke, "Pop Art plus Emotion," art das kunstmagasin, October, p.45
Aupetitallot, Yves, "Tell Me A Story," catalogue
Hayt, Elizabeth, US Vogue, September, pp. 464-468
Dobrzynski, Judith, "A Popular Couple Charge into the Future of Art, but in Opposite Directions," The New York Times, Sep 2, p.C11/C13
Smith, Roberta, "Projects," New York Times, August 1
Steiner, Rochelle, "currents 71," brochure, The Saint Louis Art Museum
Schjeldahl, Peter, "The Daub Also Rises," The Village Voice, July, 29, p. 85
Darling, Michael, "The Baggage of Time," LA Weekly, June 20-26, p. 57
McKenna, Kristine, "The Contemporary Not Temporary at LACMA," Los Angeles Times, June 7, p. F15
Knight, Christopher, "Beguiled by 'Longing and Memory'," Los Angeles Times, June 7, pp. F1, F14
Steinke, Darcy, "The Beautiful People," Spin Magazine, June, p. 12
Saltz, Jerry, Review, Time Out New York, Mar 27-April 3, p. 43
Schjeldahl, Peter, "Peyton's Place," The Village Voice, March 25
Cotter, Holland, The New York Times, March 21
"Pop Art," The New Yorker, Feb. 3rd,pp. 62-3

1996
Smith, Roberta, "Finding Art in the Artifacts of the Masses," The New York Times, p. 43
Stange, Raimar, "A star was born," Kunst-Bulletin, November
Herbstreuth, Peter, "Muffelt nach Käse," Der Tagesspiegel, July 8, p.19
Philippi, Anne, "Asthetik der Umgebung," Spex, 6/96, p.46
Seyfarth, Ludwig, "Mein wunderbar Malsalon," Szene, June, p.88-89
Nunes, Joao, "Universalis quer gerar debate e reflexao," Diario Do Grande ABC, p.6
Schreiber, Susanne, "Am Puls der Zeit," Handelsblatt, 19/20, April, p.G3
Herbstreuth, Peter, "Von Napoleon bis Curt Cobain," Der Tagesspiegel, April 20,
p.84
Smith, Roberta, "Screen," The New York Times, Feb. 2, p. C26
Smith, Roberta, "Art After a Fashion," American Vogue, Jan, p.164-165,184
Savage, Jon, "True Brits," The Guardian, December 20, pp. 2-4
Savage, Jon, "Boys Keep Swinging," Frieze, November/December, pp. 58-61Universalis, catalogue, Sao Paulo Bienal, Sao Paulo, Brazil
Schwendener, Martha, "Catch My Drift?" Time Out New York, December 12-19, 1996 p.40
Bonami, Francesco, Interview, Flash Art, March/April, pp. 84-86

1995
Adams, Brooke, "Salon and on," Artforum, Summer, p. 18
Muir, Gregor, Review, Frieze, October, pp. 70-71
Decter, Joshua, Review, Artforum, May, pp. 101
Smith, Roberta, "Blood and Punk Royalty to Grunge Royalty," The New York Times, March 24, pp. C32

1994
Ettal, Meicost, “Ouverture,” Flash Art, November, pp. 88
Saltz, Jerry, Review, Art in America, May, p. 122
Bonami, Francesco, "Don't Postpone Joy of Collecting Can Be Fun," catalogue, Austrian Cultural Institute

1993
Blau, Douglas, catalogue, Hotel Chelsea, New York
Hoptman, Laura, Balkon, September

1992
Gahnal, Rainer, Review, Pig Magazine, #4


Publications

2012
"Elizabeth Peyton: Here She Comes Now," Staatliche Kunsthalle Baden-Baden, Baden-Bade, Germany
Wendt, Selene, “Fresh Paint,” published by Charta, Milan, Italy
Weitman, Wendy, "Elizabeth Peyton," Print Quarterly, March
“Elizabeth Peyton,” published by Rizzoli, New York

2011
Christine Weidemann and Brad Finger, “50 Contemporary Artists You Should Know,”
published by Prestel, Munich, London & New York
“Ghost,” published by Hatje Cantz, Opelvillen Rüsselsheim Zentrum Für Kunst,
Germany and Mildred Lane Kemper Art Museum, St. Louis
“Nothing in the World But Youth,” published by Turner Contemporary, Kent,
UK

2009
“Elizabeth Peyton: Reading & Writing,” published by Charta, Italy and the Irish Museum of Modern Art, Dublin

2008
“Elizabeth Peyton: Portrait of an Artist,” published by Damiani, Italy and the Aldrich
Contemporary Art Museum, Connecticut
“Live Forever: Elizabeth Peyton,” published by Phaidon, London & New York
Heartney, Eleanor, “Art & Today,” published by Phaidon, London
Holzwarth, Hans Werner, “Art Now: Vol 3, Taschen,” Cologne, Germany
Robinson, Walter, "Elizabeth Peyton," Whitewall, Spring

2007
“The Painting of Modern Life,” published by Hayward Publishing, London, UK
Davidson, Susan, “Art in America: 300 Years of Innovation,” published by Merrell, New York
“Collection Art Contemporain," published by Centre Georges Pompidou, Paris
“Fast Forward: Contemporary Collections for the Dallas Museum of Art,” published by the Dallas Museum of Art, Dallas
“Like Color in Pictures,” published by the Aspen Art Museum, Aspen

2006
Mézil, Éric, “Figures de l‘acteur: Le Paradoxe du comedien,” published by Editions Gallimard, Paris
Krauss, Nicole, and Meicost Ettal, “Elizabeth Peyton Paintings 1994-2002,” published by Gavin Brown’s enterprise, New York, Sadie Coles HQ, London, and Gladstone Gallery, New York
Nakanishi, Hiroyuki, “Essential Painting,” published by The National Museum of Art Osaka, Osaka, Japan
Richer, Francesca and Matthew Rosenzweig, “No. 1: First Works by 362 Artists,”
published by D.A.P., New York
Elizabeth Peyton: Prints 1998-2006, published by Two Palms Press, New York, and Gavin Brown’s enterprise, New York
Pierini, Marco, “Good Vibrations,” published by Giunti Editore, Florence, Milan, Italy

2005
Grosenick, Uta, "Art Now: Vol. 2," published by Taschen, Cologne, Germany; London, UK; L.A., Paris, France; Madrid, Spain; Tokyo, Japan
"Vitamin D: New Perspectives in Drawing," Phaidon, London, New York
"Elizabeth Peyton," published by Rizzoli, New York (with texts by Matthew Higgs, Steve LaFreniere, Dave Hickey, Douglas Blau, Meicost Ettal, Linda Pilgrim, Jerry Saltz, Roberta Smith, and Giorgio Verzotti)
baume, Nicolas, "Getting Emotional," published by ICA Boston
"Nick Mauss and Elizabeth Peyton," published by Glenn Horowitz Bookseller, East Hampton, 

2004
Contemporary Painting, published by Colby College Museum of Art, Waterville

2003
"Elizabeth Peyton," published by Two Palms Press, Italy

2001
Herbst, Steirischer, ed. by Peter Pakesh, "ABBILD Recent Portrait and Depiction," published by Springer-Verlag/Wien, Austria
Ed. by Elizabeth Peyton, "Prince Eagle: an artist’s book," published by powerHouse Books and Thea Westreich

2000
Ed. by Gaensheimer, Susanne, "Elizabeth Peyton, Tony Sleeping," published by Druckhaus Cramer, Germany

1999/2000
"Figuration," published by Ursula Blickle Stiftung, Kraichtal, edition Oehrli

1998
"Craig," published by Farbo Druck, Cologne, Germany, edition Salzau and Verlag der Buchhandlung Walter König
"Young Americans 2," New American Art At The Saatchi Gallery, published by The Saatchi Gallery, London, Great Britain (essays by Brook Adams and Lisa Liebmann)
"Elizabeth Peyton," published by the Museum fur Gegenwartskunst Basel, Kunstmuseum, Wolfsburg (essay by Dave Hickey)

1997
"Live Forever," published by Composite press, Tokyo, Japan (essays by David RImanelli and Meicost Ettal)
"a/drift," ed. by Joshua Decter, published by the Bard Publications Office, Ginger Shore, New York
"Some Kind of Heaven," published by Kunsthalle Nurnberg, Germany,
Ed. by Jeanne Siegel, "Coming Home Again, SVA Fine Arts Alumni: the 80s to 90s," published by the School of Visual Arts Press Copyright

1995 
"Campo," published by Desktop publishing, Editoday, Torino, (essay by Francesco Bonami)
"Space Odyssey," published by Bastas-Plessas, Greece, Athens


Public collections

Carnegie Museum of Arts, Pittsburgh, PA
Centre Georges Pompidou, Paris, France
Cornell University, Ithaca, NY
Cranford Collection, Guernsey, UK
Kunstmuseum, Wolfsburg, Germany
Los Angeles County Museum of Art, Los Angeles, CA
Museum für Gegenwartskunst, Basel, Switzerland
Museum of Contemporary Art, Los Angeles, CA
Museum of Contemporary Art, Tokyo, Japan
Museum of Fine Arts, Boston, MA
Museum of Modern Art, New York, NY
New Museum of Contemporary Art, New York, NY
Parrish Art Museum, Southampton, NY
The Philadelphia Museum of Art, Philadelphia, PA
Orlando Museum of Art, Orlando, FL
San Francisco Museum of Modern Art, San Francisco, CA
Seattle Art Museum, Seattle, WA
Solomon R. Guggenheim Museum, New York, NY
St. Louis Art Museum, St. Louis, MO
Tate Modern, London
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY