Gavin Brown's enterprise

FRANZ ACKERMANN


1963 Born, Neumarkt St. Veit
Lives and works in Berlin


Education

Akademie der Bildenden Kunste, Munich, Germany
Hochschule fur Bildende Kunst, Hamburg, Germany
DAAD, Hong Kong, China


Solo Exhibitions

2012
Faena Arts Center, Buenos Aires, Argentina
Tomio Koyama Gallery, Kyoto, Japan
“Transit: Again/Always/Forever,” Dirimart, Istanbul, Turkey

2011
“New Ads for São Paulo,” Galeria Fortes Vilaça, São Paulo, Brazil

2010
“No Roof But The Sky,” Galerie Neugerriemschneider, Berlin, Germany
“Wait,” White Cube, London, UK

2009
Kunstmuseum Bonn, Bonn, Germany
Otero Plassart, Los Angeles (with Richard Jackson)

2008
“Terminal,” Meyer-Riegger, Karlsruhe, Germany
Mai 36 Gallerie, Zurich, Germany
Kunstmuseum St. Gallen, St. Gallen, Switzerland

2007
“From Eden to Lima,” Neugerriemschneider, Berlin, Germany
“home, home again,” 23 ghosts, Domus Artium 2002, Salamanca, Spain
Gavin Brown’s enterprise, New York

2006
“home, home again,” 23 ghosts, Kestnergesellschaft, Hannover, Germany
White Cube, London, UK

2005
Galeria Fortes Vilaça, São Paulo, Brazil
Irish Museum of Modern Art, Dublin, Ireland (cat.)
Fonds Régional d'Art Contemporain Champagne-Ardenne, Rheims, France (cat.)
Tomio Koyama Gallery, Tokyo, Japan

2004
“NONSTOP with HHC,” Gavin Brown’s enterprise, New York
“tourist,” Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany
“travelantitravel,” neugerriemschneider, Berlin, Germany

2003
“Eine Nacht in den Tropen,” Kunsthalle Nürenberg, Nürenberg, Germany (cat.)
“Naherholungsgebiet,” Wolfsburg Museum, Wolfsburg, Germany (cat.)

2002
“Basel Public,” Wandinstallation Nordtangente, Basel, Switzerland
“The Waterfall,” Museum of Contemporary Art, Chicago
Mai 36 Galerie, Zurich, Switzerland
“Seasons in the sun,” Stedelijk Museum, Amsterdam, Netherlands (cat.)
“Transatlantic,” mit Rupprecht Geiger; Städtische Galerie im Lenbachhaus und Kunstbau, München, Germany
“Eine Nacht in den Tropen,” Kunsthalle Basel, Basel, Switzerland (cat.)

2001
Gavin Brown’s enterprise, New York
Giò Marconi, Milano, Italy

2000
“B.I.T.,” Castello di Rivoli, Torino, Italy
Galeria Camargo Vilaça, São Paulo, Brazil
“welt 1…and no one else wanted to play,” Meyer Riegger Galerie, Karlruhe, Germany
“reisterrassen von Basel,” Wandmalerel, Rückwand der Kunsthalle Basel, Switzerland

1999
Works on paper inc., Los Angeles (cat.)
“OFF,” Kasseler Kunstverein, Kassel, Germany (cat.)
“Trawler,” Mai 36, Zürich, Switzerland

1998

White Cube, London, UK
neugerriemschneider, Berlin, Germany
“Das Haus am Strand und wie man dorthin kommt,” Meyer Riegger Galerie,
Karlsruhe, Germany

1998
“Pacific,” White Cube, London, UK
Songline, Neuer Aachener Kunstverein, Aachen, Germany

1997
“unexpected,” Gavin Brown's enterprise, New York
“unerwartet,” Kunstpreis der Stadt Nordhorn, Nordhorn, Germany (cat.)
Mai 36 Galerie, Zurich, Switzerland
Portikus, Frankfurt am Main, Germany (cat.)
Giò Marconi, Milano, Italy

1996
“Das weiche Zimmer,” Hann. Munden, neugerriemschneider, Berlin, Germany, (curated by Florian Waldvogel)

1995
Thomas Solomon's Garage, Los Angeles
Gavin Brown's enterprise, New York

1994
“Ackermann’s Wörterbuch der Tätigkeiten,” Buchpublikation
Dialo(o)g, Belgisches Haus, Cologne, Germany (cat.)
“condominium,” neugerriemschneider, Berlin, Germany

1991
Art Acker, Berlin, Germany

1990
Galerie Fischer, Hamburg, Germany

1989
Galerie Komat, Braunschweig, Germany


Selected Group Exhibitions

2013
"Nenn mich nich Stadt !," Kunstmuseum St. Gallen, Kunstmuseum in der Lokremise, St. Gallen, Switzerland (forthcoming)
"Auf Zeit," Staatliche Kunsthalle Baden Baden, Baden Baden, Germany (forthcoming)
"Nur was nicht is ist möglich: Fläche und Raum in der Malerei der Gegenwart," Museum Folkwang Essen, Essen, Germany (forthcoming)

2011
“Precarious Worlds: Contemporary Art from Germany,” Mildred Lane Kemper Art Museum, St.
Louis

2010
“Kupferstichkabinett: Between Thought and Action,” White Cube, London, UK
“Lost and Found,” neugerriemschneider, Berlin, Germany
“Fremde Heimat,” Mannheim Kunsthalle, Stuttgart, Germany

2009
“Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings
Collection,” Museum of Modern Art, New York
“Altermodern: Tate Triennial 2009,” Tate Britain, London, UK
“Desenhos: A a Z (Drawings A to Z),” Museu da Cidade, Lisbon, Portugal
“Against the Grain,” Kunstmuseum Wolfsburg, Wolfsburg, Germany
“Private Universes,” Dallas Museum of Art, Dallas
“Extreme Frontiers,” Urban Frontiers, institut Valencià d’Art Modern, Valencia, Spain
“Universal Code,” Powerplant, Toronto, Canada
“The Social Critique 1993-2005,” Kalmar Konstmuseum, Kalmar, Sweden
“The Symbolic Efficiency of the Frame,” Tirana International Contemporary Art Biannual, Albania

2008
“Person of the Crowd: The Contemporary Art of Flânerie,” Neuberger Museum, New York
“All Inclusive: A Tourist World,” Schirn Kunsthalle, Frankfurt, Germany

2007
“Imagination Becomes Reality: Expanded Painting; Works From the Goetz Collection,” Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
“Reality Bites – Making Avant – Garde Art in Post-Wall Germany,” Mildred Lane Kemper Art Museum, St. Louis

2006
“Berlin-Tokio / Tokio-Berlin,” Neue Nationalgalerie, Berlin, Germany
“Anstoss Berlin: Kunst macht Welt,” Haus am Waldsee, Berlin, Germany
“Archipeinture: artists build architecture,” Le Plateau, Paris, France; Camden Arts Center, London, UK
“Infinite Painting,” Villa Manin Centre for Contemporary Art, Codroipo, Italy
“Dark Places,” Santa Monica Museum of Art, Santa Monica (cat.)
“Remote Viewing (Invented Worlds in Recent Painting and Drawing),” St. Louis Art Museum, St. Louis
“Satellite of Love,” Witte de With, Rotterdam, Netherlands
“The Triumph of Painting,” Saatchi Collection, London, UK
“Tokyo-Berlin / Berlin-Tokyo,” Mori Art Museum, Tokyo, Japan
“Baroque and Neobaroque, The Hell of the Beautiful,” Domus Artium 2002, Salamanca, Spain

2005
“Lichtkunst aus Kunstlicht,” Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
“Ecstasy: In and About Altered States,” Museum of Contemporary Art, Los Angeles
“Vertiges,” Printemps de Septembre, Toulouse, France
La Biennale de Lyon, Lyon, France (cat.)
“La Nouvelle Peinture Allemagne,” Carré d’Art – Musée d’Art Contemporain de Nîmes, Nîmes, France
“Desired Constellations,” Daniel Reich Gallery, New York
“Surface,” Lucas Schoormans Gallery, New York
“Remote Visions: Invented Worlds in Recent Painting and Drawing,” Whitney Museum of American Art, New York (cat.)
“The Triumph of Painting,” Saatchi Gallery, London, UK (cat.)

2004
Short listed, Hugo Boss Prize, Guggenheim Museum, New York
Busan Biennale, Busan, Korea
“Champs de vision,” Musée des Beaux Arts, Rouen, France
“Close by – time space architecture,” Mai 36 Galerie, Zurich, Switzerland
“Monument to now,” The Dakis Joannou Collection, Deste Foundation for Contemporary
Art, Athens, Greece (cat.)
“realityReal,” Arbeiten auf Papier, Galerie Gebr. Lehmann, Dresden, Germay
“Global World/Private Universe,” Kustverein St. Gallen Kunstmuseum, St. Gallen, Switzerland (cat.)
“Treasure Island,” 10 Jahre Sammlung Kunstmuseum, Wolfsburg, Germany
“Werke aus der Sammlung Boros,” Museum für neue Kunst, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (cat.)
“A New Modernism for a New Millenium: Abstraction and Surrealism Are Reinvented in the Internet Age,” The Logan Collection, Vail (cat.)

2003
Inaugural Exhibition, Gavin Brown’s enterprise, New York
“A Nova Geometria,” Galeria Fortes Vilaça, São Paulo, Brazil
“un-built cities,” Bonner Kunstverein, Bonn, Germany (cat.)
“Die Sehnsucht des Kartografen,” Kunstverein Hannover, Hannover, Germany (cat.)
“Heißkalt. Aktuelle Malerei aus der Sammlung Scharpff,” Hamburger Kunsthalle,
Hamburg; Staatsgalerie, Stuttgart, Germany (cat.)
Frahm Ltd, London, UK
“Supernova: Art of the 1990s from the Logan Collection,” San Francisco Museum of
Modern Art, San Francisco (cat.)
“Outlook, The Factory,” Athens school of Fine Arts, Athens, Greece (cat.)
“Berlin-Moskau/Moskau-Berlin, Martin Gropius Bau, Berlin, Germany (cat.)
Chaotic Order, Houldsworth, London, UK
“EU3,” Stephen Friedman Gallery, London, UK
“Hand up, baby, hand up!” Oldenburger Kunstverein, Oldenburg, Germany
“Global Navigation System,” Palais de Tokyo, Paris, France
“Dreams and Conflicts – The Viewer’s Dictatorship,” Venice Biennial, Venice, Italy (cat.)
“Painting abstract now,” Museum Morsbroich, Leverkusen, Germany
“Mit Harald Klingelhöller,” Meuser, Andreas Slominski, Galerie Georg Kargl, Wien, Austria
“Love is a battlefield,” New York
“There’s no land but the land (up there is just a sea of possibilities),” Meyer Riegger
Galerie, Karlsruhe, Germany
“Contemporary German Art: Recent Acquisition,” Washington University, St Louis
“Painting pictures,” Malerei und Medien im Digitalen Zeitalter; Kunstmuseum Wolsburg,
Wolsburg, Germany (cat.)
“Subscribe: recent art in print,” Center for Curatorial Studies, Bard College, Annandale-on- Hudson, New York
“Away from Home,” Wexner Center for Arts, Columbus (commissioned work) (cat.)
“20th Anniversary- Welcome home,” Gavin Brown’s enterprise, New York

2002
“Reality Check: Painting in the Exploded Field,” Selections from the Vicki and Kent
Logan Collection, California College of Arts and Crafts, San Francisco (cat.)
“Psychodrome 02,” Fundaciò Juan Mirò, Barcelona, Spain
“En Route,” Serpentine Gallery London, UK (cat.)
“The 8th Baltic Triennial of International Art,” Contemporary Art Center, Vilnius, Lithuania (cat.)
“Drawing Now: Eight Propositions,” Museum of Modern Art, New York (cat.)
“Hossa”. Arte Alemàn del 2000, Centro Cultural Andratx, Mallorca, Spain
“Lila,” Weiss und andere Farben, Galerie Max Hetzler, Berlin, Germany
“Reverberator,” Houldsworth, London, UK
“Nashville II,” Kunstverein Harburger Bahnhof, Hamburg-Hamburg, Germany
“Kopfreisen,” Seedamm Kulturzentrum, Pfäffikon, Switzerland; Kunsthalle Bern, Bern, Switzerland, (cat.)
“XXV Bienal de São Paulo,” São Paulo, Brazil

2001
“Rotativa,” Galeria Fortes Vilaça, São Paulo, Brazil
“HEAD TRIPS. JULES VERNE, ADOLF WOELFLI AND OTHER COMMUTERS OF THE MIND,” Seedamm Kutlurzentrum, Pfäffikon, Switzerland
“Arte Contemporaneo Internacional,” Museo de Arte Moderno, Mexico City, Mexico
“Casino 2001,” SMAK, Ghent, Belgium (cat.)
“Tempted to pretend,” Kunsthaus Kaufbeuren, Kaufbeuren, Germany
“Field,” Market, Glasgow, UK
“EU,” Stephen Friedman Gallery, London, UK
“Form follows Fiction,” Castello di Rivoli, Torino, Italy (cat.)
“Brown Field,” Market, Glasgow, UK (cat.)
“Patterns: Between Object and Arabesque,” Kunsthallen Brandts Klädefabrik, Odense, Germany
“Freizeit,” Kokerei Zollverein, Essen, Germany
“Musterkarte, Modelos de Pintura en Alemania,” Goethe Institut, Madrid, Spain; Centro Cultural Conde duque, Madrid, Spain; Galeria Heinrich Erhard, Madrid, Spain; Galeria Elba Benitez, Madrid, Spain
“Germania”. La costruzione di un’ immagine, Palazzo delle Papesse, Centro Arte, Siena, Italy
“Hybrids,” Tate Liverpool, Liverpool, UK (cat.)
“mirror’s edge,” Tramway, Glagow, UK
“Painting at the Edge of the World,” Walker Art Center, Minneapolis (cat.)
“Glee: Painting Now,” The Aldrich Museum of Contemporary Art, Ridgefield (cat.)
Palm Beach Institute of Contemporary Art, Palm Beach
“close up,” Kunstverein Hannover, Hannover, Germany
“comfort: reclaiming place in a virtual world,” Cleveland Center for Contemporary Art,
Cleveland (cat.)
“abstraction and hybridity,” Tate Liverpool, Liverpool, UK

2000
“more works about buildings and food,” Fundição de Oeiras, Hangar K7, Oeiras, Portugal (cat.)
“Glee: Painting Now,” The Aldrich Museum of Contemporary Art, Ridgefield;
Palm Beach Institute of Contemporary Art, Palm Beach (cat.)
“home is where the heArt Is,” Museum van Loon, Amsterdam, Netherlands
“DAAD: weltwarts,” Kunstmuseum, Bonn, Germany
“Salon,” Delfina Project Space, London, UK
“Millefleurs,” Picture Show, Berlin, Germany
“Malkunst,” Fondazione Mudima, Mailand, Italy
“Kunst und Mode,” Picture Show, Berlin, Germany
“Re_public,” Grazer Kunstverein, Graz, Austria (with Rirkrit Tiravanija)
“Loneliness in the City,” Migros Museum, Zurich, Switzerland (with Rirkrit Tiravanija)
“M Art in (n),” M Art in (n) c/o Martin Schibli, Helsingborg, Sweden
“LKW, Lebenskunstwerke,” Kunst in der Stadt 4, Kunsthaus Bregenz, Austria
“Bleibe,” Akademie der Kunst, Berlin, Germany
“[re:songlines],” Halle für Kunst, Lüneburg, Germany
“Close Up,” Kunstverein Freiburg, Germany, and Kunsthalle Baselland, Basel, Switzerland
“Hausschau-das haus in der kunst,” Deichtorhallen Hamburg, Hamburg, Germany (cat.)
“CITY-INDEX,” Festspielhaus Helerau, Dresden, Germany
“Mysliwska,” Kunstlerhaus Bethanien, Berlin, Germany
“Utopische Burger?,” workweb art, Köln, Germany

1999
“go away: artists and travel,” Royal College of Art, London, UK (cat.)
“Dream City,” Kunstverein München, Munich, Germany (cat.)
“Otto & Otto,” Copenhagen, Danemark
“Anderswo 1,” Kunstraum, Kreuzlingen, Switzerland
“Frieze,” Institute of Contemporary Art Boston, Boston (cat.)

1998
“Franz Ackermann und Jonathan Meese,” Sammlung Volkmann, Berlin, Germany
“Ferien, Utopie, Altag,” Kunstlerwerkstatt Lothringer Straße, München, Germany
“Osygus,” Produzentengalerie, Hamburg, Germany
“Deep Thought. Part II,” Basilico Fine Arts, New York
“Painting: Now and Forever,” Pat Hearn & Matthew Marks, New York
“Hanging,” Galeria Camargo Vilaca, São Paolo, Berlin; Paco Imperial, Rio de Janeiro, Brazil;
Museum of Modern Art, Recife, Brazil
“Sehen Sehen,” Loop Raum fur Aktuelle Kunst, Berlin, Germany
‘Atlas mapping,” Offenes Kuiturhaus Bregenz, Bregenz Austria (cat.)

1997
“Urban Living,” Galerie Fons Welters, Amsterdam, Netherlands
“Kunst ... Arbeit,” Südwestdeutsche Landesbank, Stuttgart, Germany (cat.)
“Heaven,” P.S.1, Long Island City
“Kunstpreis der Bottgerstrasse in Bremen,” Bonner Kunstverein, Bonn, Germany
“Time Out,” Kunsthalle Nürnberg, Nuremberg, Germany
“Atlas Mapping,” Offenes Kulturhaus, Linz, Austria
“Topping Out,” Städtische Galerie Nordhorn, Nordhorn, Germany
Gio Marconi, Milan, Italy
“Imbiss,” Kunstlerhaus, Stuttgart, Germany
“a summer group show,” neugerriemschneider, Berlin, Germany

1996
“Wunderbar, Hamburger Kunstverein, Hamburg, Germany (cat.)
“Faustrecht der Freiheit,” Sammlung Volkmann, Kunstsammlung, Gera, Germany; Neues Museum Weserburg, Bremen, Germany
“Cruise,” Friedensallee 12, Hamburg, Germany (curated by Florian Waldvogel)
“Wunderbar,” Kunstraum, Vienna, Austria (cat.)

1995
“En passant ...,” Hamburger Kunstverein, Hamburg, Germany
“En passant ...,” Akademie der Bildenden Kunste, Vienna, Austria

1994
“Cocktail,” Kunstverein, Hamburg, Germany
Wiensowski & Harbord, Berlin, Germany

1991
“BP,” Hamburg, Germany


Selected Bibliography

2009
Ollman, Leah, “Review: Richard Jackson, Franz Ackermann at Otero Plassart,” Culture
Monster, Los Angeles Times, March 26
Danilowicz, Nathan, Review, ArtUS, March 22
Ackermann, Franz, Questionnaire, Frieze, March 2009

2008
Franz Ackermann, Alexandre Gabriel; Marcia Moraes, Galeria Fortes Vilaça. Rio de Janeiro:
Editora Cobogó “Art Now - Vol 3. Cologne” Taschen, Hans Werner Holswarth (editor)

2007
Lapp, Axel, Art Review, July/August 2007, p.133

2006
Goodbody, Bridget L., Review, The New York Times, February 2, p. E35
“Franz Ackermann: home, home again, 23 ghosts,” published by kestnergesellschaft, Hannover; Fundacion Salamanca, Ciudad de Cultura, Salamanca; Hatje Cantz Verlag, Ostfildern
“All the Best: The Deutsche Bank Collection and Zaha Hadid,” published by Deutsche Bank, Frankfurt, a.M. Demos, T.J., Review, Artforum, September, pp. 393-94
“Under Construction. On Institutional Practice,” published by The European Kunsthalle, Cologne
McSweeney’s Quarterly Concern, Issue 20, Summer 2006, pp. 32, 108
“Blind Date,” Published by Deutsche Bank, Frankfurt, 2006
Adams, Brooks, “Report from Lyon: Time After Time,” Art in America, February, pp. 56-63
Myers, Julian, Review, “Ecstasy,” Frieze, Jan./Feb. pp.145-46

2005
Grosenick, Uta, “Art Now: Vol. 2,” published by Taschen
Schwendener, Martha, Review, Artforum, November, pp. 251-52
Brener, Julie, interview with Elisabeth Sussman, The Writing on the Wall, Artnews,
September, pp. 102-03
News and Around: Franz Ackermann, Tema Celeste, July-August, p. 103
News and Around: Biennale de Lyon, Tema Celeste, July-August, p. 96
Panek, Aneta, “Franz Ackermann: What a Long, Long Trip It’s Been,” Art Press, June 18
Grady, Elizabeth, “Remote Viewing,” published by the Whitney Museum of American Art,
New York
Schwendener, Martha, Reviews, Time Out New York, January 20-26, p, 63
Levin, Kim, “Voice Choices: Art,” The Village Voice January 12-18, p. 58
Johnson, Ken, Art in Review: Franz Ackermann, The New York Times, Weekends Arts, January 7, p. E43

2004
Daniels, Corinna, “Travelantitravel vom Reisenden Franz Ackermann,” Die Welt, October 8, 2004, p. 34
Bitterli, Konrad, “1500 und elf Perspektiven auf die Welt,” Saiten, May 2004, p.42-43
Müller, Silke, “Ansichtskarten vom globalen Dorf,” Art, May, pp. 16-29
Wittneven, Katrin, “Hunger nach Trends,” Der Tagesspiegel, April 10, 2004, p. 26
Stoeber, Michael, “Die Sehnsucht des Kartografen,” Kunstforum, Bd. 169, March / April,
pp. 247-250
Christofori, Ralf, “Brückem über den Fluss,” Der Tagesspiegel, March 2nd, p. 24
Gleadell, Colin, “Smash Hits,” Art Review, March, pp. 38; 40
Bitterli, Konrad, “Mentale Landkarten,” in: Global World / Private Universe,
Kunstverein St. Gallen, Verlag für Moderne Kunst, Nürnberg, 2004
Koch, Martina, “Dasist hier die Grage,” St. Galler Tagblatt, February 13, 2004
Wittneven, Katrin, “Die Metropole vergisst ihre Kinder,” Der Tagesspiegel, February 10th,
p. 24
Grabher, Ariane, “Global World/PrivateUniverse,” Kultur, February 2004, p. 30-31
Maas, Aline, Franz Ackermann, “Werke aus der Sammlung Boros,” ZKM,
Karlsruhe, 2004
Burger, Jörg, “Kaputt, drecking und voller Ideen,” Die Zeit, January 22nd, p. 53
Fokidis, Marina, “Outlook,” Flash Art, January / February, p. 54

2003
Wilson-Goldie, Kaelen, “Abstractionism, The New Abstractionists,” Art and Auction,
p. 94
Pohlen, Annelie, “un-built cities,” Bonner Kunstverein 2003 (cat.)
Hoffmann, Justin, “Große Reise im Stehen,” Süddeutsche Zeitung, 18./19. October, p.51
Hutter, Dominik, “Nächster Halt: Kunst-Bahnhof,” Süddeutsche Zeitung, 18./19. October, p.54
Macel. Christine, “à l’Est, du nouveau. Actualité de la peinture en Allemagne / New
Painting in Germany,” artpress, Nr.294, October, pp. 39-46
Stange, Raimar, “Ein utopischer Bürger? / A Utopian Citizen?” Parkett, Nr.68, pp.46-53
Decter, Joshua, “Ackermann Hallucinating Maps / Landkarten wie Hallucinationen,” Parkett, Nr.68, pp.32-45
Fogle, Douglas, “The Occidental Tourist / Die Reisen des Franz Ackermann,” Parkett,
Nr.68, pp.20-31
Schlaegel, Andreas, Reviews, Contemporary, Summer 2003

2002
Lapp, Axel, Franz Ackermann, ArtReview, July/August, p. 95
Keil, Frank, “Der Kartograph,” Frankfurter Rundschau, May 23rd
Hosch, Alexander, “Deutschland hat wieder richtige Maler,” Architectural Digest, May, p.54
Szope, Domenika, “Franz Ackermann,” Fast Forward Media Art, Sammlung Goetz, ZKM, 2003 (cat.)
Hinrichsen, Jens, “Mit dem Pinsel um die Welt,” Der Tagesspiegel, April 17th
Seifermann, Elen, “Franz Ackermann - Eine Nacht in den Tropen,” Kunsthalle Nürnberg, Edition Minerva, 2003 (cat.)
Gardenr, Belinda Grace, “Painting Pictures,” Kunstzeitung, April
Sommer, Tom, “Selbst und Fremde,” art, April
Fricke, Herald, “Reisen in Zeiten des Krieges,” TAZ, March 22
Jasper, Martin, “Ein Volkswagen ist kein Ikarius,” Braunschweiger Zeitung, March 21st
Norton, Sydney, “Contemporary German works exhibit features themes of reflection and refraction,” St Louis Post-Dispatch, March 9th
Rauterberg, Hanno, “Amüsierte Selbstaufgabe,” Die Zeit, March 6th, p46
Buhr, Elke, “Alles gleich glatt,” Frankfurter Rundschau, March 4th
Tilmann, Christina, “Das grüne Leuchten,” Der Tagesspiegel, March 1st
“Recent Acquisitions: Contemporary German Art,” Reviews, February/March
Stange, Raimar, “Zurück in die Kunst,” published by Rogner & Bernhard GmbH & Co. Verlags KG: Hamburg, Germany pp. 153-161
Drolet, Owen, “Drawing Now: Eight Propositions,” Flash Art, January/February, p. 56
Yablonsky, Linda, “Drawing Now: Eight Propositions,” Artnews, January, p. 119
Sao Paulo Biennale, Sao Paulo, Brazil (cat.)
Molon, Dominic, Vitamin P, Phaidon Press, London, pp. 16-19
“Diskussion mit Peter Pakesch, Douglas Fogle and Lauri Firstenberg; Curating Painting,”
Flash Art, December, pp. 59-61
Stange, Raimar, “Adventures of Uncertainity,” Modern Painters, Winter, pp. 98-101
“Drawing Now: Eight Propositions,” Journal of the Print world, Fall
Schjeldahl, Peter, “The Drawing Board,’” The New Yorker, November 2nd, pp. 102-103
Saltz, Jerry, “Good on Paper,” Village Voice, October 30-November 5
“Halle, Howard, “Papering the House,” Time Out NY, November 7-14, p. 81
Smith, Roberta, “Retreat from the Wild Shores of Abstraction,” The New York Times, Fine Arts Leisure, Friday, October 18th, pp. 31, 33
Gute, Charles, “Menin Samuele; Robecchi, Michele; Focus Painting. Part One,” Flash Art, October, pp. 78-85
Sumpter, Helen, “Get a move on,” The Big issue, September
Taylor, John Russel, “Road from Nowhere,” The Times, September 25th
Güner, Fisun, “Everyday drive-by shooting,” Metro, September 23rd
Altmann, Alexander, “Tiefe trifft auf obsessive Oberflächlichkeit,” Bayerisch Staatszeitung, September 13th, p. 24
Jansen, Gregor, “Art Now,” published by Taschen, edited by Uta Grosenick and Burkhard Riemschneider, Koln
Reitter, Barbara, “Farb-Vitalität pur im Lenbachhaus,” Neue Presse, August 6th, p. 14
Schmidbauer, Albert, “Die Magie von Farbe und Form,” August, pp. 30-35
De Righi, Roberta, “Im Energietank der Malerei,” Abendzeitung, July 31st, p. 19
Klier, Melanie, “Farb-Explosion,” Münchner Merkur, July 31st, p. 16
Czöppan, Gabi, “Der Popkultourist,” Focus, Nr.31, July 29th, p. 77
Liebs, Holger, “Der Standtraum – unendliche Weiten,” Süddeutsche Zeitung, Nr.174, July 30th, p. 14
Gockel, Cornelia, “Aus dem Dschungel in den Keller,” Süddeutsche Zeitung Extra, July 30th
“Bescheidenheit ist eine Zier,” Frankfurter Allgemeine Sonntagszeitung, July 28t
Gellatly, Andrew, “Sao Paulo Biennial,” Frieze, June/July/August, pp. 106-107
“Focus Germany,” Flash Art, May-June, p. 114
Karcher, Eva, “Metropolenstress o.ä.,” Die Zeit, May 8th, Nr 20, p. 72
“Ein Nacht in den Tropen,” published by Kunsthalle Basel, Basel
Heiser, Jorg, “Traveling Light,” Frieze, April 2002, pp. 54-57.
Stange, Raimar, “Franz Ackermann in der Kunsthalle Basel,” Kunst-Bulletin, March, p. 38
Winkelmann, Jan, “Franz Ackermann,” Metropolis M, February/March, Nr.1, pp. 44-46
“Transatlantic,” Bienal de São Paulo
Christofori, Ralf, “In Bildern reisen,” Frankfurter Allgemeine Zeitung; February 27th, Nr.49, p. 51
Herzog, Samuel, “Opulent verpflegt von Insel hüpfen,” Basler Zeitung 19/20. January, Nr. 16, p. 39
“Vitamin P. New Perspectives in Painting,” Phaidon Press, London
Stange, Raimar, “Triviale Tropen,” Frankfurter Rundschau, February 26th, Nr.48, p. 25

2001
Princenthal, Nancy, Art in America, September, pp.152/153
Ryan, David, “Painting and its Double,” CVA Contemporary Visual Arts; Nr.34
Fricke, Harald, “Franz Ackermanns Mental-Map-Zeichnungen und Evasion-Serien,” Kunstforum International; June-July, pp. 177-179
Interview mit Franz Ackermann, in catalogue: tempted to pretend, Versuchung Verheißung Täuschung, Kunsthaus Kaufbeuren
Wiensowski, Ingeborg, “Franz Akermann,” Spiegel-Kultur; May, Nr.5, p. 30
Meneguzzo, Marco, “Franz Ackermann,” Artforum, April
Cavallo, Floriana, “Franz Ackermann: Il viaggio come arte,” Milano sur la terre, Spring, Nr.6, pp. 34-36
Meneguzzo, Marco, “Avventura oltre il Muro,” AD/Antiques & Collectors, March, Nr.238, pp. 120-125
Ziegler, Philipp, “Reisen in die Städte der Zukunft,” frame, January / February, p. 14
Thiel, Wolf-Günter and Nikolova, Milena, “Franz Ackermann; Dissolving into the Everyday,” Flash Art, January-February, pp.78-82
Conti, Tiziana, “Franz Ackermann,” Tema Celeste, January/February, p. 89
Lieb, Holger, “Generation Klecks,” Süddeutsche Zeitung; January 9th, Nr.6, p. 15
Heidenreich, Stefan, “Pflummis, springt auf diese Stadt!,” Frankfurter Allgemeine Zeitung; January 3rd

2000
Stange, Raimar, “Werkstätten neuer Mensclichkeit,” City Index, Kunst Haus, Dresden (cat.)
“Franz Ackermann/ Rirkrit Tiravanija,” Re_public, Grazer Kunstverien, October (cat.)
Franz Ackermann, “Griffelkunst,” Bliderwahl, Fall
Hübl, Michael, “Der Globus zwischen Fächern und Projektionsflächen,” Badische Neueste Nachrichten, May 31st
Beccaria, Marcella, “Franz Ackermann,” B.I.T. Ausst. Publication Castello di Rivoli, Torino, October-January
Lösel, Anja, “Glühende Bilderlust,” stern, No. 40, September
Heiser, Jörg, “Mirror’s Edge,” Bildmuseet, Umea, Frieze, March-April

1999
Koerver, Jens-Peter, “New Painting, Der Stand del Bilder,” frame, No. 3
Wachtmeister, Marika, “Samtidskonst I Pittsburg,” Kristianstadsbladet, February
Peo, Carol, “Mirror’s Edge Reflect the Futur of Art,” National Post, March 18th, p. 5
Ritchie, Matthew, “The New City,” art/text 65., p. 74-79
Daniels, Corinna, “Im Wilden dschungel urbanen Lebens,” Die Welt, December 27th, p. 31
Pedrosa, Joao, “Carnegie International 1999/2000,” Casa Vogue Brazil, December
Bonik, Manuel, “Kunsthauptstadt Berlin,” GQ, No. 12, December, pp. 60-68
Knight, Christopher, “Arts and Entertainment,” Los Angeles Times, November 26th
Smith, Roberta, “Safe Among Seamless Shadows,” New York Times, November 17th, p. B1/ B6
Balkenhol, Bernhard, “Franz Ackermann-I can’t Remember,” Das Fridericianum Magazin, No. 3, Fall, pp. 22-24
Karcher, Eva, “Traumstadtsplitter,” Der Tagesspiegel, April 9th, p. 25
Sonna, Birgit, “Schöne neue Urlaubswelt,” Suddeutsche Zeitung, no. 78, April 8th, p. 17
Kotteder, Franz, “Entzauberung der Traumstadt,” Süddeutsche Zieitung, March 25th, p. 22
Preuss, Sebastian, “Deotionalien bis unter die Decke,” Sammlung Volkman Berliner Zeitung, March 5th, p. 22
Ross, Trine, “Otto er et-sted som ikke findes,” Politiken, February 5th, pp. 26-27
Maler, Anne, “Ferien Utopie Altag, Kunstlerwekstatt Lothringer Strarre,” Kunst-Bulletin, January-February, pp. 43-44
Ackermann, Franz, “Wish you Were Here,” Frieze, February, pp. 37-38

1998
Denk, Andreas, “Franz Ackermann, Songline,” Kunstforum, No. 140, April-June, pp. 390-392
Bell, Ralf, “Atlas Mapping,” Kunstforum, No. 141, July-September, pp. 412-415
Stange, Raimar, “Schreccklich nette Familie,” zitty, 13/199
Viegas, Camila, “Mostra Aponta Rumos da Pintura Moderna,” Caderno2, May 4th
Fioravente, Celso, “Sobra cor e Falta Rufdo em Hanging,” Folha de S. Paolo, May 4th, p. 3
Stange, Raimar, “Nordhorn Review,” Flash Art, March/April, p.119
Christofori, Ralf, “Weltschopfung im Streichholzschachtelformat,” Fankfurter Allgemeine Zeitung, March 31st, pp. 44
Blase, Christoph, “Tourist mit Terroristischen Blick,” Frankfurter Allgemeine Zeitung, March 9th
Scholl, Helga, “Moderne Welten,” Aachener Nachrichten, February 4th, p. 10
Scholl, Helga, “Endlos Film-Bilder,” Aachener Nachrichten, January 31st
Stange, Raimar, “Franz Ackermannim Neuen Aachener Kunstverein,” Kunst-Bulletin, January-February, p. 36
Dih, “Ackermann und Friese belm Kunstverein,” Aachener Zeitung, January 31st
Titz, Susanne, “Ein Gekleided, Franz Ackermann Skulpturales Panorama,” Aczente, January 14th
Süto, Wilma, “Zinvol Geweld Binnenshuis,” De Volkskrant, January
Roos, Robert, “Vilf Berliner Proberen het urbane leven te relaviten,” Trouw, January 9th
Cotter, Holand, “Franz Ackermann Unexpected,” New York Times, January 2nd
Saltz, Jerry, “Franz Ackermann,” Time Out New York, January, p. 50

1997
Stange, Raimar, “Franz Ackermann, Unerwatet,” Punkt, 4197
Sunderkemper, “Wolfgang, Sprengkraft Weltbild,” GIG, 12, Nr. 139
Stange, Raimar, “Franz Ackermann,” artist Kunstmagazin, 4, pp. 40-43
Schmidt-Wulffen, Stephan, “Kunst,,Arbeit. Aus der Sammlung der Sudwest LB,” Katalog der gleichnamigen Ausstellung, Stuttgart, pp. 226-227
Metronome, No. 2, pp. 2-3
Meschede, Friedrich, “Franz Ackermann. Alll the places I’ve never been,” Kunstforum International, June-August, pp. 64-69
Herbstreuth, Peter, “Wie im Bild, so im Leben,” Der Tagesspiegel, March 8, p. 21
Stange, Raimar, “Street Drawing Man” Kunst-Bulletin, March 3, pp. 6-11
Grus, Michael, “Bluhende Stadtlandschaften,” Frankfurter Rundschau, no. 40, February 17, p. 7
Hierholzer, Michael, “Bilder zum Ausgleich des Gefuhlshaushalts,” Frankfurter Allgemeine Zeitung, February 11
Reski, Gunter, “Datenbank auf Sohlen,” Kunstpreis der Bottcherstaße in Bremenzu Gast im Bonner Kunstverein, September-October, pp. 8-13
Fricke, Harald, “Stadt ohne Legende/City Without a Key,” in:Franz Ackermann, Mental

1996
Clewing, Ullrich, “Junge Kunst: Statt neuer Ideen am liebsten neue Bilder,” Art, October,
p. 44ff
Bonik, Manuel, “Die Kunst zu gewinnen,” stern, no.41, pp. 124-128
Herbstreuth, Peter, “Treffpunkt der Kreativen,” Der Tagesspiegel, August 10, p. 21
Herbstreuth, Peter, “Tagtraum frustrierter Architekten,” Der Tagesspiegel, August 3, p. 21
Fricke, Harald, “Die Vergangenheit bleibt in Zukunft eine Leerstelle,” taz, July 20/21
Bettina Muller, Katrin, “Zeitschleife,” Der Tagesspiegel, July 11, p. 26
Herbstreuth, Peter, “Muffelt nach Kase,” Der Tagesspiegel, July 8, p. 19
Seyfarth, Ludwig, “Mein wunderbarer Malsalon,” Szene, June, pp. 88-89
Philippi, Anne, “Asthetik der Umgebung,” Spex, June, p. 46

1995
Decter, Joshua, “Franz Ackermann, Thomas Solomon's Garage,” Artforum, November
Tager, Alisa, “Internationalizing L.A., Art in America, October, pp. 51-53
Pagel, David, Patterns and Postcards, Los Angeles Times, July 27
Spiegel, Andreas, En passant, Akademie der Bildenden Kunste, Wien, p. 2

1994
Schreiber, Doris, “Gestohlene Orangen,” Kolnische Rundschau, November 24
Kisters, Jurgen, “Total ver-ruckte Welt,” Kolner Stadtanzeiger, November 16/17

1993
Ackermann, Franz, “Junge Touristen,” Texte zur Kunste, no. 16, pp. 197-198
Schneider, Christiane, Jahresring 41, pp. 37, 100-103 Wissman, Kathrin, “Franz Ackermann,” zitty (14/94), July, p. 150
Herbstreuth, Peter, “Kalifornische Welle,” Der Tagesspiegel, July 13, p. 17
Fricke, Harald, “Popsoziologie des geteilten Berlin, Kunst in Berlin jetzt: Ackermann, Hall, Boltanski,” die tageszeitung, July 9, p. 32


Catalogues

2009
Rattemeyer, Christian, ed., Compass In Hand: Selections from the Judith Rothschild
Foundation Contemporary Drawings Collection, Museum of Modern Art: New York

2006
Decter, Joshua and servo, “Dark Places,” published by The Santa Monica Museum of Art:
Santa Monica, CA
Grosenick, Uta, “Art Now: Vol. 2,” published by Taschen: Cologne, Germany

2005
Irish Museum of Modern Art, Dublin, Ireland (cat.)
La Biennale de Lyon, Lyon, France (cat.)
Fonds Régional d'Art Contemporain Champagne-Ardenne, Rheims, France (cat.)
“Remote Visions: Invented Worlds in Recent Painting and Drawing,” Whitney Museum of American Art, New York (cat.)
“The Triumph of Painting,” Saatchi Gallery, London, UKa (cat.)

2004
“Monument to now,” The Dakis Joannou Collection, Deste Foundation for Contemporary
Art, Athens, Greece (cat.)
“Global World/Private Universe,” Kustverein St. Gallen Kunstmuseum, Switzerland (cat.)
“Werke aus der Sammlung Boros,” Museum für neue Kunst, ZKM, Karlsruhe,
Germany (cat.)
“A New Modernism for a New Millenium: Abstraction and Surrealism Are Reinvented in the Internet Age,” The Logan Collection, Vail, Colorado (cat.)

2003
Grynsztejn, Madeleine, et. Al, “Supernova: Art of the 1990s from the Logan Collection,” published by San Francisco Museum of Modern Art: San Francisco, CA
Outlook, “The Factory,” Athens school of Fine Arts, Athens, Greece (cat.)
“Berlin-Moskau/Moskau-Berlin,” Martin Gropius Bau, Berlin, Germany (cat.)
“un-built cities,” Bonner Kunstverein, Bonn, Germany (cat.)
“Die Sehnsucht des Kartografen,” Kunstverein Hannover, Hannover, Germany (cat.)
“Heißkalt. Aktuelle Malerei aus der Sammlung Scharpff,” Hamburger Kunsthalle,
Hamburg; Staatsgalerie, Stuttgart, Germany (cat.)
“A New Modernism for a New Millenium: Abstraction and Surrealism Are Reinvented in the Internet Age,” The Logan Collection Vail: Vail, Colorado
Seifermann, Ellen et. Al, “Franz Ackermann: Eine Nacht in den Tropen,” published by Kunsthalle Nürnberg: Nürnberg, Germany and Edition Minerva Hermann Farnung: Wolffratshausen, Germany
“Naherholungsgebiet,” Wolfsburg Museum, Wolfsburg, Germany (cat.)
Massie, Anetta, “Away from Home,” published by Wexner Center for the Arts, Ohio State University, Columbus, OH
A Portrait of Our Times, The Logan Collection
Végh Christina, “Franz Ackermann,” published by Kunsthalle Basel: Basel
“Dreams and Conflicts – The Viewer’s Dictatorship,” Venice Biennial, Venice, Italy (cat.)
van Tuyl, Gijs and Amelie Lütgens, Painting pictures, Malerei und Medien im Digitalen Zeitalter Kunstmuseum Wolfsburg, Kerber Verlag, Bielefeld

2002
Higgs, Matthew, “Reality Check: Painting in the Exploded Field, Selections from the Vicki and Kent Logan Collection,” published by California College of Arts and Crafts, San Francisco
“Franz Ackermann, Naherholungsgebiet,” Kunstmuseum Wolfsburg, Kerber Verlag
“Franz Ackermann: Seasons in the Sun,” published by Stedelijk Museum: Amsterdam
“En Route,” Serpentine Gallery London, UK (cat.)
“The 8th Baltic Triennial of International Art,” Contemporary Art Center, Vilnius, Lt (cat.)
Drawing Now: Eight Propositions, Museum of Modern Art, New York (cat.)
Kopfreisen, Seedamm Kulturzentrum, Pfäffikon CH (cat.), Kunsthalle Bern, Bern, CH

2001
“Casino 2001,” S.M.A.K., Gent
Grosenick, Ute and Burkhard Riemschneider “Art Now Icons,” published by Taschen, Cologne
“Brown Field,” Market, Glasgow, UK
“Form follows Fiction,” Castello di Rivoli, Torino, Italy (cat.)
Wallis, Simon et. Al, “Hybrids,” published by Tate Liverpool, Liverpool, UK
“Painting at the Edge of the World,” Walker Art Center, Minneapolis (cat.)
Capellazzo, Amy and Jessica Hough,”Glee: Painting Now,” published by The Aldrich Museum of Contemporary Art, Ridgefield, CT and Palm Beach Institute of Contemporary Art, Palm Beach, FL
“comfort: reclaiming place in a virtual world,” Cleveland Center for Contemporary Art,
Cleveland (cat.)

2000
“more works about buildings and food,” Fundição de Oeiras, Hangar K7, Oeiras, P (cat.)
Felix, Zdenek and Ludwig Seyfarth, Hausschau-das haus in der kunst, published by Deichtorhallen Hamburg: Hamburg, Germany and Hatje Cantz Verlag: Ostfeldern-Ruit, Germany

1999
Works on paper inc., Los Angeles, CA (cat.)
“Supernova: Art of the 1990s from the Logan Collection,” published by San Francisco Museum of Modern Art: San Francisco
“German Open, Kunstmuseum Wolfsburg, Wolfsburg (cat.)
Grynsztejn, Madeleine, et. Al Carnegie International 1999/2000, published by Carnegie Museum of Art, Pittsburgh, PA
Castello di Rivoli, Italy; Tramway, Glasgow, GB (cat.); Charlottenborg Exhibition Hall, Copenhagen, Danemark (cat.)
“Officina Europ”a, Galleria d' Arte Moderna, Bologna, Italy (cat.)
Monchengladbach, Kunsthalle zu Kiel, Kiel (cat.)
“go away: artists and travel,” Royal College of Art, London, GB (cat.)
“Dream City,” Kunstverein München, Germany (cat.)
Grunenberg, Christopher, “Frieze,” published by Institute of Contemporary Art:
Boston, MA

1997
Schmidt-Wulffen, Stephan, “Time out,” in: time out, Catalogue gleichnamigem Ausstellung in der Kunsthalle Numberg
Fricke, Harald Franz Ackermann: Mental Maps, published by Portikus: Frankfurt am Main
Meschede, Friedrich, “Mutmassungen uber die Stadt,” exhibition catalogue
"DIALO(O)G", November / December
“unerwartet,” published by Städtische Galerie Nordhorn: Nordhorn, Germany

1996
“Wunderbar,” Hamburger Kunstverein, Hamburg, Germany (cat.)

1994
Meschede, Friedrich et. Al, “Franz Ackermann/Dimitri Vangrunderbeek,” published by Belgisches Haus, Cologne

 

1970 Born, Perth, Western Australia
Lives and works in New York


Education

1998 MFA, Yale University School of Art, New Haven
1990 BFA, Curtin University of Technology, Perth, Western Australia


Solo Exhibitions

2013
Roslyn Oxley9 Gallery, Sydney, Australia

2011
Triple V, Paris, France

2010
Roslyn Oxley9 Gallery, Sydney, Australia

2008
TripleV, Dijon, France
Roslyn Oxley9 Gallery, Sydney, Australia
“Tree Trunk,” Gavin Brown’s enterprise, New York

2007
Art Gallery of Western Australia, Perth, Western Australia
Institute of Contemporary Art, Brisbane, Australia

2006
“Three Sculptures,” Gavin Brown’s enterprise, New York
Museum of Contemporary Art, Sydney, Australia (cat.)

2004
Gavin Brown’s enterprise, New York
"Truck Corridor," Art Gallery of New South Wales, Sydney, Australia

2002
Roslyn Oxley9 Gallery, Sydney, Australia

2000
Roslyn Oxley9 Gallery, Sydney, Australia
Govett-Brewster Art Gallery, New Plymouth, New Zealand
Australian Center for Contemporary Art, Melbourne, Australia

1999
Gavin Brown's enterprise, New York

1997
Gavin Brown’s enterprise, New York

1995
Roslyn Oxley9 Gallery, Sydney, Australia
Perth Institute of Contemporary Arts, Perth, Australia

1994
200 Gertrude St, Melbourne, Australia

1993
Galerie Dusseldorf, Perth, Australia (The Festival of Perth)

1991
Perth Institute of Contemporary Arts, Perth, Australia


Selected Group Exhibitions

2013
"John Deere Model D," Gavin Brown’s enterprise, New York

2011
“GROUPS WHO,” Roslyn Oxley9 Gallery, Sydney, Australia
“Out of the West: Art of Western Australia from the National Collection,” National Gallery of Australia, Canberra, Australia

2009
“Cubism,” Heide Museum of Modern Art, Melbourne, Australia

2008
“To make a work of timeless art: MCA Primavera Acquisitions,” Museum of Contemporary Art, Sydney, Australia
“Lucky Town,” Roslyn Oxley9 Gallery, Sydney, Australia
“The Freak Show,” Musée de la Monnaie, Paris, France
“Revolutions - Forms That Turn, Biennale of Sydney,” Sydney, Australia

2007
“The Freak Show,” Musée d’Art Contemporain, Lyon, France (cat.)
Group Show, Museum of Contemporary Art, Chicago
“Strange Cargo: Contemporary art as a state of encounter,” Newcastle Region Art Gallery, Newcastle, Australia; Broken Hill Regional Art Gallery, Broken Hill, Australia; Bendigo Art Gallery, Bendigo, Australia; Orange Regional Gallery, Orange, Australia; Wagga Wagga Art Gallery, Wagga Wagga, Australia; Tweed River Regional Gallery, Murwillumbah, Australia

2006
“21st Century Modern,” Adelaide Biennial, Art Gallery of South Australia, Adelaide, Australia
“Scape Biennial of Art in Public Space,” Christchurch, New Zealand (cat.)

2004
“Gridlock: Cities, structures, spaces,” Govett-Brewster Art Gallery, New Plymouth, New Zealand

2003
“Strange Days,” Museum of Contemporary Art, Chicago
“Still Life,” Art Gallery of New South Wales, Sydney, Australia (cat.)
“Inaugural Exhibition,” Gavin Brown’s enterprise, New York
“Face Up,” National Galerie im Hamburger Bahnhof, Berlin, Germany (cat.)
“20th Anniversary - Welcome Home,” Gavin Brown’s enterprise, New York

2002
“Biennale of Sydney,” Sydney, Australia (cat.)

2001
“Never Never Land,” USF Contemporary Art Museum, College of Fine Arts, Tampa

2000
“New Urban Sculpture”, Public Art Fund, New York
"Age of Influence: Reflections in the Mirror of American Culture," Museum of
Contemporary Art, Chicago (curated by Francesco Bonami and Elizabeth Smith)

1998
"Unfinished History," The Walker Art Center, Minneapolis (curated by Francesco
Bonami) (cat.)

1997
"Fischli and Weiss, Hans Accola, and James Angus," Gavin Brown's enterprise,
New York

1996
"Adelaide Biennial of Australian Art," Art Gallery of South Australia, Adelaide, Australia (cat.)
"Transformers," Auckland City Art Gallery, Auckland, New Zealand
"Out of Australia," Perth Institute of Contemporary Arts, Perth, Australia
"Vernacular Signs," Art Gallery of Western Australia, Perth, Australia

1993
"115 degrees 58 minutes East, 91 degrees 56 minutes South," Roslyn Oxley9 Gallery,
Sydney, Australia
"Movement and Light," Museum of Contemporary Art, Sydney, Australia

1992
"Primavera," Museum of Contemporary Art, Sydney, Australia (cat.)
"ARX3 (Artists' Regional Exchange)," Lawrence Wilson Gallery, University of Western
Australia, Perth, Australia


Selected Bibliography

2013
Wolff, Sharne, "James Angus," The Art Life, February
Forrest, Nicholas, "Shows That Matter," Blouin ArtInfo, February

2012
Reneau, Olivier, “Open Spaces,” L’officiel Art No. 2, June

2011
Bevis, Stephen, “City home for a green giant,” The West Australian, September 15
Watson, Bronwyn, “Public Works: James Angus,” The Australian, May 7

2010
Pryor, Sally, "Not just another face in the crowd," Canberra Times, 27 October, p.1
Andrew Taylor, "Tractor as art," The Sun Herald, October 17, p.36
Katrina Strickland, "Mid-City Statement- The evolution of a major new sculpture," The Australian Financial Review, Thursday 29, July, p.44

2009
"Gallery's new work has many faces," Border Mail, 27 October, p.9
Bolland, Michaela, "Orange blob replaces white man on horse," The Australian, 27 October, p.6
Chapman, Christopher, "Abstraction and figuration," Portrait34, Summer ed
Strickland, Katrina, "Mid city statement: the evolution of a major new sculpture," Financial Review, 29 July, p.44

2008
"James Angus, To make a work of timeless art,” MCA Primavera Acquisitions
Art and Australia, Current, Contemporary Art from Australia and New Zealand, p.44
Christov-Bakargiev, Carolyn. (ed.) “Biennale of Sydney: Revolutions - Forms That Turn,” exh. cat. Thames & Hudson: Australia
Scarlett, Ken, "No stopping on the freeway!” Australian Art Review, August-October, pp.34-36
Nelson, Robert, "Sport: where we all find our inner idiot," The Age, August 13, p.16

2007
Ara Jansen, “Twisted Reality,” West Australian Newspaper, 15 December
Rawlins, Jarrod, “Review,” Flash Art, March-April, Vol. XL, no. 253, p.134
Chapman, Christopher, “Art from the Future: Alberto Giacometti and James Angus,” Art Monthly, March, pp.30- 33
Bevan, Robert “art & events,” Vogue Living Australia, January/February, pp.69 - 72
Palmer, Daniel, “Looking Back,” Frieze, January-February, p.128 (illus.)

2006
Kent, Rachel, “Shape Shifter: The Art of James Angus,” Museum of Contemporary Art,
Sydney, Australia
Bretton-Meyer, Henrietta, “Between Science and Fiction,” Museum of Contemporary Art, Sydney, Australia
Conland, Natasha, “James Angus,” Scape Biennial of Art in Public Space, Christchurch,
New Zealand

2004
Holubizky, Ihor, “Truck Corridor,” Catalog, Art Gallery of New South Wales, Sydney,
Australia
Sullivan, Eve, "Truck Corridor," Broadsheet, December

2003
Turncliff, Wayne, “James Angus,” Still Life: The Inaugural Balnaves Foundation
Sculpture Project, Art Gallery of New South Wales Sydney
Schmitz, Britta et. al, “Face Up: Contemporary Art From Australia,” Hatje
Cantz Verlag, Ostfildern-Ruit, Germany
“Artist Statement,” Face Up, National Galerie Im Hamburger Bahnhof, Berlin, Germany
Grayson, Richard, “Artist Text: Ideal State,” Face Up, National Galerie Im Bahnhof,
Berlin
Angus, James, “In Search of Perfect Ambiguity,” Art & Australia, Vol. 40, No. 4, June
July-August

2002
Rees, Simon, “2002 Biennale of Sydney,” Flash Art, Vol. 34, No. 225, July-September

2000 Koop, Stuart, “Look Again - The Art of James Angus,” Monument, No. 40, February-March
Newall, Michael, “James Angus,” Like, Art Magazine, No. 13, Summer
Hunt, David, “Gulliver’s Trouble,” Art/Text, No. 68, February
Chapman, Christopher, “Haptic Geometry,” Eyeline 43, Spring, p.15-17
Kastner, Jeffery, “New Urban Sculpture at MetroTech Center, Brooklyn,” In Process,
Volume 8, #2, Winter

1999
Vogel, Carol, “Inside Art”, The New York Times, October 15
Sundell, Margaret, Review, Artforum, November

1998
Bonami, Francesco, “Unfinished History,” Waker Art Center, Minneapolis

1997
Saltz, Jerry, Time Out New York, October
Johnson, Ken, “Art In Review,” The New York Times, September 26

1996
Schubert, Robert, “The 1996 Adelaide Biennial of Australian Art,” Flash Art, Nov/Dec.
Chapman, Christopher, "1996 Adelaide Biennial of Australian Art," Art
Gallery of South Australia, Adelaide, Australia

1993
Stringer, John, Art + Text, May

1992
Michael, Linda, “PRIMAVERA”, catalogue, Museum of Contemporary Art, Sydney,
Australia
Barret-Lennard, John, Artlink, vol11/4, summer


Selected Grants and Awards

2009
Australia Council Fellowship, Australia

2008
Basil Sellers Art Prize, Melbourne, Australia

2005
Short listed for National Sculpture Prize, National Gallery of Australia, Canberra, Australia

2003
Studio Residency, Cité des Arts, Paris, France

2001
Australia Council Professional Development Grant, Australia

1998
Australia Council Professional Development Grant, Australia
Yale University Traveling Fellowship, New Haven

1996
Fulbright Postgraduate Award

1992
Australian Network for Art and Technology Grant

Selected Public Commissions

2013
"Lightness od Being," Public Art Fund, City Hall Park New York (forthcoming)

2010
"Day In Day Out," Bligh Street, Sydney, Australia
"Grow Your Own,"Forrest Place, Perth, Australia

2009
Lycee Ferdinand Buisson, Voiron, France
"Geo Face Distributor," National Portrait Gallery, Canberra, Australia

2008
"Ellipsoidal Freeway Sculpture," Eastlink Freeway, Connect East, Melbourne, Australia

2005
"Wave Machine," Sydney Theatre Company, Sydeny Australia

1999
"New Urban Sculpture," Public Art Fund, New York


Public Collections

Auckland City Art Gallery, Auckland, New Zealand
Art Gallery of Western Australia, Perth, Australia
Art Gallery of New South Wales, Sydney, Australia
Art Gallery of South Australia, Adelaide, Australia
Museum of Contemporary Art, Sydney, Australia
National Gallery of Australia, Canberra, Australia
Museum of Contemporary Art, Chicago

Born in 1977
Lives and works in New York


Education

2007
Columbia University, MFA Visual Arts

2004
Bezalel Academy, B.Des

2003
The Cooper Union


Solo Exhibitions

2013
“here, here and here,” Kunsthalle Zürich, Zürich, Switzerland 

2012
“Untitled (Ticket Shack),” Frieze Projects, Frieze, New York
“by foot, by car, by bus,” Gavin Brown’s enterprise, New York
“Uri Aran, Untitled (Good & Bad),” The High Line, New York

2011
“A To Z (that stops at Q),” Art Statements, Art 42 Basel, Basel, Switzerland (with Mother’s Tankstation)

2010
“Doctor, Dog, Sandwich,” Mother’s Tankstation, Dublin, Ireland

2008
“Geraniums,” Rivington Arms, New York


Selected Group Exhibitions

2013
“The Encyclopedic Palace,” 55th Venice Biennale, Venice, Italy (forthcoming)
"do it," Catalogue and touring exhibition (curated by Hans Ulrich Obrist) (cat.)
“Empire State,” Palazzo delle Esposizioni, Rome, Italy (curated by Norman Rosenthal and Alex Gartenfeld)
“Commercial Break” Anonymous Gallery/ Garage Projects, Mexico City, Mexico
“The Assistants,” David Kordansky Gallery, Los Angeles (curated by Fionn Meade) (cat.)

2012
“THE LOG-O-RITHMIC,” GAMeC, Bergamo, Italy 
STUDIOLO, Zürich, Switzerland (with Elizabeth Neel) (cat.)
“Vers la lune en passant par la plage (To the Moon via the Beach),” Amphitheatre of Arles, Provence, France
“MARCH,” Sadie Coles, London, UK
“Beautiful Potential,” Mother’s Tankstation, Dublin, Ireland
“Tommy Hartung & Uri Aran,” White Flags Projects, St. Louis

2011
"Screening Room: Cologne,” Kölnischer Kunstverein, Köln, Germany (curated by Regina Barunke)
“Heads with Tails,” Harris Lieberman, New York (curated by West Street Gallery)
“Commercial Break,” Venice Biennale, Venice, Italy (curated by Neville Wakefield)
“After images,” Jewish Museum Of Belgium, Brussels, Belgium (curated by Fionn Meade)
“A Hole Is To Dig,” Office Baroque, Antwerp, Belgium
“Partoftheprocess4,” Galleria Zero, Milan, Italy
“No More Presence 2,” with Liam Gillick, The Artist's Institute, New York

2010
“Painting and Sculpture: To Benefit the Foundation for Contemporary Arts,” Lehmann Maupin, New York
“It’s All American,” New Jersey Museum of Contemporary Art, Asbury Park
“Wait For Me at the Bottom of the Pool,” Matos Gallery – Summer Location, Bridgehampton (organized by Bob Nickas)
“The Coke Factory,” Ritter/Zamet, London, United Kingdom
“1848!!!” With Liam Gillick, Esther Schipper, Berlin, Germany
“Greater New York,” PS1, New York (with Tommy Hartung)
“Knight’s Move,” Sculpture Center, New York (curated by Fionn Meade)
“5 Videos,” West Street Gallery, New York
“No More Presence,” Gresham’s Ghost, New York (with Liam Gillick)
“Gr0up Sh0w,” Taxter & Spengemann, New York
“Manamal,” Herzliya Museum of Contemporary Art, Herzliya, Israel

2009
“The Living And The Dead,” Gavin Brown’s enterprise, New York
“The Kings County Biennial,” Kidd Yellin Gallery, Brooklyn
“TIME – LIFE 2,” Taxter & Spengemann, New York
“Circular File Channel,” PERFORMA, New York (curated by Josh Kline)
“PRUESSPRESS 2,” Ritter/Zamet, London, United Kingdom
“The Fuzzy Set,” LA><ART, Los Angeles
“Odeon,” Ritter/Zamet, London, UK
“Video,” The New Museum, New York (selected by Benjamin Godsill)
“Made in the USA”, Philip Deely & Kalika Farmer, Great Barrington
“On From Here”, Guild & Greyshkul, New York

2008
“Closer Now,” Rivington Arms, New York
“Controversy of The Common Experience,” SOIL, Seattle
“SINGULAR FRIENDS,” 41 Wooster, New York
“FRIENDLY,” CRG Gallery, New York
“New Work,” Mesler & Hug, Los Angeles
“YES,” AR/Contemporary, Milan, Italy
“PRUESSPRESS 1,” Rental, New York
“Sunshine,” Ritter/Zamet Gallery at Rental, New York
“CRG Open Video Series,” CRG Gallery, New York
“On Paper,” Moti Hasson Gallery, New York

2007
“Loot from Wars of Nationalist Aggression,” Passerby, Gavin Brown’s enterprise,
New York (curated by Darren Bader)
“Wu tang/Googolplex show,” Passerby, Gavin Brown’s enterprise, New York (curated by Darren Bader)
“Dutch Elm Disease,” Passerby, Gavin Brown’s enterprise, New York (curated by Darren Bader)
“Artists' Cinema,” Henry Art Gallery, Seattle (curated by Ronnie Bass)
“New Misunderstandings: Return of the Same,” Moti Hasson Gallery, New York (with Jeremy Eilers)
“Beyond the Pale,” Moti Hasson Gallery, New York (curated by Candice Madey & Tairon Bastien)


Screenings

2012
“A Film to be Determined by Uri Aran,” White Flag Projects, St. Louis

2011
"Screening Room: Cologne,” Kölnischer Kunstverein, Köln, Germany (curated by Regina Barunke)
“Future Formats,” Electronic Arts Intermix, New York


Selected Bibliography

2013
Jaskey, Jenny, "Uri Aran at Kunsthalle Zurich," Mousse, March 2013
Honigman, Ana Finel, "Uri Aran," Artforum, February
"Uri Aran's first comprehensive solo institutional show..." ArtDaily, February
Saltz, Jerry, “The Shapes of the Twentieth Century,” New York Magazine, January 14
“Vitamin D2,” Phaidon Press, May (forthcoming)

2012
Gillick, Liam, “To the Moon via the Beach,” Parkett No.91, November
Gillick, Liam, “Collective interview,” Flash Art No.287, November-December
Delahunty, Gavin, Drawing Papers #6, November
Yablonsky, Linda, “Gilding the ‘Lilliput’,” T Magazine blog, April 30
Hall, Emily, Review, Artforum, April
Gat, Orit, "Portfolio: Uri Aran," Modern Painters, April
Review, The New Yorker, February
Meade, Fionn, “The Assistants,” Mousse, February
Tipton, Gemma, Review, Artforum.com, February
Aran, Uri, "Top Ten," Artforum, January

2011
Alemani, Cecilia, "Uri Aran," Interview, December
Gartenfeld, Alex, "Uri Aran," Art in America, December
Bartholomew Ryan, “Constructive Autism,” Kaleidoscope, October
Fionn Meade, “After Images,” exhibition catalogue, Jewish Museum of Belgium

2010
Alemani Cecilia, “I Believe in Mimicry,” MOUSSE, #26, December
Fite-Wasslek Chris, “Doctor Dog Sandwich,” ArtPapers, November
Herbert Martin, “Dispatches,” ArtReview, October
Fionn Meade, Knight’s Move exhibition catalogue, Sculpture Center, New York

2009
Coxhead Gabriel, “Odeon,” Time Out London, May.
Gillick, Liam, “Future Greats”, ArtReview, March.
Smith Roberta, "Uri Aran", Art in Review, The New York Times, January 23
Warner Emily, "Uri Aran: Geraniums," The Brooklyn Rail, February
Kurian, Ajay, "Proposals, Pronouncements, Pool balls, and Pictures: with cookies," Whitehot Magazine, February 2009

2008
Westcott James, “Project Space interview,” ArtReview.com, March 4

2007 Saltz Jerry, Beyond the Pale, The Village Voice, February 1

1937
Born, Berlin, Germany
Lives and works in Frankfurt am Main, Germany


Solo Exhibitions

2013
"All-in-One," Madre-Museo d'Arte Contemporanea Donna Regina, Naples, Italy (forthcoming)
Artist’s Institute, New York
“Thomas Bayrle: All-in-One,” Wiels, Brussels, Belgium

2012
“American Dream,” High Line Billboard, New York
“Strippenzieher, Big Block,” Gavin Brown’s enterprise, New York
Air de Paris, Paris, France

2011
dépendance, Brussels, Belgium
Galerie Johann Widauer, Innsbruck, Austria
La Chaufferie, Strasbourg, France (with Danie Kohl)

2010
“La camera Degli Sposi (After Mantegna) 1970/2010,” Dirimart, Istanbul, Turkey
“Gummibaum and materials,” Base Progetti per l’arte, Florence, Italy
“Alle Jamele sind ein Kamel (Schopenhauer),” Galerie Barbara Weiss, Berlin, Germany

2009
“Thomas Bayrle. Rosenkranz,” Galerie Mezzanin, Vienna, Austria
“Produzione Bayrle,” Cardi Black Box, Milano, Italy
“Thomas Bayrle -Their Combination is Spectacular,” Musée d’art Moderne et Contemporain, Geneva, Switzerland
“I’ve a Feeling We’re Not In Kansas Anymore,” Museu d'Art Contemporani de Barcelona, Barcelona, Spain
Raven Row, London, UK

2008
“Thomas Bayrle. 40 Jahre Looping/ 40 Years Looping,” Museum Ludwig, Cologne, Germany
“Thomas Bayrle / Andreas Slominski,” dépendance, Brussels, Belgium
“Cats & Cars (with Gerald Domenig),” Etablissement d’en face, Brussels, Belgium
“Wiener,” Arbeiterkammer Wien, Vienna, Austria
“Stéphane Dafflon/ Thomas Bayrle,” Air de Paris, Paris, France
“A Mustache Is a Man’s Best Friend,” Galerie Francesca Pia, Zürich, Germany
“Thomas Bayrle. Bir enstalasyon duvarkagıtları, otoyollar vs. üzerine / An Installation of Wallpapers, Motorways etc.,” Dirimart, Istanbul, Turkey

2007
Galerie Barbara Weiss, Berlin, Germany (with Monika Baer)
“Superimages,” Fonds Regional d’Art Contemporain du Limousin, Limoges, France
Office for Contemporary Art, Oslo, Norway
Jacke wie Hose,” Galerie Johann Widauer, Innsbruck, Austria

2006
“Happy Days Are Here Again,” Gavin Brown’s enterprise, New York
“Thomas Bayrle:
 40 Years Chinese RocknRoll,” Museum für Moderne Kunst, Frankfurt, Germany

2005
Art Unlimited, Art Basel, Basel, Switzerland
Cubitt Gallery, London, UK

2004
“Thomas Bayrle: Carlos,” Oldenburger Kunstverein, Oldenburg, Germany

2003
“Autostrada,” Galerie Barbara Weiss, Berlin, Germany
“Eiserner Vorhang/Safety Curtain”. A project of museum in progress in co-operation with the Vienna State Opera, Vienna, Austria

2002
Grazer Kunstverein, Graz, Switzerland
Städelsches Kunstinstitut, Frankfurt, Germany

2001
“Kartoffelzähler,” Johann Widauer, Innsbruck, Austria
“Thomas Bayrle. Bilder, Zeichnungen, Druckgrafik aus den Jahren 1967 bis 2001,” Galerie Meyer-Ellinger, Frankfurt, Germany
“Layout,” Center for Contemporary Art Kitakyushu, Kitakyushu, Japan

2000
“flying home...,” Museum in Progress, Vienna, Austria
“Philip Johnson,” 1999 und Werke von 1967 - 2000, Galerie Barbara Weiss, Berlin, Germany

1998
Galerie Meyer-Ellinger, Frankfurt, Germany
“Dolly Animation,” Galerie Francesca Pia, Bern, Zurich, Switzerland

1997
Koriyama City Museum of Art, Koriyama, Japan
Academy of Art & Design, Beijing, China
“TassenTassen,” Museum Moderner Kunst, Frankfurt, Germany

1996
Kunsthalle St. Gallen, St. Gallen, Germany

1995
Galerie Meyer-Ellinger, Frankfurt, Germany

1994
“Film Video Materialien,” Portikus, Frankfurt, Germany

1990
“Autobahnkopf,” Galerie Daniel Buchholz, Köln, Germany
“Autobahnkopf,” Portikus, Frankfurt, Germany

1989
“Pinsel durchgespielt,” Kunstverein Freiburg, Freiburg, Germany
“Thomas Bayrle 1983 – 88,” Seed Hall, Tokyo, Japan

1988
“Madonna Jaguar,” Kunsthalle Innsbruck, Austria

1987
“Thomas Bayrle 1967 und 1987,” Frankfurter Kunstverein, Frankfurt, Germany

1986
“GOLF,” Auto Museum, Wolfsburg, Germany

1984
“Capsel,” Museum am Ostwall, Dortmund, Germany

1983
“Druckgrafik 1960-83,” Städtische Galerie, Wolfsburg, Germany

1980
“Rasterfahndung,” Goethe-Institut, San Francisco
“Graphic Gathering,” Stanford University, Palo Alto

1977
“Cities and Accumulations,” WAKO, Tokyo, Japan

1972
“Formation Serielle,” La Pochade, Paris, France
Kiko Galleries, Houston

1971
Studio S, Rome, Italy

1968
“Mäntel - Tragbare Grafik,” Art Intermedia, Köln, Germany
“produzione Bayrle,”Galleria Apollinaire, Milan, Italy

1965
Galerie Buchholz, Munich, Germany

1964
Städtisches Museum, Göttingen, Germany

1963
“DRUCK,” Galerie Bergsträsser, Darmstadt, Germany


Selected Group exhibitions

2013
"Vertical Club," Bortolami, New York (forthcoming)
“The Society Without Qualities,” Tensta konsthall, Stockholm, Sweden

2012
Arnold Bode Prize, Kassel, Germany
Bischoff Projects, Frankfurt am Main, Germany
Busan Biennale, Busan Museum of Art, Busan, Korea
“Parque Industrial,” Luisa Strina, São Paulo, Brazil
“Ghost in the Machine,” New Museum of Contemporary Art, New York
documenta (13), Kassel, Germany
“Art Genève Thomas Bayrle Peter Kogler,” Galerie Mezzanin, Vienna, Austria
“TEXT TEXTILE TEXTURE,” Galerie Barbara Weiss, Berlin, Germany
“Towards a Warm Math,” On Stellar Rays, New York
“Objekt Atlas, Feldforschung im Museum,” Weltkulturen Museum, Frankfurt am Main, Germany
“Himmel und Erde,” Galerie Ute Parduhn, Düsseldorf, Germany
“Kunst-Stoff. Textilien in der Kunst seit 1960,” Städtische Galerie Karlsruhe, Karlsruhe, Germany
“Der geteilte Himmel. 1945-1968. Die Sammlung,” Neue Nationalgalerie, Berlin, Germany
“Thomas Bayrle kuratiert (ungern) Schrippenkönig mit p?,” Galerie Mezzanin, Wien, Austria

2011
“MMK 1991–2011Twenty Years of Presence,” Museum für Moderne Kunst, Frankfurt am Main, Germany
Playtime, Lieu d’Art Contemporain, Sigean, France (curated by Ami Barak)
MACBA Collection, Museu d'Art Contemporani de Barcelona, Barcelona, Spain
Kistefos Museet, Oslo, Norway
“Echoes,” Centre Culturel Suisse, Paris, France

2010
Die Grosse Inventur, Galerie Francesca Pia, Zürich
“SENT BY MAIL,” Galerie Barbara Weiss, Berlin, Germany
“Covering the wall. Contemporary wallpaper,” mudac and Musée de Pully, Lousanne, Switzerland
Gardar Eide Einarsson, Standard, Oslo, Sweden
“Gesehen & Geliebt Nr. 5, Es geht um Zeit. Aus Kasper Königs privaten Besitz,” Museum Ludwig, Köln, Germany
“Milk Drop Coronet,” Camera Austria, Kunsthaus Graz, Graz, Austria
“10,000 Lives: The Eighth Gwangju Biennale,” Gwangju, South Korea
“Art in Speed,” The Ulrich Museum of Art, Wichita State University, Wichita
“Larger than Life – Stranger than Fiction,” 11. Triennale Kleinplastik 2010, Fellbach, Germany
“Unto this Last,” Raven Row, London, UK
“Dirimart presents III,” Dirimart, Istanbul, Turkey
Unto this Last, Raven Row, London, UK

2009
Athens Biennial, Athens, Greece
“ganz kleines Kino,” Galerie Ute Parduhn, Düsseldorf, Germany
Modélisme, Fonds Regional d’Art Contemporain du Limousin, Limoges
“Heaven,” 2nd Athens Biennial, Athens, Greece
“Making Worlds,” La Biennale di Venezia, 53rd International Art Exhibition, Arsenale, Venice, Italy
“Animated,” Centre d’Art Bastille Site sommital de la Bastille, Grenoble, France
“La Recherche,” Air de Paris, Paris, France
“Heidi au pays de Martin Kippenberger,” Fonds Régional d’Art Contemporain, Bordeaux, France
“Grandfather Clock,” Neue Alte Brücke, Fankfurt am Main, Germany
“Yellow and Green: Positions from the collection of the MMK,” Museum für Moderne Kunst, Frankfurt, Germany
“Notation. Kalkül und Form in den Künsten,” Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany
“1968 - Die große Unschuld,” Kunsthalle Bielefeld, Bielefeld, Germany
“Tracer. Thomas Bayrle, Martin Feldbauer, Daniel Kohl, Harald Pridgar,” After the Butcher, Berlin, Germany
“Art of two Germanys/Cold War Cultures,” Los Angeles County Museum of Art, Los Angeles; Germanisches Nationalmuseum, Nuremberg, Germany; Deutsches Historisches Museum, Berlin, Germany

2008
Le couloir des miroirs, Fonds Régional d’Art Contemporain du Limousin, Limoges, France
“Konstellationen IV. Material / Form / Mensch / Stadt,” Städel Museum, Frankfurt, Germany
“Whatever Happened to Sex in Scandanavia?” Office for Contemporary Art Norway, Oslo, Norway (curated by Marta Kuzma)
“God & Goods: Spirituality and Mass Confusion,” Villa Manin Centro d’Arte
Contemporanea, Udine, Italy (curated by Francesco Bonami)
“Recent Acquisitions, Gifts, and Works from Various Exhibitions 1985-2008,” White Columns, New York (from the collection of Bob Nickas)
Biennale of Sydney, Sydney, Australia
Brussels Biennial, Brussels, Belgium
Experiment Marathon Reykjavík (Reykjavik Arts Festival 2008), Listasafn Reykjavíkur Hafnarhús, Reykjavik, Iceland
Stéphane Dafflon/Thomas Bayrle, Air de Paris, Paris, France
“God and Goods,” Villa Manin Centro d’arte contemporanea, Codroipo, Italy
“Tempo, Tempo! Das Phänomen der Geschwindigkeit im Film,” Opelvillen Rüsselsheim, Rüsselsheim, Germany
“Europop,” Kunsthaus Zurich, Zurich, Switzerland

2007
The Kitakyushu Biennial ´07, Moji-Ko Kitakyushu, Japan
Brussels Biennial, Brussels, Belgium
Stéphane Dafflon/Thomas Bayrle, Air de Paris, Paris, France
“Tbilisi 4: Everyday is Saturday,” Tbilisi, Georgia
“Body Politicx,” Witte de With, Center for Contemporary Art, Rotterdam, Netherlands
“Small Is Beautiful,” Ursula Stiftung, Kraichtal-Unterröwisheim, Germany
“Imagery Play,” PKM Gallery, Beijing, China
“Das Kapital-Blue Chips und Masterpieces,” Museum für Moderne Kunst, Frankfurt am Main, Germany
“Das Kapital-Blue Chips und Masterpieces,” Museum für Moderne Kunst, Frankfurt, Germany
“What does the jellyfish want?,” Ludwig Museum, Köln, Germany
“Whenever it starts it is the right time – Strategies for a discontinuous future,” Frankfurter Kunstverein, Frankfurt am Main, Germany
“Studio Jahresgaben,” Grazer Kunstverein, Graz, Austria
“Screening of Sunbeam, Autobahnkopf, Select: A Night with Rosalind Nashashibi,” Tate Modern, London, UK
“Imagery Play,” PKM Gallery, Beijing, China

2006
“Piktogramme - die Einsamkeit der Zeichen,” Kunstmuseum Stuttgart, Stuttgart, Germany
“Choosing My Religion,” Kunstmuseum Thun, Thun, Switzerland
“Gwangju Biennale,” Gwangju, Korea
“Saigon Open City: First Chapter: Liberation, Ho Chi Minh City, Vietnam
“Looking Back: The Inaugural White Columns Annual,” White Columns, New York
Galerie Mezzanin, Vienna, Austria
“Summer of Love – Art of the Psychedelic Era,” Kunsthalle Wien, Vienna, Austria
“4th Berlin Biennial for Contemporary Art: Von Mäusen und Menschen / Of Mice and Men,” KW Institute for Contemporary Art, Berlin, Germany
“The Expanded Eye,” Kunsthaus, Zurich, Germany
“totalstadt. beijing case,” Zentrum für Kunst und Medientechnologie - Museum für Neue Kunst, Karlsruhe, Germany
“Dark Places,” Santa Monica Museum of Art, Santa Monica

2005
“Guangzhou Triennale,” Guangzhou, China
“Beijing Case,” Zero Field Experimental Art Center, Beijing, China
“Summer of Love,” Schirn Kunsthalle Frankfurt, Frankfurt, Germany
“Archive in motion,” 50 years Documenta, Kunsthalle Fridericianum, Kassel, Germany
“Automobilisé,” Galerie Ilka Bree, Bordeaux, France
“Zur Vorstellung des Terrors: Die RAF. Ausstellung,” Kunst-Werke, Institute for Contemporary Art, Berlin, Germany

2004
“Berlin-Moskau / Moskau-Berlin 1950-2000,” Staatliche Tretjakow-Galerie, Moskow, Russia
9. Triennale Kleinplastik Fellbach, Alte Kelter, Fellbach, Germany
“Pop Cars. Amerika-Europa,” Wilhelm Lehmbruck Museum, Duisburg, Germany
“Deutschland sucht,” Kölnischer Kunstverein, Köln, Germany
“Grey Goo,” Flaca, London, UK
“Cupcup and the happy Medium,” Dowse-Museum, Wellington, New Zealand
“Utopia Station,” Haus der Kunst, Munich, Germany

2003
“Berlin-Moskau / Moskau-Berlin 1950-2000,” Staatliche Tretjakow-Galerie, Moskow
“9. Triennale Kleinplastik Fellbach,” Alte Kelter, Fellbach, Germany
“Pop Cars. Amerika-Europa,” Wilhelm Lehmbruck Museum, Duisburg, Germany
“Deutschland sucht,” Kölnischer Kunstverein, Köln, Germany
“Grey Goo,” Flaca, London, UK
“Cupcup and the happy Medium,” Dowse-Museum, Wellington, New Zealand
“Utopia Station,” Haus der Kunst, Munich, Germany

2002
“Europaweit - Kunst der 60er Jahre,” Städtische Galerie, Karlsruhe, Germany

2001
“Frankfurter Kreuz. Transformationen des Alltäglichen in der zeitgenössischen Kunst,”
Schirn Kunsthalle, Frankfurt, Germany
“DC: Thomas Bayrle/ Bodys Isek Kingelez,” Museum Ludwig, Köln, Germany

2000
“Floating Cities. Die europäische Stadt in Bewegung,” Internationalen Konferenz der Guardini Stiftung im Haus der Kulturen der Welt, Berlin, Germany
“out of space,” Schnitt Ausstellungsraum zu Gast im Kölnischen Kunstverein, Köln, Germany

1999
“Serien/ Konzepte in Foto/ Video,” Museum Ludwig, Cologne, Germany

1998
“Technoculture FRI ART,” Centre Contemporaine, Freiburg, Germany
“Life Style,” Kunsthaus Bregenz, Bregenz, Austria
“Anticipation,” Centre pour l'image Contemporaine, Genf, Switzerland
“Massornament,” Kunsthallen Brandts Klaedefabrik, Odensee, Austria
“... mit Studenten,” Shift, Berlin, Germany
“Die Macht des Alters,” Deutsches Historisches Museum, Kronprinzenpalais, Berlin, Germany

1997
“Urban Space,” de Singel, Antwerp, Belgium
“KünstlerInnen,” Museum in Progress, Kunsthaus Bregenz, Bregenz, Austria
1996
“Grafik,” Galerie Klosterfelde, Berlin, Germany
“L'Art de Plastique,” Ecole de Beaux Arts, Paris, France

1995
“Elastic Lights,” Sidney Gallery
Prix Ars Electronica, Linz, Austria

1993
“Neue Kunst in Hamburg,” Kunstverein Hamburg, Hamburg, Germany
Ars Electronica, Linz, Austria
“Compkuenstlerg,” Künstlerwerkstatt Lothringer Straße, Munich, Germany

1989
“On Kawara - Wieder und Wieder,” Portikus, Frankfurt, Germany
Ars Electronica, Linz, Austria

1985
IBA, Berlin, Milan
“Deutsche Graphiker,” Gummersons, Stockholm, Sweden

1984
“Orwell,” Museum des 20. Jahrhunderts, Vienna, Austria

1983
“Utopian Visions in Modern Art,” Hirshhorn Museum, Washington

1977
documenta 6, Kassel, Germany

1975
“Der Einzelne und die Masse,” Kunsthalle Recklinghausen, Recklinghausen, Germany

1971
“Graphik der Welt,” Kunsthalle Nürnberg, Nuremberg, Germany
“Contemporary Graphic,” Oxford Gallery, London, UK
“Kunst und Politik,” Frankfurter Kunstverein, Frankfurt am Main, Germany

1970
“Konzepte einer neuen Kunst,” Göttinger Kunstverein, Göttingen, Germany
“Sammlung Feelisch,” Museum am Ostwall, Dortmund, Germany
“Kunst und Politik,” Badischer Kunstverein, Karlsruhe, Germany

1969
“Industrie und Technik in der deutschen Malerei,” Lehmbruck-Museum, Duisburg, Germany

1968
British International Print Biennale, Bradford, UK
“Kunst-Stoffe,” Art Intermedia, Köln, Germany

1967
“Serielle Formationen,” Studio Galerie, Universität Frankfurt, Frankfurt am Main, Germany

1966
“EXTRA,” Museum Wiesbaden, Wiesbaden, Germany

1965
“Between poetry and painting,” Institute of Contemporary Arts, London, UK

1964
documenta 3, Kassel, Germany

1963
“Schrift und Bild,” Kunsthalle Baden-Baden und Stedelijk Museum, Amsterdam, Netherlands


Selected Bibliography

2013
"Diary: Thomas Bayrle," Mousse, March 2013
Cotter,Holland, "A Light Hand at an Art Fair," The New York Times, March
Miller, Michael H., "An Art Fair Booth in the Nude: Thomas Bayrle at Gavin Brown's Enterprise," GalleristNY, March

2012
Sutton, Benjamin, "See Thomas Bayrle’s Hypnotic, Chrysler-Branded High Line Billboard," ArtInfo, October¬¬¬¬¬
Patton, Phil, "Thomas Bayrle at the High Line: In 1970,Foretelling the Malaise of Chrysler," The New York Times, October 1
Russeth, Andrew, "8 Things to Do in New York’s Art World Before October 1," GalleristNY, September 24
Rozalia, Jovanovic, "Thomas Bayrle Is Next Up at the High Line Billboard," GalleristNY, September 14
Forbes, Alexander, "Thomas Bayrle Wins Bode Prize at dOCUMENTA 13," ArtInfo, August 15
"Thomas Bayrle in Poland," UnitedCreativity.org, August
Lindemann, Charlotte, "The September Openings: 16 Must-See Shows Arriving Next Month," GalleristNY, August
"Thomas Bayrle at dOCUMENTA (13): The Holy Ghost and the Machine," Huffington Post, July 13
"dOCUMENTA(13): On seriality – or pausing with painting,“ Stil In Berlin, July 25
Krogemann, Dr. Bettina, "Interview with Thomas Bayrle," Vernissage TV, July
Hierholzer, Michael, "Maschinenrhythmus und Meditation," Frankfurter Allgemeine Zeitung, June 5
Gropp, Rose-Maria, "Die Frömmigkeit der Maschinen," Frankfurter Allgemeine Zeitung, June 5
Fouraté, Sonja, "Alles hängt miteinander zusammen," Hessischer Rundfunk, June 2012
Scholz, Nina, "Documenta (13): Fünf," Interview, June
Fritschler, Peter, " Mein Lieblingskunstwerk: Die Maschinen des Thomas Bayrle," MyDocumenta.de, June
Sarcevic, Lara, Review, Art Agenda, May 29

2011
Exporama, Thomas Bayrle/Daniel Kohl, ArtPress n°375 February

2010
Sarah Cosulich Canarutto, cat. Cardi Black Box, Tarsiz Publishing Inc., New York

2009
La Biennale di Venezia and its collaborators for the 53rd International Art Exhibition,
Making Worlds, 2 books, edited by Daniel Birnbaum and Jochen Volz, exhibition catalogue, p.12-13
Wiley, Chris, “The Mass Ornament,: Kaleidoscope, issue 02, Summer
Eichler, Dominic, “Social Fabric,“ frieze, June
Peran, Marti, Review, Artforum, May
Stolz, George, Review, Art Review, April
Hohmann, Silke, “Die serielle Revolution,“ Monopol, April, p. 62-73
Faucheret, Anne, “Less is A Bore,” Art21 n°24, automne, p.36-43
Kihm, Christophe, “Expositions,” Art Press, n° 361, Novembre, p.97
Compan, Leslie and Malachin, Pierre, “Expos/Itinéraires Bis-Kippenberger, Bayrle,
Childress, Malaval,” Particules n°26, octobre-décembre, p.10
Obrist, Hans Ulrich, “Pars Pro Toto Istanbul Version A Biennale A-Z (fragments),” RES n
°4, September, p.22

2008
Volzke, Daniel, “Like Yeast in a Cake,” Deutsche Bank Art Magazine, November, p.
18-19
Ulrike Lehmann, Thomas Bayrle, in the series Künstler. Kritisches Lexikon der Gegenwartskunst, Konstanz
2008 Biennale of Sydney. Revolutions – Forms That Turn, exhibition catalogue, Fishermans Bend, Victoria (Australia), p. 232, and 2008 Biennale of Sydney. Revolutions – Forms That Turn. Free Guide, Sydney 2008, p. 63
God & Goods. Spiritualitá e Confusione di Massa / Spirituality and Mass Confusion, exhibition catalogue Villa Manin Centro d’Arte Contemporanea, Codroipo (Udine), Italy
“Q & A with Thomas Bayrle,” RES Art World / World Art, No. 2, May, p. 68-73
Thomas Bayrle. Bir enstalasyon duvarkagıtları, otoyollar vs. üzerine / An Installation of Wallpapers, Motorways etc., exhibition catalogue, Dirimart, Istanbul
2007
“La vache qui rit: Thomas Bayrle” published by Frac Limousin, Limousin
Mehring, Christine, “Mass Appeals: The Art of Thomas Bayrle,” Artforum, April, pp. 228-237
Volz, Jochen “Looking Back: Biennials/Survey Shows” Frieze, January-February, p. 126

2006
Gilmore, Jonathan, Review, Art in America, November, pp.208-9
Kittelmann, Udo, and Klaus Görner, “What’s New Pussycat?” published by
Museum fur Moderne Kunst, Frankfurt, am Main, pp. 134-35
Koolhaas, Charlie, “Three Asian Biennales: Shanghai, Gwangju, and Singapore,” ArtReview, September, pp. 44-45
Jones, Ronald, Review, Artforum, September, pp. 390-91
Holland Cotter: “Experience Matters: Creators in Midcareer and Beyond,” New York Times, Friday April 21, pp. E31, E 39
Max Henry Review, Time Out New York, April 20-26, p. 77
Gianni Jetzer, Verein Kunsthalle St. Gallen (Hg.), 20 Jahre Kunsthalle St. Gallen 1985-2005, catalog,
JRP/Ringier, Zürich, Germany
“Dark Places,” Santa Monica Museum of Art, Santa Monica, p. 12

2005
“Sars Formation,” exhibition catalogue, Basel Art Fair, Galerie Barbara Weiss, Galerie Francesca Pia und Thomas Bayrle
Vanessa Joan Müller, “Deutschland Sucht,” Kölnischer Kunstverein, exhibition catalogue, Cologne, p. 32
“50 Jahre/ years documenta 1955-2005,” exhibition catalogue, Kunsthalle Fridericianum Kassel
“Patterns. Muster in Design, Kunst und Architektur,” edited by Petra Schnidt, Anette Tietenberg, Ralf Wolheim, Birkenhäuser - Verlag für Architektur, p. 44-49
“Informal City?”, Beijing Case, Zero-Field, Peking / Beijing, p. 10-13

2004
“Turbulenz. Portikus Projekte,” 2001-2004, edited by Jochen Volz, p. 84-85

2003
Ruthe, Ingeborg, “Mobilität mit Verstopfung,” Berliner Zeitung, June 18, p. 10
Schlegel, Andreas, “Der Autobahn-Mäander,” Der Tagesspiegel, June 14, p. 29
Müller, Ulrich, “Thomas Bayrle. Galerie Barbara Weiss,” Zitty, Nr. 13, p. 86
Preuss, Rita, “Kopfschmerz auf vier Rädern. Bilder von Thomas Bayrle: Autostrada,“ Ticket, Nr. 22, May 29, p. 13
Buhr, Elke, “Masse und Maggi. Thomas Bayrle im Städel,” Frankfurt/Main, Text zur Kunst, Nr. 49, March, p. 201-203
“Berlin-Moskau / Moskau-Berlin 1950-2000,” exhibition catalogue, Martin-Gropius Bau, Nicolai Verlag, Berlin
“Boogie Woogie Wonderland,” exhibition catalogue, Akiyoshidai International Art Village, Yamaguchi, ed. von Candy Factory Projects Boogie Woogie Wonderland

2002
“Außen an dem Tore,” Art. Das Kunstmagazin, Nr. 11, p. 11
“Frankfurter Städel,” Frankfurter Allgemeine Zeitung, October 21, p. 35
Hierholzer, Michael, “Und endlos lacht die blaue Kuh der Käsefirma. Die Macht der Masse und das ewige Band: Eine Ausstellung des Städelschulprofessors Thomas Bayrle im Städelmuseum,” Frankfurter Allgemeine Sonntagszeitung, October 2o, Kultur R 3
“Ich bin riesig und winzig zugleich. Ein Gespräch mit Städelschullehrer Thomas Bayrle aus Anlass seiner großen Geburtstags-Ausstellung im Städel,” Frankfurter Rundschau, October 18, p. 28
I. L., “Ansichtssachen, Die Verwandlung des Brandenburger Tors,” Frankfurter Allgemeine Zeitung, September 9, p. 34
Birnbaum, Daniel, “With a spate of recent exhibitions and the showcasing. Kasper König talks with Thomas Bayrle, Planes, Trains, Automobiles,” Artforum International, Summer, p. 136-141
Bayerle, Thomas, Süddeutsche Zeitung, Februar 25, p. 5 (Ill.)
Nemeczek, Alfred, “Grandioser Neustart mit Pop und Picasso,” Art, Nr. 1
Frangenberg, Frank, “AC: / DC: Neue Projekträume im Museum Ludwig,” Kunstforum, Bd. 158, S. 322-324
Jörg Heiser, “Thomas Bayrle. Kunstverein Graz,” Frieze, Issue 69, p. 113
Helvetica 12pt..., CCA, Kitakyushu (artist book)
New York Times Layout, Edition Artelier, Graz (Portfolio)
Wagner, Thomas, “Masse Bild. Von Kühen und Menschen, Maggi und Magie: Thomas Bayrle im Thomas Bayrle,” exhibition catalogue, Städelsches Kunstinstitut und Revolver, Archiv für Aktuelle Kunst, Frankfurt

2001
Birnbaum, Daniel and Hans Ulrich Obrist, “Everything is flat,” nu:, Vol. III, No.6/01, p. 56-61
Foerster, Barbara, “Aus dem Dornröschenschlaf erwacht,” Mannheimer Morgen, December 6
Sauerländer, Willibald, “Die Neuordnung der Welt,” Süddeutsche Zeitung, November 16
Roos, Renate, “Museum Ludwig unter Strom,” Kölner Stadtanzeiger, November 10
Bode, Ursula, “Wo das Wünschen helfen soll,” Die Zeit, Nr. 46, November 8
Koldehoff, Stefan, “Wechselstrom im Heldensaal,” die tageszeitung, November 7
Buhr, Elke, “Neue und alte Helden,” Frankfurter Rundschau, November 3
Vielhaber, Christiane, “Parade der Wunschkandidaten,” Handelsblatt, November 2/3
Kliemann, Thomas, “Wunschkonzert für den König von Köln,” Bonner General-Anzeiger, November 2
Wagner, Thomas, “Möchten Azaleen wiederkäuen?,” FAZ, November 2
“Kunst veröffentlichen. Isa Genzken, Wolfgang Tillmanns, Bodys Isek Kingelez, Thomas Bayrle,” Stadtrevue, Nr. 11, p. 66-100
Babias, Marius, “Von der Superform zum Bildcontainer. Zu den neueren computergestützten Prints von Thomas Bayrle,” Kunstforum, Nr. 155, p. 199-201
Babias, Marius, “Ich war dabei, als...Interviews 1990 -2000,” Revolver, Archiv für Aktuelle Kunst, p. 182-191
Kölle, Brigitte, “Thomas Bayrle, Frankfurter Kreuz. Transformationen des Alltäglichen in der zeitgenössischen Kunst.” exhibition catalogue, Frankfurt, p. 107
DC, “Thomas Bayrle/ Body Isek Kingelez,” exhibition catalogue, ed. von Marjorie Jongbloed und Kasper König, Cologne
Jongbloed, Marjorie, “Thomas Bayrle, Museum unserer Wünsche,” exhibition catalogue, ed. von Kasper König, Cologne, S. 72-73
“LAYOUT,” Verlag Walther König, Cologne (artist book)

1999
Babias, Marius, “Die Maschine hat mich total high gemacht. Ein Gespräch mit Thomas Bayrle;” Kunstforum, Vol.148, p. 234-247

1998
Insert, Parkett

1997
“Thomas Bayrle Works 1967-1995,” exhibition catalogue, Beijing
Beaucamp, Eduard, “Die Zivilisationsfalle,” Frankfurter Allgemeine Zeitung, November 7, p. 45

1996
“GRID,” Tohoku University Yamagata, Japan; Kunsthalle St. Gallen (artist book)

1995
Bayrle, Thomas, “Film, Video, Materialien,” Portikus, Frankfurt am Main (artist book)
Bayrle, Thomas, “Grafik 1967-1972/ animierte Grafik 1979-1994,” Verlag Walther König, Cologne


Talks

2011
Alighiero e Boetti Day, RAI Auditorium, Turin, Italy (May 28)
The Frankfurt Conversation by Hans Ulrich Obrist and Nikolaus Hirsch, Schauspiel Frankfurt, Frankfurt am Main, Germany (January 30)


Public Collections

FNAC, Puteaux, France
Museum für Moderne Kunst, Frankfurt am Main, Germany
Städelmuseum, Frankfurt am Main, Germany
Museum Ludwig, Köln, Germany
Kunstmuseum, Stuttgart, Germany
Museum of Contemporary Art, Los Angeles
Fonds Regional d’Art Contemporain du Limousin, Limoges, France

1969
Born, Munich
Lives and works in Berlin


Solo Exhibitions

2013
"Peas & Thyme," Capri, Düsseldorf, Germany
“Schön und gut,” BQ, Berlin-Mitte, Germany 

2012
“Boros Collection #2,” Boros Collection, Berlin-Mitte, Germany
“Cosmic Laughter: timewave zero, then what?” Ursula Blickle Stiftung Kraichtal-Unterowisheim, Germany
“Grid(love)r,” Andreas Melas & Helena Papadopoulos, Athens, Greece
“SOFT IS HARD (Work),” Sadie Coles HQ, London, UK

2011
The Modern Institute, Glasgow, UK
“Retour,” Pinakothek der Moderne, München, Germany

2010
The Modern Institute, Glasgow, UK
Sadie Coles, London, UK
Baltic Centre for Contemporary Art, Gateshead, UK
“Paradise Lost,” Kunstverein, Arnsberg, Germany (with Juliette Blightman)
BQ, Berlin, Germany

2009
“Dirk Bell LI’ve is LI’ve,” Schinkel Pavillion, Berlin, Germany

2008
Gavin Brown’s enterprise, New York

2007
BQ, Cologne, Germany

2006
The Modern Institute, Glasgow, UK
Kunsthalle Bremerhaven, Bremerhaven, Germany
Gavin Brown’s enterprise, New York (with Kitty Kraus & Ulrich Wulff)

2005
BQ, Cologne, Germany

2003
BQ, Cologne, Germany
The Modern Institute, Glasgow, UK

2002
Gavin Brown’s enterprise, New York

2001
BQ, Cologne, Germany

2000
"One day it will all make sense," The Modern Institute, Glasgow, UK (with Friedrich Kunath)

1999
Hobbypop, Düsseldorf, Germany (with A. Reyle)

1998
"Why are my friends such finks," BQ, Cologne, Germany (with Friedrich Kunath)


Group Exhibitions

2013
"Merci Mercy," 980 Madison Avenue, New York (curated by Christine Messineo and Vladimir Restoin Roitfeld)

2012
“Sammlung Boros #2,” Boros Collection, Berlin, Germany

2011
“Gesamtkunstwerk,” Saatchi Gallery, London, UK

2010
"At Home/Not at Home," Hessel Museum of Art, New York
“Enlightenment,” Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V., Berlin, Germany
“The Menippean Uprising,” blank projects, Cape Town, South Africa
“Captain Pamphile,” Städtische Galerie Waldkraiburg, Waldraiburg, Germany
“A moving plan B - Chapter ONE,” The Drawing Room, London, UK
“Under One Umbrella,” Bergen Kunsthall, Bergen, Norway
“Old Ideas,” Museum für Gegenwartskunst, Basel, Switzerland

2009
“You will miss me when I burn,” Mountgomery Gallery, Berlin, Germany
“Modern Modern,” Chelsea Art Museum, New York (curated by Pati Hertling)
“Berlin 2000,” Pace Wildenstein, New York

2007
“Every Eye sees differently as the Eye,” The Drawing Room, London, UK
“Pure Self Expression,” Kölnischer Kunstverein, Amsterdam, the Netherlands

2006
“Blake & Sons,” Model Arts and Niland Gallery, The Mall, Sligo, Ireland
“Bonanza,” Tilton Gallery, New York
“Freier a magazine for sensibilities,” Art: Concept, Paris, France

2005
Blake & Sons Lewis Glucksman Gallery, Cork, Ireland (traveling)
“The third peak,” Art: Concept, Paris, France

2004
“Kunst macht Schule – l’art fait ecole,” Saarland Museum, Saarland, Germany; Caves Sainte Croix, Metz, France
“Sommer Photo Ausstellung,” Galerie Merettich im Glaspavillion an de Volksbuhne, Berlin, Germany
“Jetz und 10 Jahre Davor,” Kunst-Werke, Berlin, Germany
‘Der spate Liebhaber,’ Neue Dokumente, Berlin, Germany

2003
“deutschemalereizweitausenddrei,” Frankfurter Kunstverein, Frankfurt, Germany (cat.)
“Painting on the Roof,” Staedtisches Museum Abteiberg, Moenchengladbach, Germany (cat.)
“Minerals in the Water,” The Changing Room, Stirling, Scotland (cat.)
“Dirty Pictures,” The Approach, London, UK
“EU3-Drawing,” Stephen Friedman Gallery, London, UK
“Vom Horror der Kunst,” Grazer Kunstverein, Graz, Austria

2002
RomaRomaRoma, Rome, Italy
“Grosse Kunstausstellung Sommer 2002 im Pazifik,” PAZIFIK, Berlin, Germany
“Friede Freiheit Freunde,” Maschenmode Galerie Guido W. Baudach, Berlin, Germany
“Tiere 2003,” Wohnung der Eheleute Hermann & Elfriede Paime, Immenstaad, Germany

2001
“Circles Nr. 5: Berlin – Montagna Sacra,” Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (cat.)
“Viva November,” Städtische Galerie Wolfsburg, Germany (cat.)
“1995-2001,” BQ, Cologne, Germany

2000
Parking Meters, Köln, Germany
“Make my paper sound,” Studiogalerie Kunstverein, Braunschweig, Germany (cat.)
“Malerei VI” Monika Sprueth Galerie, Cologne, Germany

1998
“Junge Kunst im Zweiten,” Staatstheater, Braunschweig, Germany


Selected Bibliography

2013
Prince, Mark, "Dirk Bell: BQ," Art in America, April 2013
Dessau, Ory, "Dirk Bell," Frieze, February
Burrows, Marie Jay, "A Red Hot Date with Dirk Bell's 'Lovephabet'," Berlin Art Parasites, January

2011
Clegg, James, Review, Art Review, April

2008
Harris, Susan, Review, Art in America, May, p. 194-5
Hudson, Suzanne, Review, Artforum, April, p. 366-7

2007
Dirk Bell “69,” Kunstverein Bremerhaven, Cologne, Germany

2006
Hamill, Jasper, Review, Skinny Magazine, May 29

2004
Higgie, Jennifer, “Night for Day,” frieze, January, p. 76-79

2003 “Dirk Bell: Vol. One,” BQ, Cologne, Germany

2002
“Minerals in the Water,” The Changing Room, Stirling, Scotland

2001
Frankfurt “Darling," Dirk Bell, exhibition cat.alog, BQ, Cologne, Germany
"Darling", version 2001 by Mo (EMD), 7-inch record, BQ, Cologne, Germany

1998
"Why are my friends such finks," exhibition cat.alog, BQ, Cologne, Germany

1997
“Aura,” Ars Futura, Zurich, Switzerland
“Uberraschung (Surprise II)” Kunsthalle, Nurnberg, Germany

1995
“Malerei III,” Monika Sprüth Galerie, Köln, Germany

1994
“The easiest thing to grow in a garden is tired,” Galerie Peters-Barenbrock, Braunschweig, Germany

1970
Born in Seattle
Lives in Los Angeles and Berlin


Education

1997
Whitney Independent Study Program, New York

1996
UCLA, M.F.A. in Photography

1992 UC Berkeley, B.A. in English and Art, Phi Beta Kappa

1990 Ecole Nationale Superieur des Beaux-Arts, Paris



Solo Exhibitions

2013
“Naye Khvalyes/New Waves,” Kunstverein Lüneburg, Lüneburg, Germany
greengrassi, London, UK

2012
“New Waves,” DAAD Galerie, Berlin, Germany

2011
greengrassi, London, UK
DAAD Galerie, Berlin, Germany

2009
Gavin Brown's enterprise, New York
Fargfabriken Center for Contemporary Art, Stockholm, Sweden

2006
Gavin Brown’s enterprise, New York
greengrassi, London, UK

2005
Museum of Contemporary Art, Los Angeles (cat.)

2003
greengrassi, London, UK

2002
Blum & Poe, Santa Monica

1999
Blum & Poe, Santa Monica

1998
greengrassi, London, UK
Jay Gorney Modern Art, New York

1997
Studio Guenzani, Milan, Italy



Selected Group Exhibitions

2012
“Figure Studies,” Contemporary Art Museum St. Louis, St. Louis
DAAD Galerie, Berlin, Germany

2011
“The Joy of Pleasure,” Veneklasen Werner Galerie, Berllin, Germany
“The Object of Observation (Changes By Being Observed),” Johnen Galerie, Berlin,
Germany
“frauenkörperbewegur,” Stedelijk, Amsterdam, Netherlands
“Summer Time,” Mary Ryan Gallery, New York

2010
“Artists’ Cinema,” Nottingham Contemporary, Nottingham, UK
“How Many Billboards?” MAK Center, Los Angeles
“R is for Replicant,” CCA Wattis Institute for Contemporary Arts, San Francisco
“At Home, Not at Home, Center for Curatorial Studies,” Bard College, New York (curated by Matthew Higgs)
“Endless Bummer,” Blum and Poe, Los Angeles (curated by Drew Heitzler)
“Home and Away,” Residence of the Ambassador of the United States to Germany (curated by Johannes Fricke Waldhausen)
“Etwas Viele…” Galerie Niels Borch Jensen, Berlin, Germany
“Light, Camera, Action: ABC (Film and Stage Program),” Berlin (curated by Marc Gloede)

2009
“15th Anniversary Inaugural Exhibition,” Blum and Poe, Los Angeles
“Pulling from History: The Old Masters,” Print Center, Philadelphia
“Collecting History: Highlighting Recent Acquisitions,” Museum of Contemporary Art, Los Angeles (curated by Ann Goldstein and Bennett Simpson)
“Das Gespinst - Die Sammlung Schürmann zu Gast im Museum Abteiberg,”
Stadtisches Museum Abteiberg, Mönchengladbach, Germany

2008
“Biennale d’art Contemporain le Havre,” Le Havre, France (curated by Ger van Elk)
“Amateurs,” CCA Wattis Institute for Contemporary Art, San Francisco (curated by Ralph Rugoff)
“Index: Conceptualism in California from the Permanent Collection,” Museum of Contemporary Art, Los Angeles (curated by Philipp Kaiser)
“50 Moons of Saturn,” 2nd Torino Triennial (curated by Daniel Birnbaum) (cat.)
“La Petite Histoire,” Kustraum Niederoesterreich, Vienna, Austria (curated by Gyonata Bonivicini) (cat.)
“The Wizard of Oz,” CCA Wattis Institute for Contemporary Art, San Francisco (curated by Jens Hoffmann) (cat.)

2007
“USA: American Video Art at the Beginning of the 3rd Millennium,” 2nd Moscow Biennale, Moscow (curated by Daniel Birnbaum, Gunnar B.
Kvaran, and Hans Ulrich Obrist)
“Personne ne veut mourir,” Arquebuse, Geneva, Switzerland
“LA Desire (Part 1),” Galerie Dennis Kimmerich, Düsseldorf, Germany (curated by Wilhelm Schurmann)
“Uncertain States of America,” Herning Kunstmuseum, Herning, Denmark; Centre for Contemporary Art, Warsaw, Poland; La Musée de Sérignon, Serignan, France; Beijing, China (curated by Daniel Birnbaum, Gunnar B. Kvaran, and Hans Ulrich Obrist) (cat.)
“Radio Daniele,” MAMbo Museo d'Arte Moderna di Bologna, Bologna, Italy; Kunsthalle Zürich, Zürich, Switzerland (curated by Christopher Williams and John Kelsey)
“Mobile Museum,” Latvian Center for Contemporary Art, Riga, Latvia
“Now Your See It,” Center for Curatorial Studies, Bard College, Annandale-on-Hudson

2006
“The backroom: San Francisco,” New Langton Arts/SF Camerawork, San Francisco (curated by Renaud Proch)
“Too Much Love,” Angles Gallery, Santa Monica (curated by Amy Adler)
“Two Friends and So On,” Andrew Kreps Gallery, New York
“Uncertain States of America,” Center for Curatorial Studies, Bard College, Annandale-on-Hudson; Serpentine Gallery, London, UK; Reykjavik Art Museum, Reykjavik, Iceland (curated by Daniel Birnbaum, Gunnar B. Kvaran, and Hans Ulrich Obrist ) (cat.)

2005
“General Ideas: Rethinking Conceptual Art 1987-2005,” CCA Wattis Institute for
Contemporary Art, San Francisco (curated by Matthew Higgs) (cat.)
“Finkish Dispositions,” Rachmoninoff’s, London, United Kingdom
“A Walk to Remember,” Los Angeles Contemporary Exhibitions, Los Angeles (curated by Jens Hoffmann) (cat.)

2004
“Let The Bullshit Run a Marathon,” Nicole Klagsbrun, New York (curated by Nate Lowman)

2003
“Faking Real,” Columbia University, New York

2002
“A Show That Shows That A Show Is Not Only A Show,” The Project, Los Angeles (curated by Jens Hoffman) (cat.)

2001
“Pandaemonium Biennial of Moving Images,” Lux Gallery, Centre for Electronic Arts,
London, UK
“Face On, Sheffield,” Milton Keynes Gallery, Milton Keynes, UK; Photographic and Media Arts, Liverpool, UK; Stills Gallery, Edinburgh, UK (cat.)
“A Passion for Art: The Disaronno Originale Photography Collection,” MOCA, Chicago
“Jennifer Bornstein, Mark Grotjahn, Florian Maier-Aichen, Dave Muller,” Blum and Poe, Santa Monica

2000
“An Intelligent Pleasure,” Site Gallery, London, UK
“Exit: International artist-made film and video,” Chisenhale, London, UK (curated by Alison Gingeras)
“Greater New York,” PS1, Long Island City (cat.) ”Quiet,” 359 Broadway, New York (curated by Leo Koenig)
“Works on Paper from Los Angeles,” Studio Guenzani, Milan, Italy

1999
“Standing Still & Walking in Los Angeles,” Gagosian Gallery, Beverly Hills (curated by
Terry R. Myers) (cat.)

1998
“Remix: Images Photographiques,” Nantes Musee des Beaux-Arts, Nantes, France (cat.)
“L.A. Times,” Fondazione Sandretto Re Rebaudengo Per L'Arte, Guarene, Italy (curated by Francesco Bonami) (cat.)
“Sightings: New Photographic Art,” Insitute of Contemporary Arts, London, UK (curated by Tim Dawson) (cat.)
“Charles Ray, Steve Doughton, Jennifer Bornstein,” greengrassi, London, UK

1997
“Her Eyes Are a Blue Million Miles,” Malmø, Sweden (curated by Dave Muller)
“Exposition de Jeunes Photographers Femmes,” Anne de Villepoix, Paris, France
“Vanessa Beecroft, Jennifer Bornstein, Martin Kersels, Gillian Wearing,” S.L. Simpson Gallery, Toronto, Canada
“The Name of the Place,” Casey Kaplan, New York (curated by Laurie Simmons)

1996
“Making Pictures: Women and Photography, 1975 - Now,” Nicole Klagsbrun, New York
“Teststrip,” Auckland, New Zealand (curated by Giovanni Intra)
“Three Day Weekend,” P-House, Tokyo, Japan (curated by Dave Muller)
“LACE Annuale,” LACE, Blum & Poe, Santa Monica (curated by Suzanne Ghez)
MFA Thesis Exhibition, Wight Art Gallery, UCLA, Los Angeles


Curated Projects

2008
“Jennifer Bornstein Selects from the Grunwald Collection,” Hammer Museum, Los Angeles (cat.)



Awards

2010 - 2011
DAAD Fellowship, Berlin, Germany

2008
Pollock-Krasner Foundation Award

2000
Elizabeth Foundation Studio Grant, New York

1999 - 2000
Marie Walshe Sharp Foundation Studio Grant, New York

1999
Delfina Trust, London, UK

1997
Rema Hort Mann Foundation Award, New York

1996
UCLA Art Council Award, Los Angeles

1995
Hortense Fishbaugh Scholarship, UCLA, Los Angeles

1993 - 1994
UCLA Regents Scholarship, Los Angeles

1992
Maybelle Tooms Award, UC Berkeley, Berkeley

1992
UC Berkeley, Phi Beta Kappa, Berkeley


Public Collections

Centre Georges Pompidou, Paris, France Fonds Regional d’Arte Contemporain des Pays de la Loire, Nantes, France New School University, New York Museum of Contemporary Art, Chicago Museum of Contemporary Art, Los Angeles Orange County Museum of Art, Newport Beach Grunwald Center, Hammer Museum, Los Angeles
Stedelijk Museum, Amsterdam



Published Writings and Artists’ Books

2011
Bornstein, Jennifer, “The Other Eye of Sam Wagstaff,” Frieze, March 2011, p. 128 – 131.

2009
Bornstein, Jennifer, “Perception of Vision.” Frieze, October 2009, p. 208-211 (ills.)
Bornstein, Jennifer, Evergreen, Artist’s book, 64 pages. Photographs by the artist with newspaper documents. Published by Blum and Poe, Los Angeles, Gavin Brown’s enterprise, New York, and greengrassi, London, England.
Bornstein Jennifer, 8 page brochure with interview by Elisabeth Haitto Ahren, ills. Published by Fargfabriken, Stockholm for exhibition March 7, 2009- April 26, 2009.

2008
Bornstein, Jennifer, “Houseguest: Jennifer Bornstein Selects from the Grunwald Collection.” 6 page brochure with essay by the artist. Published by the Hammer Museum, Los Angeles, for eponymous exhibition June 8-September 14, 2008.

2007
Bornstein, Jennifer. How to Ride the Bus. Artist’s book, 48 pages, photographs and text by the artist. Published by Four Corners Books, London, England

2005
Jennifer Bornstein: MOCA Focus. 64 pages, ills., Museum of Contemporary Art, Los Angeles, essay by Ann Goldstein.

1999
Bornstein, Jennifer, Documentation of Events That May Not Have Taken Place, Artist’s book, 48 pages, photographs and text by the artist. Published by Imschoot uitgevers, Gent, Belgium (edited by Kaatje Cusse)


Teaching

Spring 2010
Lecturer, Yale University: Sculpture 346b/446b (Intermediate/Advanced Sculpture); Art 630- (Graduate Sculpture Studio Seminar); Art 645 (Graduate Individual Critics Sculpture)

Fall 2004, Spring 2005, & Spring 2006
Lecturer, Loyola Marymount University: Art 280 (Photography 1)

Fall 2004
Lecturer, Otis College of Art and Design: Photo 315 (Photo Genres: Photography and Political Activism)

Spring 2004
Visiting Professor, Art Center College of Design: Art 112 (Performance Art, with Meg Cranston)

Fall 2003
Visiting Professor, Art Center College of Design: Art 117 (Workshop with Visiting Artists, with Christopher Williams)

Spring 2003
Lecturer, Yale University: Sculpture 120b (Introductory Sculpture)

Fall 2001
Adjunct Professor, School of Visual Arts: Photo 105 (Contemporary Photography Since 1960)

Fall 2000 Adjunct Professor, Columbia University: Art R1315X (Sculpture Fundamentals)


Invited Lectures

2010
Yale University, Sculpture Department, New Haven

2009
Royal University College of Fine Arts, Stockholm, Sweden
Konstfack/University College of Fine Arts, Stockholm, Sweden
Art Center College of Art and Design, Pasadena

2007
University of Southern California, Los Angeles

2006
Otis College, Los Angeles
UC Riverside, Riverside

2004
Columbia University, New York

2003
Otis College, Los Angeles
CalArts, Valencia

2000
School of Visual Arts, New York

1999
CalArts, Valencia

1998
Otis College, Los Angeles

1997
University of Connecticut, Stamford


Selected Bibliography

2009
O’Neil-Butler, Lauren, “Critic’s Picks: Jennifer Bornstein,” Artforum.com, April 14, Bornstein, Jennifer. “The Artists’ Artists,” Artforum, December, p. 88.

2008
Baker, Kenneth, “A Bunch of Amateurs,” The San Francisco Chronicle, May 25, p. 8
Vogel, Traci, “My Kid Could Make That,” SF Weekly, May 14-20, p. 33
“Amateurs,” published by CCA Wattis Institute for Contemporary Arts, San Francisco, p. 30-33
Myers, Jullian. “Amateurs,” Frieze, September, p. 78
Ybarra, Michael. “Queen for a Day at the Hammer,” LA Times, June 11, p. E4
“Jennifer Bornstein Selects from the Grunwald Collection.” Hammer Museum (brochure from exhibition, June-September)

2007
Catalogue, 2nd Moscow Biennale of Contemporary Art, published by the Moscow Biennale, Russia
Baum, Rachel, “Jennifer Bornstein: Affinity Aesthetics,” Afterall #15, p. 53-61
Steiner, Shep. “Jennifer Bornstein: Prohibitions…Props…Performatives: Surefire (and Other) Ways to Do Away with Property,” Afterall #15, p. 63-70 “Get Lost: Artists Map Downtown New York,” published by the New Museum, edited by Massimiliano Gioni, p. 9 Banai, Nuit, “Jennifer Bornstein, Gavin Brown's Enterprise,” Modern Painters, February, p. 93
Kleinberg, Joanna, “Jennifer Bornstein, Gavin Brown's Enterprise,” Frieze, March, p.197

2006
Catalogue, Uncertain States of America: American Art in the 3rd Millennium, published by the Astrup Fearnley Museum of Modern Art, Oslo, Norway, p. 56, ill.
Campagnola, Sonia, “Focus on Los Angeles,” Flash Art, January/February, p. 68 Leventis, Andreas, “Jennifer Bornstein,” Modern Painters, June, p 117-118 Coggins, David, “Jennifer Bornstein,” Art in America, p. 221, November Smith, Roberta. “Jennifer Bornstein at Gavin Brown’s Enterprise,” New York Times, November 10, p. B36 Speers-Meers, Emily, “Jennifer Bornstein,” Artforum, October, p. 280-281
“Artists' Picks: Best of 2006,” Artforum December, p. 76
Saltz, Jerry, “A Two-Headed Butterfly Flaps its Wings,” Village Voice, July 6, p. 72
Schmerler, Sarah, “Two Friends and So On,” Time Out New York, July 20-26, p. 65
Smith, Roberta, “Endgame Rules: Borrow, Sample, Multiply, Repeat,” New York Times, July 7, p. B23

2005
Higgs, Matthew, “General Ideas: Rethinking Conceptual Art 1987-2005,” Wattis Institute's Logan Galleries
Kushner, Rachel. “Talent Show”. C Magazine, November, p. 115-117
Nunez-Fernandez, Lupe. “Etch a sketch,” ArtReview, November/December 2005, p. 26-27
Art Works (Perform Art Works), Jens Hoffmann and Joan Jonas

2004
Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation (ed. Anthony Kiendl), Banff Centre

2003
Thomson, Mungo, “Viva Baja,” Afterall #7, p. 36-39

2002
Knight, Christopher, “Where Imagination Is the Special Effect,” Los Angeles Times, May 17, p. F26
Hainley, Bruce, “Jennifer Bornstein,” Artforum, Summer, p. 187

2001
Knight, Christopher. “Art in L.A.,” Los Angeles Times, May 18, p. 52

2000
Brittain, David, “D-Pict,” Creative Camera, December/January, p. 16-17.
Corris, Michael. “Face On,” Art Monthly, October, p. 29-31 Hoffberg, Judith. “Documentation of Events That May Not Have Taken Place,” Umbrella Magazine, May, p. 20
Hoffman, Jens. “Aperto Performance,” Flash Art, October, p. 49-51

1999
Cohen, Sande, “Art From Los Angeles,” Artpress, May, p. 57-59
Hainley, Bruce, “Legend of the Fall,” Artforum, March, p. 56-63
Morrissey, Simon, Contemporary Visual Arts, May
Myers, Terry R, “You Keep It Moving, But You're Standing Still,” Standing Still & Walking in Los Angeles, p. 8-9 (cat.)
Slyce, John, “Women Photographing Women,” Creative Camera #359, p. 18-25

1998
Ayerza, Josephina, “To Resume Again….,” Lacanian Ink #13, p. 10-11 (ills.)
Brittain, David, “Jennifer Bornstein,” Creative Camera, February/March 1998, p. 20 - 27 & cover Durden, Mark, Sightings: New Photographic Art, Art Monthly, March, p. 30-32 Halle, Howard, Next Wave: Four Emerging Photographers, On Paper, March/April, p. 32-37
Herbert, Martin, “Jennifer Bornstein,” Time Out/London, February 16, p. 47
McKenna, Max, “NY Diary: Jennifer Bornstein,” The Art Newspaper, March, p. 59 Morrissey, Simon, “The End is the Beginning is the End,” Sightings: New Photographic Art, Institute of Contemporary Arts, London, United Kingdom (cat.) Morrissey, Simon, “Jennifer Bornstein,” Contemporary Visual Arts, Issue 18, p. 79
Saltz, Jerry, “Jennifer Bornstein,” Time Out New York, March 5-12, p. 45
Volk, Gregory, “Jennifer Bornstein,” Art in America, November, p. 82

1997
Cotter, Holland, “The Name of the Place,” The New York Times, January 31, p. C28
Ferguson, Russell, “Project: Jennifer Bornstein,” Art/Text, May-July, p. 46-51
Frankel, David, “The Name of the Place,” Artforum, May, p. 104
Knight, Christopher, “Right Here, Right Now,” Los Angeles Times, May 18, p. 4-5, 52
Ollier, Brigitte, “Flash: Photo A Cahors,” La Liberation, June 12, p. 29-30
Rodney, Lee, “Vanessa Beecroft, Jennifer Bornstein, Martin Kersels, Gillian Wearing,” Eye Magazine, September-November, p. 54 Schorr, Collier, “A Pose is a Pose is a Pose: Fashion and Art and Fashion,” Frieze,
May, p. 60-65
Saltz, Jerry, “The Name of the Place,” Time Out New York, February 6, p. 42

1996
Cooper, Dennis, “On Tots and Toys,” Artforum, January
Kandel, Susan, “LACE Annuale Rises Above Its History,” Los Angeles Times, October 17, p. F13

1975
Born, Maine
Lives and works in New York


Education

1999
BFA, Rhode Island School of Design, Providence


Solo Exhibitions

2013
"Made in Space," Venus Over Manhattan, New York (forthcoming) 
"Lotus Beaters," Gavin Brown’s enterprise, New York (forthcoming)
“Pigpen,” Galerie Eva Presenhuber, Zürich, Switzerland

2012

2011
“Duckling Fantasy,” Almine Reich Gallery, Paris, France
“Mouth and Foot Painting,” Gavin Brown’s enterprise, New York
“Human Form,” CANADA, New York

2010
“Freeks,” Peres Projects, Berlin, Germany

2009
Fortescue Avenue/Jonathan Viner, London, UK
“Eat at Joe's,” Peres Projects, Berlin, Germany
“Like a Turkey Through Corn,” Peres Projects, Los Angeles

2008
“Schmagoo Paintings,” CANADA, New York

2007
“Knew Wurk,” Greener Pastures Contemporary Art, Toronto, Canada
Peres Projects, Los Angeles
Peres Projects, Berlin, Germany

2006
“Kurgan Waves,” CANADA, New York
PS 1 Contemporary Art, Long Island City

2003
“Project Room,” ConTEMPorary, New York

2002
“New Paintings,” Allston Skirt Gallery, Boston


Selected Group Exhibitions

2013
“White Collar Crimes,” Acquavella Galleries, New York (curated by Vito Schnabel)

2012
“Epiphany,” Gavin Brown’s enterprise, Harlem, New York (with Dan Colen)
“Group Shoe,” Gavin Brown’s enterprise, New York (curator)
“Portrait of a Generation,” The Hole, New York
“Painting Now,” Galerie Eva Presenhuber, Zürich, Switzerland
"The Spirit Level," Gladstone Gallery, New York

2011
“Le Printemps de Septembre,” Toulouse, France (curated by Anne Pontengie)
“Sculptures, Objects,” Galerie Eva Presenhuber, Zürich, Switzerland

2010
“Shape Language,” Niclole Klagsburn, New York
“In There, Out Here,” Leo Koenig Gallery, New York
“Chris Martin and Joe Bradley,” Mitchell-Innes & Nash, New York
Insider/Outsider, Portugal Arte 10, Lisbon, Portugal

2009
“Abstract America,” Saatchi Gallery, London, UK
“New York Minute,” MACRO Foundation, Rome, Italy
“Huma Bhabha, Joe Bradley, Jason Fox, Baker Overstreet, Aurel Schmidt,” Paolo Curti
Gallery, Milan, Italy
“Joe Bradley, Mario Correa, Allison Miller, Alex Olsen,” Redling Fine Art, Los Angeles
“Forgotten in the Smile,” ENVOY, New York
“Minneapolis,” Peres Project, Los Angeles
“Whaddya Wanna Be a Flower?,” Alexander and Bonin, New York
“Slough,” David Nolan Gallery, New York
“ab-strac-tion-al,” Museum 52, New York
“The New Yorkers,” V1 Gallery, Copenhagen, Denmark
“Leaves of Ash,” Suzanne Tarasieve, Paris, France

2007
“Dangling Man,” Office Baroque Gallery, Antwerp, Belgium
“Cabinet of Curiosities,” Journal Gallery, Brooklyn
“Heralds of Creative Anachronism,” D'Amelio Terras, New York
“Beneath the Underdog,” Gagosian Gallery, New York
“Joe Bradley, Ann Craven, Dana Frankfort, Keith Mayerson,” Zach Feuer Gallery, New
York
“Silicone Valley,” PS1 Contemporary Art, Long Island City
“Crystal Crunch,” Perugi Artecontemporanea, Padua, Italy
“Joe Bradley and Sarah Braman,” Dicksmith Gallery, London, UK
“Beyond the Zero,” Peres Projects, Athens, Greece

2006
“Goose Steppin,” ATM Gallery, New York
“Under Pressure,” Art:Concept, Paris, France
“MANGOES,” Peres Projects, Los Angeles
“AXIS OF PRAXIS,” Midway Contemporary Art, Minneapolis
“(CANA)RICO?,” Galeria Comercial, San Juan, Puerto Rico
“Searching for Love & Fire,” David Castillo Gallery, Miami

2005
“New York’s Finest,” CANADA, New York

2004
“Under the Sun,” Greener Pastures Contemporary Art, Toronto, Canada

2003
“Joy to the Max,” ATM Gallery, New York
“No Platform, Just a Trampoline,” Marcus Ritter Gallery, New York
“Art Band,” Capitale, New York
“Gone Fishing,” Allston Skirt Gallery, Boston
“What's Growing in Your Garden,” ATM Gallery, New York

2002
“Friends and Family,” Lombard-Freid Fine Arts, New York

2000
“Here Comes Rhody,” Allston Skirt Gallery, Boston


Selected Bibliography

2013
"White Collar Crimes," The New Yorker, March 2013
"New York Artists Now," GalleristNY, February

2012
Johnson, Ken, Review, The New York Times, July 30
“HW Pick: Gavin Brown’s Group Show in Harlem,” harlem world, May 6
Yablonsky, Linda, "The Rondinone Spirit," T-Magazine, March 27
Russeth, Andrew, “Top Ten Gallery Shows: ‘The Spirit Level’,” The Observer Magazine, March 19

2011
Boucher, Brian, “Joe Bradley,” ArtReview, March
Bui, Phong, “In Coversation with Joe Bradley,” The Brooklyn Rail, February
Grauer, Phil, "Joe Bradley," The Journal, Entry No. 30
Wallin, Yasha, “Cave Painter: Joe Bradley,” Art in America.com, January 5

2010
Hartman, Darrell, “Portugal Looks Downtown,” Art in America, July
Latimer, Quinn, “Brightest in Show,” Art in America, June
Schambelan, Elizabeth, “Joe Bradley and Chris Martin,” ArtForum, September
Smith, Roberta, “Art in Review: Joe Bradley and Chris Martin,” The New York Times, March 12

2009
Berwick, Carly, “Color Forms,” ARTnews, January, p. 88-89
Blair, Dike, "A Conversation: Dike Blair and Joe Bradley,” BOMB Magazine, Summer, p. 80-87
Hromack, Sarah, “Art in America at the Armory,” Art in America, March
Pagel, David, “Joe Bradley at Peres Projects,” The Los Angeles Times, April 10
Rubinstein, Raphael, “Provisional Painting,” Art in America, May
Sharp, Chris, “The Idiots,” ArtReview, May
Stillman, Nick, “Joe Bradley, CANADA,” ArtForum, January, p. 213

2008
Cash, Stephanie and David Ebony, “Armory Show,” Art in America, May
Cotter, Holland, "Art's Economic Indicator," The New York Times, March 7
Cotter, Holland, "Lower East Side: Art Shoehorned Amid Charm," The New York Times, November 14
Gartenfeld, Alex, “Joe Bradley,” ArtForum, November 15
Lacayo, Richard, "The Simple Life," Time Magazine, March 24, p. 71
Murkus, David, “Hungover at Whitney,” The Brooklyn Rail, April
O’Neill-Butler, Lauren, “Subtraction,” ArtFourm, July
"Salon XXIV," The Journal, Entry No. 24, p. 76-109
Saltz, Jerry, "When Cool Turns Cold," New York Magazine, March 13
Schmerler, Sarah, "Off the Wall," The New York Post, March 8
Schuker, Lauren A. E., "The Fine Art of Less,” The Wall Street Journal, March
Sharp, Chris, “Joe Bradley,” Frieze Magazine, February
Smith, Roberta, "Smooth and Safe at Pier 94," The New York Times, March 28
Stern, Steven, “Whitney Biennial 2008,” Frieze Magazine, May 5

2007
Grayson, Kathy, "In Focus Joe Bradley," The Journal, Summer
“Joe Bradley, Ann Craven, Dana Frankfort, Keith Mayerson,” The New Yorker, August 20
Schmidt, Jason, "Art in Progress," V Magazine, February

2006
Lavrador, Judicaël, “Under Pressure,” Les Inrockuptibles, October 31
Maine, Stephen, "Down East," Art In America, May, p. 65
Jonhson, Ken, "Art in Review: Kurgan Waves," The New York Times, February 17

2005
Smith, Roberta, "Art in Review: New York's Finest," The New York Times, May 22

2004
Smith, Roberta, "Art in Review: Joy to the Max," The New York Times, January 9

2003
Heuer, Megan, "Eunice Kim and Joe Bradley, Joy to the Max," The Brooklyn Rail, February
Schwendener, Martha, "No Platform, Just a Trampoline," artforum.com, June 28


Publications

2010
“Joe Bradley & Chris Martin,” Mitchell-Innes & Nash, New York
2009 
“Abstract America,” Rizzoli, New York
“New York Minute: Sixty Artists on the New York Scene,” O.H.W.O.W., New York

2008
 “Whitney Biennial 2008” (Whitney Biennial) Huldisch, Henriette and Shamim M. Momin Yale University Press, p. 106-107

2007
 “Joe Bradley: TUFF STUFF,” PictureBox, New York

1969
Born Hamburg, Germany
Lives and works in New York


Education

2005-07
MFA, Columbia University, New York


Solo Exhibitions

2012
“Maler, den Pinsel prüfend,” Gavin Brown’s enterprise
Mathew Gallery, Berlin, Germany
“Glow Rod Tanning with .../ COMCORRÖDER,” Gio Marconi Gallery, Milan, Italy (with DAS INSTITUT)

2011
“BLACKY Blocked Radiants Sunbathed,” Halle für Kunst Lüneburg, Lüeburg, Germany
“Vorahnung [United Brothers and Sisters],” Kunsthalle Zürich, Zürich, Switzerland
Deste Foundation, Athens, Greece
("Nichts, Nichts!"), Kölnischer Kunstverein, Cologne, Germany

2010
Centre d’art contemporain, Parc Saint Léger, Pougues les Eaux, France
“BroadwayBrätsch/Corporate Abstraction,” Statements Art Basel 41 / Balice Hertling, Basel, Switzerland
“THUS!,” New Jerseyy, Basel, Switzerland

2009
“BUYBRÄTSCHWÖRST,” Balice Hertling, Paris, France
“BUYBRÄTSCHWÖRSTGHOST,” Hermes und der Pfau, Stuttgart, Germany
“D.I.WHY_Successful Apologies,” Swiss Institute, New York
DAS INSTITUT, Sculpture Center, New York


Selected Group Exhibitions

2013
"Wassup Pinters?" Anat Ebgi, Los Angeles (forthcoming
"Avant de rentrer, il faut incendier la maison," Thomas Duncan, Los Angeles (forthcoming)
"Dark Optimism," EXPO1, PS1 Museum of Modern Art, Long Island City, New York (forthcoming)
"Gaylen Berber," Museum of Contemporary Art Chicago, Chicago (intervention by DAS INSTITUT) (forthcoming)
"Kaya III," with Debo Ellers, 47 Canal, New York (forthcoming)
"Futur II," IFA, Kunstverein Frankfurt, Frankfurt, Germany (forthcoming)
“2013 Young Art Prize,” German National Gallery, Hamburger Bahnhof, Berlin, Germany (forthcoming)
“Catch as Catch Can,” Locks Gallery, Philadelphia

2012
“Der Kunstpreis der Böttcherstraße in Bremen,” Kunsthalle Bremen, Bremen, Germany
“Soundworks,” Institute of Contemporary Arts, London, UK
Family Business, New York
“Painting Show,” Museum of Contemporary Art, Los Angeles

2011
“Number Five: Cities of Gold and Mirrors,” Julia Stoschek Collection, Dusseldorf, Germany
“ILLUMInations,” 54th Venice Biennial, Venice, Italy (curated by Bice Curiger)
Deste Foundation with DAS INSTITUT, Athens, Greece

2010
“Gwangju Biennale,” Korea (curated by Massimiliano Gioni)
“Greater New York,” PS1 / Moma, New York (curated by Klaus Biesenbach)
“Held Up By Columns,” Renwick Gallery, New York
“Vertically Integrated Manufacturing,” Murray Guy Gallery, New York (curated by Jacob King)
“Leopards In The Temple,” Sculpture Center, New York (curated by Fionn Meade)
“And So On, And So On,” Harris Lieberman Gallery, New York (curated by Matt Sheridan Smith)
“KAYA,” 179 Canal, New York
“The Inhabitants,” Vilma Gold, London, UK
“Behind the Curtain,” Gio Marconi Gallery, Milan, Italy
“The Pursuer,” The Greene Naftali Gallery, New York

2009
“Younger than Jesus,” New Museum of Contemporary Art, New York (curated by Laura Hoptman, Massmiliano Gioni, and Lauren Cornell)
“Solaris,” Gio Marconi, Milan, Italy (curated by Cecilia Alemani)
“Besides, With, Against, And Yet - Abstraction and the Ready-Made Gesture,” The Kitchen, New York (curated by Debra Singer)
“Modernmodern,” Chelsea Art Museum, New York (curated by Pati Hertling)
“Art Berlin Contemporary,” Akademie der Künste, Berlin, Germany
“No Bees, No Blueberries,” Harries Lieberman, New York (curated by Sarina Basta and Tyler Coburn)
“Bridges And Tunnels,” Hard Hat, Geneva, Switzerland (curated by Galerie New Jerseyy)
“Non Solo Show- Non Group Show,” Kunsthalle Zürich, Switzerland (curated by Beatrix Ruf)
“Tbilisi 6. Never on Sunday,” performance by DAS INSTITUT, Ei Arakawa and Tobias Madison, Tiflis, Georgia (curated by Daniel Baumann)
“Piggy Banks,” Samsa, Berlin, Germany, as DAS INSTITUT
“Max Hans Daniel Present,” Autocenter, Berlin, Germany

2008
“Papers scissors stone,” Galerie Nordenhake, Stockholm, Sweden (curated by
Gyonata Bonvicini)
“Standard Sizes,” Andrew Kreps, New York (curated by Joao Ribas)
“When You See Me Again It Wont Be Me,” Smith Stewart Gallery, New York with Urania Fasoulidou, incl. Performance by Its Our Pleasure To Serve You (Kerstin Brätsch, Allison Katz, Adele Röder, Georgia Sagri)
“Would You Like Some Coffee?,” The Unfair Fair, Rome, Italy (as DAS INSTITUT and Its Our Pleasure To Serve You )
“Nichts Ist Aufregend, Nichts Ist Sexy, Nichts Ist Nicht Peinlich,” performance by Its Our Pleasure To Serve You, Museum für Moderne Kunst Vienna, Vienna, Italy (curated by Achim Hochdörfer und Tanja Widmann)
“UOVO Open Office,” Art Basel, Basel Art Fair
“YES,” AR Contemporary Gallery, Milan, Italy (curated by Tairone Bastien)
“New Images / Unisex New Images / Unisex,” Kevin Bruk Gallery, Miami (curated by Blake Rayne)
“Hidden Treasure – Objectives of artistic antecedent life,” General Public, Berlin, Germany
“Intimacy,” The Fireplace Project, East Hampton
“FACE FORWARD,” LeRoy Neiman Gallery, New York
“Kerstin Bratsch, Tue Greenfort, Jordan Wolfson,” Salon 94 Freemans, New York

2007
“Beyond the pale,” Moti Hasson Gallery, New York
“Eva’s Arche und der Feminist,” Passerby, New York
“Exposition n°1,” Balice Hertling, Paris, France
“Fractured in Aspect,” Andrew Kreps Gallery, New York
“Redgroup Show,” Miguel Abreu, New York

2005
“Februar Show,” Nice and Fit Gallery, Berlin, Germany
North Room (with DL Alvarez), Derek Eller Gallery, New York

2004
“bookies (artists books exhibition),” Gallery m29, Brückner und Richter,
Cologne, Germany
“Implosion,” Room 500, Münich, Germany
“Kastalia,” Project Space Holzmarktstrasse, Berlin, Germany


Selected Bibliography

2013
Cotter, Holland, "A Light Hand at an Art Fair," The New York Times, March
Miller, Michael H., "An Art Fair Booth in the Nude: Thomas Bayrle at Gavin Brown's Enterprise," GalleristNY, March
"New York Artists Now," GalleristNY, February

2012
Russeth, Andrew, “After Hours,” The New York Observer, October 1
Ruf, Beatrix, “Kerstin Brätsch Online,” L’officiel Art No. 2, June
Miller, Michael H., “Is That a Sausage at Your Art Fair, or Are You Just Happy to See Me?” GalleristNY, May 7
Hill, Wes, Review, Frieze, April
Cheh, Carol, “Review: Debo Eilers and Kerstin Brätsch, KAYA 2, Various Small
Fires, Venice March 24, 2012”, www.anotherrighteoustransfer.wordpress.com:
exploring performance in the LA Art Scene
Roeschmann, Dietrich, “Kerstin Brätsch & Adele Röder,” Artline, February 1
Briggs, Louisse, “Visit: Kerstin Brätsch and Adele Röder’s exhibition at Kunsthalle Zürich,” Kaleidoscope, Issue 13 Winter 2011/12

2011
Cattelan, Maurizio, "Kerstin Brätsch, Vendo Tutto," Flash Art, October
Fiduccia, Joanna and Ned Holte, Michael, “These Memories Can’t Wait,” Kaleidoscope, Winter 2010-11
Gioni, Massimiliano, “Notes on Abstraction,” Parkett, Issue 88, April 30
Herbert, Martin, "Now See This," Art Review, December
Latimer, Quinn, "Kerstin Brätsch and Adele Röder," Artforum
Meade, Fionn, “See Reverse For Care,” Parkett, Issue 88, April 30
Ruf, Beatrix, “Alluring Appearance, Complex Core,” Parkett, Issue 88, April 30
Stillpass, Zoe, "Kerstin Braetschh,” Frieze Magazine, January - February
Winking, Kerstin, “Who’s Kerstin Braetsch? At Koelnischer Kunstverein,” Metropolis, February 17
Morganthaler, Von Daniel, “750 Prozent Wertzuwachs,” SonntagsZeitung, November 6
Badische Zeitung online, November 9
Keller, Von Deborah, “Alles Kopie Oder Was?” ZüriTipp, November 10
Chardon, Elisabeth, “Kerstin Brätsch/Adele Röder,” Sortir.ch, November 17
Cavegn, Lucia Angela, “Zwischen Authentizität und Corporate Design,” Neue Zürcher Zeitung, November 19
“Familienführung,” Tagesanzeiger, November 19
“Kerstin Brätsch & Adele Röder,” artnews.org, November 21
“Gerne zu zweit,” NZZ am Sonntag, December 11
Roeschmann, Dietrich, “Aus dem Musterkatalog des Zeitgeist,” Artline Kunstportal online, December 15
“Kerstin Brätsch/Adele Röder – ‘Vorahnung (United Brothers and Sisters),”Monopol Agenda, November – December
Neue Zürcher Zeitung, December 22
ch-arts online, December 22

2010
Artforum.com, January (as DAS INSTITUT)
Baier, Simon, "Einsamkeit ist keine Kunst on NS / NG Show, Kunsthalle Zürich," Texte
Belden, Willow, "Leopards in the Temple melds the concrete and abstract," Queens Chronicle, January (incl DAS INSTITUT)
Buhr, Elke "Portrait Kerstin Brätsch," Monopol Magazine, January (incl DAS INSTITUT)
Chardon, Elisabeth "Drapeau fruite a Genever - Quartier des Bains," Le Temps, January (Incl DAS INSTITUT)
Troeller, Jordon, "Vertically Integrated Manufacturing Murray Guy Gallery,"
V-Magazine, July
HU Obrist, DU Magazine, June
Kaleidoscope Magazine, June
“La Victoire de L’optimisme: Prix du Quartier des Bain,” ESPACES Contemporains, March
Leclere, Mary, "The Question Of (E)quality : Art in the Age of Facebook," X-Tra Magazine, Spring, Vol.12, No. 3
Saatchi Online, "The Inhabitants, VilmaGold," March (as DAS INSTITUT)
Spike Magazine, June
Zur Kunst, (incl DAS INSTITUT)
Johnson, Ken, "Tamer Cats at Modern Art’s High Gates," New York Times, January 14 (Incl DAS INSTITUT)
Busta, Carly, "Besides, With, Against and Yet," May Magazine, April
Lewis, David, "Non Solo Non Group Show, Kunsthalle Zuerich," Artforum, April
DAS INSTITUT, “Top Ten,” Artforum, April
Smith, Nick, "Brooklyn-based arts journal presents a paper-thin exhibit: Trash and Treasure," Charleston City Paper, March 22
Hudson, Suzanne, "Besides, With, Against and Yet The Kitchen," Artforum, February
Critics Picks, "Debo Eilers/Kerstin Braetsch: Best in Mixed Media," Time Out NYC, January

2009
Carlin, TJ, "DAS INSTITUT DI WHY?," Artreview, December (as DAS INSTITUT)
Zeitung, December (incl DAS INSTITUT)
Lewis, David, "Bridges and Tunnels”, Artforum, December (as DAS INSTITUT)
Tagliafierro, Marco, "Solaris: Gio Marconi," Artforum, November
"100 Top Artists," Flash Art, October
Ewing, John, "No Bees No Blueberries. Harris Lieberman," ArtLies, Fall (as DAS INSTITUT
Kleinmann, Adam, "DI WHY,not? Swiss Institute," Texte Zur Kunst Online, November (as DAS INSTITUT)
Hafner, Hans Jürgen, "Der Tisch als Konzeptprothese. ABC Berlin", Artnet, September (incl DAS INSTITUT)
Moulene, Claire, "BUYBRÄTSCHWÖRST,” Artforum, September (incl DAS INSTITUT)
German Vogue, September
Waltemath, Joan, “Wiser than God," The Brooklyn Rail, July
Katz, Vincent, "New York: Summertime," Apollo Magazine, June
Micchelli, Thomas, "The Generational: Younger than Jesus,” The Brooklyn Rail, May
Fiduccia, Joanna, "Original Copies/Images In The Zero Dimension," Art On Paper, May
Bodin, Claudia, "Oh My God,” ART Magazine, April
Cotter, Holland, "Young Artists, Caught in the Act," New York Times, April 10
Finch, Charlie, "Jesus Responds," Artnet.com, April
Halle, Howard, "The Generational: Younger Than Jesus," Time Out New York, April 22
Laster, Paul, "New art from the Millennials, Generation Y, iGeneration, and Generation Me,” Flavorwire, April 23
Mugaas, Hanne, "The Painting Show Online," March (with Debo Eilers)
Vogel, Carol, "It’s Art of the Computer Generation (33 and Under, Please), New York Times, March 8
"Dictionary of Artists", Flash Art, March (incl DAS INSTITUT)
Marshall, Piper, "Brick Flac: A Conversation with Kerstin Braetsch," Art in America Online, February 27
Seibert, Arnd, "It's The Squid", Online Magazine by Arnd Seibert (with Sonja Gerdes)
Ulmer, Brigitte, "Speed Dating unter Künstlern,” Neue Züricher

2008
Carlin, T.J., "Standard Sizes,” Time Out NYC, July
Maine, Stephen, "Report From The Lower East Side,” Art in America, March

2007
Angles, Eric, Open Edition
Cotter, Holland, "Fractured In Aspect,” New York Times, August
Smith, Roberta, "Genesis, I’m Sorry,” New York Times, August
Kelsey, John, "Top Ten 2007,” Artforum, December
Saltz, Jerry, "Into the Fray,” The Village Voice, February


Publications

2010
“Art 41 Basel Catalogue,” Hatje Cantz Publishers, Ostfildern, Germany
“Frieze Art Fair Yearbook,” Thames & Hudson Publishers, London, UK
“NDP # 5,” North Drive Press, New York

2009
“Art Berlin Contemporary Catalogue,” Akademie der Künste, Berlin, Germany
“LMCC LentSpace Newspaper,” (as DAS INSTITUT), New York
“Modern Modern Catalogue,” Chelsea Art Museum, New York
“Younger than Jesus: Artist Directory,” New Museum and Phaidon Press, New York

2008
“Hidden Darts Reader,” MUMOK Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
“Paper Monument Volume 2,” New York
“Parkett Vol. 83,” Parkett, New York (Insert)
“UOVO Vol.18” (as DAS INSTITUT), The Bookmakers Ed., Torino, Italy

2005
“Kastalia Catalogue,” Jurriaan Benschop


Awards

2010
Prix de Quartier des Bain, Geneva, Switzerland, as DAS INSTITUT
Kunstzeitraum, Pinakothek der Moderne Munich, Germany, as DAS INSTITUT

2001-2009
Studienstiftung des Deutschen Volkes

2007-2008
Studienstiftung des deutschen Volkes, Auslandsförderung

2007
Rema Hort Mann Foundation, New York
Gamblin Award, New York

2006
Agnis Martin Fellowship, New York
“Auslandsförderung,” Studienstiftung des Deutschen Volkes
Gamblin Award, New York

2005-2006
Fulbright, MFA Columbia University, New York

2004-2006
Studienstiftung des deutschen Volkes, Förderprogram, Germany

2005
Helmut Thoma Preis für Malerei, Berlin, Germany

2004
Förderpreis für junge Kunst, Bremerhaven, Germany

1968
Born Wakefield, England
Lives and works in London and Alicudi, Italy


Education

1986-90 Slade School of Fine Art, London, England


Solo Exhibitions

2013
Gavin Brown’s enterprsie, New York (forthcoming)
“Artist Rooms Martin Creed,” Ferens Art Gallery, Hull, UK (forthcoming)
“Work No. 202,” National Gallery of Canada, Ottawa, Canada
“Work No. 1461,” Hauser & Wirth, New York (permanent exhibition)

2012
“Martin Creed,” Museo de Arte de Lima, Lima, Peru
“All the Bells Work No. 1197,” London 2012 Festival, Cultural Olympiad, Public art performance, United Kingdom (forthcoming)
Artists Rooms – Martin Creed, Tate Liverpool, Wolfson Room, Liverpool, UK
Michael Lett Gallery, Aukland, New Zealand

2011
‘Funhouse,’ Western Bridge, Seattle
Work No. 1059, Scotsman Steps, Edinburgh
Rennie Collection, Vancouver, CDN
MARCO Museo d’Arte Contemporaneo, Vigo, ES
‘Paintings,’ Johnen Galerie, Berlin
Nasher Sculpture Center, Dallas, TX, USA
'Mothers,' Hauser & Wirth, London

2010
'Numbers,' Moscow Museum of Modern Art, Moscow
Fruitmarket Gallery, Edinburgh, Scotland
Gavin Brown’s enterprise, New York, NY
‘Work No. 409,’ Royal Festival Hall Elevator, London, England
‘Things,’ The Common Guild, Glasgow, Scotland

2009
‘Work No. 975,’ Scottish National Gallery of Modern Art, Edinburgh, Scotland
‘Work No. 203,’ Tate Britain, London, England
Artsonje Center, Seoul, Korea
Hauser & Wirth, Zurich, Switzerland

2008
Ikon Gallery, Birmingham, England
Duveens Commission, ‘Work No. 850,’ Tate Britain, London, England
Galleria Lorcan O’Neill, Rome, Italy
Gavin Brown’s enterprise, New York, NY

2007
Douglas Hyde Gallery, Trinity College, Dublin, Ireland
Galleria Alberto Peola, Turin, Italy
‘Lights Going On and Off,’ Mills Gallery, Boston Center for the Arts, MA
‘Feelings,’ CCS Bard / Hessel Museum, Annandale-on-Hudson, NY
‘Small Things,’ 508 West 25th St, New York, NY
Hauser & Wirth Coppermill, London, England

2006
‘All of the bells in a city or town rung as quickly and as loudly as possible for three minutes,’ Viejo San Juan, Puerto Rico
Michael Lett Gallery, Auckland, New Zealand
Wrong Gallery @ Tate Modern, Tate Modern, London, England
‘Work No. 547,’ Johnen Galerie, Berlin, Germany
‘The Lights Off,’ Haubrokshows, private apartment, Berlin, Germany
‘Big Dogs,’ MC, Los Angeles, CA
Fondazione Nicola Trussardi, Milan, Italy
Hauser & Wirth, Zurich, Switzerland

2005
Gavin Brown’s enterprise, New York, NY
‘The lights going on and off,’ Comptoir du Nylon, Brussels, Belgium
Graves Art Gallery, Sheffield, England
Van Abbe Museum, Eindhoven, The Netherlands
Ikon Gallery, Birmingham, England
‘Lachen,’ Saint Peter’s Church, Cologne, Germany
‘The Lights Off,’ ACCA, Melbourne, Australia
Galerie Rudiger, Munich, Germany

2004
‘Work No. 360,’ Johnen Galerie, Berlin, Germany
Hauser & Wirth, London, England
‘TWG @ CCA,’ Centre for Contemporary Art, Kitakyushu, Japan
Ujazdowski Castle, Warsaw, Poland (cat.)
‘Work No. 330,’ Galerie Emmanuel Perrotin, Paris, France

2003
Kunsthalle Bern, Bern, Switzerland. Curated by Bernhard Fibicher
'Beaucoup de Bruit pour Rien,' (with Marylene Negro) Frac Languedoc–Roussillon, Montpellier . Curated by Emmanuel Lattreille
‘SMALL THINGS,’ Galerie Analix Forever, Geneva, Switzerland
‘Work No. 289: Everything is Going to be Alright,’ British School, Rome. Curated by Christiana Perrella

2002
The Wrong Gallery, New York, NY
'A large piece of furniture partially obstructing a door,' Alberto Peola Arte Contemporanea, Turin, Italy

2001
‘The lights off,’ Galerie Johnen & Schöttle, Cologne, Germany
Work No. 265, Micromuseum for Contemporary Art, Palermo, Italy, curated by Paolo Falcone
Hamilton Art Gallery, Hamilton, Canada. (cat.)

2000
‘MARTIN CREEDWORKS,’ Camden Art Center, London, England. Curated by Godfrey Worsdale. (cat.)
‘Work No. 252,’ Saint Peter's Church, Cologne, Germany
‘The Lights Going on and Off,’ Gavin Brown's enterprise, New York, NY
‘Work No. 225,’ Times Square, New York, NY (commissioned by Public Art Fund)
Work No. 232: the whole world + the work = the whole world, Tate Britain, London, England (booklet)
‘MARTIN CREEDWORKS,’ Southampton City Art Gallery, England (and toured to Leeds City Art Gallery, Leeds and Bluecoat Gallery, Liverpool). Curated by Godfrey Worsdale. (cat.)

1999
Marc Foxx, Los Angeles, CA
Art Metropole, Toronto, Canada
Galerie Praz-Delavallade, Paris, France
Cabinet Gallery, London, England
‘Work No. 203,’ The Portico, London, England (curated by Ingrid Swenson)
‘Work No. 160,’ Space 1999, London, England (curated by Matthew Higgs)
Alberto Peola Arte Contemporanea, Turin, Italy

1998
Galerie Analix B & L Polla, Geneva, Switzerland

1997
Galleria Paolo Vitolo, Milan, Italy
Victoria Miro Gallery, London, England
The British School at Rome, Rome, Italy

1995
Galerie Analix B & L Polla, Geneva, Switzerland (cat.)
Galleria Paolo Vitolo, Milan, Italy
Camden Arts Centre, London, England
Javier Lopez Gallery, London, England

1994
Cubitt Gallery, London, England (Part 3 of Weekenders curated by Matthew Higgs)
Marc Jancou Gallery, London, England

1993
‘Work No. 78,’ Starkmann Limited, London, England


Group Exhibitions

2013
The Aldrich Contemporary Art Museum, Ridgefield (forthcoming)

2012
“Painting without painters,” Centre d’art Contemporain, La Villa du Parc, Annemasse, France (forthcoming)
“A House Full of Music: Strategies in Music and Art,” Institut Mathildenhöhe, Darmstadt, Germany
"B. Wurtz & Co." Curated by Matthew Higgs, Richard Telles Fine Art, Los Angeles

2011
Tate St. Ives, Porthmeor Beach, Cornwall, GB
“Mothers,” installation, 54th International Art Biennale Venice 2011, “ILLUMInations” curated by Bice Curiger, Giardini and Arsenale, Venice

2010
'Living with Art: Collecting Contemporary in Metro New York." Neuberger Museum, NY
'At Home/Not at Home', Hessel Museum of Art, New York
Heldelberger Kunstverein, Heldelberg, Germany
‘The Gathering,’ Londside Gallery, Yorkshire, England
‘Silent Revolution,’ K21, Kunstsammlung Nordrhein-Westfalen, Dusseldorf,
Germany
‘Party!,’ The New Art Gallery, Walsall, England
‘Phil Collins presents Auto-Kino!,’ Temporare Kunsthalle, Berlin, Germany
2009 ‘Tonite,’ The Modern Institute, Glasgow, Scotland
‘Paper: Pressed, Stained, Slashed, Folded,’ Museum of Modern Art, New York
‘English Lounge,’ Tang Contemporary, Beijing, China

2008
‘Artist’s Choice: Vik Muniz, Rebus,’ Museum of Modern Art, New York
‘Spheres 2008,’ Galleria Continua, France
‘Standard Sizes,’ Andrew Kreps, NY, curated by Joao Ribas
‘History in the Making: A Retrospective of the Turner Prize,’ Mori Art Museum, Tokyo, Japan
‘So Ist Es Und Anders,’ Museum Abteiberg, Germany

2007
‘Delusive Orders,’ Muzeum Sztuki w Lodzi, Poland
‘The Turner Prize: A Retrospective,’ Tate Britain, London, England
‘Insubstantial Pageant Faded,’ Western Bridge Gallery, Seattle, WA
‘The Future of Futurism,’ Galleria d’Arte Moderna e Contemporanea, Bergamo,
Italy
‘Words Fail Me,’ Museum of Contemporary Art Detroit, curated by Matthew Higgs
‘Shallow,’ I-20 Gallery, New York NY, curated by Stefan Brüggemann
‘Ensemble,’ ICA Philadelphia, PA, curated by Christian Marclay
‘Hot for Teacher,’ Nog Gallery, London, England
‘Mouth Open Teeth Showing,’ Henry Art Gallery, Seattle, WA
‘The Lath Picture Show,’ Friedrich Petzel, New York, NY
‘Half Square, Half Crazy,’ La Villa Arson, Nice, France

2006
‘Galerie Patrick Seguin Invites Hauser & Wirth,’ Galerie Patrick Seguin, Paris, France
‘Strange I’ve Seen That Face Before,’ Museum Abteiberg, Mönchengladbach, Germany
‘Wrestle,’ Hessel Museum of Art, Bard Centre for Curatorial Studies, Annandale-on-Hudson, NY (cat.)
‘Out of Place,’ The New Art Gallery, Walsall, England
‘Scape Biennal of Art in Public space,’ Christchurch, New Zealand
‘I: Act Two,’ Secession, Vienna, Austria
‘Word,’ Deborah Colton Gallery, Houston, TX
‘Concrete Language,’ Contemporary Art Gallery, Vancouver, Canada
‘How to Improve the World,’ Hayward Gallery, London, England
‘Other Room, Other Voices,’ The Israel Museum, Jerusalem, Israel
‘Into Me/ Out of Me,’ PS 1 Contemporary Art Center, Long Island City, NY (cat.)
‘I: Act One,’ Futura, Prague, Czech Republic
‘Noth’ing,’ Schirn Kunsthalle, Frankfurt, Germany
‘Yes Bruce Nauman,’ Zwirner & Wirth, New York, NY
‘Draw a Straight Line and Follow It,’ Bard College, Annandale-on-Hudson, NY
‘Good Vibrations,’ Papesse Centro Arte Contemporanea, Siena, Italy
‘Out of Time: A Contemporary View,’ Museum of Modern Art, New York, NY
‘Of Mice and Men: 4th Berlin Biennial for Contemporary Art,’ Berlin, Germany
‘Haubrokworks: Sounds of Silence,’ Galerie Gisela Capitain, Cologne, Germany
‘Infinity, Etc.,’ Mercer Union, Toronto, Canada, curated by Dave Dyment
‘Surprise, Surprise,’ Institute of Contemporary Art, London, England

2005
‘Experience de la Duree,’ Lyon Biennale, Lyon, France (cat.)
‘Drunk Vs. Stoned 2,’ Gavin Brown’s enterprise, New York, NY
‘Big Bang: Destruction and Creation in 20th Century Art,’ Centre Pompidou, Paris, France

2004
‘Café in Mito,’ Contemporary Art Center: Art Tower Mito, Japan
‘Open,’ Arcadia University Art Gallery, Glenside, PA
‘Genesis Sculpture,’ Domaine de Pommery, Reims, France. Curated by Stephanie Moisdon (cat.)
‘State of Play’, Serpentine Gallery, London, England. Curated by Rochelle Steiner (cat.)

2003
‘Unplugged,’ Galleria Civica di Arte Contemporanea, Trento, Italy
‘Work No. 300,’ ‘Inaugural Exhibition’, Gavin Brown’s enterprise, New York, NY
‘Adorno,’ Kunstverein, Frankfurt, Germany
‘Skulptur 03,’ Galerie Thaddeous Ropac, Salzburg, Germany
‘Soundsystem,’ Kunstverein Salzburg, Salzburg, Germany. Curated by Edek Bartz.
‘Shine,’ Museum Boijmans Van Beuningen, Rotterdam, The Netherlands (cat.)
‘20th Anniversary- Welcome Home,’ Gavin Brown’s enterprise, New York, NY

2002
‘Strike,’ Wolverhampton Art Gallery, London, England (cat.)
‘ON/OFF,’ VistaMare associazione culturale, Pescara, Italy (brochure)
‘My Head is on Fire but my Heart is Full of Love,’ Charlottenborg, Germany
‘Udstillingbygning,’ Copenhagen, Denmark (cat.)
‘To Actuality,’ ARGE Museum, Bolzano, Italy (cat.)
‘Rock My World,’ CCAC, San Francisco, CA. Curated by Ralph Rugoff (cat.)
‘Tempo,’ Museum of Modern Art, New York, NY. (cat.)

2001
Turner Prize 2001, (with Richard Billigham, Isaac Julien and Mike Nelson) Tate
Britain, London, England
‘Space-Jack,’ Yokohama Museum of Art, Art Gallery, Yokohama, Japan (cat.)
‘Works on Paper from Acconci to Zittel,’ Victoria Miro Gallery, London, England
‘Hotel Sub Rosa,’ Cabinet, London, England
‘A Piece if Paper Crumpled into a Ball,’ Blanche, Paris, France
Martin Creed, Anri Sala, Galerie Rudiger Schottle, Munich, Germany

2000
British Art Show 2000, National touring Exhibition organized by the Hayward Gallery for the Arts Council of England, England (cat.)
‘Don’t Worry,’ Chelsea and Westminster Hospital, London, England. Curated by Tamsin Dillon (cat.)
‘Arte All’Arte,’ San Gimignano, Italy. Organized by Art Continua (cat.)

1999
Limit Less, Aktuelle Britische Kunst, Galerie Krinzinger, Vienna, Austria. Curated by Matthew Higgs
‘54x54x54,’ Museum of Contemporary Art, London, England
‘Porcupines/Arthinking,’ 291 Gallery, London, England. Curated by Graham Higgins
‘Searchlight: Conciousness at the Millennium’, CCAC Institute, Oakland/San Francisco, CA. Curated by Lawrence Rinder (cat.)
‘Getting the Corners’, Or Gallery, Vancouver, Canada. Curated by Matthew Higgs
‘Nerve,’ ICA, London, England. Curated by Nerve Systems
‘Serendipity,’ Watou, Belgium. Curated by Giacinto di Pietrantonio

1998
‘Ainsi de suite 3 (deuxieme partie),’ Centre regional d'art contemporain, Sete, France. Curated by Sabine Schaschl
‘Lovecraft,’ Spacex Gallery Exeter, England. Curated by Martin McGeown & Toby Webster
‘Not Today,’ Gavin Brown's enterprise, New York, NY
‘Imitating Christmas,’ Wiensowski & Harbord, Berlin, Germany. Curated by Jens Hoffmann
‘Everyday, 11th Biennale of Sydney,’ Sydney, Australia. Curated by Jonathan Watkins (cat.)
‘Proper: Blind Date 1,’ Titanik, Turku, Finland. Curated by Paula Toppila (cat.)
‘Speed,’ Whitechapel Art Gallery, London, England. Curated by Jeremy Millar (cat.)
‘Crossings,’ Kunsthalle, Vienna, Austria. Curated by Cathrin Pichler
‘Camouflage 2000,’ Galerie Praz-Delavallade, Paris, France. Curated by Robert Garnett
‘Lovecraft,’ South London Gallery, London, England. Curated by Martin McGeown and Toby Webster
‘Sunday,’ Cabinet Gallery, London, England. Curated by Matthew Higgs
‘Not Nothing,’ Todd Gallery, London, England
Delfina, London, England. Curated by Matthew Higgs
‘An Idea of Art / Art and Life,’ Galleria Paolo Vitolo, Milan, Italy

1997
‘Dimensions Variable,’ Helsinki and Stockholm (cat.)
‘Laure Genillard - Une selection et une collection,’ Galerie de l'Ancien College, Chatellerault, France
‘Lovecraft,’ CCA, Glasgow, Scotland. Curated by Martin McGeown and Toby Webster
‘Cairn Gallery’, Nailsworth, Gloucestershire, England
‘Thoughts, City Racing,’ London, England. Curated by Carolina Grau
‘Superstore de Luxe No.1, Up & Co.,’ New York, NY. Curated by Sarah Staton
‘Imprint 93 (and other related ephemera),’ Norwich Gallery, Norwich, England. Curated by Matthew Higgs
‘Answer 'Affirmative' or 'Negative’,’ Art Metropole, Toronto, Canada
Galerie Mot & van den Boogaard, Brussels, Belgium. Curated by Macha Roesnick
‘Snowflakes Falling on the International Dateline,’ CASCO, Utrecht, The Netherlands. Curated by David Lillington

1996
‘Life / Live, Musee d'Art Moderne,’ Paris, France. Curated by Laurence Bosse and Hans Ulrich Obrist (cat.)
‘The Speed of Light, The Speed of Sound,’ Design Institute, Amsterdam, The Netherlands. Curated by Jeremy Millar
‘Against,’ Anthony d'Offay Gallery, London, England
‘Ace!’, Arts Council Collection, Hayward Gallery, London, England (plus toured) (cat.)
‘A Century of Sculptors' Drawings,’ Karsten Schubert, London, England
East International’, Sainsbury Centre for Visual Arts, Norwich, England
‘Trace 1995-96,’ Galleria Paolo Vitolo, Milan, Italy
‘Some Drawings From London,’ The Rooms, London, England. Curated Kate Bernard
‘A4 Favours,’ Three Month Gallery, Liverpool, England. Curated by Padraig Timoney
‘Banana Republic,’ Bund, London, England. "Room" curated by Matthew Higgs
‘Try,’ Royal College of Art, London, England
‘Kiss This,’ Focal Point Gallery, Southend-on-Sea, England
‘Well Morgan,’ Eisfabrik, Hannover, Germany. Curated by Stefan Kalmar

1996
‘Affinata,’ Castello di Rivara, Turin, Italy. Curated by Carolin Lindig

1995
‘Snow Job,’ Forde, Geneva, Switzerland. Curated Lionel Bovier
‘My Darling Ciccolina ...,’ last order(s), London, England
‘Just Do It,’ Cubitt Gallery, London, England
Laure Genillard Gallery, London, England
‘Imprint 93 / City Racing,’ City Racing, London, England. Curated by Matthew Higgs
‘Zombie’ Golf, Bank, London, England
‘Unpop,’ Anthony Wilkinson Fine Art, London, England. Curated by Bob & Roberta Smith
‘Multiple Choice,’ Jibby Beane, London, England
‘The Fall of Man,’ Three Rooms and a Kitchen, Pori, Finland
‘In Search of the Miraculous,’ Starkmann Ltd., London, England
‘Fuori Fase,’ Viafarini, Milan, Italy. Curated by Angela Vettese (cat.)

1994
‘Art Unlimited: Multiples ... from the Arts Council Collection,’ CCA, Glasgow, Scotland (and touring)
‘Todd Gallery,’ London, England
‘Conceptual Living,’ Rhizome, Amsterdam, Netherlands. Curated by Martha Roesnick
‘Potato,’ IAS, London, England. Curated by Gary Thomas, Steven McIntyre & Alison Jacques
‘Sarah Staton's Supastore Boutique,’ Laure Genillard Gallery, London, England
‘The Little House on the Prairie,’ Marc Jancou Gallery, London, England
‘Modern Art,’ Transmission Gallery, Glasgow, Scotland
‘Imprint 93/Cabinet Gallery,’ Cabinet Gallery, London, England. Curated by Matthew Higgs
‘Domestic Violence,’ Gio' Marconi, Milan, Italy. Curated by Alison Jacques (cat.)

1993
‘Wonderful Life,’ Lisson Gallery, London, England

1992
‘Inside a Microcosm,’ Laure Genillard Gallery, London, England. Curated by Gareth Jones
‘Outta Here,’ Transmission Gallery, Glasgow, Scotland. Curated by Douglas Gordon
Angel Row Gallery Touring Show, Nottingham, England. Curated by Mark Dey

1989
‘The Black Bull,’ London, UK. Curated by Tess Jaray


Music Performances (with owada)

2012
“Work No. 1020,” MCA Chicago

2011
Western Bridge Seattle, Washington, USA
The Cultch, Vancouver, CDN

2009
Sadler’s Wells, London’s Dance House, London

2007
Abrons Art Center at Henry Street Settlement, New York

2005
Middlesbrough Institute of Modern Art, Middlesbrough, England
Gavin Brown’s Enterprise, New York, NY

2004
Palais de Tokyo, Paris, France

2002
CCAC, San Francisco, CA
The Scala, London, England
Passerby Stop, New York, NY
Art Metropole, Toronto, Canada
London Guildhall University, London, England
ICA, London, England

2000
Acoustic set, Passer-by, New York, NY
Centre régional d'art contemporain, Sète, France. Curated by Sabine Schaschl
Lux Gallery, London, England

1999
Club Beige & Sneakers, BüroFriedrich, Berlin, Germany

1998
College of Fine Arts, Sydney, Australia
Roslyn Oxley Gallery, Sydney, Australia
Museum of Contemporary Art, Sydney, Australia (part of every day, 11th Biennale of Sydney, Australia)
Dimensions Variable, Kunstsammlungen Chemnitz, Germany. Organized by The British Council

1997
Club 414, Brixton, London, UK. Organized by Cabinet Gallerty, London, England
The Red Eye, London, England
Waves In / Praticels Out, CCA Glasgow, Scotland. Organized by Toby Webster
The Police Station, Bethnal Green, London, England
ICA, London, England
Bring Your Own Walkman, W 139, Amsterdam, Netherlands. Organized by Jack Jaeger
Liste 97, Basel, Switzerland. Organized by Cabinet Gallery, London, England
Museum of Installation, London, England
Warwick Arts Center, Warwickshire, England
Visitor, Stoke-on-Trent, England
Night & Day, Manchester, England
Big Mama's, Rome, Italy
British School at Rome, Rome, Italy
Snowflakes Falling on the International Dateline, CASCO, Utrecht, The Netherlands. Organized by David Lillington)

1996
Gavin Brown's enterprise, New York, NY
Chelsea School of Art, London, England
East International, Norwich, England
Kunstlerpop 2, Manchester, England
St John's Tavern, London, England
Cubitt Gallery, London, England

1995
Jibby's Christmas Party, Hanover Grand, London, England
Kunstlerpop, Manchester, England
Smithy's Wine Bar, London, England
Camden Arts Center, London, England
The Monarch, London, England

1994
Ding Dong Twist Club, London, England


Recordings

2012
Youʼre the One For Me, Moshi Moshi Records

1999
I Can't Move, Martin Creed
CD, 7 songs, published by Art Metropole, Toronto, Canada, ARTMET - CD#003
EVERYTHING IS GOING TO BE ALRIGHT, Martin Creed
CD, 3 songs (Work Nos. 207, 208, 209), duration 11:18, commissioned by The Pier
Trust, cat. PIER 01, produced in an edition of 2000

1997
nothing, owada
CD, 23 songs, duration 36:24, released on piano, London, cat. no. piano 508
Bring Your Own Walkman, Various Artists
CD, compilation album from the exhibition Bring Your Own Walkman, W 139, Amsterdam, The Netherlands

1995
Work No. 117, Martin Creed
music cassette, duration 1 min. each side, text on inner sleeve by John O'Reilly, published by Paolo Vitolo, Milan


Bibliography

2013
"Inside 20,00 balloons," Ottawa Citizen, February

2012
Taylor Bennet, Kim, "Dollars to Pounds: Martin Creed," Fader, August 16
Jones, Jonathan, "London Olympics 2012: why Mo Farah stole the show from British artists," Guardian, August 13
Jones, Jonathan, "The Olympics are art and we should not care who wins," Guardian, August 1
Benaï, Yamina, “I want the whole world to be in it,” L’officiel Art No. 2, April
"B. Wurtz, Martin Creed and Richard Hawkins' in LA," Phaidon, April
Soto, Paul, “B. Wurtz’s Legacy Is Unfinished,” Art in America, April 4
'Amuse Bouche', Art in America, February

2011
Bell, Kirsty, “Martin Creed’s “Paintings” at Johnen Gallerie, Berlin,” May 12

2010
Bradley, Fiona, Coles, Alex, ‘Martin Creed: Down Over Up’, Edinburgh: The Fruitmarket Gallery, 2010
Creed, Martin, Gioni, Massimiliano, ‘Martin Creed Works’, London: Thames and Hudson, 2010
Eugenio Lopez Alonso Fundacion / Collection Jumex, ‘Les enfants terribles’, Mexico: Fundacion / Collecion Jumex, 2010
Staatsgalerie Stuttgart, ‘“...Nur Papier, und doch die ganze Welt…“. 200 Jahre Graphische Sammlung’, Stuttgart: Staatsgalerie Stuttgart, 2010
Polla, Barbara, Ardenne, Paul, ‘Peintures. Please, pay attention, please’, Larmont: Editions Le Bord de L’Eau – Collection La Muette, 2010
Goldie, Peter, Schellekens, Elisabeth, ‘Who`s Afraid of Conceptual Art? ‘, New York NY: Routledge, 2010, pp. 44-45, ill.
___, ‘The first ten years: definitely not alright’, London: The art newspaper, January 2010, p. 1
Gioni, Massimiliano, "Martin Creed: I Like Things," What Good is the Moon? The Exhibitions of the Trussardi Foundation, published by Hatje Cantz
Wilson, Michael, “Martin Creed”, Time Out New York, June 2
Bodin, Claudia, “Alle Macht Den Veganern!”, Art Germany Online, May 20 http://www.art-magazin.de/kunst/29766/gavin_brown_new_york
Knafo, Robert, “Martin Creed at Gavin Brown’s Enterprise” (Video), May 12
http://www.newarttv.com/Martin Creed at Gavin Brown's Enterprise
Barone, Mary, “A New World,” ArtinAmericamagazine.com, May 8
Smith, Roberta, “Galleries Being Galleries, but More So,” The New York Times,
May 6 2010

2009
Anderson, Zoe, “A brand new Creed: The Turner prize-winner turns choreographer,” The Independent, October 15
Higgins, Charlotte, “Five positions and a chess move: Martin Creed turns to ballet,” The Guardian, August 21

2008
Jones, Jonathan, “Reviewing Martin Creed with the benefit of reflection,” Guardian.co.uk, July 30
Heuer, Megan, Review, ArtNews, February, p.130

2007
Avgikos, Jan, Review, Artforum, October 2007 p. 368
Edgers, Geoff, “On and Off,” Boston Globe, September 13
Gilbert, Alan, “From Pop to Poop,” Village Voice, August 14
Smith, Roberta, “The Bearable Lightness of Martin Creed,” NY Times, July 13
Neil, Jonathan, “Tales from the City: New York,” ArtReview, June 2007 p. 50
Searle, Adrian, “Beyond the Jokes,” The Guardian, May 8
Stern, Steven, “Theater of the Absurd,” Time Out New York, March 29 – April 4, p. 70
Bonacina, Andrew “Events: Image/Text, Tate Modern,” Frieze, p. 58
“Live From New York,” Modern Painters, March, p. 48

2006
Blancsubé, Michel, “Esquiador en el fondo de un pozo.” published by La Coleccion Jumex, Mexico City
Webster, Toby, et. Al, “Strange I’ve Seen That Face Before,” published by Dumont Verlag, Cologne and Städtisches Museum Abteiburg, Mönchengladbach
Jones, Laura K., “For Whom the Bells toll: Turner winner Creed unveils his Caribbean clangers,” The Guardian, November 2, 2006
Richer, Francesca and Matthew Rosenzweig, “No. 1: First Works by 362 Artists,” published by D.A.P., New York
Vetrocq, Marcia E., “Martin Creed, Artful Dodger,” Art in America, September, pp.146.-49
Griffin, Tim, Review: Lyon Biennale, Artforum, Feb. pp. 205, 230
Perra, Danile, Review, Tema Celeste No. 116, p. 94

2005
“The Artists’ Artists,” Artforum, December, p. 104
“News and Around: Biennale de Lyon,” Tema Celeste, July-August, p. 96
Lafuente, Pablo, “Martin Creed: Philosophical Remarks,” Flash Art, May/June, pp. 112-115
“Something to Work for: Martin Creed Interviewed by Maurizio Cattelan,” Flash Art, May/June, p. 110-111
Bishop, Claire, “On Installation Art,” Tate etc…, Spring, pp. 26-32
Coles, Alex, Review, Frieze, March pp. 130-131
Lafuente, Pablo, Review, Flash Art, January-February, p. 73

2004
Durland, Corinna, “Martin Creed: Twenty (More) Questions.” Wrong Times, #1, pp. 2-3
Gingeras, Alison, “Painting Without Canvas or Sculpting With Paint,” Contemporary, No. 64, p. 22-25.
Cullinan, Nicholas, “State of Play,” Review, Frieze, April, pp.93-94

2003
Higgs, Matthew, “Unplugged,” Work, October-December, pp.20-21
Boijmans Von Beuningen Rotterdam, NAI Publishers

2002
Reindl, Uta, Review, Tema Celeste, April, p. 92

2001
Searle, Adrian, “Appalling Fascination of a Career-enhancing Competetion,” The Guardian, May 31
Millard, Rosie, The Times, June 8, p. 7
Gibbons, Fiachra, “It’s On, It’s Off, but is it Art?,” The Guardian, November 7
Dorment, Richard, “Dullness and Decadence,” The Daily Telegraph, November 7, p. 18
Alberge, Dalya, The Times, November 7, p. 4M
Cumming, Laura, What, no Elephant Dung?, The Observer, November 11, p. 10
Kent, Sarah, A Funny Turner, Time Out London, November 14
McEwen, John, Grave Time for Turner, Telegraph, November 11, p. 6
Alberege, Dalya, Turner Judges see the Lights, The Times, December 10, p. 3
Jury, Louise, The Independent, December 10, p. 3
Vogel, Carol, “A Prize for Lights,” The New York Times, December 14, Arts Section, p. E36
Review Tokyo, “Spacejack!,” Flash Art, October, p. 57
Bush, Kate, “London Field,” Art Forum, September, p. 85

2000
Searle, Adrian. “Is this what they call pop art?” The Guardian, January 18.
Jones, Jonathan, “Let there be Light,” The Observer
Coles, Alex, Review, Art in America, November
MacMillan, Ian, “I’m Saying Nothing,” Modern Painters, pp. 42-44
Lewisohn, Cedar, “Art & Rock Stars,” Flash Art, March-April, pp. 78-81

1999
Cotter, Holland, “Surging into Chelsea,” The New York Times, Friday, January 21
McFarland, Dale, “On Martin Creed,” Frieze 1999, pp. 66-69
Buck, Louisa, “A Message to our readers and London calling,” The Art Newspaper, no. 98, December
Meenaghan, Tony, “Q: Is this a screwed up piece of paper or the star of a new art exhibition? A: BOTH,” The Mirror, November 12th
Page, Cara, “This Crumpled Sheet of A4 is a Piece of Art,” Daily Record, November 12th
Mark, Lisa Gabrielle, “Fresh Heir,” C International Contemporary Art, Issue 63, September
Beech, Dave, “Martin Creed,” Art Monthly, Issue 226, May
Lillington, David, “Martin Creed,” Metropolis M, April
Higgs, Matthew, “Martin Creed: 20 Questions,” Untitled, Issue 18, Spring
Jones, Jonathan, “What so Minimal about 15,000 Balloons?,” The Observer, March 14th
McLver, Brian, “Meet the Modern Artist Who Admits his Work is Rubbish,” Saturday Times, Glasgow, March 6th

1998
Buck, Louisa, “UK Artists Q&A,” The Art Newspaper, Issue 86, November
Stephens, Craig, “Live scene: Owada,” Revolver, Sydney, September 28h
H-O, Paul and Pigott, “Hadrian, Go into a Sshop and Ask for Nothing,” Very, Issue 2
Green, David, “Minimal Interventions,” Contemporary Visual Arts, Issue 17
Wilson, Andrew, “Band Art,” Art Monthly, London, Issue 210, October
Archer, Michael, “The Object of Art,” Art Monthly, Issue 208, July-August
Kyriacou, Sotiris, “Propositions,” Art Monthly, Issue 208, July-August
Freedman, Carl, Generation W(eird), The Guardian, May 27th
Joliffe, Kira, “The Idler Presents: Owada,” The Idler, Issue 18, Spring
Coles, Alex, “Martin Creed No Entry,” Art + Text, no. 56, February-April
Van den Boogaard, Oscar, “Zonder TItel 1 T/M 4,” Metropolis M, No. 1, February

1996
Williams, Gilda, “Martin Creed Tabula Rasa,” Art Monthly, London, Issue 195, April
Piccoli, Cloe, “Martin Creed,” Flash Art, December-January, p. 110

1995
Kent, Sarah, “Sound & Vision,” Time Out, London, August 30th
The Ruby Kelly Column, Art Review, Vol. 47, June
Lederman, Erika, “Unlimited Works at Starkmann Limited,” Art Monthly, Issue 185, April
OReilly, John, “Art for Bart’s Sake,” The Modern Review, Vol. 1, Issue 16, August - September

1994
Searle, Adrian, “Martin Creed & Sam Samore,” Time Out, London, July 21

1992
Collings, Matthew, “Matthiew Colling on Some Kind of Sculpture Show at Laure Genillard,” City Limits, January


Publications

2006
Pierini, Marco, “Good Vibrations,” published by Giunti Editore, Florence, Milan
“Nothing” published by Schirn Kunsthalle Frankfurt, Frankfurt, a.M., and Hatje Cantz, Ostfildern, edited by Martina Weinhart and Max Hollein

2004
‘State of Play, ‘ published by the Serpentine Gallery, London, edited by Rochelle Steiner
Genesis Sculpture, published by Beaux Arts Magazine, Hors Serie, edited by Stephanie Moisdon

2003
Shine: Wishful Fantasies and Visions of the Future in Contemporary Art, published by Museum Boijmans Van Beuningen / Nai Uitgevers, Rotterdam

2002
Sans, Jerome, “On Stage,” The Curator’s Egg, No. 3
Art Now, published by Taschen, edited by Uta Grosenick and Burkhard Riemschneider, text by Nina Montmann, Koln
Tempo, published by the Museum of Modern Art, New York, NY
My Head is on Fire but my Heart is Full of Love, published by Charlottenborg Udstillingsbygning, Denmark
Rock My World, published by CCAC Wattis Institute for Contemporary Arts, San
Francisco

2001
Arte All’Arte ’00. edited by Art Continua, published by Gli Ori, Italy
Space-Jack, published by Yokohama Museum of Art, Art Gallery, Yokohama, Japan

2000
Martin Creed Works, published by Southampton City Art Gallery, Scotland

1999
Searchlight: Consciousness at the Millenium, edited by Lawrence Rinder. Published by Thames & Hudson, London
This is Modern Art by Matthiew Collings. Published by Weide Feld & Nicolson, London
Contemporary Sculpture in Scotland by Andrew Patrizio. Published by Craftsman House
Serendipiteit by Giacinto di Pietrantonio and Gwy Mandelinck. Published by Watou Poeziezomer


AWARD

2001
Turner Prize, London

Born 1961, Meridianville, AL
Lives and works in New York


Education

1980
The Cooper Union School of Art, New York
1978
Art Student's League of New York



Solo Exhibitions

2013
Galleria Il Capricorno, Venice, Italy (forthcoming)
Victoria Miro, London (forthcoming)

2011
Galerie Eva Presenhuber, Zürich, Switzerland

2009
Gavin Brown’s enterprise, New York

2008
“The Paradise,” Douglas Hyde Gallery, Dublin, Ireland

2007
“Paintings,” Galerie Eva Presenhuber, Zürich, Switzerland

2006
Le Consortium, Dijon, France
“Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday,” Gavin Brown’s enterprise, New York
Victoria Miro Gallery, London, UK

2005
Camden Art Center, London, UK (cat.)

2004 “The Days of the Week and other paintings,” Gavin Brown’s enterprise, New York
Douglas Hyde Gallery, Dublin, Ireland (cat.)

2003 ‘Wheel of Fortune’ Victoria Miro Gallery, London, UK
“Aerialists,” Galerie Hauser & Wirth & Presenhuber, Zürich, Switzerland

2002
Kunsthalle Zürich, Zürich (cat.)

2001
Gavin Brown’s enterprise, New York

2000
Monica de Cardenas, Milan, Italy

1999
Gavin Brown's enterprise, New York

1997
Gavin Brown's enterprise, New York

1995
Gavin Brown's enterprise, New York

1989
Viafora Gallery, New York

1985
The Portrait Studio, New York


Selected Group Exhibitions 

2012
“Painting Now,” Galerie Eva Presenhuber, Zürich, Switzerland

2011
“Our Magic Hour,” Yokohama Triennale, Yokohama, Japan

2010
“In The Company of Alice,” Victoria Miro Gallery, London, UK
"At Home/Not at Home," Hessel Museum of Art, New York
“2010: Whitney Biennial,” Whitney Museum of American Art, New York (curated by Francesco Bonami and Gary Carrion-Murayari)

2009
“We are sun-kissed and snow-blind,” Galerie Patrick Seguin, Paris with Galerie Eva Presenhuber, Paris, France
“Cave Painting: Installment #1,” Gresham’s Ghost, New York (curated by Bob Nickas and Ajay Kurian)
“Hello, Mrs. MacGruder,” Benson Keyes Arts, Southampton (curated by Michele Maccarone)
“Cave Painting,” PSM Gallery, Berlin, Germany (curated by Bob Nickas)

2008
“Future Tense: Reshaping the Landscape,” Neuberger Museum of Art, Purchase College, NY
Gallery Hyundai/doART, Seoul, Korea
Gallery Hyundai/doART, Beijing, China
ESTRATOS Art Festival, Murcia, Spain

2007
‘The Third Mind,’ Palais de Tokyo, Paris, France (curated by Ugo Rondinone) (cat.)
“Painting as Fact – Fact as Fiction,” de Pury & Luxembourg, Zürich, Switzerland (curated by Bob Nickas) (cat.)

2006
“Panic Room,” Deste Foundation, Athens, Greece

2005
“Down by Law,” Whitney Museum of American Art, New York
“Translation,” Palais de Tokyo, Paris Lyon Biennale, Lyon, France (cat.)
“Interested Painting,” Gallery 400, University of Illinois, Chicago

2004
“Huts,” Douglas Hyde Gallery, Dublin, Ireland

2003
“Game Over,” Grimm Rosenfeld, Munich, Germany
“Utopia Station,” Venice Biennial, Venice, Italy (cat.)
“Breathing Under Water,” Hauser & Wirth & Presenhuber Galerie, Zürich, Switzerland
“Dirty Pictures,” The Approach, London, UK
“20th Anniversary- Welcome home,” Gavin Brown’s enterprise, New York

2002
“Five Years,” Jousse Entreprise, Paris, France
“From the Observatory,” Paula Cooper Gallery, New York (curated by Bob Nickas) (cat.)
“Urgent Painting,” Musee d’Art Moderne de la Ville de Paris, Paris, France (cat.)

2001
“Best of the Season,” The Aldrich Museum of Contemporary Art, Ridgefield
‘Works on Paper from Acconci to Zittel’, Victoria Miro Gallery, London, UK
“Extended Painting,” Monica de Cardenas, Milan, Italy
Invisible Museum, Memphis
Victoria Miro Gallery, London, UK
“How is Everything? Everything’s going to be…Alright,” Elizabeth Cherry Fine Arts, Tucson (curated by Bob Nickas)

2000
“Ghosts,” Invisible Museum, Memphis
“Cosmobiology,” Bellweather, Brooklyn
“There is no Spirit in Painting,” Le Consortium, Dijon, France
“Collected (in Mind),” Sandra Gering Gallery, New York (curated by Bob Nickas)

1999
“Another Country,” Lawrence Rubin Greenberg Van Doren Fine Art, New York
“Titles for Drawings,” AC Project Room, New York

1998
“Pets,” Bronwyn Keenan Gallery, New York

1997
“Landscape USA,” Bronwyn Keenan Gallery, New York

1996
Gavin Brown's enterprise, New York

1996
AC Project Room, New York

1993
‘Little Things” Fesek (Municipal Art Gallery of the Artists’ Union of Budapest), Budapest, Hungary Art in General, New York
Randolph Street Gallery, Chicago
Delta Axis Center, Memphis

1990
Nicole Klagsbrun Gallery, New York

1987
Ridge Street Gallery, New York

1986
Ridge Street Gallery, New York

1985
The Portrait Studio, New York

1984
Sharpe Gallery, New York
King Street Gallery, New York

1983
Olson Gallery, New York

1982
Olson Gallery, New York

1981
The Mint Museum, Charlotte
High Museum of Art, Atlanta
Columbia Museum of Art, Columbia
Greenville Art Museum, Greenville




Bibliography

2013
"Verne Dawson and Genesis BREYER P-ORRIDGE," Bomb, Spring 2013
"Verne Dawson comes to Victoria Miro this month," Phaidon, March

2011
“Procession of the Equinoxes Paintings 1994-2010,” les presses du reel

2009
Johnson, Ken, Review, New York Times, June 12
Halle, Howard, Review, Time Out New York, June 11

2006
Williams, Eliza, Review, Flash Art, May–June, p. 128
Adams, Brooks, “Report from Lyon: Time After Time,” Art in America, February, pp. 56-63

2005
“Translation: A commemorative publication by M/M (Paris) celebrating the exhibition
‘Translation’ published by The Deste Foundation, Athens
“News and Around: Biennale de Lyon”, Tema Celeste, July-August, p. 96
Herbert, Martin, “Round and round again,” Time Out, London, May 25 – June 1, p. 66 Hutchinson, John, and Tal R, “Huts” published by The Douglas Hyde Gallery, Dublin
Vincent, Steven, Review, Art in America, April 2005, pp.142-43

2004
Nickas, Bob, “People Take Pictures of Each Other,” Influence, Issue 2, pp. 90-109 Westcott, James. Review, Art Review, Dec/Jan Vol. LIV, p.105
Dawson, Verne, “432, “ published by The Douglas Hyde Gallery, Dublin, Ireland
Dunne, Aidan, ‘Scene Stealing?”, The Irish Times, April Ford, Felecity, Review, CIRCA Art Magazine March/May
Iremonger, Anne, Review, The Dubliner May
McKeith, Eimear, “Everyday Art,” The Event Guide March/April
White, Barry, “A round of golf on the moon- The Art of Verne Dawson,’’ Trinity News, April 13
Reust, Hans Rudolf, Review, Artforum, May, p. 221
Hase, Bettina von, “A Monument to passion”, ArtReview, Volume 2 Number 6 p. 90-93

2003 Denny, Ned, “Infinitely Fabulous,” New Statesman, March 10
Hubbard, Sue, Review, The Independent, February 25
Guner, Fishun, Review, Metro London, February 19
Nickas, Bob ‘From the Observatory’, published by Paula Cooper Gallery, New York, 2003 Campbell-Johnson, Rachel, “Best London Exhibitions,” The Times, February 15
Finel Honigman, Ana, Review, Time Out London, March 19.
Ratcliff, Carter, “Prehistory Man,” Tate, January/February, pp.34-41

2002
Ruf, Beatrix, “Verne Dawson, Heaven and Earth: Twenty-One Paintings,” published by Kunsthalle Zürich, 2002
Obrist, Hans-Ulrich, Vitamin P, Phaidon Press, London, pp. 76-79
Obrist, Hans-Ulrich, Laurence Bossé, et. Al.,“Urgent Painting.” published by Paris-Musées: Paris, 2002
Cattelan, Maurizio, “Interstellar Overdrive,” Flash Art, October, pp. 62-65 Harper’s, September, p. 26 (Ill.)
LaBelle, Charles, “Celestial Bodies,” Frieze, June/July/August, pp. 98-101
Montague, Jemima, ‘Urgent Painting,’ Frieze. April 2002, pp. 88-89

2001
Nickas, Bob, ‘Eternal Returns’, Artforum, November, pp. 132-135
Saltz, Jerry, ‘Primordial Seasonings’, Village Voice, June 19, p. 61 Paper, Review, June, p. 104 The New Yorker, Review, June 4
Smith, Roberta, New York Times, Review, June 1
Yablonsky, Linda, Time Out New York, Review, May 31- June 7
Nickas, Bob, Dutch, January-February

2000
Flash Art, November-December
Johnson, Ken, The New York Times, Review, March 24
Smith, Roberta, The New York Times, Review, February 18

1999
Jones, Ronald, frieze, Review, issue #46, May
Johnson, Ken, The New York Times, Review, January 8
Halle, Howard, Time Out New York, Review, January 14-21

1990
Ash, John, Art in America, March (Color illustration, Bachelor), p. 207

1989
Smith, Roberta, The New York Times, Oct 20, p. c28
Flash Art, Supplement, May-June, p. 3

1983
Moufarrage, Nicolas, Flash Art, March, p. 32

1965
Born in London
Lives and works in London


Education

1985-1988
Courtauld Institute of Art, London

1991-1992
Sussex University


Selected Solo Exhibitions


2012
Gavin Brown’s enterprise, New York
Art concept, Paris, France
“Joy in People,” Hayward Gallery, London, UK, moving to Weils, Brussels, The ICA, Philadelphia and the Contemporary Art Museum, St. Louis (2013)

2011
Upstairs at the Modern Institute, Glasgow
“Jeremy Deller: Manchester Tracks,” RISD Museum, Providence (Spalter New Media Gallery)
Bradford 1 Gallery, Bradford, Great Britain (Ways of Looking Festival)

2010
Baghdad, 5 March 2007: A New Display with Jeremy Deller', Imperial War Museum, London
Jeremy Deller: Local Artist, Void, Derry, Ireland

2009
Jeremy Deller British Council Collection: My Yard, Gallery 7, Whitechapel Gallery, London (curated with Alan Kane)
Three M Project, New Commissions: “It Is What It Is: Conversations About Iraq,” New Museum of Contemporary Art, New York, touring: Hammer Museum, Los Angeles; Museum of Contemporary Art, Chicago

2008
D’une revolution à l’autre: Carte Blanche à Jeremy Deller, Palais de Tokyo, Paris, France
Marlon Brando, Pocahontas, and Me, Aspen Art Museum, CO

2006
The Art Gallery at York University, Toronto, Canada
Edited Rushes 1998-2001 With Extras, Modern Institute, Glasgow
Mercer Union, Toronto
de la Warr Pavilion, Bexhill on Sea, UK
Folk Archive, The New Art Gallery, Walsall UK
Villa Arson, Nice
Down By Law, The Wrong Gallery, Whitney Museum, New York

2005
BAWAG Foundation, Vienna, Austria (screening of “Battle of Orgreave”) Kunsthalle, Basel, Switzerland
Kunstverein, Munich
Folk Archive: Contemporary Popular Art from the UK; Barbican Art Gallery, London (curated by Jeremy Deller and Alan Kane), touring: Milton Keynes Gallery, Spacex Gallery, Exeter; New Art Gallery Walsall

2004
This is Us, Music from Appenzell, Neue Kunst Halle St. Gallen, Germany
The Uses of Literacy, Gavin Brown’s enterprise, New York

2003
New Works: 03.3, Art Pace, San Antonio, TX
Memory Bucket, Art Pace, San Antonio, TX
This is Us, a CD produced in association with the Center for Curatorial Studies, Red Hook, NY

2002
I Love Melancholy, Low Gallery, Los Angeles
After the Goldrush, a guidebook and treasure hunt around California. Commissioned by the Wattis Institute, San Francisco, CA
Art : Concept, Paris

2001
The Battle of Orgreave, with Mike Figgis, Orgreave, South Yorkshire, co-production Artangel/Tate Britain, London

1999
Unconvention, Centre for Visual Arts, Cardiff

1998
Art : Concept, Paris

1997
The Uses of Literacy, Norwich Art Gallery, Norwich

1996
At Home, Cabinet Gallery, London
Migrateurs, Musée d’art Moderne de la Ville de Paris, Paris

1994
Paris Loves Croydon, Poster Studio, 148 Charing Cross Road, London
The Search for Bez, Weekenders / Kings Cross, London


Selected Group Exhibitions

2013
British Pavilion, 55th Venice Biennale, Venice, Italy (forthcoming)
"Sin motivo aparente," CA2M, Madrid, Spain (forthcoming)
"Together / Apart," Centre for Contemporart Art, Ujazdowski Castle, Warsaw, Poland (forthcoming)
"TECTONIC," The Moving Museum, Dubai, United Arab Emirates
"The Life of Others. Repetition and Survivial," Akbank Sanant, Istanbul, Turkey
"Jeremy Deller with Alan Kane," Jupiter Artland, Edinburgh, UK
“Yebisu International Festival for Art and Alternative Visions,” Tokyo Metropolitan Museum of Photography, Tokyo, Japan (forthcoming)

2012
“AKA PEACE,” ICA, London, Great Britain
“Panem et Circenses,” 83 Page Street, London, Great Britain
“Britain Creates 2012,” Cultural Olympiad, London 2012 Festival, London Great Britain
“Wide Open School,” Hayward Gallery, London Great Britain (Jeremy Deller with Ed Hall, Banner Making Workshop)
“A Peculiar Form of Fiction,” s1 Art Space, Sheffield Great Britain
“Manifesta 9,” Waterschei, Genk, Limburg, Belgium
“The Gospel According To… (part 1),” The Holden Gallery, Manchester School of Art, Manchester Great Britain

2011
“The Writing On Your Wall,” Edinburgh Printmakers (Curated by Rob Tufnell)
“Specters of the Nineties,” Marres Centre for Contemporary Art, Maastricht, The Netherlands
“September 11,” MoMA PS1, New York
“Yes, We Don’t,” Institute d’Art contemporain, Villeurbanne, France (With Alan Kane)

2010
No Soul for Sale: A Festival of Independents, Tate Modern, London

2009
Parades & Processions: Here Comes Everybody, Parasol Unit, London

2008
Experimenta Folklore, Frankfurter Kunstverein, Germany
Accessories to an Artwork, Paul Stolper Gallery, London
The Cinema Effect Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC
Folkestone Triennial: Tales of Time and Space, Folkestone, Kent
Amateurs, CCA Wattis Institute, San Francisco, CA, curated by Ralph Rugoff
On Procession, Indianapolis Museum of Art, Indiana
Just Play: Music As Social Praxis, Edith Russ Site for Media Art, Oldenburg, Germany

2007
History Will Repeat Itself, KW Institute for Contemporary Art, Berlin
Centre of the Creative Universe: Liverpool and the Avant-Garde, Tate Liverpool, UK
Breaking Step, Museum of Contemporary Art, Belgrade
Sympathy for the Devil, Museum of Contemporary Art, Chicago
Turner Prize Retrospective, Tate Britain, London
The World as a Stage, Tate Modern, London
Words Fail Me, Museum of Contemporary Art, Detroit, curated by Matthew Higgs
Silence, Listen to the Show, Fondazione Sandretto Re Rebaudengo, Torino, Italy
Sound of Music, Broelmuseum Kortrijk, Belgium, France
Memorial to the Iraq War, ICA, London
Sculpture Project Muenster ’07 (cat.)

2006
Thank You For the Music (London Beat), Sprüth Magers Lee, London
Paranoia, Leeds City Art Gallery: Focal Point Gallery, Southend; Freud Museum, London
Whitney Biennial 2006: Day For Night, Whitney Museum of American Art, New York, NY
A historic Occasion: Artists Making History, Mass MOCA, North Adams, MA
Of Mice and Men: 4th Berlin Biennial for Contemporary Art, Berlin, Germany

2005
Thank You For the Music, Sprüth Magers Projekte, Munich, Germany
In the Poem About Love You Don’t Write the Word Love, CCA, Glasgow
Variety, de la Warr Pavilion, Bexhill on Sea, England
Interstate, Nicole Klagsbrun Gallery, New York, curated by Adam McEwen Faces in the Crowd, Castello Di Rivoli, Torino
Populism,:Contemporary Art Center, Vilnius; National Museum of Art and Architecture, Oslo; Stedelijk Museum, Amsterdam; Frankfurter Kunstverein, Frankfurt

2004
‘An Injury to One is an Injury to all,’ The Battle of Orgreave Archive, Art Unlimited, Art Basel, Basel, Switzerland
Carnegie International, Carnegie, PA
Taipai Biennale, Taipai, Taiwan
From Aural Sculpture to Sound by Ink, Art: Concept, Paris
Turner Prize, Tate Britain, London (winner)
Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain
Recall, Museum of Modern Art Oxford, Oxford, England (with Phil Collins, Jasmila Zbanic)
Candyland Zoo, Herbert Read Gallery, Canterbury
Britannia Works, Brititsh Council at Ileana Tounta Contemporary Art Center, Athens
Monument to Now, Deste Foundation, Athens
This Much is Certain, The Royal College of Art, London

2003
Utopia Station, Venice Biennial, Venice
The 4th Age, Pitti Imagine, Florence
Electric Earth, British Council touring video show, Saint Russian Museum, St Petersburg
III Communication, Dundee Contemporary Arts, Dundee, UK
Art & Music Unite, Govett Brewster Museum, New Zealand
Inaugural Group Exhibition, Gavin Brown’s enterprise, NY
Don’t hate the Media, Become the Media, Videozartes, Espace Delrue, Nantes
Brighton Photo Biennial, Brighton

2002
Rock My World, CCAC Gallery, San Francisco
Biennale de l’Image en Movement, Geneva
Happy Outsiders, Zacheta Gallery, Warsaw

2001
Century City: Art and Culture in the Modern Metropolis, Tate Modern, London
Pyramids on Mars, Barbican Art Gallery, London
Record All-Over, mamco, Geneva
City Racing 1988-1998: a partial account, ICA, London

2000
Social Hackers, Muv Gallery, Helsinki; Centre d’édition contemporaine, Geneva
Protest and Survive, The Whitechapel Art Gallery, London
Democracy!, Royal College of Art, London
The British Art Show 5, National Touring Exhibitions (Hayward Gallery, London)
Presumes Innocents, CAPC, Bordeaux
Village Disco, Cabinet, London
Intelligence: New British Art 2000, Tate Triennial, London

1999
Expander 1.0, Galerie Jousse Seguin, Paris
Changing the Air, Musee d’Art Moderne, Villeneuve d’Asq

1998
Crossing, Kunsthalle, Wein; Galerie Rudolfinum, Prague
White Night, Musee d’Art Moderne de la Ville de Paris, Paris
Voiceover, National Touring Exhibitions (Hayward Gallery, London)
Lovecraft, CCA, Glasgow; South London Gallery, London

1996
Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris and tour
Co-operators, Southampton City Art Gallery, Southampton

1995
The Butterfly Ball, with Alan Kane and Peter Stringfellow, Stringfellows Nightclub, London
Knob, organised by Jeremy Deller, Phoenix Hotel, San Francisco

1994
Imprint 93, Cabinet Gallery, London

1993
Group Show, City Racing, London
The Love Show, Daniel Bucholz Galerie, Cologne


Selected Projects

2013
“Acid Brass,” Concert, Contemporary Art Museum, St. Louis
“The Bruce Lacey Experience,” Screening and Q&A, Institute of Contemporary Arts, London, UK

2012
“Sacrilege,” London 2012 Festival, Cultural Olympiad, interactive public artwork, various locations, UK

2009
The Posters Came From The Walls, a film by Jeremy Deller and Nick Abrahams, Artprojx in association with Gavin Brown’s enterprise and the Modern Institute, London

2006
Steam Powered Computer with Internet Access, commissioned by Turner Contemporary

2003
This is Us, a CD project made in association with the Center for Curatorial Studies, Red Hook, NY

2002
After the Goldrush, an interactive guidebook to California

2000
Folk Archive, with Alan Kane, www.folkarchive.co.uk

1999
Now It Is Allowable, event at the Swedenborg Society, London

1998
Billboards for the Museum in Progress, located throughout Europe

1997
Throwing Stones at Next Doors Pussy, South London Gallery, London
Acid Brass, live concerts with the Williams Fairy Brass Band

1994
Constable can’t you see my Predicament?, Clacton-on-sea
Brian Epstein Died For You, street sign, London

1993
The Chelsea



Selected Bibliography

2013
"Jeremy Deller's Inflatable Stonehenge Arrives In Hong Kong," Artlyst, April 2013
Pellerin, Ananda, "In Pictures: Jeremy Deller's the Battle of Orgreave," AnOther Magazine, April 2013
Jones, Jonathan, "The art of Thatcher...," The Gaurdian, April 2013
Lock, Isaac, "Mr. Jeremy Deller," Fantastic Man, March 2013
"Jeremy Deller, Fantastic Man," Mr. Essentialist, March
Walleston, Aimee, "Jeremy Deller," Art In America, March 2013
Keaggy, Diane, "Q&A: Traditional brass band will play acid house classics," St. Louis Post-Dispatch, March 2013
Molon, Dominic, "Baby Baby Baby..." The Seen, March 2013
Petridis, Alexis and Yates, Kieran, "Music Weekly…," The Guardian, February
Bollen, Christopher, "The Londoners," Interview, January 

2012
Saltz, Jerry, “Wrestlemania Art,” New York Magazine, December
Higgs, Matthew, "Sacrilege," Artforum, December
Gavin, Francesca, "In Search Of Everyday Strangeness," Sleek, Issue 35
Dillon, Brian, Review, frieze, May
Collings, Matthew, "Good Miners, Bad Miners," Modern Painters, May
Basciano, Oliver, “Jeremy Deller: Joy in People,” ArtReview Magazine, May
“All Rock n Roll is Homosexual,” FAD, February
Emery, Louisa, “Review: Jeremy Deller at the Hayward Gallery,” wharf.co.uk, February 29
Rich, Amy, “£10 Pick: Jeremy Deller,” DIY Magazine blog, February 29
Petridis, Alexis, “Straight and narrow: how pop lost its gay edge,” The Guardian, February 28
“Jeremy Deller: Middle Class Hero,” The Guardian, February 24
“Jeremy Deller – Joy in People – London Art Exhibition,” Flux, February 24
Hudson, Suzanne, "Jeremy Deller," Artforum, January

2011
Sutton, Benjamin, "Art Seen Through the Prism of 9/11," The L Magazine, October 12
Smyth, Diane, "Ways of Looking Bradford photography festival," British Journal of
Photography, October
Azimi, Negar. “Good Intentions,” Frieze, March 2011

2010
Babayan, Siran, “A New Documentary Profiles Obsessed Depeche Mode Fans
Around the World,” LA Weekly, January 28
Longworth, Karina, “Depeche Monde,” LA Weekly, January 28

2009
Hatherley, Owen, “A Curious Faith,” Sight & Sound, December
“Chrissie Iles: Best of 2009 Film Picks,” Arforum, December
Pulver, Andrew, Review “The Posters Came from the Walls,” The Guardian, November 30
Sparham, Maddy, “Jeremy Deller on Depeche Mode: The Posters Came From the Walls,” The Quietus, September 30
Lack, Hannah, “Jeremy Deller Captures a Particular Obsession,” Another Magazine, August 20
Prince, Suzy, “In the Mode,” Nude Magazine, August 12, p. 40-44
Estreich, Cecilia, “It Is What It Is, But What Is It?” Flavorwire, March 9
Hromack, Sarah, “What It Is: A Conversation With Jeremy Deller,” Art in America, March 4
Carlin, T. J., “Jeremy Deller at the New Museum”, TimeOut.com, February 26, 2009
Devi, Sharmila, “Art Project has people talking about Iraq”, TheNational.ae, February 16, 2009
Johnson, Ken, “From China, Iraq and Beyond, but Is IT Art?” The New York Times, February 19, 2009
The Associated Press, Review, International Herald Tribune, February 11, 2009
Kilston, Lyra, “Jeremy Deller on Conversations About Iraq,” Artinfo, February 10

2008
PALAIS Magazine 07, Autumn 2008
Rabottini, Alessandro, “From One Revolution to Another,” frieze, September
Davies, Lillian, “Report Carte,” Scene & Herd, Artforum.com, September 30
Oksenhorn, Stewart, “American History,” Aspen Times Weekly, February 2008
Collings, Matthew, Modern Painters, February 2008
McDaniel, Liz, “Father Time,” Men’s Vogue, February 2008

2007
Morgan, Jessica, “It’s All True,” Tate Etc., Issue 11, Autumn 2007, p. 70-75
Bush, Kate, “Provisional Authority,” Artforum, September 2007, p. 418-423
Franzen, Brigitte, ed., Sculpture Projects Muenster 07, p. 60-73
Volz, Jochen „Looking Back: Biennials/Survey Shows“ Frieze, January-February,
p. 126

2006
Gronlund, Melissa, ed., Frieze Projects: Artists’ Commissions and Talks, p. 46-47, 174-185
Moulène, Claire, “Imaginaire: Mode d’Emploi, ‘Art contemporain et lien social’” published by Editions Cercle d’Art, Paris
Teerlinck, Hilde “What……now” published by CRAC Alsace, Altkirch, France
Tramaseur, Stacey, “Creating a sense of unease in the viewer,” Bexhill Observer, Sept. 1, p. 23
Wright, Karen, “Mechanical Rainbows, Politics Enliven U.K. Shows,” Bloomberg.com,
August 23
Graham-Dixon, Andrew, “His Heart Belongs to Dada,” Sunday Telegraph: Seven Magazine, Aug. 6, pp.30-31
Smith, Matt, “From riddler to bat man,” Times, July 18, Sec. 2, p. 19
Gronlund, Melissa, “Opening Doors,” ArtReview, March, pp. 48-49

2006
Bonami, Francesco and The Wrong Gallery, “The Wrong Way,” Modern Painters, March. pp. 86-91
Bishop, Claire, “The Social Turn: Collaboration and Its Discontents,” Artforum,
Feb. , pp.178-83

2005
Grosenick, Uta, “Art Now: Vol. 2,” published by Taschen
Korotkin, Joyce, “Outside the Box,” ArtReview, December, pp. 45-46
Morton, Tom, Review, “Folk Archive:Barbican Gallery,” Frieze, September, pp.133-34
Jacob, Sam, “Jeremy Deller and Alan Kane’s Folk Archive,” Modern Painters, May, pp. 75-77
Deller Jeremy; Kane, Alan; ‘Folk Archive: Contemporary Popular Art from the UK,’ published by Book Works, London
Feaver, Wiliam, “Reviews: International,” ArtNews, March, p.126
Volk, Gregory, “Report From Pittsburgh: Let’s Get Metaphysical,” Art in America March
Lingwood, James and John Slycem , “Artangel,” Arco Contemporary Art, Winter 2005
pp. 26-29
Trainor, James, Review: “Back -2004 Carnegie Int’l,” Frieze, Jan./Feb. p. 109
“News: Prizes and Competitions”, Flash Art, January-February, p. 45

2004
Wright, Modern Painters, December-January 04/05, p. 116
Wainwright, Jean, “The Carnegie International,” Art Monthly, Dec. ‘04 –Jan ‘05, pp. 282-83
Johnson, Ken, “Pittsburgh Rounds Up a Globe Full of Work Made in Novel Ways,” The New York Times, November 4, pp. 1,6
Jones, Jonathan, “I heart Jeremy Deller,” The Guardian, Wednesday October 20, pp. 12-13
Scotini, Marco, “Gazing at the New Europe: Two Views of Manifest 5,” Flash Art, July- September,p. 39, 56.
“Electoral Collage, a portfolio,” Artforum, September, Vol XLIII, No. 1, p. 237

2003
King, Emily, Frieze September, p. 99
Morton, Tom, “Mining for Gold.” Frieze, January February, pp. 70-75.
Slyce, John, “Fables of the Reconstruction,” Flash Art, January-February, p. 74-76

2002
The English Civil War Part II: personal accounts of the 1984-85 miners’ strike, Artangel, London,
After the Gold Rush, CCAC Wattis Institute for Contemporary Arts, San Francisco

2001
Etchells, Tim, “The Battle of Orgreave,” Tate 26, Autumn
Farquharson, Alex, “Jeremy Deller The Battle of Orgreave,” Frieze, p 108
Butler, David, “Battle of Orgreave, “ [a-n] Magazine for Artists, p. 24
Beech, Dave, “Jeremy Deller,” Art Monthly, July-August pp. 38-39
Morrison, Richard, ‘”Battle of Orgreave,” The Times, November 22, p. 7
Life is to Blame for Everything: Collected work and projects 1992-1999, Salon 3, London

1998
Bradley, Will; Blincoe, Nicholas, “The Uses of Illiteracy,” Afterall, No. 1, pp. 9-23

1997
Freedman, Carl, “Acid Brass,” Frieze, November/December, pp. 38-39


Awards

2004
Turner Prize

1959
Born Edinburgh, Scotland
1962 - 1966
Lived in Trinidad
1966 - 1979
Lived in Canada
1979 - 2002
Lived in London
1995 - 2000
Trustee of Tate Gallery, London
2002
Moved to Trinidad
2005
Professor at Düsseldorf State Academy of Art


Education

1979 - 80
Wimbledon School of Art
1980 - 83
St Martin's School of Art, BFA
1989 - 90
Chelsea School of Art, MFA


Solo Exhibitions

2013
"No Foreign Lands," National Galleries of Scotland, Edinburgh, UK (forthcoming)

2011
'Siegfried and Poster Project', The Arnold and Marie Schwartz Gallery Met, New York
Musée d'art Moderne, Paris

2009
Gavin Brown’s enterprise and Michael Werner Gallery, New York
“Peter Doig: Not for Sale,” Contemporary Fine Arts, Berlin

2008
Tate Britain, London, UK (travels to Musee d’Art Moderne de la Ville de Paris,
France; Schirn Kunsthalle Frankfurt, Germany)

2006
“Go West Young Man,” Museum der Bildenden Kunste, Leipzig
“StudioFilmClub”, Ballroom Marfa, Marfa, TX

2005
“Works on Paper”, Dallas Museum of Art, Dallas, TX; tours Gallery of Windsor, Florida (cat.)
“StudioFilmClub”, Ludwig Museum, Koln; Kunsthalle Zurich
Galerie Daniel Buchholz, Koln (with Jochen Klein)

2004
“Metropolitain,” Pinakothek der Moderne, Munich; Kestnergellschaft, Hannover, Germany (cat.)

2003
“Charley’s Space,” Bonnefanten, Maastricht, Netherlands
“Charley’s Space,” Carre d’Art Contemporain, Nimes, France
The Arts Club of Chicago, Chicago, IL

2002
“100 years ago”, Victoria Miro Gallery, London, UK
“Peter Doig: Works on Paper,” Michael Werner Gallery, New York
“Peter Doig the Prints”, The Bailey Collection, Toronto

2001
“Peter Doig”, Morris and Helen Belkin Art Gallery, Vancouver (travels to National Gallery of Canada, Ottowa, Power Plant Contemporary Art Gallery, Toronto) (cat.)

2000
"Echo-Lake", Berkeley Art Museum, Berkeley, CA (traveled to Museum of
Contemporary Art, Miami, FL; St. Louis Art Museum, St. Louis, MO)
“Almost Grown”, The Douglas Hyde Gallery, Dublin, Ireland
Solo Exhibitions (cont’d)

1999
"wing-mirror", Gavin Brown's enterprise, New York, N.Y.
"version (drawings)", Gavin Brown's enterprise, New York, N.Y.
"version", Kunsthaus Glarus, Glarus, Switzerland (cat.)
"country-rock", Contemporary Fine Arts, Berlin, Germany
Fruitmarket Gallery (with Udomsak Krisanamis), Edinburgh, Scotland.

1998
Arnolfini (with Udomsak Krisanamis), Bristol, England (cat)
“Blizzard seventy-seven", Kunsthalle Nurnberg, Germany (toured to Kunsthalle zu Kiel, Germany; Whitechapel Art Gallery, London, England) (cat.)
"Buffalo Station", Victoria Miro Gallery, London, England

1996
Gavin Brown's enterprise, New York, N.Y.
"Freestyle", Victoria Miro Gallery, London, UK
"Homely", Gesellschaft fur Aktuelle Kunst, Bremen, Germany (cat.)
"Small Paintings", Riding House Editions, London, England

1995
"Blotter", Contemporary Fine Arts, Berlin, Germany (cat.)

1994
Gavin Brown's enterprise, New York, NY
"Concrete Cabins", Victoria Miro Gallery, London, England

1991
"Whitechapel Artist Award", Whitechapel Art Gallery, London, England

1990
"Articule", Montreal, Quebec, Canada

1986
"The Naked City", Air Gallery, London, England

1984
Metropolitan Gallery, London, England


Group Exhibitions

2011
"Perfect Man II", White Columns, New York
2010
"At Home/Not at Home", Hessel Museum of Art, New York
2009
“Quodlibet” Galerie Daniel Buchholz, Berlin
“Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection,” Museum of Modern Art, New York
2008
“Marlon Brando, Pocahontas, and Me,” Aspen Art Museum, CO, curated by
Jeremy Deller
2007
“The Painting of Modern Life,” Hayward Gallery, London, UK (cat.)
“Very Abstract and Hyper Figurative,” Thomas Dane Gallery, London, curated by Jens Hoffmann
“Hunky Dory,” Gary Tatintsian Gallery, Moscow
2006
“Altered Image,” Equinox Gallery, Vancouver
“Secret Public. The Last Days of the British Underground 1978-1988,” Kunstverein Munich
SITE Santa Fe Biennial, Sante Fe, New Mexico
“Whitney Biennial: Day For NIght” Whitney Museum of American Art, New York
Tate Triennial, Tate, London
“Surprise, Surprise,” Institute of Contemporary Art, London
2005
“Rene Daniels, Peter Doig, Silke Otto-Knapp,” Gavin Brown’s enterprise, New York “Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper,” Andrea Rosen Gallery
“Ideal Worlds: New Romanticism in Contemporary Art,” Schirn Kunsthalle, Frankfurt, Germany
“The Big Bang,” Centre Pompidou , Paris
“The Triumph of Painting,” Saatchi Gallery. London, England (cat.)
2004
‘Huts’ Douglas Hyde Gallery, Dublin Ireland (cat.)
Carnegie International, Carnegie Museum, Pittsburgh, PA (cat.)
“Contemporary Painting,” Colby College Museum of Art, Waterville, ME, curated by Alex Katz (cat.)
2003
“Pittura/Painting: From Rauschenberg to Murakami 1964-2003,” 50th Venice Biennale, Venice, Italy (cat.)
“Days Like These,” Tate Triennale Exhibition of Contemporary Art, Tate Britain, London
2002
“DEAR PAINTER…Paint Me,” Centre G. Pompidou, Paris, touring to Kunsthalle Wien, Vienna and Schirn Kunsthalle Frankfurt (cat.)
‘Art + Mountains: Conquistadors of the Useless,” The Alpine Club, London, England
“Cavepainting”, Santa Monica Museum of Modern Art, with Chris Ofili and Laura Owens, Santa Monica, CA (cat.)
2001
“Fig-1, 50 projects in 50 weeks,” conceived and developed by Mark Francis and Jay Jopling, London (cat.)
“Camera Works: The Photographic Impulse in Contemporary Art”, Marianne Boesky Gallery, New York
“The Way I See It”, Galerie Jennifer Flay, Paris
“Works on Paper”, The Kerlin Gallery, Dublin
“Extended Painting”, Monica de Cardenas, Milan, Italy
“EU”, Stephen Friedman Gallery, London, UK
“About the Bayberry Bush”, The Parrish Art Museum, Southampton, NY
“Works on Paper from Acconci to Zittel”, Victoria Miro Gallery, London
2000
“From a Distance: Approaching Landscape”, The Institute of Contemporary Art, Boston
“Peter Doig, Michael Raedecker,” Raucci/Santamaria Gallery, Naples, Italy
“Twisted: Urban and Visionary Landscapes in contemporary Painting”, Van Abbemuseum, Eindhover, Netherlands
“Spot On”, Victoria Miro Gallery, London, England
“00” Barbara Gladstone Gallery, New York, NY (Cat.)
1999
“From A-B and Back Again,” Royal College of Art, London
"River Deep Mountain High", Gallery Westland Place, London, England (curated by Kelly Taylor)
Anthony Wilkinson Gallery, London, England (curated by Matthew Higgs)
"Contemplating Pollock", Victoria Miro Gallery, London, England
Galerie Ghislaine Hussenot, Paris, France
"Peter Doig and Udomsak Krisanamis", The Fruitmarket Gallery, Edinburgh, Scotland and Arnolfini Gallery, Bristol, England
"Examining Pictures", Museum of Contemporary Art, Chicago, IL (cat.)
"Group Show", Bonakdar Jancou Gallery, New York, NY
1998
"Sunday", Cabinet Gallery, London, England
"About Vision: New British Paintings in the 1990", Laing Art Gallery, Newcastle
1997
"New Found Landscape", Kerlin Gallery, Dublin, Ireland
"Alpenblick", Kunsthalle, Wien, Austria (curated by Wolfgang Kos)
"Malerei 4", Galerie Monika Spruth, Dusseldorf, Germany
"About Vision: New British Paintings in the 1990", Christchurch Mansion, Ipswich
"Package Holiday, New British Art in the Ophiuchus Collection", The Hydra Workshop, Hydra, Greece
1996
"Drawings from the M.A.B. Library", AC Project Room
Galerie Ghislaine Hussenot, Paris, France
"There's a painting on the wall", a collaboration with Matthew Higgs, Anthony Wilkinson Fine Art, London, England
"Answered prayers", Contemporary Fine Arts, Berlin, Germany
"Belladonna", ICA, London, England
"Faustrecht der Freiheit", Kunstsammlung Gera, Neues Museum Weserberg, Bremen, Germany"About Vision: New British Painting in the 90's", Museum of Modern Art, Oxford, England"About Vision: New British Paintings in the 1990", The Fruitmarket Gallery, Edinburgh, Scotland
1995
"Zombie Golf", Burbage House, London, England (curated by BANK
1994
"The Turner Prize Exhibition", Tate Gallery, London, England
"Moyra Davey, Peter Doig", Gavin Brown's enterprise, New York, NY
"Unbound: Possibilities in Painting", Hayward Gallery, London, England (cat.) (curated by Adrian Searle and Greg Hilty)
"Prix Eliette von Karajan", Tour: Salzburg, Vienna, Paris (1st Prize winner) (cat.)
"New Voices", British Council touring exhibition (cat.)
Imprint 93, Cabinet Gallery, London, curated by Matthew Higgs
"Here and Now", Serpentine Gallery, London, England
Victoria Miro Gallery, Group Painting exhibition, London, England
1993
"Moving into View", Royal Festival Hall, London, England
"Twelve Stars", Barbican Center. London, England
"Project Unite Firminy", Firminy Vert, France
John Moores Exhibition 18, Liverpool, England, (1st prize winner)
1992
"Inside a Microcosm", curated by Gareth Jones, Laure Genillard Gallery, London, England
"New Voices", Centre Albert Borschette, Brussels, Belgium
1991
"Barclays Young Artist Award", Serpentine Gallery, London, England
1990
"Into the Nineties", Mall Galleries, London, England
1985
"Things as They Are", Riverside Studios, London, England
1983
"New Contemporaries", I.C.A., London, England
1982
"New Contemporaries", I.C.A., London, England


Bibliography

2011
Saltz, Jerry, 'Not Just for Intermission', New York Magazine, October 24
Vogel, Carol, 'Homage to the Ring', The New York Times, September
H.H., "Peter Doig," The Art Economist, issue 5, June 2011
2010
Mark Rappolt, "Self-Consciousness," Art Review, July
2009
Mendelsohn, Adam, Review, Flash Art, March/April
Lindquist, Greg, “Pierre Bonnard & Peter Doig,” The Brooklyn Rail, March
Falconer, Morgan, Review, Saatchi Online, February
Cotter, Holland, Review, The New York Times, February 13
Armin, Janine, Critics’ Picks, Artforum.com, February 13
Robinson, Walter, “Weekend Update,” artnet.com, February 6
Halle, Howard, Review, Time Out New York, February 5-11, p. 54
Schjeldahl, Peter, “Return Trip,” Critic’s Notebook, The New Yorker, February 9
2008
Solway, Diane, “Peter Doig,” W Magazine, November, p. 266-279
Schwabsky, Barry, “Glimpses Beyond the Edge,” Art in America, May, p. 168-173
Stonard, John-Paul, Review, Artforum, April, p. 361
Hensher, Philip, “A Landscape Painter of Humanity,” Mail on Sunday, April 20
Falconer, Morgan, “Modern Romance,” Art World, February, p. 32-39
Darwent, Charles, “Painting Found in Art Gallery. Whatever Next?” The
Independent, Feb. 10, p. 55
Cumming, Laura, “Landscape as seen by a Visionary,” The Observer, Feb. 10
Wullschagler, Jackie, “Canvases Light and Lethal,” Financial Times, Feb. 9, p. 16
Lewis, Ben, “Old Doig with New Tricks,” Evening Standard, Feb. 8, p. 41-42
Searle, Adrian, “Stillness in a Trembling World,” The Guardian, Feb. 5, p. 23-25
Sooke, Alastair, “Journey to the Edge of Abstraction,” Daily Telegraph, Feb. 5
Campbell-Johnston, Rachel, “It’s a Doig-Eat-Doig World,” The Times (London),
February 5
“Local Color,” Modern Painters, Feburary 2008, p. 34
Laughlin, Nicholas, “Inspirational Island,” Culture + Travel, Jan/Feb 2008
Cottam, F.G., “A Perfectionist in Paradise,” The Independent, Jan. 31, p. 12-13
Adams, Tim, “Peter Doig,” The Observer, Jan. 27, p. 8-9
2007
Ellis, Patricia, “The 11.3 Million Dollar Man,” Spike Art Quarterly, Fall, p. 84-91
Herbert, Martin, “Book Reviews: Peter Doig,” Artreview, April, p. 151
2006
“Another Thing I Wanted to Tell You, by Elizabeth Peyton, Artist,” Another Magazine, Spring/Summer, p. 114
Schmidt, Hans-Werner; and Rudi Fuchs, “Peter Doig: Go West Young Man,” published by Museum der Bildenden Kunste, Leipzig
Lindeman, Adam, et. Al, “Collecting Contemporary,” published by Taschen, Cologne, p. 206
Ruf, Beatrix, “Tate Triennial: New British Art,” published by Tate, London, 2006
Peter Plagens, “The Art of the Deal,” Newsweek, March 6, pp.56-58
2006
Saltz, Jerry, “Biennial in Babylon,” Village Voice, March 1
Iles, Chrissie and Philippe Vergne, Whitney Biennial: Day For Night, exhibition catalog, published by The Whitney Museum of American Art, 2006
Dorment, Richard, “Haunted by Concepts of the Past,” Daily Telegraph, March 7
Bailey, David, “Keeping It Real: Interview with Peter Doig,” Modern Painters, March, pp. 66-71
2005
Wege, Astrid, Review, Artforum, November, pp. 264-65
Galloway, David, Review, Artnews, April 2005, p.138
Saltz, Jerry, “The Richter Resolution,” Modern Painters, April pp. 28-29
Wright. Karen. “Gallery” Modern Painters, February p. 116
Trainor, James, Review: “Back -2004 Carnegie Int’l,” Frieze, Jan./Feb. p. 109
Siegel, Katie, “Review: 2004 Carnegie Int’l,” Artforum, January, p. 175
2004
Knight, Christopher, “A Global Cacophony [Carnegie International],” Los Angeles Times
Milroy, Sarah, Review: Carnegie International, The Globe and Mail, November 6, pp. V1,V8
Johnson, Ken, “Pittsburgh Rounds Up a Globe Full of Work Made in Novel Ways,” The New York Times, November 4, pp. 1,6
Schwalb, Harry, “Up Now: Carnegie International,” alb, Harry, “Up Now: Carnegie International,” Artnews
Nimes Carre d’Art – Musee d’Art Contemporain de Nimes, Contemporary, Issue 60 March, p. 68
2003
Parkett, No. 67, pp. 65-85
Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins, p. 173
“The 80’s”, Artforum, March, p. 58
Days Like These, Tate Triennial Exhibition of Contemporary British Art, pp. 80-85
(catalogue)
Morton, Tom, “Days Like These,” Tate, March/April, pp. 74-77
Artner, Alan G., Review, Chicago Tribune, February 6
Halle, Howard, Review, Time Out New York, January 16-23. p. 55
2002
Dexter, Emma, Vitamin P, Phaidon Press, London, pp. 92-95
Mack, Gerhard, Art, April, No. 4, pp. 32-43
Brown, Robert, Review, Contemporary, June-July-August, p. 161
Cunning, Laura, “Painting on Thin Ice,” The Observer, April 14
Higgie, Jennifer, Review, Frieze, June/July/August, pp. 102-103
Searle, Adrian. “Wild Blue Yonder,’ Guardian Unlimited, April, 16
2001
Milroy, Sarah, “The big one the got away”, globeandmail.com
Sheir, Reid, Art + Text, May-June, No. 73
2000
Peter Doig, Canadian Art, fall, p. 66
Sloane, Johanne, “Rainbows and Other Ruins,” Afterall, Issue No.1, February, pp. 84 – 94
2000
Richter, Daniel, “Dots on Doig,” Afterall, Issue No. 1, February, pp. 95 - 96
Hill, Joe, “Review”, Art In America, No. 4, April, pp. 151-152
Ziolkowski, Thad, "Review" Artforum, Feb. p. 119
Pollack, Barbara, " New York Reviews", Art News, Feb. p. 164
1999
Rawsthorn, Alice, "Peter Doig - Scanning the post-conceptual landscape", Elle Decor, December-January, pp. 96-99
Turner, Elisa, “Touch of the Movies”, The Miami Herald, September 24
Johnson, Ken, "Art in Review", The New York Times Friday, Dec. 10
Saltz, Jerry, " Out of the Fog" Village Voice , Dec. 21, p.123
1998
Pietsch, Hans, "Ausstellungs-Vorschau, Kiel: Peter Doig. Die Natur besiegt de
GroBstadt", Art, pp. 80-81
"Peter Doig, Whitechapel Art Gallery - Preview", Artforum, May, p.69
Edelstein, Leo, "Peter Doig, Losing Oneself in the Looking", Flash Art, May- June, pp. 84-86
Murphy, Anna, "A picture of a man looking in a puddle. Just how deep is it?", Observer Life, June 24, p. 23
Hilton, Tim, "Have I seen you somewhere before?", Independent, June
Greengerg, Sarah, "Doig's View", Elle Decoration, June
Searle, Adrian, "Nature of the Beast", The Guardian (Art, Visual Arts section), June 16; pp. 10-11
Cork, Richard, "Cold comfort in a land of snow”, The Times (Arts), June 23 Lubbock, Tom, "Anything possible on the road to excess", The independent (the Tuesday review), June 16
Feaver, William, "Darkest Canada", The Observer Review, June 21
Gisbourne, Mark, "Mark Gisbourne on the narrative of North, siksi, summer
Moszynska, Anna, "Daytime Astronomy", Tate, summer, pp.30-35
1997
Bailey, W. Bruce C., "Cabin Fever", Canadian Art, Vol. 14., Spring 97
1996
Cotter, Holland, "Peter Doig", The New York Times, December, 3
Hilton, Tim, "The Best Painting in Britain", The Independent , Nov. 17, p. 30
Fricke, Harald, "Mit einem Van Gogh Film in der Kamera", dei tageszeitung,
Aug. 6
Stange, Raimar, "Peter Doig in der Gesellschaft fur Aktuelle Kunst", Neue Bildendede Kunst, Jul-Aug, p.37
Gisbourne, Mark, "Peter Doig/Victoria Miro", Untitled, No. 10, Spring
Cruz, Juan, "Peter Doig", review in Art Monthly, Mar.
McEwan, John, "Critics Choice", No. 56, The Sunday Telegraph, Feb. 11
Bevan, Roger, "Peters Friends", The Art Newspaper, No 56, Feb., pp.31
Carlisle, Isabel, "Peter Doig on -What the Genius of Cezanne means to us", The Times, Mon. Feb. 5 , p14
Collings, Matthew, Diary: " A Shuffle on the Wild Side", Modern Painters, Spring, No. 1 Vol. 9, pp. 61-62
1996
Doig, Peter " A Brush With Genius: Peter Doig on Edward Hopper", The Guardian, Tuesday, Mar. 5, pp. 8
Searle, Adrian, "Peter Doig / Victoria Miro", Time Out, Feb, No. 1330, pp.14-21
Wright, Michael , Interview with Peter Doig, "A Week In the Arts", The Daily Telegraph, Sat, Jan. 13
Hersteuth, peter, "Peter Doig: Contemporary Fine Arts", Flash Art International, No. 186, Jan./Feb., pp.108-09
1995
Pietsch, Hans, "Visionen einer inneren Wildnis, Art No. 10, Oct.
Schreiber, Susanne, "Sinnliche Malerei und Kuehle Installation", Handelsblatt, June 23, p.G4
Lubbock, Tom, "Anything's possible on the road to excess", The Independent, June, 16
Fricke, Harald, "Abgesenkter Klassifikationsdrang", Die Tageszeitung, June17, p. 29
Berg, Roland, "Die ewig nackte Sirene", Der Tagesspiegel, June 10, p.22
Tannert, Christoph, "Peter Doig, Auftakt Fruehkritik", Radio Brandenburg, May
Lillington, David, "Invervalste Romantiek", Metropolis M, February, No 1 (interview)
1994
Searle, Adrian, "The Twilight Zone", The Independent, Oct. 21, (profile)
Smith, Roberta, "Peter Doig", The New York Times, September, 30, Art in Review
Bonaventura, Paul, "Hunter in the Snow", Artefactum, September
Roberts, Alison, "What's the betting on the Turner", July, 21, Evening Standard, Lillington, David, "Zeit Geist", Time Out London, September 3
Pile, Stephen, "Outrage at the Tate", The Daily Telegraph, July, 23, p.18
A.T., "A Figurative Aberration", Financial Times, July, 20, pp.28-29
Herbert, Susannah, "'Real" art is back in fashion as Turner Prize jury makes a break with oddball tradition", The Daily Telegraph, July, 20
Jury, Louise, "Body moulder builds big lead in Turner Prize line-up", The Guardian, July, 20
Feaver, William, Review, ArtNews, May
Norman, Geraldine, "The Contemporary Capital", The Independent, March, p. 70
McKay, Ian, " Back to Basics", March, 23
Packer, William, "Hidebound by Rhetoric", Financial Times, March, 15
"Sort of, almost, in a way, nearly", The Independent, March, 13
Januszczak, Waldemar, "A State of Confusion", The Times, March, 13, p. 28
Auty, Giles, "A Tug on the Chain", Spectator, March, 12
Hall, James, "Repetitive Art. Come Again?", The Guardian, January 3
Feaver, William, "Chorus line of long faces from Pigalle", The Observer, Jan.16
Grant, Simon, "Rising Star, Peter Doig", ES Magazine, January 7
Milner, Catherine, "A Brighter Picture", Times Magazine, January, 29
1993
Wilson, Andrew, "Wet Paint", Royal Academy Magazine, # 41, Winter
Hilton, Tim, "Moores the merrier, but for how long?" The Independent on Sunday, October 24
Packer, William, "A prize commitment to painting", Financial Times, November 2
Feaver, William, "Congratulations to a blotter on the landscape", The Observer, October 24
1992
Jones, Gareth, "Weird Places, Strange Folk", Frieze, Issue 6, Sept/Oct


Catalogues and books

2011
Shiff, Richard, and Lampert, Catherine, "Peter Doig", Rizzoli, New York
2008
Nesbitt, Judith, “Peter Doig,” published by Tate Publishing, London
2007
Searle, Adrian, Kitty Scott, and Catherine Grenier, “Peter Doig,” published by Phaidon,
London/New York
2006
Nakanishi, Hiroyuki, “Essential Painting,” published by The Naitonal Museum of Art Osaka, Osaka
Richer, Francesca and Matthew Rosenzweig, “No. 1: First Works by 362 Artists,” published by D.A.P., New York
Ruf, Beatrix, “Tate Triennial: New British Art,” published by Tate, London, 2006
Iles, Chrissie and Philippe Vergne, Whitney Biennial: Day For Night, exhibition catalog, published by The Whitney Museum of American Art, 2006
2005
Grosenick, Uta, Art Now: Vol. 2, published by Taschen, Cologne
“Peter Doig: Works On Paper,” published by Windsor Press, Vero Beach, London
Hutchinson, John, and Tal R, “Huts” published by The Douglas Hyde Gallery, Dublin
Koegel, Alice; Laughlin, Nicholas, ‘STUDIOFILMCLUB,’ published by Museum Ludwig and Walther Koenig, Koln
“Peter Doig, Jochen Klein,” text: Manfred Hermes, published by Galerie Daniel Buchholz, Cologne, 2005
2004
Hoptman, Laura, et. Al, “54th Carnegie International,“ published by Carnegie Museum of Art, Carnegie Institute, Pittsburgh, 2004
“Metropolitain,” published by Verlag der Buchhandlung Walther Konig, Koln, Germany
“Contemporary Painting,” published by Colby College Museum of Art, Waterville, ME
2003
“Days Like These,” Tate Triennale Exhibition of Contemporary British Art, Tate Britain, London
“Charley’s Space,” Hatje Cantz publishers, Germany
2002
“100 Years Ago,” published by Victoria Miro Gallery, London
“Art Now,” published by Taschen, edited by Uta Grosenick and Burkhard Riemschneider, text by Rochelle Steiner, Koln
“DEAR PAINTER…Paint Me,” pubblished by the Centre Georges Pompidou, Paris
“Cavepainting,” published by the Santa Mnica Museum of Art, Santa Monica, CA
2001
“Peter Doig”, Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, Canada
2000
“Almost Grown, Paintings by Peter Doig” Douglas Hyde Gallery, Dublin and Victoria Miro Gallery, London
 “Landscape,” published by The British Council, London, 2000
1999
“Examining Pictures”, Whitechapel Gallery, London
"Peter Doig version", Kunsthaus Glarus, Switzerland
1998
"Peter Doig / Udomsak Krisanamis", Arnolfini, Bristol, UK, texts by Ian Hunt and Jake Chapman
"Blizzard Seventy-Seven", Kunsthalle zu Kiel, Kunsthalle Nuernberg, Whitechapel Art Gallery, texts by Eva Meyer-Hermann; Felicity Lunn; Hans-WernerSchmidt; and Terry R. Myers
1997
"The Turner Prize", Virginia Button, Tate Gallery Publishing Ltd., London
"Alpenblick. Die zeitgenoessische Kunst und das Alpine", Wolfgang Kos und Kunsthalle Wien
1996
"Homely", Gesellschaft Fur Aktuelle Kunst, Bremen, text by Eva Schmidt
1995
"Peter Doig: Blotter", published by Contemporary Fine Art, Berlin, Victoria Miro Gallery, London
1994
Prix eliette von Karajan'94, Preise Osterfestspiele Salzberg, Brandl/Doig, text by Norman Rosenthal
" Unbound: Possibilities In Painting", Hayward gallery, London, texts by Adrian Searle and Greg Hilty.
"New Voices", British Council


Collections

Arts Council of Great Britain
Bonnefanten Museum, Maastricht
British Council, London
Carnegie Museum of Art, Pittsburgh
Centre Georges Pompidou, Paris, France
Collection Berardo Sintra, Portugal
Contemporary Arts Society, London
European Parliament, Brussels
John Moores Collection, Walker Art Gallery, Liverpool
Museum of Modern Art, New York
National Gallery of Canada, Ottawa
Philadelphia Museum of Art, Philadelphia
Pinakothek der Moderne, Munich
Provinzial, Dusseldorf, Germany
Tate Gallery, London
The Art Institute of Chicago, Chicago

1973 born in Zurich, Switzerland
Lives and works New York and Zurich


Education

Studied ‘Photography‘ at the Schule für Gestaltung, Zurich
Visited ‘de ateliers‘, Amsterdam
Artist in residence, Delfina Studios, London


Solo Exhibitions

2013
Museum of Contemporary Art, Los Angeles (forthcoming)

2012
“Tables, Heads, and Arms,” organized by Gagosian Gallery, Eden Rock Gallery, St. Jean, St. Barthélemy
“Madame Fisscher,” Palazzi Grassi, Venice, Italy
“Schmutz schmutz,” Gagosian Gallery, Paris, France
“Skinny Sunrise,” Kunsthalle Wien, Vienna
“Beds & Problem Paintings,” Gagosian Gallery, Beverly Hills, California


2011
“dngszjkdufiy bgxfjkglijkhtr kydjkhgdghjkd” (with Cassandra MacLeod), Gavin Brown’s enterprise, New York
“Urs Fischer and Georg Herold,” The Modern Institute, Glasgow
“Untitled (Lamp/Bear),” Seagram Plaza, New York

2010  
“Douglas Sirk,” Sadie Coles HQ, 4 New Burlington Place, London
"Oscar the Grouch," The Brant Foundation Art Study Center, Greenwich Connecticut

2009  
“Urs Fischer: Marguerite de Ponty,” New Museum, New York, NY
“Dear _________! We _____ on ________, hysterically. It has to be _____ that                   _____.     No? It is now ______ and the whole _______ has changed ______. all the             _____, ______” (with Mark Handforth and Georg Herold), Kunstnernes Hus, Oslo                  (with Mark Handforth and Georg Herold)

2008   
‘Blurry Renoir Debussy,’ Galerie Eva Presenhuber, Zurich
‘Who’s Afraid of Jasper Johns?’ Tony Shafrazi Gallery, New York, curated with Gavin             Brown

2007  
‘Agnes Martin,’ Regen Projects, Los Angeles
‘you,’ Gavin Brown’s enterprise, New York
‘Uh…,’Sadie Coles HQ, London
‘large, dark & empty,’ Galerie Eva Presenhuber, Zurich
“get up girl a sun is running the world” (with Ugo Rondinone), Church San Stae, Venice         Biennale
Cockatoo Island, Kaldor Art Project and the Sydney Harbour Federation Trust, Sydney

2006  
Massimo de Carlo, Milan (with Rudolf Stingel)
‘Oh. Sad. I see.,’ The Modern Institute, Glasgow
‘Mary Poppins,’ Blaffer Gallery, Houston, TX
Galerie Eva Presenhuber, Zurich
‘Paris 1919,’ Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

2005  
Nationalgalerie im Hamburger Bahnhof –Museum für Gegenwart, Berlin
Pauline Karpidas GR Hydra Workshop, Greece
Camden Art Centre, London, UK
Fondazione Nicola Trussardi,, Milan, Italy
‘Fig, Nut & Pear,’ Gavin Brown’s enterprise, New York

2004  
‘Elton John?,’ Sadie Coles HQ, London
‘Feige, Nuss, und Birne,’ Gruppe Oesterreichische Guggenheim, Vienna, Austria
‘Kir Royal,’ Kunsthaus Zurich, Zurich (cat.)
espace 315, Centre Pompidou, Paris (cat.)

2003  
‘Portrait of a Single Raindrop,’ Gavin Brown’s enterprise, New York
‘need no chair when walking,’ HQ Sadie Coles, London

2002  
Project room, Santa Monica Museum of Art, Los Angeles
‘Mystique Mistake,’ The Modern Institute, Glasgow
‘Bing Crosby,’ Contemporary Fine Arts, Berlin

2001  
‘Mastering the Complaint,’ Galerie Hauser & Wirth & Presenhuber, Zurich

2000  
'Capillon – Urs just does it for the girls,‘ Delfina, (with Amy Adler) London
'Tagessuppen/Soups of the Days' and 'Domestic Pairs Project,' Kunsthaus Glarus, (with         Keith Tyson), Glarus, Zwitzerland
Stedelijk Museum Bureau, Amsterdam
‘Without a Fist - Like a Bird,‘, Institute of Contemporary Art (ICA), London

1999   
‘Espressoqueen – Worries and other stuff you have to think about before you get             ready  for the big easy,’ Galerie Hauser & Wirth & Presenhuber, Zurich

1997   
‘Hammer,’ Galerie Walcheturm, Zurich

1996  
‘Frs Uischer‘, Galerie Walcheturm, Zurich


Group Exhibitions

2012
Festival d'Automne à Paris, École nationale supérieure des Beaux-Arts, Paris, France
“Painting Now,” Galerie Eva Presenhuber, Zurich, Switzerland (forthcoming)
“The Painting Factory: Abstraction After Andy Warhol,” MOCA, Los Angeles, CA

2011   
“In Deed: Certificates of Authenticity in Art,” De Kabinetten van De Vleeshal, Middelburg, The Netherlands (travels to Fondazione Bevilacqua La Masa, Venice; KHOJ International Artists’ Association, New Delhi; Mumbai Art Room, Mumbai; Nero, Rome; School of the Art Institute of Chicago, Chicago; The Drawing Center, New York)
“Artists for Haiti,” David Zwirner, New York
“Lustwarande 2011—Blemishes,” Park De Oude Warande, Museum De Pont, Tilburg, The Netherlands
“Produced by Migros: Collection migros museum für gegenwartskunst,” Kunsthalle Fridericianum, Kassel
“Sculpture Now,” Galerie Eva Presenhuber, Zürich
“ILLUMInazioni / ILLUMInations,” Venice Biennale
“The World Belongs to You,” Palazzo Grassi, Venice
“New contemporary galleries featuring the John Kaldor Family Collection,” Art Gallery of New South Wales, Australia
“L’invention de l’oeuvre: Rodin et les ambassadeurs,” Musée Rodin, Paris
“Sympathy for the Devil,” Vanhaerents Art Collection, Brussels
“Kunstsammlung im Alpenhof Nr. 6: Kunstbetrieb,” Alpenhof St. Anton, Switzerland
“Don’t Do It Etc.,” Galerie Bruno Bischofberger, Zürich
“dwelling,” Marianne Boesky Gallery (uptown), New York
“Modern British Sculpture,” Royal Academy of Arts, London
“8 ½,” Fondazione Nicola Trussardi, Stazione Leopolda, Florence, Italy

2010   
“Die Nase des Michelangelo / The Nose of Michelangelo,” Galerie Peter Kilchmann, Marktgasse 4, Zürich
“Divine Comedy,” Sotheby’s, New York
“Post Monument: XIV Biennale Internazionale di Scultura di Carrara,” Carrara, Italy
"The New Decor", The Hayward Gallery, UK
“Alpha Omega: Works from the Dakis Joannou Collection,” Deste Foundation                  Contemporary Art, Athens
“High Ideals & Crazy Dreams,” Galerie Vera Munro, Hamburg
“Voici un dessin suisse (1990–2010) / Here Is a Swiss Drawing,” Musée Rath, Geneva           (will travel to Aargauer Kunsthaus, Aarau, Switzerland)
“Skin Fruit: Selections from the Dakis Joannou Collection,” New Museum, New York

2009  
“Beg Borrow and Steal,” Rubell Family Collection, Miami FL
“We are sun-kissed and snow-blind,” Galerie Patrick Seguin in Paris invites Galerie Eva       Presenhuber
“The living and the dead,” Gavin Brown’s enterprise, New York

2008   
“Ombres,” New Galerie de France, Paris
“God Is Design,” Galpao Fortes Vilaca, Sao Paulo, Brasil, curated by Neville Wakefield
“Countdown,” CCS Bard, Annandale-on-Hudson, New York

2007   
“Unmonumental,” New Museum for Contemporary Art, New York
“Makers and Modelers,” Barbara Gladstone, New York
“Fractured Figure,” Deste Foundation Centre for Contemporary Art, Athens
“The Hamster Wheel,” Festival Printemps de Septembre, Toulouse
“Dream and Trauma,” Kunsthalle Wien, Austria
“The Hamster Wheel,” Tese della Novissima, Arsenale di Venezia, Venice
“Disorder in the House,” Vanhaerents Collection, Brussels
“Domestic Irony,” Muselon, Bozen
Pinault Collection, Palazzo Grassi, Venice
Biennale de Lyon, Lyon
“The Third Mind,” Palais de Tokyo, Paris curated by Ugo Rondinone (cat.)

2006  
“The Studio”, Dublin City Gallery, The Hugh Lane, Dublin
“Defamation of Character,” PS1 Contemporary Art Center, New York
“Contrabando,” Galeria Luisa Strina, Sao Paulo
Palazzo Grassi, Venice, Italy
Vincent Prize, Stedelijk Museum, Amsterdam, The Netherlands
“Strange I’ve Seen That Face Before,” Museum Abteiberg, Mönchengladbach, Germany
“Infinite Painting,” Villa Manin Centre for Contemporary Art, Codroipo. Italy
“Whitney Biennial: Day for Night,” Whitney Museum of American Art, New York (cat.)
“The Studio,” Hugh Lane Museum, Dublin, Ireland
“The Big Bang,” Centre Pompidou , Paris

2005  
“Ma Non Al Sud,” Galerie Civica d’Arte Contemporanea di Siracusa, Syracuse, Italy
Cobra Museum of Modern Art, Amstelveen, Amsterdam
Reykjavik Art Museum, Reykjavik,
“Put It In Your Mouth/ I’ll see you on the dark side of the prune,” Rivington Arms, New York
“Closing Down.” Bortolami Dayan, New York
“Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper,” Andrea Rosen Gallery
“Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo,” Curated by               Franceso Bonami,  Turin, Italy
“Universal Experience,” MCA, Chicago (cat.)
‘(Swiss Made) The Art of Falling Apart,’ Sammlung Hauser & Wirth, St Gallen

2004    
‘L’Air du Temps,’ Migros Museum, Zurich
Regen Projects, Los Angeles
“Monument to Now,” Deste Foundation, Athens
‘Sculpture, Precarious Realism Between the Melancholy and the Comical’ Kunsthalle Wien, Vienna

2003  
‘Silver Convention,’ Galerie Giti Nourbakhsch, Berlin
Inaugural Exhibition, Gavin Brown’s enterprise, New York
‘Game Over,’ Grimm Rosenfeld, Munich
‘Kunstpreis der Boettcherstrasse.,’ Kunsthalle Bremen, Bremen
‘Dreams and Conflicts: TheViewer’s Dictatorship,’ Venice Biennial, Venice (cat.)
‘Durchzug-Draft,” Zurich Kunsthalle Zurich
“Bewitched Bothered and Bewildered,” Migros Museum, Zurich

2002  
NICC< Exile on Main Street, Antwerpen
The Henry Moore Foundation, Sculpture/Triple Base at the Hernry Moore Institute,            Leeds/UK
‘My head is on fire but my heart is full of Love,’ Charlottenborg exhibition space,             Kopenhagen/DK (cat.)
‘Lowland Lullaby, ‘Swiss Institute, New York

2001  
'Squatters,' Museo Serralves, Porto/P
'Ziviler Ungehorsam,’ Kestner-Gesellschaft, Hannover/D
'Enduring Love,’ Klemens Gasser & Tanja Grunert, New York

1999  
'Drawings,’ Sommer Contemporary Art, Tel Aviv
‘Manifesta 3,’ European Biennial of Contemporary Art Ljubljana
'Sammlung (1). The Oldest Possible Memory,’ Sammlung Hauser und Wirth in der            Lokremise St. Gallen, Switzerland

1999   
‘Eidgenössische Preise für Freie Kunst,’ Kunsthalle Zürich, Zurich
‘Le repubbliche dell’arte,’ Palazzo delle Pappesse, Siena
“999,” Centro d’Arte Contemporanea Ticino, Bellinzona
‘Holding Court‘, Entwistle Gallery, London

1998   
‘ironisch/ironic‘, Museum für Gegenwartskunst, Zurich
‘de ateliers‘, De Ateliers, Amsterdam

1997  
‘Dokumentation‘, Hotel, Zurich
Fondazione Sandretto Re Rebaudengo per l’Arte, Torino
'été 97‘, Centre Genevois de Gravure Contemporain, Geneva
1995/96 “Calypso,” Stedelijk Museum Bureau, Amsterdam
‘Assistent‘, Binz 39, with Maurus Gmür, Zurich
‘Karaoke 444&222 too‘, South London Gallery, London
‘Bundesstipendianten‘, Kunsthaus Glarus, Glarus


Awards and Grants

1999   
Providentia-Preis, YoungArt
Eidgenössisches Stipendium für freie Kunst

1997   
Kiefer-Hablitzel Stipendium

1995   
Eidgenössisches Stipendium für freie Kunst


Audiovisuals

2000
CNN, Inside Europe, January


Selected Bibliography

2013
Morton, Peter, "Urs Lookin' at You," Departures, April 2013
Dalton, Trinie, "Now Showing: Urs Fischer," T Magazine, April
Frank, Priscilla, "Urs Fischer Retrospective Delights And Repulses..," Huffington Post, April 2013
Finkel, Jori, "Urs Fischer and 1,000 volunteers go big..," Los Angeles Times, April 2013
Finkel, Jori, "Art Spotlight: Urs Fischer," Los Angeles Times, March 2013
"New York Artists Now," GalleristNY, February

2012
“Blabbing to an iPhone Mic: A conversation between Darren Bader and Urs Fischer,” L’officiel Art No. 2, June
Spence, Rachel, "Rebel in need of a cause," Financial Times, June 15
Bodin, Claudia, "Urs Fischer," art Kunstmagazin, May
"Urs Fischer: Beds & Problem Paintings," Gagosian Summer Quarterly
Griffin, Jonathan, "Urs Fischer, the reluctant interviewee," The Artnewspaper, April 12
Vetrocq, Marcia E., "Urs Fischer Explores the Theme of the Double in His Solo Survey at Venice's Palazzo Grassi" ArtInfo, April 16
McKie, Andrew, "Sculpting to His Own Beat," The Wall Street Journal, April 13
Solway, Diane, "Studio Visit: Urs Fischer," W magazine, April
McGarry, Kevin, “Urs Firscher’s Really Big Problems,” T Magazine, March
Doran, Anne, Review, Art in America, January

2011
Smith, Roberta, Review, The New York Times, November 3
Milller, Michael H., "The Answer Is 'Why?' Urs Fischer Overwhelms at New Gavin Brown Show," New York Observer, October 24
Douglas, Sarah, "Why You Should Go See Urs Fischer's New Show at Gavin Brown," New York Observer, October 21
Drake, Cathryn, "Investigation of a Dog," frieze, October
Adam, Georgina. “Size matters. Why is the work getting bigger?” The Art Newspaper, no. 226, July-August
Binswanger, Michèle. “Schweizer Kunst kommt au seiner bäurischen Tradition.” Tages Anzeiger, 16 June
Crow, Kelly. “Hey There! Big Bear to Visit Park Avenue.” Wall Street Journal, 2 April
Edwards, Meghan. “Night Light.” Interior Design, vol. 82, no. 7, May: 283.
Gamerman, Ellen. “The Changing Face of Portraits.” Wall Street Journal, 5 August: D1-2.
Gnyp, Marta. “Larger Than Life: A conversation with Swiss contemporary artist Urs Fischer.” Zoo Magazine, no. 31: 82-91.
Heinrich, Will. “Art vs. Real Estate at Marianne Boesky.” The New York Observer, March 15
Hess, Ewa. “Riesiger Teddybär eines Schweizer Künstlers verblüfft New York.” Sonntags Zeitung, 17 April
Johnson, Ken. “Sculptural Surprises Grace the Streets.” New York Times, 19 August: C21.
Jones, Jonathan. “Times flies at the Venice Biennale.” On Art Blog, The Guardian, 7 June
Kleinman, Adam. “ILLUMInazioni—ILLUMInations.” Art Agenda, June
McKie, Andrew. “Setting the Art World Alight.” Wall Street Journal, 3 June
Morgan, Jessica. “Urs Fischer.” L’Uomo Vogue, no. 421, May-June
Morris, Roderick Conway. “Venice Biennale Thrives Despite Tough Economic Times.” International Herald Tribune, 7 June
Prince, Mark. “Urs Fischer: Sadie Coles HQ, London.” Flash Art, vol. XLIV, no. 276, January-February: 98.
Rosenmeyer, Aoife. “Sculpture Now: Galerie Eva Presenhuber, Zurich.” Art Agenda, July
Schwabsky, Barry. “Many Facets, No Overview: On the Venice Biennale.” The Nation, 15-22 August
Searle, Adrian. “Modern British Sculpture: Empire of the Oddballs.” The Guardian, 19 January
Thon, Ute, Tim Sommer, and Ralf Schlüter. “Keine Benegung.” Art: Das Kunstmagazin, August: 18-29.
Vogel, Carol. “Old Patina Encircles Fresh Art in Venice.” New York Times, 6 June: C1.
Wullschlager, Jackie. “Breadth in Venice.” Financial Times, 3 June

2010   
Amy, Michaël. “Urs Fischer: New Museum.” Sculpture, vol. 29, no. 10, December: 70-1
Carey-Kent, Paul. “Urs Fischer: Sadie Coles.” ArtUS, no. 30: 6-9.
Fischer, Urs. “You Can Call Inside Me.” The Journal, no. 28: supplement.
Heartney, Eleanor. “Urs Fischer: Marguerite de Ponty.” art press, no. 363, January: 72-3
Herold, Georg. “Urs Fischer.” The Journal, no. 28: 84-97
Hirsch, Faye. “Presto Chango! Urs Fischer’s New Museum.” Art in America, January: 104-109
Kastner, Jeffrey. “New Foundations.” Artforum, vol. 48, no. 10, Summer
Kaufman, Jason Edward. “In View: Urs Fischer’s Magnificent Vanitas for Peter Brant.” Artinfo, June 15
Kazakina, Katya. “Newsprint mogul Peter Brant has ‘meltdown’ in Urs Fischer show.” Bloomberg News, June 29
Kunitz, Daniel. “Urs Fischer: Brant Foundation Art Study Center.” Modern Painters, no. 6, September: 73
Markus, Liz. “Art and Death in Connecticut: Urs Fischer at the Brant Foundation Art Study Center.” Huffington Post, July 17
Naves, Mario. “Urs Fischer: Marguerite de Ponty.” The New Criterion, no. 5, January: 50-1
Peers, Alexandra. “The Conspiracy Theory of Art.” The New York Observer, May 19
Sherwin, Skye. “Exhibitions: Urs Fischer.” The Guardian, 2-8 October: 38

2009   
Brown, Gavin, “Urs Fischer”, Interview, December, 2009
Saltz, Jerry, “A Whole New Muesum The Urs Fischer-izing of a four story Institution,            New York Magazine, November 9, 2009
Kuo, Michelle, “Taste Tests,” Artforum, November, 2009
Smith, Roberta, “Exploration of Space,” The New York Times, October 29, 2009
Tomkins, Calvin, “The Imperfectionist,” New Yorker, October 19, 2009

2008  
Best of 2008, Artforum, December, p. 98, 266, 292
Brown, Gavin, Interview with Urs Fischer, Interview, Dec/Jan, p.186-191
Lewis, Ben, “Who’s Afraid of Jasper Johns?” pluk magazine, Autumn 2008
Volzke, Daniel, “Neues vom Trickser,” Monopol, July/August, p. 62-71
Bedford, Christopher, “Who’s Afraid of Jasper Johns?” Frieze.com, July 3
Saltz, Jerry, “Two Coats of Painting,” New York Magazine, June 23
Sholis, Brian, Critic’s Pick, Artforum.com, May 23
Halle, Howard, “Who’s Afraid of Jasper Johns?” Time Out New York, May 22
Smith, Roberta, “When Artworks Collide,” New York Times, May 16
Marchand, Antoine, “Down in a Hole,” 02 Magazine, p. 50
Boucher, Brian, Review, Art in America, March 2008, p. 166-67
Review, Modern Painters, February 2008, p. 91

2007  
Camhi, Leslie, “The Corrections,” Village Voice, December 2007, p. 50
Cattelan, Maurizio, Interview, Mousse, November 2007, p. 28-31
Saltz, Jerry, Review, New York Magazine, December 3, 2007, p. 92
Cotter, Holland, Review, New York Times, November 23, 2007
Kitnick, Alex, Review, Time Out New York, November 15-21, 2007, p. 85
Jones, Kristin, Review, Frieze.com, November 2007
“The Art of Production,” Artforum, October 2007, p. 351
Stolz, Noah, “San Stae: Urs Fischer e Ugo Rondinone,” Kunst Bulletin, No. 8,
July/August 2007, p. 49-50
Cerbini, Lorenza, “Urs Fischer,” L’Uomo Vogue, May/June 2007
Vogel, Carol, “In for a Penny, In for the Pounce,” New York Times, June 14 2007
Searle, Adrian, “Venice Takes Flight,” The Guardian, June 12 2007
Hauger, Caroline Micaela, “Blitzkarriere,” Schweizer Illustrierte, No. 24, June 11
2007, p. 37-40
Wust, Karl, “Farben, Schatten und tote Bäume,” Der Zürcher Oberlander, June
11 2007
Mack, Gerhard, “Urs Fischer and Ugo Rondinone in San Stae,” NZZ am Sonntag,
June 10 2007, p. 68
Chaplin, Julia, “A Night Out With: Alison Gingeras – Follow that Motoscafo,” New
York Times, June 10 2007
Ringel, Stephanie, “Anarchie in der Lagune,” Sonntagsblick, June 10 2007, p. 44
Mathonnet, Phillipe, “A Venise, l’art s’humanise,” Le Temps, June 9 2007, p. 19
Jana, Reena, “The Dancing Camel,” Art on Paper no. 5, May/June 2007 p. 38-39
Higson, Rosalie, “Visions on a Haunted Isle,” The Australian, April 17 2007
Fitzgerald, Michael, “Impresario of the New,” Time, March 22 2007
Berard, Emmanuel, Mazzonis, Emanuela (ed.), ’Sequence 1. Collection François
Pinault’, Palazzo Grassi, Venice, 2007, p. 94-95; p. 140-141; p. 302-317
Hoffmann, Jens and Christina Kennedy, “The Studio,” published by Dublin
City Gallery The Hugh Lane, Dublin
Greene, Tamsen, “Basel Dazzle,” Zink, Summer 2007, p. 6
Garbarino, Laura, Review, Flash Art, March/April, p. 81

2006   
“Cinq Milliards d’Annees,” (illus.), Palais/, Fall/Winter 2006-7, p. 31
Webster, Toby, et. Al, “Strange I’ve Seen That Face Before,” published by
Dumont Verlag, Cologne and Städtisches Museum Abteiburg, Mönchengladbach
Ruf, Beatrix et. Al, “ The Vincent van Gogh Biennial Award for Contemporary
Art in Europe, 2006,” published by Stichting Stedelijk Museum Amsterdam
Yablonsky, Linda, “Art Miami Fair, Art Market Showed its Blood and Bones,”
Bloomberg, Dec. 12 2006
Smith, Roberta, “More Than You Can See: Storm of Art Engulfs Miami,” New
York Times, Dec 9 2006
Neil, Jonathan T.D., “The Fischer King,” Art Review, issue 6, December p. 70-74
Fischer, Urs, “Paris 1919,” JRP Ringier, Zurich, 2006
Wahler, Marc-Olivier, PALAIS Magazine 01, Fall/Winter 2006, p. 30-31
Vetrocq, Marcia E., “A Museum of His Own,” Art in America, no. 9, October 2006
p. 96-101
Cerizza, Luca, “City Report,” Frieze, no. 102, October 2006, p. 253
Gortzak, Roos, The Vincent Van Gogh Biennial Award for Contemporary Art in
Europe 2006, Stedelijk Museum, Amsterdam, p. 14-27
McNally, Whitney, “Talent Show,” W Magazine, November, p. 200
Lindeman, Adam, et. Al, “Collecting Contemporary,” published by Taschen,
Cologne, pp. 49, 20
Sultan, Terrie, Schmukli, Claudia, “Mary Poppins,” published by the Blaffer
Gallery, Houston
Goncharov, Kathleen, “Review: Whitney Biennial,” Tema Celeste, No. 116, pp.
86-87 (illus.)
Plagens, Peter, “Madison Avenue Ennui,” Art in America, no. 6, June/July 2006
Gioni, Massimiliano, “Le monde instable de Urs Fischer,” art press, no. 324, June
2006, p. 27-33
Klaasmeyer, Kelly, “Space and Quiet,” Houston Press, June 22
“In the Modern World,” Dwell, July/August 2006, p. 144
Davenport, Bill, Review The Houston Chronicle, June 2, 2006
“Crème de Yvette,” Another Magazine, no. 10, Spring 2006
Kerwin, Jessica, “On With the Show, W Magazine, May 2006, p. 128, 130
“Urs Fischer,” AD, March 30 2006, p. 26
Iles, Chrissie and Philippe Verge, Whitney Biennial: Day For Night, exhibitions
catalog, published by The Whitney Museum of American Art

2005    
Vitamin D: New Perspectives in Drawing published by Phaidon, London
“Mr. Watson --- Come Here --- I Want to See You.” Published by Sadie Coles,
HQ, London, 2005
Gingeras, Alison M., “Best of 2005,” Artforum, December, pp.245-45
Vincent, Steven, “Urs Fischer at Gavin Brown’s enterprise,” Art in America,
October 2005
Romeo, Filippo, Review, Artforum, September, pp.313-14
Fulco, Elisa, “Spotlight: Urs Fischer,” Flash Art Italia, June/July p. 118
Romeo, Filippo, Review, Artforum.com, May 23
Rossi, Mariella, “Urs Fischer,” Lapiz, May, p. 89.
“Urs Fischer: da vedere,” Flash Art Italia, April/May 2005, p. 57
Kranz, Walter, “Mimicry-Works,” Artnet.com
Blume, Eugen; Nichols, Catherine, Catalog, Museum für Gegenwart,Berlin
Gingeras, Alison, ‘Purple News,’ Purple Fashion, No. 3, Spring/Summer, p. 34
Smith, Roberta, The Listings, The New York Times, Arts & Leisure section, February              25, p. E25
listings, The New Yorker, March 7, p. 16
Richadson, Brenda, ‘ Postcard from America,’ pp. 58 – 64; Ruf, Beatrix,
‘wanted to turn the music on but it was already playing,’ pp. 70-76; Weissman,
Benjamin, ‘Garden of Earthly Hate,’ pp. 82-88 in Parkett, no. 72
Rondinone, Ugo, “Urs Fischer,” Camden Arts Center, London 2005 (brochure)
Jones, Jonathan, “Urs Fischer: Arts Review,” The Guardian, January 7

2004      
Herbert, Martin, “Urs Fischer” (review), Time Out Magazine, January 5-12
Brockington, Horace, “Some Other Spring: Urs Fischer (#1) (#2)”, NY Arts, Issue               11/12, Nov/Dec issue, p. 54
Bollen, Christopher, ‘Sculpture Culture,’ Vman, Issue 3, Fall/Winter, p. 63
Heiser, Jorg; Hainley, Bruce, “Kir Royal,” published by JRP/RIngier
Gingeras, Alison, “Urs Fischer,” Artforum, October 2004
Morton, Tom, “Roll with It,” Frieze, Issue 86, October, p. 138-141
‘Good Smell Make-Up Tree,’ published by JRP/Ringier, Zurich
Manchester, Clare, “Review” Flash Art May-June 2004 p.145
Carmine, Giovanni, “Personal Weather,” Flash Art, January-February 2004, pp. 84-87.
Gingeras, Alison, “Urs Fischer, espace 315,” Editions du Centre Pompidou, livre No. 2, Paris
Hase, Bettina von, “A Monument to passion”, ArtReview, Volume 2 Number 6
p. 90-93

2003     
Gingeras, Alison, “Unplugged,” Work, October-December, pp. 22-23
Clem, Chivas, review, Time Out New York, May 8-15, p. 63
“Sculpture Forever,” Flash Art, May-June 2003, p. 124
Review, Village Voice, April 30-May 6, p. 102
Gingeras, Alison, Openings, Artforum, May, pp. 158-159
Lafuente, Pablo, The failure man, ArtReview, London, January, p. 64
Ruf, Beatrix, Wie wär’s in Wachs, Du Schöne?, Katalog, Kunstpreis der                         Böttcherstrasse, Bremen, März-April, p.21
Urs Fischer: need no chair when walking, Sadie Coles, The Art Newspaper,
No. 33, February 2003
Coomer, Martin, Review, Time Out London, p. 47

2002     
Dezeuze, Anna, The Object Sculpture, in: Art Monthly, London, July-August
Schwabsky, Barry, The Object Sculpture, in: Artforum, www.artforum.com, Summer
Hickling, Alfred, The Object Sculpture, in: The Guardian, June
Lubbock, Tom, Colourvision, in: The Independent, Review, June
Curtis, Penelope, Firing Line, in: Artscene, UK, June 2002, p. 3
Lowland Lullaby, in: The New Yorker, April 22 & 29, 2002, p.36
Schlaegel, Andreas, Urs Fischer: Contemporary Fine Arts, Flash Art, March /
April 2002, pp. 107.
Bell, Kirsty, Urs Fischer: Contemporary Fine Arts Berlin, Frieze2002, p. 103.
Frieze Contemporary Art and Culture, London, Mai 2002, Issue 67, p. 10
Ugo Rondinone with John Giorno and Urs Fischer, in: Village Voice, New
York, April 16, 2002, p.97
in: New York Magazine, April 15, 2002, p.63, p.85
Ugo Rondinone with John Giorno and Urs Fischer, in: Village Voice, Voice
Choices, New York, April 2, 2002, p.89
Ugo Rondinone, John Giorno & Urs Fischer, in: Village Voice, Spring Arts,
March 5, 2002, p.79
Daniels, Corinna, Neues von Urs Fischer bei Contemporary Fine Arts Der
Allgemeine Zeitung, Frankfurt, no. 29, Feb.4, 2002, p. BS 6, ill.
Schweizer hat keine Angst vor Kitsch, in: Die Welt, Berlin, February 8, 2002,
p. 34,ill.
Siepen, Nicolas, Nichts für Bing Crosby, in: Berliner Seiten, Frankfurter
Brigitte Werneburg schaut sich in den Galerien von Berlin um, in: die
Tageszeitung, Berlin Jan. 15, 2002, internet issue

2001   
W.D. Wenn der Tod noch schnell seine Zähne putzt, in: Schweizer Illustrierte,
Zürich, Nr. 41, October 8, 2001, p. 87, ill.
Spinelli, Claudia, Berührend skurril. Hauser & Wirth & Presenhuber zeigen Urs
Fischer, in: Neue Zürcher Zeitung, Zurich, no. 207, September 7, 2001, p.46
2000 Ruf, Beatrix (ed.), Urs Fischer. Time Waste. Radio-Cookie und kaum Zeit, kaum
Rat, Glarus: Edition Unikate, 2000, ill. (exh. cat.)
Obrist, Hans-Ulrich, Manifesta 3. Borderline Syndrome. Energies of Defence.
European Biennial of Contemporary Art, Cankarjev dom, Cultural and
Congress Centre: Ljubljana, 2000, p. 69 (exh. cat.)
Becker, Jochen, Manifesta 3, in: Kunstforum International, no. 152, October-
December 2000, pp. 438-442, ill.
Kölnische Gemischtwaren. Kunstmesse Art Cologne 2000 mit breitem
Angebot, in: Südkurier, Konstanz, November 11, 2000, p.10
Meier, Philipp, Der leise Seufzer der Kunst, Die Art Cologne-Deutschlands
führende Modernmesse, in: Neue Zürcher Zeitung, Zurich, November 11/1
Schroeder, Annette, Prima leben im Videobunker. Förderprogramm auf der Art
Cologne präsentiert 21 Künstler, in: Kölnische Rundschau, Cologne,
November 8, 2000
Baumer, Dorothea, Köln ist ein guter, ein idealer Platz. Die 34. Art Cologne, in:
Süddeutsche Zeitung, Munich, November 6, 2000
Meister, Helga, Zu viele kindliche Seelen, in: Düsseldorfer Nachrichten,
Düsseldorf, November 6, 2000
Posca, Claudia, Die Kunst, Kunst zu sehen. Eindrücke von der 34. Art Cologne,
in: Neue Rhein Zeitung, Düsseldorf, November 6, 2000
Nebelung, Sigrid, Kronleuchter aus Plastiktüten. 21 Künstler profitieren in
diesem Jahr vom Förderprogramm der Art Cologne. Der Trend geht zur
Installation, in: Handelsblatt, Düsseldorf, November 3, 2000
Sandmann, Monika, Installationen dominieren. Förderprogramme, in: Weltkunst
Moderne, Munich, no. 10, 2000
Urs Fischer im Kunsthaus Glarus, in: Kunst-Bulletin, Zurich, June 2000, p.49, ill.
Urs Fischer, in: De Witte Raat, May/ June, 2000
Wessling, Janneke, Staketsels zonder inhoud, in: NRC, May 1, 2000, ill.
Von Arb, Eugen, Der Schöne und das Biest, Urs Fischer, in: Die
Südostschweiz, Glarus, April 7, 2000, p.5, ill.
Goldschmeding, Eugénie, Speelsheid is het sleutelwoord, in: Bldz., May , ill.
Urs Fischer, in: Cash, Zurich, April 4, 2000, p.99
Maurer, Simon, Der Künstler als 'Büetzer', in: Tages Anzeiger, Zurich, no. 63,
April 25, 2000, p. 63
Annäherungen an die Oberflächen einer Wirklichkeit, in: Die Südostschweiz, Glarus,             February 28, 2000, p.7
Coomer, Martin, Urs Fischer. ICA (Museums), in: Time Out, London, February 16-23, 2000, p. 54
Jones, Jonathan, Exhibitions. Urs Fischer, in: The Guardian, London, January 24
Allfree, Claire, Art. Miriam Bäckström and Urs Fischer: Art from Europe, in: Metro,             London, January 20, 2000
Miriam Bäckström and Urs Fischer/ ICA London, in: ?, London, January 2000

1999   
Bonami, Francesco, Obrist, Hans Ulrich (ed.), Sogni/Dreams. 48th                                 Internazionale d‘ Arte – The Venice Biennial of Visual Arts, Turin                 Fondazione
Sandretto Re Rebaudengo per l‘ Arte, 1999, p. 43 (exh. cat.)
Eidgenössische Preise für Freie Kunst 1999, Zurich: Kunsthalle Zürich, (exh cat.)
Helwing, Anna, Urs Fischer, in: Le Repubbliche dell'Arte, Schweiz. Suisse.
Svizzera. Svizra: Palazzo delle Papesse. Contemporary Art Centre, Siena,
1999, o. P., ill. (exh. cat.)
Helwing, Anna, Fundamentgefummel. «Stormy weather» von Urs Fischer, in: Kunst-          Bulletin, Zurich, no. 3, March 1999, pp. 18-24
Nicolaus, Heinrich, Papesse: una finistra sulla Svizzera, in: La Voce del
Campo, ?, no. 31, August 26, 1999, p. 6
Chelotti, Chiara, Le Repubbliche dell’Arte, in: Flash Art, Milan, vol. 32, no. 217,
Summer 1999, p. 91
Coomer, Martin, 'Holding Court'. Entwistle (Upmarket), in: Time Out, London,
February 3, 1999, p. 49
Gespenstige Welt der Dinge. Urs Fischer bei Hauser & Wirth, in: Neue Zurcher                   Zeitgung        Zurich, January 27, 1999, p. 50
smr, Surfen/Pilgern. Urs Fischer, Gemütsmensch, in: Züri Tipp, Zurich, January 4, 1999

1998   
Wolfs, Rein (ed.), ironisch / ironic. maurizio cattelan, urs fischer, alicia framis,
steve mcqueen, aernout mik/marjoleine boonstra, Zurich: Migros Museum für
Gegenwartskunst Zürich, 1998, pp. 144-156, ill. (exh. cat.)
Gerster, Ulrich, Mindestens amüsant - Ironisches im Museum für Gegenwartskunst,            Zürich, in: Neue Zürcher Zeitung, Zurich, July 28, 1998
Feller, Elisabeth, Ironie oder blosse Eselei ? in: Südkurier, ?, July 21,
Altdorfer, Sabine, Ironie, Verballhornung oder was ? Verfremdung von Realität im            Museum für Gegenwartskunst Zürich, in: Limmattaler Tagblatt, Zurich, July 22,              1998/Aargauer Zeitung, Aarau, July 22, 1998
Ironie ist, wenn man trotzdem lacht, in: Voralberger Nachrichten, July 11, 1998
Maurer, Simon, Das apportierwillige Hundeskelett, in: Tages Anzeiger, Zurich, June 30,         1998
sfd, Hinterfragte Wirklichkeit, in: Berner Rundschau Bern, June 27, 1998

1997  
Fondazione Sandretto Re Rebaudengo per l'Arte (ed.), Guarene Arte 97,
Turin: Neos Edizioni, 1997, pp. 29-33, ill. (exh. cat.)
Stp, Alles mögliche nebeneinander, in: Stehplatz, Bern, no. 54, September.
Une Fiac aux couleurs de la Suisse, in: Le Journal des Arts, no. 44, September 26,            1997, pp. 13-14

1996  
Spinelli, Claudia, Urs Fischer in der Galerie Walcheturm, in: Das Kunst-Bulletin, Zurich, no. 4, April 1996, p. 40
Ugr., Besetzt. Urs Fischer in der Galerie Walcheturm, in: Neue Zürcher Zeitung, Zurich,       no. 77, April 1, 1996
Maurer, Simon, Sexy Kuhfladen, in: züritip, Zurich, ?, p.

1968 Born, Bad Kreuznach, Germany
Lives and works in Miami, FL


Education

University of Miami, School of Motion Pictures, MFA, Miami
The Slade School of Fine Art, University College, London, United Kingdom
Städelschule, Frankfurt am Main, Germany
Vassar College, Poughkeepsie


Solo Exhibitions

2012
“SOFT IS HARD (Work),” Sadie Coles, London
“Government Cut Freestyle,” Museum Kunst der Westküste, Alkersum, Gemany (forthcoming)
"Dancer," Contemporary Art Museum, Raleigh, North Carolina
"Dancer," Miami Art Museum, Miami, Florida

2011
“Dancer,” Gavin Brown’s enterprise, New York

2009
“Shooting Gallery,” Number Three: Here and Now, Julia Stoschek Collection, Düsseldorf, Germany
“Musical,” Museum of Modern Art, New York

2008
“Musical,” Gavin Brown’s enterprise, New York

2007
“Musical,” Public Art Fund, New York
“Tigertail,” Gavin Brown’s enterprise, New York

2005
“Sunset Island,” The Kitchen, New York

2004
The Wrong Gallery, New York

2002
Gavin Brown’s enterprise, New York
“Dara Friedman,” Kunstmuseum Thun, Switzerland, (cat.)
Galleria Massimo Minini, Brescia, Italy
“Lemon Sky: Projects & Editions,” Los Angeles
Museum of Contemporary Art, Los Angeles (screenings)

2001
Miami Art Museum, Miami
Site Santa Fe, Santa Fe (cat.)

2000
Gavin Brown's enterprise, New York

1998
Museum of Contemporary Art, Chicago
“Total,” Miami Art Museum, Miami
Gavin Brown's enterprise, New York (with Mark Handforth)

1997
“Government Cut freestyle,” Miami Arts Project, Miami International Airport, Miami

1996
“she is stupid, I am worried,” Frederic Snitzer Gallery, Coral Gables (with Mark Handforth)

1992
“Maxilla Axilla: Films by Dara Friedman,” London Film-makers co-op, London, United Kingdom


Selected Group Exhibitions

2013
"Dancer," Centra for Contemporary Art, Ujazdowski Castle, Warsaw, Poland (forthcoming)
"Play," Art Unlimited, Art Basel, Basel, Switzerland (forthcoming)
“Rhythm in it - On rhythm in contemporary art,” Aargauer Kunsthaus, Aarau, Switzerland (forthcoming)
“On Time / Grand Central at 100,” New York Transit Museum Gallery Annex, Grand Central Station, New York

2012
“Grid(love)r,” Andreas Melas and Helena Papadopoulos, Athens, Greece
“Boros Collection #2,” Boros Collection, Berlin, Germany
“COSMIC LAUGHTER timewave zero, then what?” Ursula Blickle Stiftung, Krauchtal,
Germany
Wesleyan University, Contemporary Art Center (forthcoming)
"Untied Tastes of America: Artist's Films and Video selected by David Gryn," Double-bill screening: Musical and Dancer, 28th Hamburg International Short Film Festival, Germany

2011
“I Hate Karl Marx, Merry Christmas,” Espacio1414, Santurce, Puerto Rico
“Our Darkness,” Kunstlerhaus Stuttgart, Suttgard, Germany (curated by Viktor Newman)
“At Capacity,” MoCA NoMi, Miami

2010
"How Soon Now," Rubell Family Collection/ Contemporary Arts Foundation, Miami
“Off the Wall: Part 1 – Thirty Performative Actions,” The Whitney Museum of American Art, New York (travels to Serralves Museum, Porto, Portugal)
"Greater New York: 5 year review," P.S.1, Long Island City

2009
“Underwater,” Western Bridge, Seattle
“Playing the City,” Schirn Kunsthalle Frankfurt, Germany

2008
“Multiplex,” Western Bridge, Seattle
"Number One: Destroy, She Said," Julia Stoschek Collection, Düssledorf, Germany

2005
“Ange Leccia, Anselm Reyle, Dara Friedman,” Galerie Almine Rech, Paris, France

2004
“Hysterical,” Galerie Dennis Kimmerich, Düsseldorf, Germany (curated by Michele Maccarone)
“Never Never Landscape,” Atle Gerhardsen Gallery, Berlin, Germany (curated by Kirsty Bell)
Impakt Film Festival, Utrecht, Holland
Brand New and Retro, Up Projects, London, United Kingdom (cat.)

2003
“As Heavy as the Heavens- Transformation of Gravity,” Graz 2003 – Cultural City of Europe, Graz, Austria
Reg Vardy Galley, University of Sunderland, Sunderland, United Kingdom
“20th Anniversary - Welcome home,” Gavin Brown’s enterprise, New York

2002
“Inter. Play,” The Moore building, Miami (curated by Silvia Karman Cubina and Patrick Charpenel) (cat.)
“Videodrome ll,” New Museum of Contemporary Art, New York
“There is no accounting for other people’s relationships,” Ormeau Baths Gallery, Belfast, Ireland
“Aquaria,” Landesgalerie, Linz, Austria (curated by Barbara Wall)

2001
“The Americans New Art,” Barbican Gallery, London, United Kingdom (curated by Mark Sladen), (cat.)
American Academy in Rome, Italy (cat.)
“Gravita Zero,” Palazzo delle Esposizioni, Rome, Italy (curated by Bartolomeo Pietromarchi and Maria Grazia Tolomeo), (cat.)

2000
Whitney Biennial, Whitney Museum of American Art, New York (cat.)
“Black Box,” CCAC Institute, Oakland (curated by Larry Rinder)
“Making Time: Considering Time as a Material in Contemporary Art Film & Video,” Palm, Beach Institute of Contemporary Art, Palm Beach, UCLA Hammer Museum, Los Angeles (curated by Amy Cappelazzo), (cat.)

1999
“Heads Up,” Museum of Contemporary Art, Miami, (curated by Bonnie Clearwater), (cat.)
“Déjà vu,” Art Miami, (curated by Amanda Cruz)
“Leftover Festivities,” Nature Morte, New Delhi, India (curated by Clarissa Dalrymple)

1998
“New Art South Florida,” Museum of Contemporary Art, Miami
“Independing Loop,” Swiss Institute, New York (curated by Annette Schindler), (cat.)

1997
“Celluloid Cave, Thread Waxing Space,” New York (curated by Dara Friedman), (cat.)

1994
“Filmic Self-Portraits,” Galerie Voges & Deisen, Frankfurt, Germany

1993
“One week's Public Teaching in Search of the Essence of Film,” Austrian Film Museum, Vienna, Austria, (curated by Peter Kubelka)


Awards

2000-2001
Rome Prize, American Academy in Rome, Rome, Italy

1999
Louis Comfort Tiffany Foundation, New York

1998
Cultural Consortium Fellowship, Miami

1997
New Forms Miami, Miami


Selected Bibliography

2012
Hood, John, "Nite Talk: Filmmaker Dara Friedman Gets Resless at MAM," NBC Miami, February 17, reposted Huffington Post
"Miami Art Museum Receives $1 Million Grant For New Acquisitions," Huffington Post, January 27

2011
Smith, Roberta, “Review: Dara Friedman, Dancer” The New York Times, December 16

2010
Sherman, John, Bombsite.com, August
Johnson, Ken, “The Avant-Garde, No Longer Avant,” The New York Times, July 29

2008
Johnson, Ken, “Review,” The New York Times, June 20
Knowles, David, “Miami Minimal,” Men’s Vogue, February, p. 184-187
Licht, Alan, “Reality Show,” ArtReview, January 2008, p. 48-51

2007
Decter, Joshua, Review, Artforum, December 2007
Robertson, Campbell, “Turning All of Manhattan Into a Broadway Stage,” New York
Times, September 30
Garwood, Deborah, review, The New York Sun, May 3, p.22
Falconer, Morgan, review, Time Out New York, May 3-9, p. 73

2005
Cornell, Lauren, review, Time Out New York, October 6-12, p. 78
Camhi, Leslie, review, The Village Voice, September 28, p. 84
De Monchaux, Thomas, “Scene & Herd: The Artforum Diary”, Artforum.com, Sept.24

2003
Verlag, Wilhelm Fink, Himmel Schwer: Transformationen der Schwerkaft, München
(cat.)
Review, Flash Art, Jan/Feb

2002
Chasin, Noah, review, Time Out New York, November 7-14, p/ 83
Leuenberger, Samuel, review, Frieze, October, p. 101
Hattinger, Gottfried, “Kunst Sprünge,” kursiv, 9-2/02, p.38
DeCruz, Gemma, Make, Special Edition 92, p. 10-11
“Pulsschlage,” Neue Zurcher Seitung, June 15/16, No. 136, p. 60
Dambrot s Shana, “Reviews,” Tema Celeste, May/June, p. 96
Schneider, Caroline, “Preview,” Artforum, May 2002
Farquharson, Alex, “The Americans; New Art”, Art Forum, March 2002, P 136

2001
Sarah Kent, Time Out, London
Moreno, Gean, “Art (of Relation)”, Flash Art, November-December, pp. 72-73
Sladen, Mark, “Young Americans”, Blue Print, November, pp. 50-52
Moreno, Gean, Review, Flash Art, July- September, pp. 122-123
Wallach, Amei, “In Miami, a Hot Spot of Art, the Temperature’s Rising,” The New York
Times, September 16th, pp. 33-36
Van Cleve, Emily, “Fact, Fiction Intersect in Exhibit”, Albuquerque Journal, Sunday,
February 4
Pulkka, Wesley, Review, Albuquerque Journal, Sunday, March 4
Cline, Lynn, “Double Take”, The Santa Fe New Mexican, February 9-15
GariotStejskal, Richard, Review, Crosswinds Weekly, March 29- April 5
Clemmer, David, Review, The Magazine, April
Allen, Steven Robert, “Still and Moving Life”, Alibi Magazine, February 8-14
Kesterson, Marc, “Time and Again”, Dutch, No. 32, March-April, p. 56

2000
Cruz, Amanda, Fresh Cream, Phaidon Press, pp. 280
Moreno, Gean, “Déjà Vu, review” New Art Examiner, May 2000
Moreno, Gean, “Sound Check, Gean Moreno visits Dara Friedman”, Art Papers Magazine, July/ August, 2000
Saltz, Jerry, “My Sixth Sense”, Village Voice, April 4, p. 69
Review, The New Yorker, May 8
Vogel, Carol, “Biennial Buys”, The New York Times, Friday, June 2
Smith, Roberta, “Dara Friedman, Art in Review”, The New York Times, April 28

1999
Turner, Elisa, "Beach artist picked by N.Y. museum", The Miami Herald, Dec. 10
Turner, Elisa, "Moca's 'Banging art' Heralds the New and Notable", The Miami Herald, July 18
Vogel, Carol, "Surprises in Whitney's Biennial Selections", The New York Times, December 8
Feinstein, Roni, "Report from Miami: Part I, Museum Salsa", Art in America, May
Dietsch, Deborah, "Two ways about it: postwar permanence", Sun Sentinel, July 8

1998
Brackman, Yvette, "Dara Friedman + Mark Handforth", Time Out New York, Feb. 12-19, issue 125, p. 49
Clearwater, Bonnie, "new art: south florida", (catalogue), Museum of Contemporary Art, Miami, May
Dellinger, Jade, "Cityscape Miami", Flash Art (interview), March-April, p. 72
Johnson, Ken, "Art in review: Dara Friedman and Mark Handforth", The New York Times, Feb. 6
Molon, Dominic, "Dara Friedman, Creator/Destroyer, Museum of Contemporary Art, Chicago", Aug. 31 - Oct. 19
Purcell, Greg, "Dara Friedman", New Art Examiner (Chicago), Nov., p. 49
Turner, Elisa, "Prints, videos are art fellows' canvas of choice", The Miami Herald (exhibition review New Art: South Florida), May 17

1997
"Celluloid Cave", Contemporary Visual Arts (New York), issue 14, p. 94
Smith, Roberta, "Art in Review: Young artists play with film", New York Times, June 27
Young, Lisa and Friedman, Lisa, "celluloid cave" (exhibition booklet)

1996 Cantor, Judy, "Art: Techno Trashing", New Times (Miami), July 18-24


Publications

2002
“Dara Friedman,” Kunstmuseum Thun, Thun, Austria
“Dara Friedman,” Site Santa Fe, Santa Fe

1969 Born Hong Kong
Lives and works in Miami, FL

Education

1988-92 The Slade School of Fine Art, University College, London, UK
1990-91 Staatliche Hochschule fur Bildende Kunste, Stadelschule, Frankfurt am Main, Germany



Solo Exhibitions

2013
Galleria Franco Noero, Turin, Italy (forthcoming)
Galerie Eva Presenhuber, Zurich, Switzerland 

2012
L’Etoile de Bagnolet, Permanent installation, Place de la Porte de Bagnolet, Paris, France

2011
“Rolling Stop,” Museum of Contemporary Art, North Miami (cat.)
Hessel Museum of Art and CCS Galleries, Bard College, Annandale-on-Hudson
“MCA Chicago Plaza Project: Mark Handforth,” Museum of Contemporary Art, Chicago

2010
Gavin Brown’s enterprise, New York
The Modern Institute, Glasgow, Scotland

2009
Kunstnernes Hus, Oslo, Norway (with Urs Fischer and Georg Herold)

2008
Galerie Almine Rech, Paris, France
Galerie Eva Presenhuber, Zurich, Switzerland
Gavin Brown’s enterprise, New York

2007
“Platz,” Galerie Eva Presenhuber/Tessinerplatz, Zurich, Switzerland
“Concentrations 51: Mark Handforth,” Dallas Museum of Art, Dallas

2006
Galerie Eva Presenhuber, Zurich, Switzerland
“Mark Handforth – No,” The Modern Institute, offsite, Glasgow, Scotland

2005
Stroom, Den Haag, Netherlands
Galerie Almine Rech, Paris, France
Fondation Vasarely, Aix-en-Provence, France
Gavin Brown’s enterprise, New York
Kunsthaus Zürich, Zurich, Switzerland (cat.)

2004
Wrong Gallery, New York
Roma Roma Roma, Rome, Italy
The Modern Institute, Glasgow, Scotland

2003
Le Consortium, Dijon, France
“Lamppost,” a Public Art Fund commission, New York

2002
UCLA Hammer Museum, Los Angeles
Gavin Brown’s enterprise, New York
Galleria Franco Noero, Turin, Italy

2000
“Free Bird,” Gavin Brown's enterprise, New York

1998
Gavin Brown's enterprise, New York (with Dara Friedman)

1997
Miami Arts Project, four bus shelters for Metro-Dade Art in Public Places, Miami

1996
“she is stupid I am worried,“ Frederic Snitzer Gallery, Miami (with Dara Friedman),
“not from where I'm standing,” Project Room, Museum of Contemporary Art, Miami

1994
“Cheap,” Jason Rubell Gallery, Miami Beach (with Adam Kuczynski)

1991
Galerie Krieg, Frankfurt am Main, Germany



Group Exhibitions

2013
Marseille-Provence 2013, place François Villon, Aix en Provence, France

2012
"Luminale Midwest: Sunlight on Cold Water," Kunsthalle Detroit, Detroit
"Hors les Murs," FIAC Jardin des Tuileries, Paris, France

2011
“Painting Show,” Eastside Projects, Birmingham, United Kingdom
"American Exuberance," Rubell Family Collection, Miami

2010
“Born in Dystopia,” Rosenblum Collection, Paris, France (cat.)
“At Home/Not at Home,” Hessel Museum of Art, New York
“Ghost Colour,” Collection Vanmoerkerke, Oostende, Belgium

2009
“Tonite,” The Modern Institute, Glasgow, Scotland
“Beg Borrow and Steal,” Rubell Family Collection, Miami
“Mapping the Studio: Artists from the François Pinault Collection,” Palazzo Grassi/Punta della Dogana, Venice, Italy
“We Are Sun-kissed and Snow-blind,” Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France

2008
“Pivot Points: Defining MOCA’s Collection,” Museum of Contemporary Art, North Miami
“The Freak Show,” Musée de la Monnaie, Paris, France
“The Complexity of the Simple,” L & M Arts, New York

2007
"Disorder in the House," Vanhaerents Art Collection, Brussels, Belgium
“Jubilee Exhibition,” House Eva Presenhuber, Vnà, Switzerland
“Château de Tokyo/Tokyo,” Redux, Ile de Vassivière, France
“From Site to Site: Light Art in Parks,” Villas, and Museums, Internationale Lichttage Winterthur, Switzerland
“The Freak Show,” Musée d’Art Contemporain de Lyon, Lyon, France

2006
“The Uncertainty of Objects and Ideas,” Hirshhorn Museum and Sculpture Garden, Washington DC (cat.)
“5 Milliards d’Années,” Palais de Tokyo, Paris, France
“La Force de l’Art,” Le Grand Palais, Paris, France
“Optik Schröder,” Sammlung Alexander Schröder, Kunstverein Braunschweig, Braunschweig, Germany (cat.)
“Boomrang,” Swiss Institute, New York

2005
“Light Art from Artificial Light,” ZKM Museum for Contemporary Art, Karlsruhe, Germany (cat.)
“Lotissement de Cimaises,” Villa Arson, Nice, France (cat.)

2004
“Never Never Landscape,” Atle Gerhardsen, Berlin, Germany (curated by Kirsty Bell)
“Terminal 5,” JFK Airport, New York (cat.)
Regen Projects, Los Angeles
“It’s all an Illusion,” Migros Museum, Zurich, Switzerland
Galerie Almine Rech, Paris, France
“Keep Your Head to the Sky,” Gavin Brown’s enterprise, New York
“Genesis Sculpture,” Domaine de Pommery, Reims, France (cat.)
“Whitney Biennial,” Whitney Museum of American Art, New York (cat.)

2003
“Inaugural Group Exhibition,” Gavin Brown’s enterprise, New York
“Coollustre,” Collection Lambert en Avignon, Avignon, France (curated by Eric Troncy) (cat.)
“It Happened Tomorrow,” Lyon Biennale, Lyon, France (cat.)
“Breathing the Water,” Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
“20th Anniversary- Welcome home,” Gavin Brown’s enterprise, New York

2002
“My head is on fire but my heart is full of love,” Charlottenborg Exhibition Hall, Copenhagen, Denmark (cat.)

2001
“Humid,” The Moore Building, Miami, (curated by Dominic Molon) (cat.)
“Lokalzeit,” Johanniterbrücke, Basel, Switzerland

2000
“Making Art in Miami: Travels in Hyperreality,” Museum of Contemporary Art, Miami
“Deja-Vu,” Art Miami, Miami, FL (curated by Amanda Cruz)

1999
“Heads-up,” Museum of Contemporary Art, Miami
“Leftover Festivities,” Nature Morte, Delhi, India (curated by Clarissa Dalrymple)

1998
“new art: south florida,” Museum of Contemporary Art, Miami (cat.)
“Oriental Nights performance,” Gavin Brown's enterprise, New York, NY

1997
“Bobois,” Galerie Krinzinger, Art Miami, Miami

1996
“Joint Venture,” Galerie Krinzinger, Vienna, Austria

1993
Jason Rubell Gallery, Miami Beach

1991
“Zwischen Dürer und Holbein,“ Städel, Frankfurt am Main, Germany



Bibliography

2012
"L'art se deploie le long des rails," JDD, April 1
"Mark di Suvero and Mark Handforth," Mousse, issue 32
Green, Tyler, "The Modern Art Notes Podcast: Mark Handforth," ARTINFO, February 3
Basciano, Oliver, "Off-Space Travels," Art Review, January

2011
Douglas, Sarah, "Beauty in the urban wilderness," The Art Newspaper, December
Nielsen, Kirk, "MOCA Sets the Tone for Art Basel 2011," Ocean Drive, December
Rosenberg, Karen, "Art Fair: Business Over Activism," The New York Times, December 2
Weist, Nicholas, "Mark Handforth Did the Un-Basel During Basel," Art in America, December 6
Wollenweber, Heike, "Streching Physical Limitations of Art," Aesthetica, December 19
Suarez De Jesus, Carlos, "North Miami's Mark Handforth makes a 'Rolling Stop' at MOCA," Miami New Times, December 22
Douglas, Sarah, "Lit Up," New York Observer, December 12
Trigg, Sarah, "Mark Handforth," Modern Painters, December
"Mark Handforth," Art in America, Summer
Ellegood, Anne, "Mark Handforth: Rolling Stop," Artforum, Summer
Thomas, Mike, "A Welcoming Look," Chicago Sun Times, July 8
"Mark Handforth: Rolling Stop," On View Magazine, October/November
"MCA Chicago Plaza Project: Mark Handforth," CBS Chicago, September 19

2010
Kotze, Talitha, Review, The List, July
Moira, Jeffrey, Scotsman News, June 29

2009
Frieze Art Fair Yearbook, “Mark Handforth”

2008
Sheets, Hilarie, Critic’s Pick, ArtNews, November
Cairns, Steven, MAP Magazine, Summer
Feinstein, Roni, “Handforth’s Fallen Angels,” Art in America, May, p. 180-183
The New Yorker, March 31
Baker, R.C., “Best in Show,” Village Voice, March 25
Rosenberg, Karen, Review, New York Times, March 21
Kerr, Merrily, Review, Time Out New York, March 19-25
Knowles, David, “Miami Minimal,” Men’s Vogue, Feburary, p. 184-187

2007
Gayer, John, “The Uncertainty of Objects and Ideas; Review,” Art Papers, March/April, pp. 46-47 (illus.)
Kuo, Michelle, “The Uncertainty of Objects and Ideas: Recent Sculpture; Review,” (illus.) Artforum, February, p. 2007
“Looking Back,” (illus.) Frieze, January-February, pp. 16-17

2006
“Cinq Milliards d’Annees,” (illus.), Palais/, Fall/Winter 2006-7, pp. 6-7, 24, 26-27
Ulmer, Brigitte, “Kunstszene unter Palmen,” Bolero, December pp. 78-80
Burton, Johanna and Ellegood, Anne, “The Uncertainty of Objects and Ideas: Recent
Sculpture,” published by Hirschhorn Museum and Sculpture Garden, Washington, D.C.

2005
The New Yorker, May 23, p. 20
“13 Questions for Dara Friedman and Mark Handforth by The Wrong Gallery,” The Wrong Times,
p. 1
Ribas, Joao, Review, Time Out, May 12 – 18, p. 74
Lunn, Felicity, Review, Artforum, May, p. 242
Trocy, Eric; Varadinis, Mirjam; “Mark Handforth,” published by JRP/Ringier, Zurich
Bonnet, Frederic; Varadinis, Mirjam; “Mark Handforth,” published by Les Presses du Reel, Dijon
Lauf, Cornelia, Review, Art In America, January, pp. 134-135
“Work in Progress,” photo by Jason Schmidt, V Magazine, April, p. 106

2004
Ribas, João, “The Other Side of Paradise,” Art Review, Dec/Jan 04-05 pp.94-97
Trainor, James, “Road to Ruin,” Frieze, Issue 85, September, pp. 89 – 91; 62-63 (ill.)
Mottram, Jack, “Making His Mark,” Sunday Herald, Aug 1, 2004 p. 19 (UK)
Diez, Renato, “Alla Biennale del Whitney,” Arte, May, pp. 104-111
“American Art in the Spotllght” Whitney 2004 Biennial, NY Times (ill.)
Walker, Andrew Lee; Ward, Rachel K.’ “Terminal 5,” published by Lukas & Sternberg, New York
Weyland, Jocko, “American Splendor,” Time Out New York, March 4-11,
pp.12-15
Moreno, Gean, “Art Basel 2003,” Loft, December-January 2004, p. 60
Kimmelman, Michael, “The Whitney’s Heavy Lifters Look Back,” The New York Times, May 30, p. 22 (Ill.)
Heartney, Eleanor, “The Well-Tempered Biennial,” Art in America, June/July, p.70-77
Genesis Sculpture, published by Beaux Arts Magazine, Hors Serie, edited by Stephanie Moisdon

2003
de Brugerolle, Marie, “It Happened Tomorrow: Lyon Biennale,” Flash Art, November-December, pp. 41, 50
Bonnet, Frederic, “A Changing World,” Excerpt from 10 Floridians Catalog, Miami Art Central, City Miami
Frédéric Bonnet, "Troubles quotidiens", in Mouvement, n° 25,
novembre-décembre, pp. 56-59
“Lamp Unto Thy Feet,” The New York Times, April 30, p. B4
Troncy, Eric, “Decryptage,” Numero, March, pp. 323-328
Troncy, Eric, “A Future One Would Like to Be Able to Defer,” Parkett No. 79, p189-196.
Troncy, Eric, Coollustre, published by Les Presses du Réel, Dijon
Casadio, Maruccia, “Archeologic,” Vogue Italia, October, No. 626, pp. 677-681

2002
Smith, Roberta, “Art in Review,” The New York Times, March 22, 2002 p E36
Adm, No. 134, July, p. 118
González, Manuel E., et. Al, 10 Floridians, published by Miami Art Central

2001
Molon, Dominic, Humid., published by The Moore Building, Miami
Moreno, Gean, “Cityscape Miami”, Flash Art, November/December, pp. 59-60
Wallach, Amei, “In Miami, a Hot Spot of Art, the Temperature’s Rising,” The New York Times, September 16th, pp. 33-36

1999
Gean, Moreno, “Mark Handforth: Studio View,” New Art Examiner, October
Feinstein, Roni, “Report from Miami,” Art in America, May

1998
Basualdo, Carlos, “cream: contemporary art in culture,” Phaidon Press, London
Brackman, Yvette, “Dara Friedman & Mark Handforth,” Time Out New York (review), February 12-19
Johnson, Ken. “Dara Friedman and Mark Handforth” New York Times, Feb 6
Dellinger, Jade, “Flash Art Cityscape” (interview), Flash Art Magazine,
March-April
Turner, Elisa, “Art Fellows, canvas of choice,” (review ), The Miami Herald, June 27

1996
Busse, Bettina, “Joint Venture,” Galerie Krinzinger, Vienna, Austria, October (cat.)
Cantor, Judy, “Techno Trashing,” New Times, July 18
Turner, Elisa, “Latest MOCA installation speaks of art without an angle,” The Miami Herald, June
Clearwater, Bonnie, “not from where I'm standing” (review), Museum of Contemporary Art, Miami, May
Kimmelman, Michael, “Ambitious Miami Reaches for a Place in the Sun,” New York Times, March 31

1994
Kohen, Helen, “Revenge of the Artist,” The Miami Herald, April 15
Zarko, Cyn, “Basic Instinct,” Ocean Drive magazine, June

1993
Kohen, Helen, '”A Glimpse at a Chosen Few,” The Miami Herald, July 23


Selected collections

Dallas Museum of Art
Le Consortium
FRAC Centre
Museum of Contemporary Art, North Miami
Museum of Contemporary Art, Los Angeles
Francois Pinault Collection
Rachofsky Collection
Rubell Family Collection
Whitney Museum of American Art

JONATHAN HOROWITZ


1966 Born New York
Lives and works in New York


Education

1987 B.A. Philosophy, Wesleyan University


Solo Exhibitions

2013
Galerie Barbara Weiss, Berlin, Germany (forthcoming)
“FREE STORE,” Art Unlimited, Basel, Switzerland (forthcoming)
“Group Self-portrait in ‘Mirror #1 (Six Panels),’” Gavin Brown’s enterprise, New York

2012
“Your Land/My Land: Election ‘12”, Contemporary Art Museum St. Louis, St. Louis; Contemprary Art Museum Raleigh, Raleigh; Hammer Museum, Los Angeles, Contemporary Art Museum Houston, Houston; Utah Museum of Contemporary Art, Salt Lake City; New Museum of Contemporary Art, New York; Telfair Museums, Savannah
“Secret Life,” Sadie Coles HQ, London, UK (with Elizabeth Peyton)
“Self-portraits in Mirror #1,” Gavin Brown’s enterprise, New York

2011
“Art, History,” Sadie Coles HQ, London, UK

2010
"Minimalist Works from the Holocaust Museum," Dundee Contemporary Arts, Dundee, UK
"Go Vegan!" LaFrieda Meats/Gavin Brown's enterprise, New York

2009
"And/Or," P.S.1 Contemporary Art Center, New York (curated by Klaus Biesenbach)
"Apocalypto Now," Museum Ludwig, Cologne, Germany
"Free Store," Sadie Coles HQ, London, UK

2008
“Obama ‘08,” Gavin Brown’s enterprise, New York

2007
"People Like War Movies," Galerie Barbara Weiss, Berlin, Germany

2006
“Rome,” Sadie Coles HQ, London, UK

2005
“The New Communism,” Gavin Brown’s enterprise, New York
“Silent Movie,” Yvon Lambert Gallery, New York

2004
Galerie Barbara Weiss, Berlin, Germany

2003
"Silent Movie," Martix 151, Wadsworth Atheneum Museum of Art, Hartford
"Surreal Estate," with Rob Pruitt, Gavin Brown's enterprise, New York
Buero Friedrich, Berlin, Germany
Galerie Yvon Lambert, Paris, France

2002
"Go Vegan!," Greene Naftali Gallery, New York
"Pillow Talk," Sadie Coles HQ, London, UK

2001
"Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen," Kunsthalle St. Gallen, Switzerland
Galerie Yvon Lambert, Paris, France
"We the People," China Art Objects Galleries, Los Angeles
"In Person," Bard College Center for Curatorial Studies, Annandale-on-
Hudson (curated by Kim Simon)

2000
"The Jonathan Horowitz Show," Greene Naftali Gallery, New York
"The Universal Calendar/talking without thinking," Van Laere
Contemporary Art, Antwerp, Belgium

1998
"Bach Two Part Invention #9," Kenny Schachter/Rove, New York
"Maxell," Greene Naftali Gallery, New York


Selected Group Exhibitions

2013
“The Cat Show,” White Columns, New York (curated by Rhonda Lieberman) (forthcoming)
“Free Store,” Art Unlimited, Art Basel, Basel Switzerland (forthcoming)
“In the Heart of the Country,” The collection of the Museum of Modern Art in Warsaw, Poland
“FOOD,” Frieze Projects, Frieze NY, New York
“Beg, Borrow, and Steal,” Palm Springs Art Museum, Palm Desert
“Paparazzi,” Centre Pompidou-Metz, Metz, France
“Your Content Will Return Shortly,” Franklin Street Works, Stamford

2012
“For President,” Fondazione Sandretto Re Rebaudengo, Turin, Italy
“Skyscraper: Art and Architecture Against Gravity,” Museum of Contemporary Art Chicago, Chicago
“Video Killed the Radio Star”, Warsaw Museum of Contemporary Art, Warsaw, Poland
“Escape: Video Art,” Guild Hall, East Hampton
“Miracles, Art, Science and Religion,” Kunsthalle Krems, Krems an der Donau, Austria
Altman Siegel Gallery, San Francisco
“Ministry of Truth,” Boers-Li Gallery, Beijing, China
“Synchrony,” Hunter Museum of American Art, Chattanooga, TN

2011
“Miracles,” Deichtorhallen Hamburg, Hamburg, Germany (curated by the Praxis für Ausstellung und Theorie- Hürlimann/Lepp/Tyradellis)
“Flags for Venice,” Istituto Svizzero di Roma and Swiss Institute, Venice, Italy
“Commercial Break,” presented by the Garage Center for Contemporary Culture, 54th Venice Biennale, Venice, Italy (curated by Neville Wakefield)
“Replay: Out of Storage III,” Musée d'Art Moderne Grand-Duc Jean, Luxembourg City, Luxembourg (curated by Clément Minighetti)
“Day of the Locust," White Flags Projects, St. Louis
“Wit,” Paddle8, www.paddle8.com, New York (curated by Glenn O’Brien)
“Wunder,” Deichtorhallen, Hamburg, Germany. Traveling to Kunsthalle Krems (2012
“Secret Societies,” Schirn Kunsthalle, Frankfurt, Germany; Museé d’art Contemporain de Bordeaux, Bordeaux, France (curated by Christina Ricupero and Alexis Vaillant)
“Sammlung auf Reisen- Time to Act,” Kunsthalle Krems, Krems an der Donau, Austria
“Evolution Revolution” Arena 1 Gallery, Santa Monica
“l.o.l.: A Decade of Antic Art,” Contemporary Museum, Baltimore (curated by Sue Spaid)

2010
"Trailer Park," Teatro Margherita, Bari, Italy (curated by Jörg Heiser)
"Hello World," Embassy Gallery, Edinburgh, UK
"Viaggio in Italia," Palazzo Fabbroni, Pistoia, Italy (curated by Ludovico Pratesi and Benedetta Carpi De Resmini)
"Christmas in July," Yvon Lambert Gallery, New York (curated by Simon Castets)
"Moving Images: Artists & Video/Film", Museum Ludwig, Cologne
“The woods that see and hear,” Dertien Hectare, The Netherlands
"Che cosa sono le nuvole? Artworks from the Enea Righi Collection," Museion – Museo d’arte Moderna e Contemporanea, Bolzano, Italy
SIR Cinema, Sculpture International Rotterdam, Rotterdam, Netherlands

2009
"Beg Borrow and Steal," Rubell Family Collection, Miami, Florida
"Saints and Sinners," Rose Art Museum, Brandeis University, Waltham, MA

2008
"An Unruly History of the Readymade," La Colección Jumex, Mexico City, Mexico, curated by Jessica Morgan
“Sudden White (After London)” Royal Academy of Arts, London, UK
“Moral Imagination – Contemporary Art and Climate Change,” Kunstmuseum Thurgau, Warth, Switzerland; Ittinger Museum, Warth, Switzerland; and Museum Morsbroich Leverkusen, Leverkusen, Germany
"Italia Italie Italien Italy Wlochy," ARCOS Museo d'Arte Contemporanea Sannio, Benevento, Italy (curated by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Viliani) (cat.)
"Good News for People Who Love Bad News," Swiss Institute, New York (curated by Gianni Jetzer)
"Other Than Yourself - An Investigation Between Inner and Outer Space," Thyssen - Bornemisza Art Contemporary, Vienna, Austria (cat.)

2007 "RAW," Museum of Modern Art, New York
"In The Poem About Love You Don't Write The Word Love," Overgarden Institut for Samtidskunst, Copenhagen, Denmark (curated by Tanya Leighton)
"Playback," ARC/Musee d’Art moderne de la Ville de Paris, Paris, France (cat.)
"The Future of Futurism," GAMeC/Museum of Modern and Contemporary Art, Bergamo, Italy
"MARTa is silent. Garde le silence, le silence te gardera," MARTa Herford Museum, Herford, Germany
"New York: State of Mind," House of World Cultures, Berlin, Germany; Queens Museum, New York (curated by Shaheen Merali) (cat.)
"Lines, Grids, Stains, Words," Museum of Modern Art, New York, organized by Christian Rattemeyer; Traveling to Museu de Arte Contemporanea de Serralves, Portugal, and Museum Wiesbaden, Germany (cat.)
"Love Addiction: Practices in Video Art from ’61 to the Present," Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy (curated by Andrea Bruciati)
"Das Kapital - Blue Chips and Masterpieces," Museum fur Moderne Kunst, Frankfurt, Germany
“Art in America: 300 Years of Innovation,” National Art Museum of China, Beijing; Shanghai Museum and the Museum of Contemporary Art Shanghai, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art (cat.)
“Raw. Among the Ruins,” Marres Center for Contemporary Art, Maastricht, The Netherlands (curated by Lisette Smits and Alexis Vaillant) (cat.)

2006
“Defamation of Character,” P.S. 1 Contemporary Art Center, New York (curated by Neville Wakefield)
“Repeat Redux, Screening and Performance Series,” Whitney Museum of American Art at Altria, New York
“Into Me/ Out of Me,” P.S. 1 Contemporary Art Center, New York; KW Institute for Contemporary Art, Berlin, Germany; MACRO Museum of Contemporary Art at Mattatoio, Rome, Italy (curated by Klaus Biesenbach) (cat.)
“Down by Law,” Whitney Museum of American Art, New York (curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick) (cat.)
“The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960,” Museum Ludwig, Cologne, Germany (curated by Kasper Konig and Frank Wagner) (cat.)
“The Kate Show,” Foam Fotografiemuseum Amsterdam, Amsterdam, Netherlands (curated by Rita Ackermann and Olivier Zahm)
“Figures de l‘acteur: Le Paradoxe du comedien,” Collection Lambert, Avignon, France (cat.)
“Modern Times,” Museo d'Arte Provincia di Nuoro, Nuoro, Italy, curated by Maria Rosa Sossai (cat.)
“The Name of the Show Is Not ‘Gay Art Now’,” Paul Kasmin Gallery, New York (curated by Jack Pierson)
“Survivor,” Bortolami Dayan Gallery, New York (curated by David Rimanelli) (cat.)
“Take One,” Glassell School of Art, Museum of Fine Arts, Houston (curated by Domenick Ammirati)
“The Fact, Abstract,” Dorsky Gallery Curatorial Programs, Long Island City, New York (curated by Claire Barliant)

2005
“Superstars, The Celebrity Factor. From Warhol to Madonna,” Kunstahlle Wien, Vienna, Austria (cat.)
"Log Cabin," Artists Space, New York (curated by Jeffrey Uslip)
“Realit;-)t. 30 Video Works from the Goetz Collection in Munich. From Olaf Breuning to Sam Taylor-Wood,” Seedamm Kulturzentrum, Pfaffikon, Switzerland
“Jump Cut Nights,” SK Stiftung Kultur, Cologne, Germany
“Museumsnacht,” SK Stiftung Kultur, Cologne, Germany
“What’s New Pussycat?,” Museum für Moderne Kunst, Frankfurt, Germany (cat.)
“5 ans,” Collection Lambert en Avignon, Avignon, France
"Theorema. Une Collection Privee en Italie la Collection d'Enea Righi," Collection Lambert, Avignon, France
“The Wonderful Fund Collection,” La Musée de Marrakech, Marakech, Morocco (cat.)

2004
"The Future Has a Silver Lining. Geneologies of Glamour," Migros Museum für Gegenwartskunst, Zurich, Switzerland (cat.)
"The Ten Commandments," The Deutsches Hygiene-Museum, Dresden, Germany, (curated by Klaus Biesenbach) (cat.)
"100 Artists See God," The Jewish Museum San Francisco, San Francisco; Laguana Art Museum, Laguana Beach; Contemporary Art Center of Virginia, Virginia Beach (2005); Institute of Contemporary Arts London, London, UK (2005) (curated by John Baldessari and Meg Cranston) (cat.)
"A Fripon, Frion et Demi. Pour une Ecole Buissonniere," Collection Lambert, Avignon, France
"Drunk vs. Stoned," Gavin Brown's enterprise at Passerby, New York, organised by The General Store
"Marilyn: from Anastasi to Weegee," Sean Kelly Gallery, New York
"Aus acktuellem Anlass," Johann König, Berlin
"Let the Bullshit Run a Marathon," Nicole Klagsbrun, New York, curated by Nate Lowman

2003
"Love," Bregenzer Art Association and Magazin4, Berlin, Germany (cat.)
"Dust Memories," Swiss Institute, New York
"First Person," Mercer Union, Toronto, Canada, (curated by Kim Simon)
"Homeland," The Whitney Independent Study Program, New York
"20th Anniversary Exhibition," Gavin Brown's enterprise, New York
"Nation," Kunstverein Frankfurt, Frankfurt, Germany (curated by Rene Zechlin) (cat.)
"La Nuit Americaine," Yvon Lambert New York, New York
"Parle a Mes Peres," Collection Lambert at PhotoEspana, Madrid, Spain

2002
"Just Love Me: Post/Feminist Positions of the 1990s from the Goetz Collection," Bergen
Kunstmuseum, Bergen, Norway; Staatlich Kunsthalle, Baden-Baden, Germany; Sammlung Goetz, Munich, Germany (2002-3) (cat.)
"The Object Sculpture," The Henry Moore Institute, Leeds, UK (selected by
Tobias Rehberger, Joelle Tuerlinckx and Keith Wilson, curated by Penelope Curtis) (cat.)
"Tableaux Vivants," Kunsthalle Wien, Austria, curated by Sabine Folie and Michael Glasmeier (cat.)
"Non-Places," Kunstverein Frankfurt, Frankfurt, Germany (cat.)
"Dark Spring," Ursual Blickle Stiftung, Kraichtal-Unterowisheim, Germany, (curated by Liam Gillick) (cat.)
"Zusammenhaenge Herstellen," Kunstverein in Hamburg, Hamburg, Germany (cat.)
"Mensaje De Texto," Galeria Helga De Alvear, Madrid, Spain

2001
"The Americans. New Art," Barbican Art Gallery, London, UK (cat.)
"Casino 2001," Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, (curated by Jeanne Greenberg) (cat.)
"Tele(visions)," Kunsthalle Wein, Austria, curated by Joshua Decter (cat.)
"4FREE," Burofriedrich, Berlin, Germany (cat.)
"Video Mania," Migros Museum fur Gegenwartskunst, Zurich, Switzerland
"Annonyme," Rencontres Internationales de La Photographie, Arles, France (cat.)
"Fresh: The Altoids Curiously Strong Collection, 1998-2000," The New Museum of Contemporary Art, New York
"Desins," Ecole Regionale Des Beaux-Artes, Dunkerque, France
"Pause," Marc Foxx Gallery, Los Angeles
“Metropolis Now” Brusan Kültür Sanat, Istanbul, Turkey (cat.)

2000
"Over the Edges," Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (curated by Jan Hoet and Giacinto di Pietrantonio) (cat.)
"Greater New York: New Art in New York Now," P.S. 1, New York (cat.)
"Making Time: Considering Time as a Material in Contemporary Film &
Video," Palm Beach Institute for Contemporary Art, Palm Beach, Florida; UCLA Hammer Mueum, Los Angeles (curated by Amy Cappellazzo) (cat.)
"New York Projects," Delfina Project Space, London, UK (curated by Luke Dowd)
"Achieving Failure: Gym Culture 2000," Thread Waxing Space, New York, curated by Bill Arning
"New Work from New York," Cheekwood Museum of Art, Nashville
"Pop Unlimited," Special Program, International Short Film Festival
Oberhausen, Germany (cat.)

1999
"Zeitwenden -The Outlook," Kunstmuseum Bonn, Bonn, Germany; Museum Moderner Kunst Stiftung Ludwig Wein, Austria, Germany (cat.)
"Regarding Beauty in Performance and Media Arts, 1967-1998; Program III- Icons of Beauty," Hirschorn Museum and Sculpture Garden, Washington DC; Haus der Kunst, Munich, Germany (cat.)
"The Opening. the Collection in the New Museum of Contemporary Art of Contemporary Art," Stedelijk
Museum voor Actuele Kunst, Ghent, Belgium (cat.)
"Exit," Chisenhale, London, UK (curated by Allison Gingeras)
"Persuasion: Tales of Commerce and the Avant-garde," University at Buffalo Art Gallery/Research Center in Art + Culture, Buffalo (cat.)
"interplay," The Contemporary Museum of Art, Tucson, Arizona, (curated by Caitlin
Masley)
"New York Neither/Nor," Grand Arts, Kansas City (curated by Bill Arning)
"Conceptual Art as Neurobiological Praxis," Thread Waxing Space, New York (curated by Warren Neidich)
"A Place Called Lovely," Greene Naftali Gallery, New York (curated by Sima Familant)

1998
"Invited Exhibition of Visual Art 1998," Limerick City Gallery of Art,
Limerick, Ireland (cat.)
"Cambio," Museo Universitario del Chopo, Mexico City, Mexico (cat.)
"Oriental Nights," Gavin Brown's enterprise, New York
Group Show, The Fifth International, curated by Jennifer Bornstein and Chivas Clem, New York
"Biovoid," Museum of Natural History, Lisbon, Portugal (cat.)
"Tune In," Lawing Gallery, Houston
"Superfreaks: Post Pop & the New Generation; Part I, Trash," Greene Naftali Gallery, New York

1997
"Bring Your Own Walkman," Achterzaal, Amsterdam, Holland (curated by Jack Jaeger)
"Thriller," 303 Gallery, New York (curated by Tom Borgese Group Show); Andrew Kreps Gallery, New York
Hotel 17 performance series, 192 Third Avenue, New York

1996
"Password: Ferdydurke," Postmasters Gallery, New York
"The Strange Power of Cheap Sentiment," White Columns, New York (curated by Bill Arning)
"Facing the Millennium," The Arlington Museum of Art, Arlington (curated by Kenny Schacter)

1995
"Gang Warfare," Independent Art Space, London, UK; McKinney Avenue Contemporary, Dallas; The Consortium, Dijon, France (curated by Michael Corris) (cat.)
"Looky Loo," Sculpture Center, New York (curated by Kenny Schachter) (cat.)

1994
"Played," Printed Matter, New York (curated by Kenny Schachter)

1993
Arts Festival of Atlanta, Atlanta (cat.)

1992
"Morality Cafe," Postmasters Gallery, New York

1991
"Unlearning," 142 Greene Street, New York (curated by Kenny Schachter)

1989
"Document and Dream," Artists Space, New York (curated by Dan Walworth) (cat.)


Solo Screenings

2009
Light Industry, Brooklyn

2005
L'Entrepot, Paris, France (presented by Ann Bonnin)

2000
"Personal Cinema Program," Millennium, New York


Curatorial Projects

2012
“We the People,” Robert Rauschenberg Foundation, New York (curated by Jonathan Horowitz & Allison Gingeras)

2006
"Two Friends and So On," Andrew Kreps Gallery, New York (curated by Jonathan Horowitz & Rob Pruitt)

2001
"Two Friends and So On," Marc Foxx Gallery, Los Angeles (curated by Jonathan Horowitz & Rob Pruitt)

2000
"Two Friends and So On," Andrew Kreps Gallery, New York (curated by Jonathan Horowitz & Rob Pruitt)

1996
“Howard the Duck,” zing magazine, Autumn-Winter


Publications by Artist

2010
Horowitz, Jonathan, “This is This,” Mousse Magazine Peephole #4, Spring

2001
Horowitz, Jonathan, “Help Name My Cat,” Kunsthalle St. Gallen

1999
Horowitz, Jonathan, “The Universal Calendar,” Kunstmuseum Bonn

1998
Horowitz, Jonathan, “Bach Two Part Invention #9,” Audio CD, self-published

1997
Horowitz, Jonathan, “Stairmaster Anthology,” self-published


Selected Bibliography

2012
Chayka, Kyle, “Does Authentic Social Critique Have a Place in Miami Fair Week?” Hyperallergic.com, December 8, 2012
Velasco, David, “Collins Calling,” Artforum.com, December 8, 2012
Baumgardner, Julie, “Fashion Crowd Celebrates a Free Store with Net-a-Porter in Miami,” Elle.com, December 7, 2012
Binlot, Ann, “Richard Phillips and Cecilia Dean Give and Get at Jonathan Horowitz’s “Free Store,” Artinfo.com, December 7, 2012
Kennedy, Randy, "Voting Against Ruffled Feathers," The New York Times, November 1
Kennedy, Randy, “Leaving Polarization At the Door,” The New York Times, September 27
Bonami, Francesco, "La cultura e il potere," La Stampa, September 18
Toroian Keaggy, Diane, "Director wants Contemporary to be community living room," St. Louis Today, September 8
"Jonathan Horowitz's Mirror Self Portraits At Gavin Brown Enterprise," The HuffingtonPost, March 15
Plagens, Peter, "The Looking-Glass Selves," Wall Street Journal, March 31

2011
Cooper, Ivy, "Review: White Flag examines art's meaning," St. Louis Beacon, November 24
Wilson, Calvin, "White Flag's 'Day of the Locust' deals with failed idealism," stltoday.com, November 11
Barone, Laura Elizabeth, "Day of the Locust at White Flag Projects," Temporary, November 10
Sekhri, Rajiv, "Freemasonry, Al-Qaeda Secrets Exposed in Frankfurt for Puzzlers," Bloomberg, July 19
Doubai, Rosalie, Review, Time Out London, March 22

2010
Cosgrove, Jessica. “An Artist’s Impression,” The Courier, December 15
Black, Catriona, "Maximising Impact," The Herald Scotland, November 26
Cairns, Steve, "In Conversation: Jonathan Horowitz," MAP, Autumn Issue
Harris, Jane, "Dinner Conversation", Art in America, June 16
Bodin, Claudia, “Alle Macht Den Veganern!”, Art Germany Online, May 20
http://www.art-magazin.de/kunst/29766/gavin_brown_new_york
Yablonsky, Linda. “A Vegan Meat Locker with a Heartbeat,” T Magazine,
May 13
Jackson, Candace. “Downtown Art Show Sends Meat Packing,” The Wall Street Journal,
May 8
Siegel, Miranda. “Going the Way of All Flesh,” New York Magazine, May 7
"Fashion People Are People Too." Project. V Magazine 63, Spring Preview: 52-3

2009
Bell, Kirsty. “State of the Nation,” Frieze Nov./Dec.: 112-117
McGinley, Ryan. “My Top 10 Art Films.” Vice Magazine Sept.: 40-1
Tollmann, Vera. “Jonathan Horowitz, Apocolypto Now.” goethe.de/climate. Online. Sept. << http://www.goethe.de/ges/umw/prj/kuk/wwt/nor/jho/en4967053.htm>>
Rabottini, Alessandro. "As Tim Gunn Would Say." Interview. Mousse Summer: 23-5
“Was ihr wolt,” Monopol July: 45
Lack, Jessica. “Artist of the Week: Jonathan Horowitz,” Guardian UK Online 20 May
“Rebranding America.” Project. Paper Magazine May: 62
Ochalla, Bryan. "Acting Up." Interview. A&U: America's AIDS Magazine April: 18-21
Schreiber, Daniel. “Der diskrete Democrat.” Monopol April: 74-81
Pulimood, Steve. “Jonathan Horowitz: And/Or,” Art in America April
Hawgood, Alex. “The Insider: Jonathan Horowitz.” Interview. T Magazine Blog. Online. 13 March
<< http://tmagazine.blogs.nytimes.com/2009/03/13/the-insider-jonathan-horowitz/ >>
Cordeiro, Will. “NYC’s P.S.1 Offers The Good and The Ugly.” The Cornell Daily Sun 24 March
Halle, Howard. Review of “And/Or.” Time Out New York March: 19-25
“Pillow Talk at Calvin Klein Collection Flagship.” WWD.com. Online. 13 March
<< http://www.wwd.com/fashion-news/fashion-scoops/pillow-talk-at-calvin-klein-collection-flagship-2070485// >>
Beasley, Mark. “What to see this month by Mark Beasley.” Art Review March
Cotter, Holland. “When a Can of Worms Is Opened, An Artist Does Some Fishing.” Review of "And/Or" at P.S. 1. New York Times 25 Feb.: C1, 7
Decter, Joshua. Review of "Obama '08." Artforum Jan.: 207-8

2008
Bollen, Christopher. “15 for ’09.” Interview. Interview Dec/Jan.:
della Porta Raffo, Mauro. “Obama Story.” Vanity Fair Italia 11 Dec.: 1, 46-48
Kley, Elisabeth. “Gotham Art & Theater.” Artnet Magazine 2 Dec.
<< http://www.artnet.com/magazineus/reviews/kley/kley12-01-08.asp >>
Hintz, Katie. “Celebrating Art, Commerce, Oh And History, At Gavin Brown.” style.com. Online. 5 Nov. << http://www.style.com/stylefile/2008/11/celebrating-art-commerce-oh-and-history-at-gavin-brown/ >>
Pearse, Emma, “Artist Jonathan Horowitz Is Just As Excited As You Are.” New York Magazine Vulture Blog. Online. 5 Nov.
<< http://nymag.com/daily/entertainment/2008/11/artist_jonathan_horowitz.html >>
Alexsander, Irina. “Art Meets Life! If Obama Loses, Gavin Brown Will Have a Lot of Extra Balloons.” The New York Observer. Online. 4 Nov.
<< http://www.observer.com/2008/o2/art-meets-life-if-obama-loses-gavin-brown-will-have-lot-extra-balloons >>

2007
Johnson, Ken. "Never Mind the Map: Sometimes New York is More of an Idea." New York Times 21 Dec.
Baier, Simon. Jonathan Horowitz at Galerie Barbara Weiss, Berllin. Text Zur Kunst 68, Dec.
Uovo Magazine, Collaboration with Rob Pruitt, Issue 15, Oct – Dec., p. 286-89, 312-13
Lyall, Sarah, "In London, Art and Commerce Scratch Backs," New York Times 13 Oct.
Searle, Adrian, "Frieze Art Fair: Tenner For Your Thoughts, Dinos?" The Guardian 11 Octt.
Williames, Eliza. "Collecting Overview: Vanessa Branson." Flash Art Oct.
Heiser, Jörg. "Jonathan Horowitz, Galerie Barbara Weiss, Berlin, Germany." Frieze.com. Online. 2 Sept. <<http://www.frieze.com/shows/review/jonathan_horowitz/>> Reichensperger, Petra, "Krieg und Kultur," Zitty, das Hauptstadsmagazin 19 Sept.
Brigitte Werneburg, "Kunstrundgang, Jonathan Horowitz, People Like War Movies," die Tageszeitung 5 Sept.
Stange, Raimar. "Jonathan Horowitz, People Like War Movies." Spike Art Quarterly 13: 110-111.
Stange, Raimar. "Reviews: Jonathan Horowitz, Galerie Barbara Weiss." Modern Painters Nov.: 99

2006
Smith, Roberta, "Menace, Glitter and Rock in Visions of Dystopia." New York Times 29 Dec.
Smith, Roberta, "Critic's Notebook; Chelsea Is a Battlefield: Galleries Muster Groups." New York Times 28 July.
Biesenbach, Klaus, “Into Me / Out of Me,” Flash Art , May/June 06: (ill. p 104)
Coomer, Martin. Rev. of "Rome." Time Out London 26 Sept.
Saltz, Jerry, “Our Crowds: a two headed butterfly flapping its wings,” Village Voice, July 6
The Wrong Gallery. “Tarzan and Jane: America – Kara Wallker and Jonathan Horowitz.” Interview/project. Domus 891, April: 122-5.
Wang, Michael. “Scene and Herd: Fair Game.” Artforum.com. Online. 15 March
<<http://www.artforum.com/diary/id=10598>>
Saltz, Jerry. “Biennial in Babylon.” Village Voice 8 March: 86.

2005
Higgs, Mathew. “Best of 2005.” Artforum Dec.: 258-9.
Belaief, Margherita. Rev. of “The New Communism.” Exibart Nov.: 56.
Rimanelli, David. “Scene and Herd: The More the Scarier.” Artforum.com. Online. 21 Oct. <<http://www.artforum.com/diary/id=9670>>
Maekawa, Akane. Ryuko Tsushin vol. 505, July: 62-63.
Ammirati, Dominick. "Profile: Jonathan Horowitz." Contemporary 71: 62-5.
Horowitz, Jonathan and Pruitt, Rob. “A Peacock Hill Family Album.” Photo portfolio. Zing Magazine 20, Winter: 216-31.
Cotter, Holland. Rev. of "Log Cabin." New York Times 28 Jan.
Gray, Zoe. Rev. of "Genealogies of Glamour." Contemporary 70.
The Wonderful Fund Collection, published by The Wonderful Fund, Great Britain
Gingeras, Alison. “Purple News.” Purple Fashion No. 3, Spring/Summer: 38.

2004
Gingeras, Alison. "Best of 2004." Artforum Dec.: 151-2, cover.
DeBellevue, Lucky. "The Artists' Artists." Artforum Dec.: 76.
Bollen, Christopher. "Art Lives: Jonathan Horowitz." Interview. Vman Fall-Winter: 71.
Horowitz, Jonathan, as told to Dominick Ammirati. "My Pop." Artforum Oct.: 48.
"Electoral Collage: A Portfolio." Commissioned artwork. Artforum Sept.: 237.
Baker, Christopher, photographer. "About Face." Martha Stewart Holiday Halloween: 44-
51, cover.
Huster, Wiebke. "Was die Filme verschweigen." Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Frankfurter Allgemeine Zeitung 21 Aug.: 47
Scharrer, Eva. "Critics Picks." Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Artforum.com. Online. 19 Aug. <<http://www.artforum.com/archive/id=7408>>
Herbstreuth, Peter. "Mischbrot mit Peitsche." Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Tagesspiegel 24 July: 24.
Muller, Katrin Bettina. "Irrlichternde Einzelbilder." Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Tageszeitung 5 July: 23.
Jana, Reena. Rev. of "La Nuit Americaine." ARTnews May.
Verdier, Evence. Rev. of Jonathan Horowitz at Galerie Yvon Lambert. Artpress Feb: 80-81.

2003
Rosenberg, Karen. Rev. of "Dust Memories." Frieze Oct.: 126-7.
Yablonsky, Linda. Rev. of "Dust Memories." Time Out New York 19 June: 60.
"Focus Video and Film, Contemporary Video Art (Part II): Jonathan Horowitz."
Flash Art Mar.-Apr.: 94.
Exley, Roy. Rev. of "Pillow Talk." Flash Art Feb.: 114.
Hammonds, Chris. Rev. of "Pillow Talk." Tema Celeste 95, Feb.: 96.
Johnson, Ken. Rev. of "Surreal Estate." New York Times 6 June.
Lafreniere, Steve. "Rob Pruitt and Jonathan Horowitz with Steve Lafreniere." Interview. Index Sept.-Oct.: 62-68.
Levin, Kim. "Short List: Jonathan Horowitz and Rob Pruitt." Village Voice
11 June.
"NYC: Overrated and Underrated." Time Out New York 20 Feb.: 11.
Mulvihill, Keith. "American Gothic." Time Out New York 29 May: 28-9.
Schwendener, Maria. Rev of "Surreal Estate." Artforum.com. Online. 4 June.
<<http://artforum.com/archive/id=4948>> 

2002
Clem, Chivas. Rev. of "Go Vegan!" Time Out New York 5 Dec.: 65.
Herbert, Martin. Rev. of "Pillow Talk." Time Out London. 30 Oct.
Johnson, Ken. Rev. of "Go Vegan!" New York Times 13 Dec.: E44.
Colman, David. "House of 8 Gables, Back in Black." New York Times 31 Oct.: F1+.
Keil, Frank. "Schwimmtofu an Schweineportrat." Rev. of "Zusammenhaenge Herstellen." Frankfurter Rundschau 7 Aug.
Schone, Veronika. "Diat im Kontext." Rev. of "Zusammenhaenge Herstellen." Szene Hamburg Aug.: 62-3.
Dezeuze, Anna. Rev. of "The Object Sulpture." Art Monthly July-Aug.
Schellen, Petra. "Nach dem Mull-clash." Rev. of Zusammenhaenge Herstellen." Tageszeitung 2 July.
Lubbock, Tom. "Colourvision." Rev. of "The Object Sculpture." Independent Review 4 June.
Fricke, Harald. Rev. of "4FREE." Artforum Mar.: 149.
Farquharson, Alex. Rev. of "The Americans: New Art." Artforum Mar.: 136.

2001
Mac Giolla Leith, Caoimhin. Rev. of "The Americans. New Art." Modern Painters Winter.
Rose, Matthew. "The Unexplained Explained ... Sort Of..." Interview. art-the magazine. Online. May. <<http://www.art-themagazine.com/pages/paris4.htm>>
Boyer, Charles-Arthur. Rev. of Jonathan Horowitz and Slater Bradley at Galerie Yvon
Lambert. Art Press 269.
Von Schlegell, Mark. "Luis Gispert, Jonathan Horowitz, John Williams." Rev. of "Pause." Artext May-July: 76-7.
Reproduced artwork. Issue 5 1.5: 143.
Arning, Bill. "Defeating the Universal Spectator." NU: The Nordic Art
Review vol. lll, no. 1: 68-71.
Moffatt, Laura. Rev. of "New York Projects." Art Monthly Sept.: 48-9.
Coomer, Martin. Rev. of "New York Projects." TimeOut London 23 Aug.: 52.
Eagly, Ursula. Rev. of "The Jonathan Horowitz Show." Art News Summer: 210.
Haye, Christian. "Not Afraid of Love." Reproduced artwork. Dutch May-June: 26-7.
Schmerler, Sarah. Rev. of "The Jonathan Horowitz Show." TimeOut New York 27 Apr.: 70.

2000
Anton, Saul. "Openings: Jonathan Horowitz." Artforum Nov.: 142-3.
Hainley, Bruce. "Blow Up." Reproduced artwork. Frieze May: 72.
Hunt, David. "Pumping Iron." Rev. of "Achieving Failure: Gym Culture 2000." TimeOut NY 13 Apr.: 69.
Levin, Kim. Rev. of "The Jonathan Horowitz Show." Village Voice 25 Apr.
Anton, Saul. Rev. of "The Jonathan Horowitz Show." Citysearch.com. Online. Apr.
Mendelsohn, Meredith. "Weekend Update." Artnet.com. Online. 4 Apr. <<www.artnet.com/magazine/reviews/mmendelsohn/mendelsohn4-4-00.asp>>
Skelton, Carl. "Bewitched." Rev. of "A Place Called Lovely." dART International 3.1: 36+.

1999
Ellegood, Anne. Rev. of "A Place Called Lovely." NY Arts Oct.
Van-Huy, Bernadette and Kelsey, John. "Tea No. 2: Rob Pruitt and
Jonathan Horowitz." Interview. Made in U.S.A. Fall-Winter: 58-62.
Thornson, Alice. "But Seriously-Or Not." Rev. of "New York Neither/Nor." Kansas City Star 4 July.
van der Hamsvoord, Jos. "American Contemporary Artists: Jonathan Horowitz." Artnet Academy Mar.: 37.
Smith, Roberta. Rev. of "Free Coke." New York Times Feb. 6.
Arning, Bill. Rev. of "Maxell." Art in America Jan.: 98-9

1998
Fahl, David. Rev. of "Tune In." Artlies 19.
Schmerler, Sarah. Rev. of "Superfreaks-Post Pop & the New Generation." TimeOut New York 12 Mar.
Schachter, Kenny, et. Al, Cambio, published by The Mexican Cultural Institute of New York, New York, NY

1997
Schulz, J. Rev. of "Password: Ferdydurke." World Art 12: 91

1996
Mitchell, Charles Dee. "Eastern Seaboard." Rev. of "Facing the Millenium." Dallas Morning Star, 28 Nov.
Levin, Kim. Rev. of "Password: Ferdydurke." Village Voice 12 Nov.

1995
Barrett, David. Rev. of "Sex and Drugs and Explosives." Art Monthly May.


Selected Publications

2009
Bovier, Lionel, and Taylor, Kelly, eds, “And/Or: Jonathan Horowitz,” JRP Ringier, Zurich, Switzerland

2008
Rattemeyer, Volker, ed, “Lines, Grids, Stains, Words,” Spangeberg: Werbedruck GmbH, Germany

2004
Goetz, Ingvild, and Urbaschek, Stephan, eds, “Fast Forward. Media Art Sammlung Goetz,” Ingvild Goetz

2002
Grosenick, Uta, “Art Now,” Taschen, New York

1998
Muller, Markus, and Groos, Ulrike, eds, “Make it funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst,” Oktagon, Cologne, Germany


Public Collections

Museum Ludwig, Cologne, Germany
Centre Georges Pompidou, Paris, France
Museum of Modern Art, New York
Museum für Moderne Kunst Frankfurt am Main, Frankfurt am Main, Germany
Tate Modern, London, UK
Metropolitan Museum of Art, New York
Stedelijk Museum voor Actuele Kunst, Ghent, Belgium
Museum of Contemporary Art, San Diego
Migros Museum Museum fur Gegenwartskunst, Zürich, Switzerland
Collection Lambert, Avignon, France
New Museum of Contemporary Art of Contemporary Art, New York
Sammlung Goetz, Munich, Germany
Le Musée d’Art Moderne Gand-Duc Jean, Luxembourg City, Luxembourg